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Cold Feet and Prolonged Sleep-Onset Latency in Vasospastic Syndrome
RESEARCH LETTERS Outcome Result The outcomes of childhood genital surgery are substantially poorer than reported previously5 with nearly all children Anatomical assessment Clitoris requiring further treatment. All surgery was done at specialist Absent 3 (7%) units and should give the best results available. This study is Small 3 (7%) retrospective, but because of the numbers of patients involved, Normal 26 (59%) we believe it is representative. Nevertheless, despite planned Large 3 (7%) routine referrals for all relevant adolescents, these patients may Excessive 9 (20%) Vaginal Introitus be those with the poorest outcomes. Additionally these Absent 4 (9%) children had surgery between 1979 and 1995. There have Small 32 (73%)* been changes in surgical techniques, equipment, sutures, and Normal 8 (18%) antibiotics since that time. More up-to-date procedures may Vaginal length have better outcomes, although there are few data to support Absent 3 (7%) this. Short 9 (20%)† Normal 32 (73%) This study prompts a re-evaluation of cosmetic genital Labia‡ surgery in children. Most vaginal surgery can be deferred until Normal 27 (61%) after adolescence unless haematocolpos is a risk. Repeated Poor/scrotal 13 (30%) clitoral surgery may be more damaging to sexual function than Partial fusion 5 (11%) a single procedure. Clitoral regrowth occurred in 39% of Total fusion 1 (2%) patients. Children with mild clitoromegaly should have surgery Overall cosmetic result deferred until they are old enough to be involved in the Good 8 (18%) decision. Surgery should not damage genital sensitivity and Satisfactory 18 (41%) Poor 18 (41%) sexual expression should be pleasurable with the ability for orgasm undiminished; there are currently no objective data for Further treatment recommendations‡ None 1 (2%) these outcomes. -
Imy Wyatt Corner [email protected]
Imy Wyatt Corner [email protected] Directing SHOW THEATRE/ VENUE WRITER LENGTH OF RUN YEAR Humane Pleasance Theatre * Polly Creed 3 weeks (postponed) 2021 Gaslight Playground Theatre * Patrick Hamilton 3 weeks 2019 Baby, What Blessings Theatre503 * Siofra Dromgoole 1 week 2019 Baby, What Blessings Edinburgh Fringe Siofra Dromgoole 2 weeks 2019 Baby, What Blessings Bunker Theatre Siofra Dromgoole 1 night 2019 Baby, What Blessings Brewery Arts Centre, Siofra Dromgoole 1 night 2019 Kendal Q&A Southwark Playhouse Jess Moore 1 night 2019 From There to Here Old Red Lion Theatre Amanda Lane 2 nights 2019 We, The People Etcetera Theatre * Eleanor Ross 1 night 2019 Walk Swiftly & With Purpose North Wall Arts Centre Siofra Dromgoole 2 nights 2019 Walk Swiftly & With Purpose Theatre503 * Siofra Dromgoole 1 week 2018 Walk Swiftly & With Purpose Edinburgh Fringe Siofra Dromgoole 2 weeks 2018 NSA The Mono Box Charles Entsie 1 night 2018 Our Lemon Sherbet Sky Arcola Theatre Eleanor Ross 1 night 2018 Flux Leyton Technical/ Plymouth Fringe Naomi Soneye-Thomas 4 nights 2018 Happy Yet? International Theatre, Katie Berglof 4 nights 2018 Frankfurt * Happy Yet? Courtyard Theatre Katie Berglof 1 week 2017 Happy Yet? Edinburgh Fringe Katie Berglof 2 weeks 2016 Assistant Directing SHOW THEATRE/ VENUE DIRECTOR LENGTH OF RUN YEAR NoF*cksgiven Vault Festival Michael Oakley 1 week 2019 R&D Felt Little Angel/ The North Wall * Pip Williams 10 days 2020/21 Humane Pleasance Theatre Polly Creed 1 week 2019 Baby, What Blessings Brewery Arts, Kendal Siofra Dromgoole 1 week 2019 *= professional Other Work & Training Bristol Old Vic Theatre School, MA Drama Directing (2020 – ongoing) Everywoman & Other Confessions,*Producer. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Who We Are Week Runs, One Offs & Matinees
