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12. bis 28. Juni 2009 Neuer Garten erbaut 1791 bis 1793 Palmensaal Konzertsaal FriedrichWilhelms II. Veranstalter Musikfestspiele Sanssouci Liebe Gäste, Dear guests und Nikolaisaal Potsdam gGmbH die Liebe zum Violoncello und seine be- The fact that King Friedrich Wilhelm II achtlichen Fertigkeiten auf diesem In- of rising Prussia not only loved the vio- in Zusammenarbeit mit der strument machen Friedrich Wilhelm II., loncello but also possessed great skills den König des aufstrebenden Preußen, as a violoncellist himself won him the für Euro pas Komponisten hochinteres- attention of composers all over Euro- sant. 1787 widmet ihm Joseph Haydn, pe. In 1787 Joseph Haydn, then Prince Kapellmeister in fürstlich-esterházyschen Esterházy’s court composer, dedicates Diensten, seine sechs »Preußischen Quar- his six »Prussian Quartets« op. 50 to tette« op. 50. Es ist wahrscheinlich, dass the king in Prussia. We can assume the der König dem musikalischen Geschenk king listened to the pieces in his newly dann in seinem neu erbauten Kammer- built concert hall for chamber music: the musiksaal lauschte, dem Palmensaal der Palm Hall in the Orangery Palace in the Gefördert durch Orangerie im Neuen Garten. New Garden. die Landeshauptstadt Potsdam das Ministerium für Wissenschaft, Forschung Dass Haydn in seinem Opus 50 dem The special attention he paid to the cel- und Kultur des Landes Brandenburg Cello ein besonderes Gewicht gab und lo in his opus 50 was an homage to the das Ministerium für Infrastruktur und Raumordnung des Landes Brandenburg damit erstmals alle Stimmen wie gleich- Prussian king. As it was the first time mit Mitteln des Hauptstadtvertrages berechtigte Solisten behandelte, war that all instruments were treated with eine Hommage an den preußischen Kö- equal importance like soloists, it was Mit freundlicher Unterstützung nig, zugleich aber auch ein Meilenstein also a milestone in the development of Österreichisches Kulturforum Berlin in der Entwicklung des Streichquartetts, the string quartet often referred to as Potsdamer Rex Pils Haydns »eigener« Gattung, und der neu- Haydn’s »very own« genre and the new Potsdamer Neueste Nachrichten en Tonsprache der Wiener Klassik. tonal language of Viennese classicism. Audi Vertriebsbetreuungsgesellschaft mbH Deutsche Bank AG Zum Jubiläum 2009 erleben Sie während During Musikfestspiele Potsdam Sans- Gegenbauer Holding SA & Co. KG der diesjährigen Musikfestspiele, dass souci in his anniversary year you will Seminaris SeeHotel Potsdam Joseph Haydn viel zu lange im Schatten experience that Joseph Haydn has been Steigenberger Hotel Sanssouci seiner Kollegen Mozart und Beethoven clouded by his colleagues Mozart and Kongresshotel am Templiner See gestanden hat. Sie haben die Chance, Beethoven for far too long. Rediscover Hotel Bayrisches Haus aus seinen Augen das 18. Jahrhundert the 18th century through his eyes and outfit Außenwerbung als eine Epoche der Neugier und des Auf- let us take you to an age when the world primeline.Werbemedien bruchs neu zu entdecken – eben »Haydns was full of curiosity and change – let us Seipt. Media Welt«. take you to »Haydn’s World«. Kulturradio des rbb rbb Fernsehen Antenne Brandenburg Unser besonderer Dank gilt der großar- May we express our gratitude to thank our Deutschlandradio Kultur tigen materiellen und ideellen Unter- supporters, our sponsors and our friends Förderverein Pfingstberg in Potsdam e.V. stützung unserer Förderer, Sponsoren for their magnificent contributions and Sixt Autovermietung Potsdam, Agentur Eiselt/Jahn GmbH und Freunde. their tremendous help and support. KPM Königliche Porzellan-Manufaktur Berlin GmbH K&K Event potsdam GmbH Seien Sie uns in Potsdam Sanssouci A very warm welcome to Förderverein der Musikfestspiele Potsdam Sanssouci e.V. herzlich willkommen. Potsdam Sanssouci. Ihre Yours Dr. Andrea Palent Prof. Dr. Hartmut Dorgerloh Künstlerische Leiterin Generaldirektor und Geschäftsführerin der der Stiftung Preußische Schlösser Musikfestspiele Potsdam Sanssouci und Gärten Berlin-Brandenburg Artistic and Managing Director General Director of the Prussian Palaces of the Potsdam Sanssouci Music Festival and Gardens Foundation Berlin-Brandenburg 1 2 Freitag Kirchenkonzert OpenAir im Schlosspark Freitag 12. Juni Friedenskirche Terrassen Orangerie Sanssouci 12. Juni 19.00 Uhr Sanssouci Maulbeerallee 22.00 Uhr EröffnungskonzErt All’ungArEsE Musik als edles Tagewerk: Sonnenaufgang bei den Esterházy Ein Feuerwerk ungarischer Lebenslust: Klassik(er) mit Pep und Paprika Joseph Haydn (1732-1809) Berühmter Sohn eines berühmten Vaters: Stargei- A famous son of a famous father: Die »Tageszeiten«-Sinfonien (1761): ger Joszef Lendvay trifft vor der beeindruckenden star violinist Joszef Lendvay meets the Sinfonie D-Dur Hob.I:6 »Le Matin« Kulisse