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The Tin Pan Alley Pop Era (1885-Mid 1950'S)
OVERVIEW: The Foundation of Rock And Roll During the Great Migration more than 100,000 African-American laborers moved from the agricultural South to the urban North bringing with them their music and memories. Also, during the 1920’s the phonograph and the rise of commercial radio began to spread Hillbilly music and the Blues. This gave rise to an appreciating of American vernacular music, both white and black. Ultimately, the homogenizing effect of blending several regional musical styles and cultural practices gave birth to 1950’s rock and roll. The Tin Pan Alley Po ra 15-mid 1950’s) “The Great American Songbook” 1940’s Big Bands 1950’s Polar sic New York: “Tin Pan Alley” 14th St. and 2nd Ave. 1 Tin Pan Alley - New York 15-thogh 1940’s) The msic was distribted throgh sheet msic Proessional songwriters dominated the eriod George Gershwin and ole Porter omosers wrote or o msic Broadway and ilm ventally Tin Pan Alley tradition was relaced by the ock and oll tradition Tin Pan Alle – Ke oints 1. Written b a proessional oten non-peroring song-riters 2. ophisticated arrangeent 3. ncopated rhth accents on unepected, eak beats) 4. lever, ell-crated lrics 5. triving or upper-class sensibilities 6. Priar audience Adults 2 “Roots Music” - K oits 1. Riona ou o music 2. tu usicis 3. ot o tut 4. tou o titio 5. o maistream ican ists 6. o t i co cois “Roots Music” = he Blues D Country music he Blues Country Music 1920’s: Mississippi Delta Blues 1920’s: Cowboy Songs 1930’s: rban Blues 1930’s: Hillbilly Music 1940’s: ump Blues 1940’s: Country Swing -
RCA/Legacy Set to Release Elvis Presley - a Boy from Tupelo: the Complete 1953-1955 Recordings on Friday, July 28
RCA/Legacy Set to Release Elvis Presley - A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28 Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis' Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955 A Boy From Tupelo - The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen. Elvis Presley - A Boy From Tupelo: The Sun Masters To Be Released on 12" Vinyl Single Disc # # # # # Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley - A Boy From Tupelo - The Complete 1953-1955 Recordings on Friday, July 28. Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo - The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance--a newly discovered recording of "I Forgot To Remember To Forget" (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)--being officially released for the first time ever. A Boy From Tupelo – The Complete 1953-1955 Recordings includes--for the first time in one collection--every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates--"My Happiness"/"That's When Your Heartaches Begin" (recorded July 1953) and "I'll Never Stand in Your Way"/"It Wouldn't Be the Same (Without You)" (recorded January 4, 1954)--the four songs Elvis paid his own money to record before signing with Sun. -
Ave You Heard the Nws? ... There's Good Rockin' Tonight." ''The Pure
ave you heard the nws? ... There's good rockin' tonight." -Elvis Presley, the Hillbilly Cat, in his recording of the Roy Brown song, 1954 ''The pure products of America go crazy.'' -William Carlos Williams, "Spring and All," 1923 The world was not prepared for Elvis Presley. The motorcycle epic, The Wild One. His vulnerability was violence of its reaction to him ("unspeakably untal mirrored by James Dean, whose first n10vie, East of ented," a "voodoo of frustration and defiance") Eden, was released in April 1955, just as Elvis's o"'ll more than testified to this. Other rock & rollers had career was getting under way. ("He 'knew I was a a clearer focus to their nwsic. An egocentric genius friend of Jimmy's," said Nicholas Ray, director of like Jerry Lee Lewis may even have had a greater Dean's second film, Rebel Without a Cause. "so he got talent. Certainly Chuck Berry or Carl Perkins had a down on his knees before rne and began to recite keener wit. But Elvis had the nwment. He hit like a "''hole pages from the script. Elvis must have seen Pan American flash, and the reverberations still lin Rehel a dozen times by then and remembered every ger from the shock of his arrival. one of Jimmy's lines.") His eponymous sneer and In some vvays the reaction may seem to have been the whole attitude that it exemplified-~ot derision out of proportion, for Elvis Presley was in retrospect exactly but a kind of scornful pity, indifference, a merely one more link in a chain of historical inevita pained acceptance of all the dreary details of square bility. -
Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard” Barry Mauer
University of Central Florida STARS Faculty Scholarship and Creative Works 3-2014 Rigorous Infidelity: Whole extT Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard Barry J. Mauer University of Central Florida, [email protected] Part of the Arts and Humanities Commons Find similar works at: https://stars.library.ucf.edu/ucfscholar University of Central Florida Libraries http://library.ucf.edu This Book Chapter is brought to you for free and open access by STARS. It has been accepted for inclusion in Faculty Scholarship and Creative Works by an authorized administrator of STARS. For more information, please contact [email protected]. Original Citation Mauer, Barry. "Rigorous Infidelity: Whole extT Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard." Sampling Media, Oxford University Press, Editors: Laurel Westrup, David Laderman, pp.60-72 1 “Rigorous Infidelity: Whole Text Sampling in the Curatorial Work of Henri Langlois, Dewey Phillips, and Jean-François Lyotard” Barry Mauer Introduction John Rajchman’s “Les Immatériaux or How to Construct the History of Exhibitions” asks, “In what ways have exhibitions, more than simple displays and configurations of objects, helped change ideas about art, intersecting at particular junctions with technical innovations, discursive shifts and larger kinds of philosophical investigations, thus forming part of these larger histories?” This essay attempts to answer his question by discussing curating as whole text sampling.1 Sampling, of which whole text sampling is a subset of practices, is the appropriation and recontextualization of texts or textual fragments; it involves choosing an object or text and deploying it for other uses. -
“That's All Right” on Memphis Radio, July 1954
“That’s All Right” on Memphis Radio, July 1954 Source: Historic-Memphis.com Dewey Phillips was a longtime disc jockey at WHBQ radio in Memphis, Tennessee. Phillips was known for playing music recorded by both black and white and artists. Shortly after Elvis Presley made his first recording, a single whose A-side was the Rhythm and Blues song “That’s All Right,” Phillips became the first disc jockey in the country to play the song on the radio, in July 1954. The account below is taken from the book The Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick. The response was instantaneous… He played the record seven times in a row, eleven times, seven times over the course of the rest of the program. In retrospect it doesn’t really matter; it seemed as if all of Memphis was listening as Dewey kept up his nonstop patter, egging his radio audience on, encouraging them to join him in the discovery of a new voice… For Gladys [Presley, Elvis’ mother] the biggest shock was “hearing them say his name over the radio just before they put on that record…” She didn’t have time to think about it for long anyway, because almost immediately the phone rang. It was Dewey for Elvis… He said, “Mrs. Presley, you just get that cotton-picking son of yours down here to the station. I played that record of his, and them birdbrain phones haven’t stopped ringing since.”… Within minutes, Elvis was at the station. “I was scared to death,” Elvis said. -
Introducing Elvis Presley
Chapter 1 Introducing Elvis Presley In This Chapter ▶ Outlining Elvis’s place in American history ▶ Summarizing Elvis’s life ▶ Tracking Elvis’s popularity from beginning to end n the one hand, Elvis Presley needs no introduction, because his name Oand face are recognized around the world as the ultimate celebrity. Imitators re-create his act; late-night comedians joke about him; cable chan- nels rerun his movies; and merchandisers exploit his image on everything from T-shirts to lamps. On the other hand, the reasons for his fame have become lost in the trappings of celebrity, especially for younger generations born after his death on August 16, 1977. For the original fans, who have remained loyal for over 50 years, Elvis earned his reputation as the King of Rock ’n’ Roll; for others, discovering why he deserved his fame and a place in American cultural history may be a revelation. In this chapter, I introduce you to Elvis Presley through the high points of his life and career, including his post-death popularity. This chapter sets up an extensive exploration of Elvis Presley — the cultural icon — that details the events of his life, explains the significance of his music, and contemplates his meaning to American pop culture. COPYRIGHTED MATERIAL Identifying a Cultural Icon Almost everyone knows that Elvis Presley was a famous singer, but many people don’t fully understand what he contributed to popular music to earn his widespread fame. Elvis combined different types of music to form a style called rockabilly, which became one of the key sounds in rock ’n’ roll. -