Valid until 31.12.2018 265 CAMDEN HIGH STREET - NW1 7BU - LONDON 0207 482 4857 - [email protected] 1996 Guinness Ingenuity Award for Pub Theatre WHO WE ARE As a home is not just a house, a Theatre is not just a space. HISTORY & LOCATION Since its foundation in 1986, the Etcetera Theatre has become one of the milestone venues of the London fringe circuit. The theatre is ideally located right on Camden High Street, one of the busiest tourist and shopping areas in London only seventy-five metres away from Camden Town tube station. The Etcetera works to establish a healthy and sustainable relationship with all incoming companies and we are happy to provide support and advice throughout the production process. We have been established here for twenty nine years and are happy to pass on useful contacts and advice to incoming companies. THE TEAM Since 2014, the Etcetera has not only become a family business but an artistic one at that! Run by Maud (actress) & her brother Pierre (musician), their experience of being self represented artists and their passion for the live arts is definitely one of the main assets of this new management as they can fully understand the ins and outs of putting on a show. WEEK RUNS, ONE OFFS & MATINEES These prices include the use of our PA system and lights as well as our furniture and microphones. WEEK RUNS Include 6 performances from TUE – SUN and are available on two different slots. EARLY SLOT: 7PM – 8PM (6.30PM – 8PM for 90min shows) LATER SLOT: 9PM – 10PM LATER SLOT EXTENDED: 9PM – 10.30PM NB: on Sundays all shows start and finish an hour earlier. -
Memorial Day 2019
The Newsletter of the Army Residence Community VolumeThe 33 Number 5 Eagle May 2019 Memorial Day 2019 Before They’re Gone: Portraits & Stories of WWII Veterans Exhibit unveiled Inside The Eagle Celebrating Jeanne Patterson’s 100th Birthday May 2019 1 Front Cover: 2 Contents 2 100th Birthday – Jeanne Patterson 3 Birthdays and Passings 3 Memorial Day Observance 4-5 A Conversation with the CEO 6 Traveling Treasures Thank You 7 ARC Golf Scramble 8 Library 8 Notice from Resident Council Chair 9 Golden Diggers 10 WW2 Veterans’ Gallery: Doris Cobb 11 Save the Date: 11 June, Dr. Tom Hatfield Our newest member of Residents who have 12-Poem by jo compton: Our Village Tree joined the Centenarian Club is Jeanne Patterson, 13 ArtsInspire Rules and Categories who resides in Lakeside Villas, and who celebrated 14 WW2 Poetry by Chuck Stout: Cold Feet this event with her family on Thursday, 25 April. 15 Films at Lakeside Theater 16 - 17 Wall Artist of the Month: ElDora Criswell 18-19 March Activities 20 Eagle Luncheon: Anne Krause, President and Executive Director of the Hemisfair Conservancy The ARCNet Eagle continues with: Full Color Photographs from April Events American Revolution, 240 Years Ago Artist of the Month, ElDora Criswell WWII: 75 Years Ago, European Theater WWII: 75 Years Ago, Pacific Theater The Front Cover: May 2019 Grace Newton created this classic cover by capturing several Residents in a relaxed moment before a group picture last year, Jeanne’s family brought a ‘Special Tribute’ Veterans Day. certificate from the State of Michigan (above). The Residents Jeanne is the widow of Colonel “Pat” Patterson, a are, left to WW2 veteran. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