der Orangerie Sanssouci auf die Branden- Brandenburg Symphonic Orchestra in burger Symphoniker. Ein Open Air mit Spielfreude, an impressive setting: Orangery Palace Gregor Joseph Werner (1693-1766) Leidenschaft und einer Prise Paprika! Sanssouci. An open-air concert packed aus: »Neuer und sehr curios-musicalischer with spirited performances, passion and ci ANSSOU Instrumental-Calender« (1748) Joseph Haydn (1732-1809) a pinch of pepper. (see also No. 6) »Juni« für Streicher und Basso continuo Rondo all’ungarese für Klavier und Orchester Klavierkonzert D-Dur, Hob.XVIII:11 Joseph Haydn Vivace – Un poco adagio – Rondo all’ungarese S Friedenskirche Friedenskirche Sinfonie C-Dur Hob.I:7 »Le Midi« Vittorio Monti (1868-1922) Czárdás für Violine und Zimbalon Gregor Joseph Werner Johannes Brahms (1833-1897) Renowned Italian ensemble Il Giardino »August« für Streicher und Basso continuo Ungarische Tänze für Orchester (Auswahl) Armonico, true stars of early music, Pablo de Sarasate (1844-1908) dedicate their talents to the young com- Joseph Haydn Zigeunerweisen poser working at the Esterházy court. Sinfonie G-Dur Hob.I:8 »Le Soir« Zoltan Kodály (1882-1967) Three early symphonies, »Morning«, Intermezzo für Zimbalon und Orchester »Noon« and »Evening«, celebrate (aus: »Háry-János-Suite«) the age of enlightenment’s joy of il GiArDiNO ArmonicO Johannes Brahms rationally arranging the world into Musikalische Leitung: Giovanni Antonini Rondo alla Zingarese: Presto space and time. Their counterparts are chamber concerts from the »Musical Das renommierte italienische Ensemble Il Giardi- Joszef lendvay, Violine Instrumental Calendar« by Haydn’s pre- no Armonico, wahre Stars der Alten Musik, wid- Michael leontchik, Zimbalon decessor and rivalling colleague Gregor met sich dem jungen Komponisten am Hof der Oliver Triendl, Klavier Joseph Werner. His pieces illustrate and Esterházy. Drei frühe Sinfonien, die dem Gang characterize the months in late-baroque der Tageszeiten Morgen, Mittag und Abend ge- BrandenburGer SyMPHONiKer style. It’s old and new, a clash between widmet sind, entspringen der Freude der Aufklä- Musikalische Leitung: Michael Helmrath illustration and the early classical rung an der rationalen Unterteilung der Welt in interest in feeling. Raum und Zeit. Ihnen sind Kammerkonzerte aus Feuerwerk: Olaf Gödeke dem »Musicalischen Instrumental-Calender« von Technik: Marc Mattukat, aem Potsdam Haydns Vorgänger und rivalisierendem Kollegen (siehe Konzert 6) Gregor Joseph Werner gegenübergestellt, die noch in spätbarocker Manier die Monate und ihre typischen Charakteristiken zeichnen. Alt und Neu, Illustration und frühklassisches Interesse an der Empfindung prallen aufeinander. Förderverein der Musikfestspiele Potsdam Sanssouci e.V. Giovanni Antonini 3 4 Sonnabend Schlosskonzert Kirchenkonzert Sonnabend 13. Juni Palmensaal Friedenskirche 13. Juni 17.00 Uhr Neuer Garten Sanssouci 19.00 Uhr klAssische imprEssionEn HAllElujA! Neues Licht auf Haydns Streichquartette! Pomp and Circumstance: Haydn und die englische Chortradition Joseph Haydn (1732-1809) Henry Purcell (1659-1695) Streichquartett D-Dur op. 71, Hob.III:70 »My beloved spake« (Verse Anthem), Z28 Georg Friedrich Händel (1685-1759) claude Debussy (1862-1918) »Blessed are they that considereth the poor«, Streichquartett a-moll op. 10 HWV268 (Foundling Hospital Anthem) Joseph Haydn (1732-1809) Maurice ravel (1875-1937) Missa in angustiis d-moll, Hob.XXII:11 Streichquartett F-Dur (»Nelson-Messe«) Palmensaal Neuer Garten Neuer Palmensaal Quatuor eBèNe liesbeth Devos, Sopran | renata Pokupic, Alt Pierre colombet, Violine John Mark Ainsley, Tenor | christopher Purves, Bass Gabriel le Magadure, Violine Mathieu Herzog, Viola Chor und Orchester der raphael Merlin, Violoncello AcADeMy OF ANcient MUSic Musikalische Leitung: richard egarr Die Reibereien zwischen den Erzrivalen Frankreich und Deutschland erfassen im 19. Jahrhundert alle 18.00 Uhr, Kaminzimmer der Superintendentur Haydn is completely overwhelmed: In Bereiche. Auf der Suche nach musikalischen Vor- Einführung: richard egarr im Gespräch London he witnesses the musical sump- bildern werden Impressionisten wie Claude De- mit carsten Hinrichs tuousness staged by the citizens of the bussy – vorbei am titanischen Stil Beethovens und empire to commemorate Handel, »their« dem Pathos Wagners – fündig bei Joseph Haydn. Haydn ist völlig überwältigt: In London ist er Zeuge great composer. Handel in turn had Sie lieben die leichten, lichtdurchfluteten Struk- des musikalischen Aufwands, mit dem Bürger des studied Henry Purcell who in his church turen seiner Streichquartette, erhellt von Geis- Empires »ihres« großen Händel gedenken. Eine music had been the first to combine tesblitzen und durchströmt von Herzenswärme. Aufführung des »Messiah«
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