Ram Renews Partnership with Juanes
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Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms
\\jciprod01\productn\H\HLS\7-1\HLS101.txt unknown Seq: 1 28-MAR-16 12:46 Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms Loren Shokes* In the age of iPods, YouTube, Spotify, social media, and countless numbers of apps, anyone with a computer or smartphone readily has access to millions of hours of music. Despite the ever-increasing ease of delivering music to consumers, the recording industry has fallen victim to “the disease of free.”1 When digital music was first introduced in the late 1990s, indus- try experts and insiders postulated that it would parallel the introduction and eventual mainstream acceptance of the compact disc (CD). When CDs became publicly available in 1982,2 the music industry experienced an un- precedented boost in sales as consumers, en masse, traded in their vinyl records and cassette tapes for sleek new compact discs.3 However, the intro- duction of MP3 players and digital music files had the opposite effect and the recording industry has struggled to monetize and profit from the digital revolution.4 The birth of the file sharing website Napster5 in 1999 was the start of a sharp downhill turn for record labels and artists.6 Rather than pay * J.D. Candidate, Harvard Law School, Class of 2017. 1 See David Goldman, Music’s Lost Decade: Sales Cut in Half, CNN Money (Feb. 3, 2010), available at http://money.cnn.com/2010/02/02/news/companies/napster_ music_industry/. 2 See The Digital Era, Recording History: The History of Recording Technology, available at http://www.recording-history.org/HTML/musicbiz7.php (last visited July 28, 2015). -
This Disseration Has Been Microfilmed Exactly As Received the University of Okiahoma
71^.12,608 PEREZ, Arturo, 1935- EL SINO SANGRIENTO; ESTUDIO TEMATICO EN LA POESIA DE MIGUEL HERn Xn DEZ. [Spanish Text]. The University of Oklahoma, Ph.D., 1971 Language and Literature, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA. GRADUATE COLLEGE EL SINO SANGRIENTO: ESTUDIO TEMÀTICO EN LA POESfA DE MIGUEL .HERNAnDEZ A DISSERTATION SUBMITTED TO WIE GRADUATE FACULTY in partial rulfilEnent of the requiremonto for the dep;roe of DOCTOR OF PHILOSOPHY BY ARTURO PÉREZ Norman, Oklahoma 1970 EL SINO SAÏÏGRIENTO: ESTUDIO T E M t ICO EN LA POESIA DE MIGUEL HERNÂNDEZ APPROVED BY M- G ja - u X ~ ,K7 ùma r- 0^^' / -7 DISSERTATION COI'MTTEE EN RECONOCIMIENTÜ Quiero dejar publica constancia de agradecimiento para con el Department of Health, Education and Welfare of the United States of America por la beca NDEA Title IV, concedida a través del Departarriento de Lenguas Modemas de la Universidad de Oklahoma. Asi mismo, mi reconocimiento y gratitud para el Profesorado de dicho Departamento y para cada uno de los miembros de mi Comité Doctoral; de manera especial, para el Dr. James Abbott cuya competencia académica, estimulo y amistad han dejado profunda huelia en mi carrera. Sincero testimonio de gratitud para mi esposa, Eaquel Garcia de Ferez, cuya continua y desinteresada colaboracion ha hecho posible el présente trabajo. 111 INDICE DE C A P f m O S Capitulo Pagina I. INTRODUCCIÔN: MIGUEL HERNAn DEZ Y LA. GENERACION DEL 2? . 1 II. LA SANGRE EWAMORADA.................................. l6 III. EL PRE3EÎITIMIENT0 DE LA MUERTE........................ -
Nycole Altchiler NON-UNION Height: 5’4” Weight: 115Lbs Hair: Red Eyes: Blue E Height: 5’10” Eyes: Brown Hair: Black
1115 Broadway, Suite 1056 | New York, NY | 10010 Phone: (646) 237-6928 | e-Fax: (646) 253-1258 www.msaagency.com Nycole Altchiler NON-UNION Height: 5’4” Weight: 115lbs Hair: Red Eyes: Blue E Height: 5’10” Eyes: Brown Hair: Black TEACHING/CHOREOGRAPHY NYFW Boy Meets Girl x Roots Show Choreographer/Dancer Chor. Nycole Altchiler Brickhouse Dance Choreographer/Teacher Dir. Gladys Banks Generation X Crew Choreographer/Teacher Dir. Kelly Peters SCC Dance Company Choreographer Dir. Natalia Terzi Molly Brazy Music Video Projects Movement Coach/Choreographer Dir. Katie Paul Monsters of Hip Hop Competition Choreographer Chor. Nycole Altchiler LIVE PERFORMANCE NYFW Boy Meets Girl x Roots Show Choreographer/Dancer Chor. Nycole Altchiler Phish BGE New Years Eve 2020 Dancer/Vocalist Chor. Jon Rua Porsche: Mission E Launch Dancer Chor. Binkie Masquerade Monsters of Hip Hop Cast Dir. Nappytabs/Tony Testa Yandel Tour: Dangerous Dancer Chor. Tanisha Scot Yandel Tour: De Lider a Leyenda Dancer Chor. Tanisha Scott WIL Entertainment Dancer Manager. Randy Jackson MUSIC VIDEO “Forever” by Justin Bieber Dance Video Dancer Chor. Tucker Barkley “Shameless” by Camila Cabello Dancer Chor. Calvit Hodge “El Peor” Chyno Miranda ft. JBalvin Choreographer/Lead Female Dir. Nuno Gomes “Pitch Perfect 2 Instructional Video” Dancer Chor. Aakomon Jones “Finished” Amen Ra Dancer Chor. Eric Negron “The Business of Emotion” Big Data Dancer Chor. Elena Vazintaris TELEVISION The Today Show Jennifer Lopez Dancer NBC/ Chor. Nappytabs Genesis Halftime Show 5 Seconds of Summer Dancer ESPN/ Chor. Eddie Morales Total Request Live Re-Launch DJ Khaled Dancer MTV/Chor. Kelly Peters/Tory Nelson MTV TRL Pitbull Step Team Dancer MTV/Chor. -