1970-05-23 Milwaukee Radio and Music Scene Page 30
°c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area. -
American Country Music of the Second Half of the Twentieth Century
PALACKÝ UNIVERSITY OLOMOUC FACULTY OF ARTS Department of English and American Studies Martin Hujčák AMERICAN COUNTRY MUSIC OF THE SECOND HALF OF THE TWENTIETH CENTURY Master thesis Supervisor: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Martin Hujčák AMERICKÁ COUNTRY HUDBA DRUHÉ POLOVINY 20. STOLETÍ Diplomová práca Vedúci práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Prehlásenie Prehlasujem, ţe som diplomovú prácu na tému: American country music of the second half of the twentieth century vypracoval samostatne pod odborným dohľadom vedúceho diplomovej práce a uviedol som všetky pouţité podklady a literatúru. V Olomouci dňa……. ….……….. Podpis ……………………… Ďakujem vedúcemu mojej diplomovej práce Mgr. Jiřímu Flajšarovi, Ph.D. za uţitočné rady a pripomienky. Ďalej pánu doktorovi ďakujem za podnetné diskusie a trpezlivosť pri odpovedaní mojich otázok. V Olomouci 2.12.2015 Martin Hujčák Contents: Introduction ....................................................................................... 8 1 Country music background ............................................................... 10 1.1 American Folk music ..................................................................... 10 1.2 Society and the birth of Folk music ................................................ 11 1.3 Western music ................................................................................ 13 1.4 The beginning of commercial development ................................... 14 1.5 The -
History of Tiger Football
History of Tiger Football ....................................................... 178-186 Homes of the Tigers ...................................................................... 184 Conference Affiliations ................................................................. 186 TIGER FOOTBALL HISTORY Following are chronological notes and interesting facts about the rich tradition of Tiger football. Parts of this section were taken from Memphis State Football: The Fighting Tigers, written by Charles Holmes and William Sorrels. If you have any questions or can add facts to this section, please contact Jennifer Rodrigues, Director of Athletic Media Relations, at 901-678-2397. 1910S ``` The doors of West Tennessee State Normal School opened at 10:00 AM on the morning of September 10, 1912. Less than 300 students were enrolled in the two- year teachers school located in rural Shelby County. The campus consisted of three buildings that were erected at a cost of $450,000. President Seymore Mynders presided over a faculty that consisted of 25 teachers, including a young manual education instructor named Clyde Wilson. ``` On October 5, 1912, West Tennessee State Normal School played its fi rst football game at Red Elm Park, In 1912, the University of Memphis opened with three school buildings which were constructed in rural east home of the Memphis Turtles baseball team. The game Shelby County. The total cost of construction was $450,000. Pictured above is the administration building pitted the Normals of WTSNS against MUS. Game which still houses administrative offices today. time was slated for 2 p.m., and trollies from downtown DeSaussure tallied three scores each, while Lacy Bran- to the Normals with high recommendations. Memphis were decorated with blue and gray ribbons, the son, Bob Berry and John McDougle each crossed the ``` The downtown newspapers began to use the offi cial colors of the new school located in Shelby County. -
Memphis, the Musical" Is Loosely Based on Dewey Phillips' Life and Career
