Ry Cooder Paradise & Lunch Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Ry Cooder Paradise & Lunch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: Paradise & Lunch Country: Japan Released: 2008 Style: Folk, Blues Rock MP3 version RAR size: 1489 mb FLAC version RAR size: 1293 mb WMA version RAR size: 1218 mb Rating: 4.8 Votes: 316 Other Formats: MP4 DXD ADX AA FLAC MMF AUD Tracklist 1 Tamp 'Em Up Solid 3:19 2 Tattler 4:14 3 Married Man's A Fool 3:10 4 Jesus On The Mainline 4:09 5 It's All Over Now 4:49 6 Medley: Fool For A Cigarette/Feelin' Good 4:25 7 If Walls Could Talk 3:12 8 Mexican Divorce 3:51 9 Ditty Wah Ditty 5:42 Companies, etc. Distributed By – Warner Music Japan Inc. Manufactured By – Warner Music Japan Inc. Barcode and Other Identifiers Barcode: 4943674080694 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Paradise And Lunch (LP, MS 2179 Ry Cooder Reprise Records MS 2179 US 1974 Album) Paradise And Lunch (LP, MS 2179 Ry Cooder Reprise Records MS 2179 US 1974 Album) Paradise And Lunch (LP, MS 2179 Ry Cooder Reprise Records MS 2179 US 1974 Album) Paradise And Lunch (LP, P-4714R Ry Cooder Reprise Records P-4714R Japan 1974 Album) Paradise And Lunch (LP, REP 44 260 Ry Cooder Reprise Records REP 44 260 Germany 1974 Album) Related Music albums to Paradise & Lunch by Ry Cooder Ry Cooder - If Walls Could Sing 2 Fish - Little Boys' Lunch Ry Cooder - Crossroads Rising Sons Featuring Taj Mahal and Ry Cooder - Rising Sons Featuring Taj Mahal And Ry Cooder Paradise Lunch - Gun's & Roses Ry Cooder - Ry Cooder Ry Cooder - Lost In The Late Late Show Ry Cooder - On A Monday / Dark Is The Night Ry Cooder - Paradise And Lunch Lydia Lunch - in Limbo Ry Cooder - How Can A Poor Man Stand Such Times And Live Ry Cooder - Bop Till You Drop.

Copy Link

Recommended publications

Schedule Report
New Releases - 1 October 2021 SAY SOMETHING RECORDS • Available on stunning Red and Black Splatter vinyl (SSR027LP)! A collector's must!! • Featuring: Vocalist Colin Doran of Hundred Reasons, drummer Jason Bowld from Bullet For My Valentine and formerly Pitchshifter, Killing Joke • Full servicing to all relevant media • Extensive print & internet advertising • Print reviews confirmed in KERRANG! and METAL HAMMER • Featured interviews with ‘The Sappenin’ Podcast’ and ‘DJ Force X’ https://open.spotify.com/episode/0ZUhmTBIuFYlgBamhRbPHW?si=9O4x5SWmT2WbhSC0lR3P3g • For fans of: Hundred Reason, Jamie Lenman, Hell is for heroes, The Xcerts, Bullet For My Valentine, Biffy Clyro • Facebook: https://www.facebook.com/TheyFellFromTheSky Twitter: https://twitter.com/tfftsband Instagram: https://www.instagram.com/tfftsband/ • Soundsphere Magazine: https://www.soundspheremag.com/news/culture/colin-doran-jason-bowld-hundred-reasons-bfmv- pitchshifter-form-rock-studio-project-they-fell-from-the-sky/ GigSoup: https://gigsoupmusic.com/pr/colin-doran-jason-bowld-form-rock-studio-project-they-fell-from-the-sky-and- release-debut-single-dry/ The AltClub: https://thealtclub.com/they-fell-from-the-sky-release-new-single-dry/ Volatile Weekly: https://volatileweekly.com/2021/03/colin-doran-jason-bowld-hundred-reasons-bfmv-pitchshifter-form-rock- studio-project-they-fell-from-the-sky-and-release-debut-single-dry/ The Punksite: https://thepunksite.com/news/they-fell-from-the-sky-announce-debut-single-and-album/ Tinnitist: https://tinnitist.com/2021/03/22/indie-roundup-23-songs-to-make-monday-far-more-enjoyable/
[Show full text]
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000).
