Newsletter July 2018
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A PARTNER for CHANGE the Asia Foundation in Korea 1954-2017 a PARTNER Characterizing 60 Years of Continuous Operations of Any Organization Is an Ambitious Task
SIX DECADES OF THE ASIA FOUNDATION IN KOREA SIX DECADES OF THE ASIA FOUNDATION A PARTNER FOR CHANGE A PARTNER The AsiA Foundation in Korea 1954-2017 A PARTNER Characterizing 60 years of continuous operations of any organization is an ambitious task. Attempting to do so in a nation that has witnessed fundamental and dynamic change is even more challenging. The Asia Foundation is unique among FOR foreign private organizations in Korea in that it has maintained a presence here for more than 60 years, and, throughout, has responded to the tumultuous and vibrant times by adapting to Korea’s own transformation. The achievement of this balance, CHANGE adapting to changing needs and assisting in the preservation of Korean identity while simultaneously responding to regional and global trends, has made The Asia Foundation’s work in SIX DECADES of Korea singular. The AsiA Foundation David Steinberg, Korea Representative 1963-68, 1994-98 in Korea www.asiafoundation.org 서적-표지.indd 1 17. 6. 8. 오전 10:42 서적152X225-2.indd 4 17. 6. 8. 오전 10:37 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17. 6. 8. 오전 10:37 A PARTNER FOR CHANGE Six Decades of The Asia Foundation in Korea 1954–2017 Written by Cho Tong-jae Park Tae-jin Edward Reed Edited by Meredith Sumpter John Rieger © 2017 by The Asia Foundation All rights reserved. No part of this book may be reproduced without written permission by The Asia Foundation. 서적152X225-2.indd 1 17. 6. 8. 오전 10:37 서적152X225-2.indd 2 17. -
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things , research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ,changes will be made , At Taiwan . it will be related to somewhere of it ,At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR). -
A PRAGMATIC ANALYSIS of REFUSAL EXPRESSIONS USED by the FAMILY CHARACTERS in ORPHAN MOVIE a THESIS Presented As a Partial Fulfil
A PRAGMATIC ANALYSIS OF REFUSAL EXPRESSIONS USED BY THE FAMILY CHARACTERS IN ORPHAN MOVIE A THESIS Presented as a Partial Fulfillment of the Requirements for the Attainment of the Degree of Sarjana Sastra in English Language and Literature By Arum Sari 07211144028 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH EDUCATION FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF YOGYAKARTA 2012 MOTTOS “The only way to do great work is to love what you do.” (Steve Jobs) “Never try, never know” (Topik) v DEDICATION I dedicate this thesis to people whom I love most in the world: Bapak Bambang Setyawan and Ibu Rika Rostika Ningsih vi ACKNOWLEDGMENTS Alhamdulilah, all praise to be Allah SWT, the Almighty, and the Most Merciful without which I would have never finished this thesis completely. I would also like to give my deepest thank to: 1. Suhaini, M. Saleh, M.A as my first consultant and Paulus Kurnianta, M.Hum as my second consultant, without their advice, care and patience, this thesis would not have been finished; 2. my Pembimbing Akademik, Paulus Kurnianta, M.Hum. for his guidance; 3. all lectures in study program Language and Literature in Yogyakarta State University; 4. my parents, Bambang Setyawan and Rika Rostika Ningsih who have given me endless love, support and pray, so that I could finish this thesis; 5. my beloved sister, Sekar Galuh who always supports and prays for me; 6. my aunt Mama Enny Ratna Dewi who always gives me inspiration and supports me; 7. my kind-hearted cousin, Cubi Abi who always reminds me about this thesis; 8. -
Super Junior Official Fanclub E.L.F-Japan Magazine Vol.0014
SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Eunhyuk Qn 1 : The most treasurable item that you have since young is ? Ans : I had always received lots of letters from boys and girls and also friends since I was in an elementary school and I always kept and treasure them too. Qn 2 : The most difficult time that happened during the world tour is ? Ans: The environment and the setting conditions are different for each country, when it is time for a performance , the helicopter cannot be used due to it settings being different , we will try to collabrate the solutions that happened on the spot and then solve those problems, this requires a better performance to be organize properly, and the workload will be increased and be much heavier, although there’ll be certain parts that has much disturbence , but we had already gone through it , so not much of a big problem . Qn 3 : Do you have a MC and a schedule for every different country ? Ans : For MC cases , we will try to use this country language , When organizing for South America tour , basically is using Spanish to communicate , we did some preparations . Qn 4 : In [Lo siento] , a Latin style and a passionate , sexy attitude is formed , being SUPER JUNIOR what type of challenge in style will you want to try out after today ? Ans : We have already given everyone a lot of different styles, why no return to this kind of fresh and cheerful style is not bad though. -
I. Introduction
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 93 – 2018 1 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) General Editor: Jon Dunbar Copyright © 2019 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; Email: [email protected] Visit our website at www.raskb.com TRANSACTIONS Volume 93 – 2018 Contents The Diamond Mountains: Lost Paradise Brother Anthony 1 Encouragement from Dongducheon 19 North Korean Fragments of Post-Socialist Guyana Moe Taylor 31 The Gyehu Deungnok Mark Peterson 43 “Literature Play” in a New World Robert J. -
Building the Nation: the Success and Crisis of Korean Civil Religion
religions Article Building the Nation: The Success and Crisis of Korean Civil Religion Andrew Eungi Kim 1 and Daniel Connolly 2,* 1 Division of International Studies, Korea University, Anam-ro, Seongbuk-gu, Seoul 02841, Korea; [email protected] 2 Division of International Studies, Hankuk University of Foreign Studies, Seoul 02450, Korea * Correspondence: [email protected] Abstract: Civil religion refers to a country’s beliefs, symbols, and rituals that bolster national unity and strengthen its citizens’ sense of identity and belonging. However, the literature on civil religion is divided between those who attribute it to bottom-up cultural spontaneity and those who see it as an ideological top-down construction. Moreover, there has been a relative lack of scholarly attention to Korean civil religion. This paper addresses both issues by arguing that a strong civil religion indeed exists in the country and that it has been an important part of the “nation-building” process since the founding of the Republic of Korea in 1948. The paper highlights how a succession of authoritarian regimes (1948–1987) successfully mobilized a strong civil religion for political purposes. The resulting civil religion targeted economic growth as the national goal to overcome all social ills, focused on the country’s ethnic and cultural homogeneity to boost national confidence and pride, exalted its traditional religions, especially Confucianism, as repositories of Korean traditional culture, and rendered sacred meanings to national symbols such as the flag and national anthem. Even after democratization, Korean civil religion remains largely ideological, as the Korean government is heavily involved in framing, planning, sponsoring, and promoting the country’s civil religion. -
Super Junior
Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl. -
8Th Korean Screen Cultures Conference Conference Programme