June 24, 2021
The Read all of the Macon County MACON COUNTY NEWSOnline •Free Weekly• & Shopping Guide themaconcountynewsonline.com June 24, 2021 • 32 Pages Volume 39 Number 6 FREE INDEPENDENT NEWSPAPER www.themaconcountynews.com Sheriff Holland will Suspect apprehended in early morning shooting not seek re-election Brittney Lofthouse –Contributing Writer Brittney Lofthouse – Contributing Writer Early Wednesday morning, just after midnight, officers After serving five terms as Sheriff and three decades in with the Franklin Police De- law enforcement, Macon County Sheriff Robert Holland has partment were dispatched to a announced that he will not be seeking re-election in 2022. disturbance at Walmart with “Throughout my 30-year career with the Macon County reports of gunshots fired. The Sheriff’s Office, I have been dedicated to this community shooter was firing rounds while serving in a wide variety of positions,” Sheriff Hol- from a 30/30 hunting rifle to- land said in his announcement on Friday morning. “For the ward a Walmart truck that was past 19 years, I have had the distinct privilege of serving as being unloaded by Walmart your sheriff. While carrying out my duties, I have always employees. tried to give my very best. I knew that, along with being No casualties or injuries elected sheriff, came the awesome responsibility of ensuring were sustained during the in- Phillip Buchanan the safety and security of our community. I am proud to have cident. always been associated with such a dedicated and profes- See SHOOTING page 4 sional group of officers and employees who continue to IN THIS ISSUE “I am proud to have been associated with such a dedicated and professional group of officers .. -
FIU Music Professor Nominated for Latin Grammy Award
FIU music professor nominated for Latin Grammy award http://www.examiner.com/x-1988-Miami-and-Fort-Lauderdale-... RSS | Go mobile | Favorite Examiners | Meet the Examiners Weather for Miami | 77° Scattered Clouds Search articles from thousands of Examiners Select your city Miami Immigration Attorney University of Miami MBA Mercedes Sosa 2 Grammys Experienced immigration attorneys. World class. Full time. Working Legendary singer and winner of 2 Call today for your consultation. Professionals. Executive MBA. Latin Grammys. Get Cantora 1 now! www.UsaImmigrationLaw.com www.umleaders.com/miami-bus.edu www.Borders.com/MercedesSosa Home Entertainment Business Family & Home Life News & Politics Sports & Recreation Photos Miami Arts and Entertainment Miami and Fort Lauderdale Performing Arts Examiner This article is part of Miami's Today FIU music professor nominated for Latin Grammy award November 5, 10:26 PM Miami and Fort Lauderdale Performing Arts Examiner Melanie Heywood Comment Print Email RSS Subscribe Previous Orlando Jacinto García, a music professor at Florida International University, has been nominated for a 2009 Latin Grammy Award in the Best Classical Contemporary Composition category for a work entitled cuatro asimetrias. The 10th Annual Latin Grammy Awards were held eariler today at the Mandalay Bay in Las Vegas. Popular Articles Professor Garcia wrote the piece for Spain-based entrequatre guitar Will Oprah Winfrey leave syndication for her own quartet The Asturias, who also recorded the song. network? Precious movie theaters opening release date Orlando Jacinto García Professor García is quite renowned in the music industry. According to November 6, 2009 for some cities, later date for www.fiu.edu an article from FIU, several distinguished soloists, ensembles and others orchestras have presented his music at various festivals in many of the major capitals of the world. -
El Colegio De La Frontera Sur Yudy Liliana Tibaduiza
EL COLEGIO DE LA FRONTERA SUR LA CURACIÓN COMO EXPERIENCIA: LA ZONA NORTE, SAN CRISTÓBAL DE LAS CASAS, CHIAPAS TESIS Presentada como requisito parcial para optar al grado de Maestría en Ciencias en Recursos Naturales y Desarrollo Rural Por YUDY LILIANA TIBADUIZA ROA 2010 TABLA DE CONTENIDO RESUMEN ......................................................................................................... 10 INTRODUCCIÓN ............................................................................................... 11 CAPÍTULO 1 ...................................................................................................... 13 MARCO TEÓRICO –METODOLÓGICO ............................................................. 13 1.1 La antropología médica ............................................................................ 13 1.1.1 Contribuciones de la antropología médica en Los Altos de Chiapas ..... 16 1.1.3 Efecto placebo –nocebo ......................................................................... 18 1.1.4 La eficacia simbólica .............................................................................. 19 1.1.5 Las emociones ....................................................................................... 22 CAPÍTULO 2 ...................................................................................................... 26 METODOLOGÍA ................................................................................................ 26 2.1 Análisis de la información ........................................................................ -