[Show full text]
Descobreix Les Possibilitats De La Música Digital
Descobreix les possibilitats de la música digital http://musicadigitalhospitalet.wordpress.com Produït per la Biblioteca Josep Janés en col·laboració amb el Centre de Creació Multimèdia de L'Hospitalet-Torre Barrina i la Biblioteca de Bellvitge L'Hospitalet de Llobregat, desembre de 2013 Què aprendrem amb/en aquest curs? ● Els moments més importants de la història de l’enregistrament sonor. ● Les definicions més comunament acceptades de so i música. ● A entendre i visualitzar els conceptes d’analògic i de digital. ● A conèixer les tres possibles situacions o estats legals d’una obra artística, literària o científica: copyright, copyleft i domini públic. ● A situar els límits del concepte legal de còpia privada. ● Els més importants serveis i recursos musicals que ens ofereix Internet, pel que fa a la cerca d’informació, l’escolta i la descàrrega. Què NO aprendrem amb/en aquest curs? ● Spotify ● iTunes/iPod ● DRM ● MIDI Sumari o itinerari 1. Què aprendrem amb aquest curs? 5. La llarga cua i el Million Song Dataset 2. Glossari 6. Informació musical 3. Què és la música digital? 4. Marc legal 7. Música sota copyright 4.1 Obra, autoria i drets 8. Música sota copyleft (drets d’autor i drets connexos) 9. Música sota domini públic 4.2 Copyright, entitats de gestió i pirateria intel·lectual 10. Repositoris d’àudio 4.2.1 Dret de còpia privada 11. Aplicacions d’escriptori 4.3 Copyleft: Creative Commons i altres 12. Aplicacions per a mòbils i tauletes 4.4 Domini públic Terminologia Definició: “Conjunt de termes propis d'un àmbit d'especialitat. Nota: En alguns casos s'utilitza també terminologia per a referir-se a un vocabulari o glossari.” Font: TERMCAT Què és la música digital? Què és so? Què és la música digital? El segle XX: dissolució de la frontera entre soroll i música Arnold Schönberg Creador del dodecafonisme, que implica el rebuig de les formes clàssiques, de les quals la més important és l'abandó de la tonalitat.
[Show full text]
1 THERESA WERNER: (Sounds Gavel.) Good Afternoon, and Welcome to the National Press Club. My Name Is Theresa Werner, and I Am T
NATIONAL PRESS CLUB LUNCHEON WITH JAMES TAYLOR SUBJECT: ELECTION REFORM: LIFE AS A POLITICAL SURROGATE MODERATOR: THERESA WERNER, PRESIDENT, NATIONAL PRESS CLUB LOCATION: NATIONAL PRESS CLUB BALLROOM, WASHINGTON, D.C. TIME: 12:30 P.M. EDT DATE: FRIDAY, DECEMBER 7, 2012 (C) COPYRIGHT 2008, NATIONAL PRESS CLUB, 529 14TH STREET, WASHINGTON, DC - 20045, USA. ALL RIGHTS RESERVED. ANY REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION IS EXPRESSLY PROHIBITED. UNAUTHORIZED REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION CONSTITUTES A MISAPPROPRIATION UNDER APPLICABLE UNFAIR COMPETITION LAW, AND THE NATIONAL PRESS CLUB RESERVES THE RIGHT TO PURSUE ALL REMEDIES AVAILABLE TO IT IN RESPECT TO SUCH MISAPPROPRIATION. FOR INFORMATION ON BECOMING A MEMBER OF THE NATIONAL PRESS CLUB, PLEASE CALL 202-662-7505. THERESA WERNER: (Sounds gavel.) Good afternoon, and welcome to the National Press Club. My name is Theresa Werner, and I am the 105th President of the National Press Club. We are the world’s leading professional organization for journalists committed to our profession’s future through our programming and events such as this while fostering a free press worldwide. For more information about the National Press Club, please visit our website, www.press.org. To donate to programs offered to the public through our National Press Club Journalism Institute, please visit press.org/institute. On behalf of our members worldwide, I'd like to welcome our speaker and those of you attending today’s event. Our head table includes guests of our speaker as well as working journalists who are National Press Club members. And if you hear applause in our audience, we would note that members of the general public are attending so it is not necessarily a lack of journalistic objectivity.