2019 8th Korean Screen Cultures Conference Conference Programme UNIVERSITY OF CENTRAL LANCASHIRE JUNE 5-7 2019 SPONSORED BY THE KOREA FOUNDATION KSCC 2019 Programme Schedule & Panel Plan Wednesday 5th June Time Event Location 16:50-17:05 Meet at Legacy Hotel lobby and walk to UCLan Legacy Hotel 17:05-17:30 Early-bird registration open Mitchell Kenyon Foyer 17:05-17:30 Wine and Pizza Opening Reception Mitchell Kenyon Foyer 17:30-19:30 Film Screening: Snowy Road (2015) Mitchell Kenyon Cinema 19:30-19:55 Director Q&A with Lee, Na Jeong Mitchell Kenyon Cinema 20:00-21:30 Participants invited join an unofficial conference dinner Kim Ji Korean Restaurant Thursday 6th June 08:45-09:00 Meet at Legacy Hotel lobby and walk to UCLan Legacy Hotel 09:00-09:15 Registration & Morning Coffee Foster LT Foyer 09:15-09:30 Opening Speeches FBLT4 09:30-11:00 Panel 1A: Horror Film and Drama FBLT4 09:30-11:00 Panel 1B: Transnational Interactions FBLT3 11:00-12:20 Coffee Break Foster LT Foyer 11:20-11:50 Education Breakout Session FBLT4 11:20-11:50 Research Breakout Session FBLT3 11:50 -13:20 Panel 2A: Industry and Distribution FBLT4 11:50 -13:20 Panel 2B: Diverse Screens FBLT3 13:20-14:20 Buffet Lunch Foster Open Space 14:25-15:55 Panel 3A: History/Memory/Reception FBLT4 14:25-15:55 Panel 3B: Korean Auteurs FBLT3 15:55-16:15 Coffee & Cake Break Foster LT Foyer 16:15-17:15 Keynote: Rediscovering Korean Cinema FBLT4 17:15-18:45 Film Screening: Tuition (1940) Mitchell Kenyon Cinema 18:45-19:15 Q&A with Chunghwa Chong, Korean Film Archive Mitchell Kenyon Cinema -
High School Musical Cast - When There Was Me and You Lyrics
High School Musical Cast - When There Was Me and You Lyrics It's funny when you find yourself Looking from the outside I'm standing here but all I want Is to be over there Why did I let myself believe Miracles could happen Cause now I have to pretend That I don't really care I thought you were my fairytale A dream when I'm not sleeping A wish upon a star Thats coming true But everybody else could tell That I confused my feelings with the truth When there was me and you I swore I knew the melody That I heard you singing And when you smiled You made me feel Like I could sing along But then you went and changed the words Now my heart is empty I'm only left with used-to-be's Once upon a song Now I know you're not a fairytale And dreams were meant for sleeping And wishes on a star Just don't come true Cause now even I can tell That I confused my feelings with the truth Cause I liked the view When there was me and you I can't believe that I could be so blind It's like you were floating While I was falling And I didn't mind Cause I liked the view Thought you felt it too When there was me and you High School Musical - You Are The Music In Me (Kelsi) Na na na na Na na na na yeah You are the music in me You know the words Once upon a time Make you listen There's a reason (Kelsi & Gabriella) When you dream there's a chance you'll find A little laughter Or happy ever after (Troy & Gabriella) Yeah harmony to the melody It's echoing inside my head (Gabriella) A single voice (Single voice) Above the noise (Troy & Gabriella) And like a common thread (Troy) -
CONSTRUCCIÓN DE ESPACIOS DE AFINIDAD DE LOS FANS DEL POP COREANO (K-POP) EN CALI Kamila Ríos Giraldo Y Mariana Cárdenas Gonz
CONSTRUCCIÓN DE ESPACIOS DE AFINIDAD DE LOS FANS DEL POP COREANO (K-POP) EN CALI Kamila Ríos Giraldo y Mariana Cárdenas González Diciembre de 2019 Asesora Adriana Rodríguez Sánchez Pontificia Universidad Javeriana Cali Facultad de Humanidades y Ciencias Sociales Trabajo de Grado Agradecimientos Agradecemos a Dios por darnos la sabiduría necesaria para llevar a cabo nuestra carrera, el trabajo de grado y permitirnos culminar esta fase para nuestro desarrollo profesional; a nuestra familia por acompañarnos en todo momento y por supuesto agradecemos de manera especial a nuestra asesora Adriana Rodríguez Sánchez por guiarnos desde su experiencia y conocimiento. 