James Daffern 15/09/2020, 21 09
Spotlight: JAMES DAFFERN 15/09/2020, 2109 JAMES DAFFERN C S A 3rd Floor Joel House, 17-21 Garrick Street, London WC2E 9BL Phone: 020-7420 9351 E-mail: [email protected] WWW: www.shepherdmanagement.co.uk HARVEY VOICES 49 Greek Street, London W1D 4EG Phone: 020 7952 4361 Mobile: 07739 902784 Photo: Jennie Scott E-mail: [email protected] WWW: www.harveyvoices.co.uk Location: Greater London, Appearance: White, England, United Scandinavian, Kingdom Eastern Height: 6' (182cm) European Weight: 13st. 7lb. (86kg) Other: Equity Playing Age: 40 - 50 years Eye Colour: Blue Hair Colour: Dark Brown Hair Length: Short About me: Television Television, Andrew Wallace, PROFESSOR T, Eagle Eye Productions, Indra Siera Television, Jim Bonning, CASUALTY, BBC, Various Television, One Eyed Marc, BIRDS OF A FEATHER, ITV, Martin Dennis Television, Leon, X COMPANY, CBC Television/Sony Pictures Television Television, Ben Owens, DOCTORS (NINE EPS), BBC, Various Television, Zac Glazerbrook, CUFFS, BBC/Tiger Aspect Productions, Kieron Hawkes Television, Natie, RAISED BY WOLVES, C4, Mitchell Altieri Television, Bruce, FLYING HIGH, ZDF, Stephen Bartmann Television, Andrew Hayden, HUNTED, Kudos/HBO/BBC, Daniel Percival/James Strong Television, Ray Keats, WATERLOO ROAD, Shed Productions, Fraser Macdonald Television, Lucas North in Flashback, SPOOKS, BBC Television, Edward Hall Television, Paul Walsh, HOME TIME, BBC Television, Christine Gernon Television, Nathan, RIVER CITY, BBC Television, Semi regular Television, Jimmy Barrett, THE ROYAL, Yorkshire Television, -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
The Echo 7.Pdf
ISSUE 7 // OCTOBER 2013 THE ECHO OBBY AITKEN | GILL ALLEN | RACHEL ARCHIBALD | PAUL ARDITTI | CHRISTOPHER ASHWORTH | TOM ASPLEY | HELEN ATKINSON | KELSH B-D | DAN BAILEY | SIMON BAK DANIEL BALFOUR | HAMISH BAMFORD | ALEX BARANOWSKI | HARRY BARKER | CHRIS BARLOW | DAVID BARTHOLOMEUSZ | MIKE BEER | SIMON BEESLEY | RICHARD BE OB BETTLE | DOMINIC BILKEY | SIMON BIRCHALL | ZOE BLACKFORD | BRYONY BLACKLER | MARK BODEN | FRANK BRADLEY | AMY BRAMMA | DANNY BRIGHT | ALICE BROO TEVEN BROWN | NELA BROWN | RACHEL BROWN | ROSS BROWN | BORNEO BROWN | ANDREW BRUCE | CLIVE BRYAN | RICHARD BUGG | PAUL BULL | DAVID BURTON | HAR UTCHER | ALEX CAPLEN | RICHARD CARTER | SAM CHARLESTON | KERI DANIELLE CHESSER | KARL CHRISTMAS | GEORGE CHRISTOU | THOMAS CLACHERS | SHAUN CLARK | E LARKE | RICK CLARKE | GREGORY CLARKE | SAMUEL CLARKSON | ANDY COLLINS | JACK CONDELL | CRISPIAN COVELL | TOM COX | ANDREA J COX | MATT DANDO | BEN DAVI ONY DAVIES | SIMON DEACON | STUART DEAN | GEORGE DENNIS | IAN DICKINSON | ROBERT DONNELLY-JACKSON | CAROLYN DOWNING | OLIVER DRIVER | CHRIS DROHA RALPH DUNLOP | JEREMY DUNN | MARK DUNNE | ALEX DURRELL | CHANTELLE DYSON | STEPHEN EDWARDS | ED ELBOURNE | JEREMY ELLIS | PETER ELTRINGHAM ADISONTips ENGLISH and | GARETH tricks EVANS of| DAN the EVANS |trade AARON EVANS | CHRISTOPHER EVANS | ED FERGUSON | GREGG FISHER | ADAM FISHER | JAMIE FLOCKTON | AND ANKSFrom | SEBASTIAN Terry Jardine,Mic FROST | GARETH Pool, FRY Andrew| CHRIS FULL Bruce, | ADAM John FUNNELL Leonard, | PAUL Gareth GAVIN | Fry,JEREMY GEORGE | TUOMO GEORGE-TOLONEN | TOM -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