CURRICULUM GUIDE TA / TEACHING ARTIST’S TIPS A Guide to Using This Guide The following is a brief list of to-do’s and suggestions to help you get the most out of the Memphis the Musical guide and foster a fun and successful workshop. • The study guide is deliberately over-packed with material. Ideally, you should try to cover as much material as you can. But use your judgment with regard to time. You don’t have to cover everything listed in a particular lesson. If need be, shorten some steps, skip others. • In general, make the “discussion” section of your lesson as succinct as possible. Seven (7) minutes tops should be plenty of time to generate enough conversation to move smoothly into the next part of your lesson. The discussion portion of the lesson is there to spark ideas and possible insights, not dominate the workshop day. • Please use the “Inspire Change” Teacher Information form on pg. 1 to pre-plan with the classroom teacher for your visit. • In addition to filling out your Teacher Information form, be sure to discuss with your classroom teacher in advance what sort of lesson they’d like to do. ELA? Social Studies? Theater? A 15-minute phone conversation should suffice. What would they like to be the focus of your lesson? What kinds of activities work best with their particular class? Do their students work well in groups? Pairs? Or individually? Getting this information beforehand will help immensely with your planning. • Also, please discuss in advance with your classroom teacher a possible culminating project. -
2013 Football Guide Web.Pdf
PROUDLY THE AMERICAN ATHLETIC CONFERENCE Table Of Contents American Athletic Conference Football ..................................2 Commissioner Mike Aresco .......................................................3 15 Park Row West • Providence, Rhode Island 02903 Conference Staff .......................................................................4-7 Switchboard - 401.244-3278 • Communications - 401.453.0660 Future Membership .....................................................................8 www.TheAmerican.org Bowl Championship Series ........................................................9 American Bowl Lineup ..............................................................10 American Athletic Conference Staff National Bowl Calendar ............................................................11 Commissioner ......................................................................................................................Mike Aresco American Athletic Conference Notebook ........................12-13 Senior Associate Commissioner (Football & Marketing) ................................ Nick Carparelli, Jr. Officiating Performance Standards ........................................14 Senior Associate Commissioner (Administration) .......................................Donna DeMarco Egan Senior Associate Commissioner (Men’s Basketball) ..................................................Paul Brazeau Instant Replay .............................................................................15 Senior Associate Commissioner (Broadcasting -
Close Encounters with Nature
HARDINGWINTER 2016 CLOSE ENCOUNTERS WITH NATURE What’s Inside WINTER 2016 | VOLUME 24 | NUMBER 1 14 Departments 8 2 VIEWPOINT 12 SPORTS Highlights of the fall semester in tweets Introducing the new tennis and men’s soccer coaches 26 3 YOUR WORDS Readers share their one piece of advice to Features students in their freshman year at Harding. 4 ONE MOMENT President McLarty gets in on the action 30 CONNECTIONS ON THE COVER 14 18 26 during Midnight Madness. Experiencing the feel of 31 | PROFILE Iceland soon after getting CLUB WEEK UP CLOSE INVIGORATING ICELAND START TO FINISH Mitch Breitweiser, 2000 Experience club week with fresh- International Programs administra- For athletic trainers, game day off the plane, England 32 | PROFILE men Lexi Hoagland and Harding tor and photographer Ashel Parsons begins hours before the actual game international program Hannah Alexander Carpenter, 2003 participants walked up Humphries as they relay their shares dramatic images of her and isn’t over until long after the a glacier and through an impressions of the week. journey to Iceland with students scoreboard is turned off. PHOTO BY HANNAH OWENS HANNAH BY PHOTO 6 AROUND CAMPUS ice tunnel. in the Harding University England PHOTO BY ASHEL PARSONS Amy Cox named Educator of the Year and program this past fall. other happenings around the University 36 END NOTE Harding’s connection to Elvis PHOTOS BY JEFF MONTGOMERY JEFF BY PHOTOS Viewpoint Your Words The fall in tweets HARDING What would be your one piece of advice to WINTER 2016 | VOLUME 24 | NUMBER 1 By BRUCE D.