2 Resumen El presente trabajo de grado tiene como objetivo analizar los procesos de construcción de espacios de afinidad del pop coreano (K-pop) y sus fans en el contexto caleño, es decir, la manera como un producto simbólico lejano cultural y geográficamente se incorpora y configura una comunidad de fans en un contexto local. Teóricamente se sustenta en las nociones de espacios de afinidad (Gee, 2005) y de cultura participativa (Jenkins, 2015). La metodología es de tipo cualitativo, se aplicaron entrevistas episódicas (Flick, 2007) a fans caleñas del grupo Super Junior. A partir de los datos, es posible señalar que en la configuración de los espacios de afinidad participan múltiples procesos, organizaciones y actores sociales, entre los que se destacan los sistemas de producción cultural o industrias culturales coreanas, ecosistemas de medios o redes sociales y las dinámicas participativas e interactivas de los fans, aspectos que favorecen la circulación e incorporación de productos culturales coreanos en un grupo de fans que residen en la ciudad de Santiago de Cali. -
Copyright by Hyunjung Lee 2008
Copyright by Hyunjung Lee 2008 The Dissertation Committee for Hyunjung Lee Certifies that this is the approved version of the following dissertation: Global Fetishism: Dynamics of Transnational Performances in Contemporary South Korea Committee: Elizabeth Richmond-Garza, Supervisor Sung-sheng Yvonne Chang Robert M. Oppenheim Stacy Wolf Alexandra K. Wettlaufer Global Fetishism: Dynamics of Transnational Performances in Contemporary South Korea by Hyunjung Lee, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements This project would not have been possible without the help, care, and input of several individuals. I owe a debt of gratitude, especially, to my supervisor Dr. Elizabeth Richmond-Garza whose guidance, understanding, and strenuous support helped me work through my dissertation smoothly: she made the writing process enjoyable, always keeping my reasoning on the right track. I am also very thankful to my committee members and their generous intellectual support: Dr. Sung-sheng Yvonne Chang for sharing her insights on the importance of inter-Asian relationships and theoretical positioning; Dr. Alex Wettlaufer for her warm encouragement and insightful comments; Dr. Robert Oppenheim for our stimulating conversations about the Korean social scenes; and Dr. Stacy Wolf for inspiring me to approach theatre and performance as something alive and constantly moving. I am very fortunate to have a valuable network of friends who helped me through my dissertation process. To Kay Robin Alexander for her careful editing of my manuscript. -
Supplementary File
SUPPLEMENTARY FILE Tonicity-responsive enhancer binding protein promotes hepatocellular carcinogenesis, recurrence, and metastasis Jun Ho Lee,1 Jae Hee Suh,2 Soo Youn Choi,1 Hyun Je Kang,1 Hwan Hee Lee,1 Byeong Jin Ye,1 Gap Ryol Lee,4 Seok Won Jung,3 Chang Jae Kim,1 Whaseon Lee-Kwon,1 Jiyoung Park,1 Kyungjae Myung,1,5 Neung Hwa Park,3 Hyug Moo Kwon,1,5. 1 School of Life Sciences, Ulsan National Institute of Science and Technology, Ulsan, 44919, Republic of Korea 2 Department of Pathology 3 Department of Internal Medicine, University of Ulsan College of Medicine, 44033, Ulsan University Hospital, Ulsan, Republic of Korea 4 Department of Life Science, Sogang University, 35 Baekbeom-ro, Seoul, 04107, Republic of Korea 5Center for Genomic Integrity, Institute for Basic Science, Ulsan, 44919, Korea Correspondence to Professor Neung Hwa Park, Department of Internal Medicine, University of Ulsan College of Medicine, 44033, Ulsan University Hospital, Ulsan, Republic of Korea and Hyug Moo Kwon, School of Life Sciences, Ulsan National Institute of Science and Technology, Ulsan, 44919, Republic of Korea; H.M.K. ([email protected]), N.H. P. ([email protected]). SUPPLEMENTARY MATERIALS AND METHODS Immunohistochemistry (IHC) and histology analysis Liver tissues were fixed overnight in 4% paraformaldehyde, embedded in paraffin, and cut into 5 μm sections. Paraffin sections were deparaffinized and dehydrated. Antigen of TonEBP and COX-2 was retrieved by citrate and peroxidase and that of Ki-67 was retrived by EDTA and peroxidase in appropriate time for each antigen. Anti-ki-67 antibodies (12202T, CST), anti-COX-2 antibodies (SP21, Thermo), and anti-TonEBP antibody 40 were used for IHC with optimized condition.