[Show full text]
OBSERVER Vol
OBSERVER Vol. 18 No. 5 November 30, 1977 Front Page Photograph Evan Hall Women and Religion Gina Fiering and Stephanie Carrow Stone Row A Modest Proposal: John Large Page 2 Bridging The Gap Elliot Junger The Tewksbury Inferno Page 3 Photograph Mike Iantosca Campus Wars Paul K. Spencer Pollution, Cancer, and Bard George Smith Finch Fries Jane Hurd Page 4 Viewpoints G. F. Levinson [“It is two months since Heinz Bertelsmann answered my 2/77 Observer article . .”] Burt Brody [“O.K. Ludlow-ites, . Established a pattern of doing exactly as you’ve wished to do, . .”] [“After reading Arthur Carlson’s letter, . The student community is in so much trouble.”] Edward Colon [“To the ‘illicit’ animal owning community and caring community: . John Loda, . .”] Paul S. Arthur [“ . Level charges of lack of energy against students who hate your paper . .”] Mike Long [“When The Observer holds its regular weekly meeting, . Why are you never present?”] Stephanie Carrow Associate Editor [“ . People are smoking in the dining alcove where smoking is . Not permitted.”] Lea Magee [“ . Appreciate Roy Lisker’s concern but shallow polemic and posturing do not . .”] Burt Brody Page 5 Photograph Mike Iantosca Records Ry Cooder Showtime Robert Levers The Lower Depths Sheila Spencer In Progress: “The Farm” Gina Fiering Page 6 Judaic Resources Rick Landau Recurring Vision Sheila Spencer Page 7 “Forget Stone Row . .” Art Carlson Page 8 The Almost Final Midget’s Voice Read This Article Danny O’Neill B Ball David Penberg Photograph Mike Iantosca volume 18 number 5 November 30, T977 · I come before you all with a began with an assertion that the - good deal of trepidation.
[Show full text]
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
[Show full text]
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON
[Show full text]
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
[Show full text]
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by ﬂoating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving oﬀ error messages) and the thought of the loss of all that data was crushing.
[Show full text]
The Dawn of Commercial Digital Recording
The Dawn of Commercial Digital Recording Presentation by Tom Fine Audio Engineering Society, NYC Section June 15, 2010 © 2010 Thomas Fine. All Rights Reserved. The Dawn of Commercial Digital Recording Agenda: 1. Summary of ARSC Journal article (http://www.aes.org/aeshc/pdf/fine_dawn-of-digital.pdf) 2. Listening session/discography – some digital firsts 3. Discussion/Q&A © 2010 Thomas Fine. All Rights Reserved. The Dawn of Commercial Digital Recording Perspective 1. Commercial Digital Recording is now 40 years old. 2. Electrical Recording was 40 years old in the mid-60’s. 3. Tape Recording for Commercial Releases in the U.S. was 40 years old in the late-80’s. 4. The CD has been around since 1982 (28 years). © 2010 Thomas Fine. All Rights Reserved. The Dawn of Commercial Digital Recording Pre-History 1. PCM first described as mechanical facsimile system (Western Electric, 1921). US Pat. 1,608,527 (1926). 2. Ground-breaking research for electronic PCM voice transmission by Alec H. Reeves (IT&T, Paris, 1937). French Pat. 852,183 (1938) and US Pat. 2,272,070 (1942). Described but not commercialized. 3. Good summary in “Analog-Digital Conversion” edited by Walt Kester, Analog Devices. (www.analog.com/library/analogdialogue/archives/39-06/data_conversion_handbook.html) © 2010 Thomas Fine. All Rights Reserved. The Dawn of Commercial Digital Recording SIGSALY (1943-46) (http://history.sandiego.edu/gen/recording/sigsaly.html) First digital quantization of speech and first PCM transmission of speech – 12 terminals © 2010 Thomas Fine. All Rights Reserved. The Dawn of Commercial Digital Recording Early Digital Transmission for Broadcasting 1.