For the Year
BEE COUNTY BUDGET for the year "This budget will raise more total property taxes than last year's budget by $19,995, which is a increase, .42% of which $35,720 is tax revenue to be raised from new property added to the tax roll this year. TABLE OF CONTENTS ANNUAL BUDGET FISCAL YEAR 2009-201 0 BUDGET INFORMATION Page Table of Contents .......................................................................................................................... ii ... Budget Certificate ................................................................................................................... 111 Organization Chart ............... ... ............................................................................................... iv Directory of County Officials .............. .... ................................................................................. v Tax Rate By Funds ................................................................................................................. 1 Current Tax Collection History ................... .......... .............................................................. 2 Summary of Adopted Budget ......................................................................................................... 3 Summary of Budget Projections .................... .... ...................................................................... 4 Comparison of General Fund Budget Increasel(Decrease) ............................................................ 5 Statement of Indebtedness .................. -
Leia Um Trecho Em
tradução de paulo henrique pappen e karine simoni Copyright © 2016 Luca D’Andrea Esta edição foi publicada mediante acordo com Piergiorgio Nicolazzini Literary Agency (PNLA). título original La Sostanza del Male preparação Milena Vargas revisão Raphani Margiotta Beatriz D’Oliveira capa Guilherme Xavier imagem de capa Mika Mika/Getty Images diagramação Ilustrarte Design e Produção Editorial cip-brasil. catalogação na publicação sindicato nacional dos editores de livros, rj D176e D’Andrea, Luca A essência do mal / Luca D’Andrea ; tradução Paulo Henrique Pappen, Karine Simoni. - 1. ed. - Rio de Janeiro : Intrínseca, 2018. 368 p. ; 23 cm. Tradução de: La sostanza del male ISBN 978-85-510-0261-2 1. Ficção italiana. I. Pappen, Paulo Henrique. II. Simoni, Karine. III. Título. 18-47261 CDD: 853 CDU: 821.131.1-3 [2018] Todos os direitos desta edição reservados à Editora Intrínseca Ltda. Rua Marquês de São Vicente, 99, 3o andar 22451-041 — Gávea Rio de Janeiro — RJ Tel./Fax: (21) 3206-7400 www.intrinseca.com.br Para Alessandra, bússola para meus mares tempestuosos É sempre assim. No gelo, primeiro se ouve a voz da Besta, depois se morre. Blocos de gelo e abismos idênticos àquele em que eu me encontrava esta- vam cheios de alpinistas e escaladores que tinham perdido as forças, a razão e por fim a vida por culpa daquela voz. Parte da minha mente, a parte animal que conhecia o terror — porque no terror vivera por milhões de anos — compreendia o que a Besta estava sibilando. Oito letras: — Vá embora. Eu não estava preparado para a voz da Besta. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
Al Prin Cipio
AL PRIN CIPIO SIGMA DELTA PI Epsilon Beta Poesia y Prosa Cuaderno XXXIII Primavera 2018 POESIA POR LA PAZ A LA MEMORIA DE FEDERICO GARCIA LORCA Al principio Poesia y prosa CUADERNO xxXIII Primavera 2018 Índice BRINDIS TODO UN POEM,A AL PRINCIPIO es una publicación del Cap.EPSILON BETA de SIGMA DELTA PI auspiciada por Modern Languages Department brindis Beatriz Annette Ceja Beatriz Annette Ceja, LMSW, nació en Laredo, Texas, frontera con México. Desde muy chica tuvo una pasión para lo que le interesaba. De pequeña ella quiera hacer cantante y le encantaban los escenarios y de allí vino su pasión para la actuación. Empezó con shows de la escuela en la primaria y desde ahí continuó hasta la preparatoria en cuando encontró lo que hoy en día le motiva tener esta pasión, la poesía, y no poesía como cualquiera, a ella le interesó lo que en inglés se dice Spoken Word Poetry que viene haciendo la presentación de poesía en un escenario. Esta misma pasión que tiene en la poesía lo tiene para su trabajo profesional de trabajadora social. Beatriz habla sobres su tiempo antes Florecita La niña de ser trabajadora social. Aunque a ella le encantaban los escenarios, de La niña a veces no tenía que comer pequeña ella tuvo una infancia difícil. La niña siempre con frío sin nadie que la Desde muy chica Beatriz era calentase tiranizada por los otros niños de la La niña vivía sin amor escuela. Siempre se sentía como si no La niña escuchaba a la gente gritarle que fuera querida en diferentes aspectos de se fuera su vida.