2018 Easy Company Sept9 V1.Indd
EASY COMPANY: ENGLAND TO THE EAGLE’S NEST SEPTEMBER 9 –21, 2018 Join our most popular tour based on the best-selling book, Band of Brothers by Museum founder Stephen E. Ambrose, featuring original cast-members from the award-winning HBO miniseries A NATIONAL WWII MUSEUM EXCLUSIVE TOUR FEATURING ACTORS JAMES MADIO, ROSS MCCALL & MATTHEW LEITCH FROM BAND OF BROTHERS SAVE $1,000 PER COUPLE WHEN BOOKED BY APRIL 13, 2018 NOW INCLUDING THE NEWLY REFURBISHED D-DAY MUSEUM-PORTSMOUTH NICK MUELLER & STEVE AMBROSE A STORY OF BRAVERY Dear Friend of the National WWII Museum, For three decades Stephen Ambrose and I were colleagues in the Department of History at & the University of New Orleans – and best friends. During those years we undertook many adventures, including the first overseas tour he led – a 1980 journey from the Normandy D-Day beaches to the Rhine River. I persuaded Steve to take that first tour, but thereafter he fell in love with helping others experience this epic story and wanted to go back as often as Hope he could. Drawing on Steve’s knowledge of the subject, I worked with our mutual friend, Peter McLean, and put together the tour operations. Subsequently, we ran tours almost every other year for some 20 years, including one in 1994 commemorating the 50th anniversary of D-Day. It was during those years, as I served as a Dean and Vice Chancellor at UNO, that Steve and I established the Eisenhower Center for American Studies, which facilitated his collecting more than 600 oral histories from D-Day veterans. -
Casting Directors Guild Credits
DAVID GRINDROD ASSOCIATES Casting Directors Credits TELEVISION: THE SOUND OF MUSIC “LIVE” ITV (2015 BAFTA Awards) UNIVERSE BBC 2 HOW DO YOU SOLVE A PROBLEM LIKE MARIA? BBC1 (2008 Emmy Award) KOMBAT OPERA PRESENTS……. BBC 2 (2008 Golden Rose of Montreux Award) ANY DREAM WILL DO. BBC 1 HOLLYOAKS Channel 4 WEST END STAR TV3 SWEDEN I’D DO ANYTHING BBC 1 OVER THE RAINBOW Talk Back Thames/BBC SUPERSTAR ITV FILM: MATILDA: Ensemble Casting Directed by Matthew Warchus GREATEST DAYS: Ensemble Casting Directed by Coky Giedroyc ALADDIN: Ensemble Casting Directed by Guy Ritchie MAMMA MIA! 2: Ensemble Casting Directed by Ol Parker MARY POPPINS RETURNS UK Dancer casting Directed by Rob Marshall BEAUTY & THE BEAST Ensemble Directed by Bill Condon NINE UK Dancer casting Directed by Rob Marshall MAMMA MIA! Ensemble Casting Directed by Phyllida Lloyd THE PHANTOM OF THE OPERA Directed by Joel Schumacher THEATRE: INTO THE WOODS Old Vic CINDERELLA West End BACK TO THE FUTURE West End & Manchester Opera House THE SOLDIER OF ORANGE Albert Docks, London. FUNNY GIRL Théâtre Marigny, Paris SWEET CHARITY Donmar Warehouse. PRISCILLA QUEEN OF THE DESERT:UK Tour EVITA Regent’s Park Open Air Theatre & Barbican Centre JESUS CHRIST SUPERSTAR Barbican Centre MAN OF LA MANCHA English National Opera WAITRESS West End & UK Tour ONLY FOOLS AND HORSES West End LOCAL HERO Royal Lyceum, Edinburgh & Old Vic MAGIC MIKE LIVE UK Casting SPANDAU BALLET MAMMA MIA! The Party O2 Arena, London. GUYS & DOLLS Paris VIOLET Charing Cross Theatre. WEST SIDE STORY BBC Proms. ON THE TOWN BBC Proms. CHESS English National Opera THREE PENNY OPERA Theatre des Bouffes du Nord, Paris HAROLD & MAUDE Charing Cross Theatre CHICAGO West End 2018.