[Show full text]
THE MAIN MAN "Paper Walls "
I JUNE 25, 1993 ISSUE #331 708 Stokes Road Medford, NJ 08055 phone: (609) 654-7272 fax: (609) 654-6852 TOP PRIORITY U2 NUMB HARD ACTS TO FOLLOW catant.FRnv CHANGE ALTERNATIVE PICK $iLvErl) E j THE BATS SILVERBEET INSIDE: HARD RITTER la JACOBS' NEW EDGE OUTLET: WMAD, MADIS011 • MEDIABASE RESEARCH AND PREMIER RADIO NETWORKS ANNOUNCE NEW MARKET MONITOR JOINT VENTURE • TRIPLE A PIONEER TOM TAIBER LEA VES WWCD,-COLUMBUS MD JANE WANG NAMED fNTERIM PD • MICHAEL ROSENBLATT RETURNS TO MCA AS Sr. VP/A&R II HERB ALPERT AND JERRY MOSS RELINQUISH .q&M POSTS • FORMER WEGX MORNING MAN JOHN LANDER WAKES UP SAN DIEGO • SPIRO INTERVIEWS BOB WA UGH ON THE EVE OF THE WHFStivcrl • PLUS, ALL KINDS OF ARBI7RENDS AND McGATHY PHOTO-OPS THE MAIN MAN "Paper Walls " (tile »ext track --rom Grammy-Awctr wmnin e, g ngerlsongwrtter marc co hn Ile new albtnn T H E R A I N Y S E A S O N JoH:li‘.z.egur kieN Pere ' wesli anagement THE ATLANTIC GR OUP n, 1 93 Atlantic Record.ng Corporat.on A I rne VVarner ,..ornpany TOP PRIORITY 2, "Numb", Island/KG Yep! New U2! It 's industrial, it's full ol booming bass, birds chirp, organs play (well, just a few notes) and UEdge sings! Though he doesn't show off his incredible range (he sings in monotone), Edge takes us through from beginning to end of the U2 new single and the effect is numbing (surprise!). This is the epitome of cool for U2 with a different texture and a different direction from past NUMB releases.
[Show full text]
Bikerbar Radio Songs March-01
BikerBar Radio Songs March-01 Song Name Artist Name Album Name 105 Fred Eaglesmith Lipstick Lies & Gasoline 2002 Bob Schneider Lonelyland 10 Six Days On The Road BR5-49 Coast to Coast Live 11 Cracker Jack BR5-49 Coast to Coast Live 29 Ways Marc Cohn Marc Cohn 300 Pounds Of Joy Howlin' Wolf The Chess Box (Disk 2) 59 Tweedle dee Rosie Flores Dance Hall Dreams A Mh ithr n, A' Leigfe ' Cathie Ryan The Music of What Happens A Night To Remember SHeDAISY The Whole SHeBANG A Road Is Just A Road Dixie Chicks Little Ol' Cowgirl A Thousand Miles from Nowhere Dwight Yoakam This Time Across The Great Divide Kate Wolf Gold In California Disc One Adeus Batucada (Synval Silva) Virginia Rodrigues Sol Negro Against The Wind Bob Seger Harley-Davidson Road Songs (Disc 1) Ain't That Always The Way Sawyer Brown The Dirt Road Airline Agent James McMurtry Walk Between the Raindrops Airplane Fell Down in Dixie Ray Wylie Hubbard Crusades of the Restless Knights Alabama Song Allison Moorer Alabama Song Alcohol & Pills Fred Eaglesmith Lipstick Lies & Gasoline All Of My Life Steve Earle Transcendental Blues All Shook Up Ry Cooder Get Rhythm All THese Old Things Were New Haggard, Merle If I Could Only Fly Alternator Fred Eaglesmith 50-Odd Dollars Am I Wrong Keb Mo Keb' Mo' Amor Verdadero Afro Cuban All Stars A Toda Cuba Le Gusta Angeline James McMurtry Too Long in the Wasteland Angels Singing Reverend Gary Davis Reverend Gary Davis Anna Lee Sonia dada A Day At The Beach Another Colorado Jimmie Dale Gillmore Spinning Around the Sun Another Town Steve Earle Transcendental
[Show full text]