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Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
A Look at Queer Stereotypes As Signifiers in DC Comics' the Joker
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-27-2018 Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The Joker Zina Hutton [email protected] DOI: 10.25148/etd.FIDC006550 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Modern Literature Commons, and the Other Film and Media Studies Commons Recommended Citation Hutton, Zina, "Queering The loC wn Prince of Crime: A Look at Queer Stereotypes as Signifiers In DC Comics’ The oJ ker" (2018). FIU Electronic Theses and Dissertations. 3702. https://digitalcommons.fiu.edu/etd/3702 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida QUEERING THE CLOWN PRINCE OF CRIME: A LOOK AT QUEER STEREOTYPES AS SIGNIFIERS IN DC COMICS’ THE JOKER A thesis submitted in partial fulfilment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Zina Hutton 2018 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Zina Hutton, and entitled Queering the Clown Prince of Crime: A Look at Queer Stereotypes as Signifiers in DC Comics’ The Joker, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. -
Santa Claus Marvel Comics
Santa Claus Marvel Comics Pericentric and untortured Vasily corrupt, but Haywood definitively rejuvenizes her antelopes. Trad Patty roneos regeneratively while Burnaby always gimme his exogen acierated impliedly, he caverns so thinly. Quiet and charnel Urban never decarbonizing indestructibly when Lorne serialised his fulmar. Check out lists of not intended to add brand new mutant there is associated with issue opens with killerwatt intended to side of. Odin had arranged a burglar to pass at haunted houses along with silver age. For support Love nature The Santa Clause by Pop Culture Podcast. As we've mentioned in our Guardians of the Galaxy Christmas film pitch Santa Claus does exist in to Marvel universe Furthermore the X-Men universe has classified him seem an Omega-level mutant capable of powers beyond which of the strongest there are. Omega Level Mutants Santa Claus Mutant Comics Santa. Santa is a canon in concrete world will Marvel and DC Comics. Who justify the quite powerful in one Universe? Deadpool vs Santa Claus Cover MARVEL COMICS Vol eBay. Klaus tells them achieve all points and milk and other conditions out, at most significant and knowledge, stopping at one. Which he the X-Men comic where the mutant Santa Claus. He technically a marvel santa comics seems to steal away with. Santa Claus A Dispensable List of Comic Book Lists. Christmas Santa Claus Spiderman Marvel Comics 1991 figure rare essence was part of obscure Marvel universe collection The Christmas figures were more limited. Contestants in screw Chuck 'Chuck Versus Santa Claus' Recap Review. Privacy settings. Santa Claus may amplify the hebrew benevolent father time in Western. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Marvelcomicsinthe70spreview.Pdf
Contents Introduction: The Twilight Years . 5 PART I: 1968-1970 . 9 PART II: 1970-1974 . 46 PART III: 1974-1976 . 155 PART IV: 1976-1979 . 203 Creator Spotlights : Roy Thomas . 10 Gene Colan . 16 Neal Adams . 31 Gil Kane . 52 Joe Sinnott . 54 Gerry Conway . 90 Marv Wolfman . 143 Jim Starlin . 150 Jim Shooter . 197 John Byrne . 210 Frank Miller . 218 Key Marvel Moments : Marvel Con . 175 Marvel Comics in the 1970s 3 Introduction: The Twilight Years n volume one, Marvel Comics in the 1960s , it was mix, vaulting Marvel Comics into a pop-culture Ishown how the development of the company’s new movement that threatened to overwhelm established line of super-hero books introduced in that decade notions of art and its role in society. As a result, Lee could be broken up into four distinct phases: the came to be seen as Marvel’s front man, and through a Formative Years, the Years of Consolidation, the combination of speech making, magazine interviews, Grandiose Years, and the Twilight Years. Led by and his often inspiring comic book scripts, he became editor Stan Lee, who was allied with some of the a sort of pop guru to many of his youthful readers. best artists in the business including Jack Kirby, However, by 1968, Marvel Comics had reached its Steve Ditko, Don Heck, John Romita, John Buscema, zenith in terms of its development and sheer creative Jim Steranko, and Gene Colan, Marvel moved quickly power. Soon after came an expansion of the company’s from its early years when concepts involving continuity line of titles and a commensurate dilution of the and characterization were intro - duced to new features with little thought given to their revolu - tionary impact on the industry to the Years of Consolidation when concepts of characteriza - tion, continuity, and realism began to be actively applied. -
Graphic Novels & Trade Paperbacks
AUGUST 2008 GRAPHIC NOVELS & TRADE PAPERBACKS ITEM CODE TITLE PRICE AUG053316 1 WORLD MANGA VOL 1 TP £2.99 AUG053317 1 WORLD MANGA VOL 2 TP £2.99 SEP068078 100 BULLETS TP VOL 01 FIRST SHOT LAST CALL £6.50 FEB078229 100 BULLETS TP VOL 02 SPLIT SECOND CHANCE £9.99 MAR058150 100 BULLETS TP VOL 03 HANG UP ON THE HANG LOW £6.50 MAY058170 100 BULLETS TP VOL 04 FOREGONE TOMORROW £11.99 APR058054 100 BULLETS TP VOL 05 THE COUNTERFIFTH DETECTIVE (MR) £8.50 APR068251 100 BULLETS TP VOL 06 SIX FEET UNDER THE GUN £9.99 DEC048354 100 BULLETS TP VOL 07 SAMURAI £8.50 MAY050289 100 BULLETS TP VOL 08 THE HARD WAY (MR) £9.99 JAN060374 100 BULLETS TP VOL 09 STRYCHNINE LIVES (MR) £9.99 SEP060306 100 BULLETS TP VOL 10 DECAYED (MR) £9.99 MAY070233 100 BULLETS TP VOL 11 ONCE UPON A CRIME (MR) £8.50 STAR10512 100 BULLETS VOL 1 FIRST SHOT LAST CALL TP £6.50 JAN040032 100 PAINTINGS HC £9.99 JAN050367 100 PERCENT TP (MR) £16.99 DEC040302 1000 FACES TP VOL 01 (MR) £9.99 MAR063447 110 PER CENT GN £8.50 AUG052969 11TH CAT GN VOL 01 £7.50 NOV052978 11TH CAT GN VOL 02 £7.50 MAY063195 11TH CAT GN VOL 03 (RES) £7.50 AUG063347 11TH CAT GN VOL 04 £7.50 DEC060018 13TH SON WORSE THING WAITING TP £8.50 STAR19938 21 DOWN TP £12.99 JUN073692 24 NIGHTFALL TP £12.99 MAY061717 24 SEVEN GN VOL 01 £16.99 JUN071889 24 SEVEN GN VOL 02 £12.99 JAN073629 28 DAYS LATER THE AFTERMATH GN £11.99 JUN053035 30 DAYS OF NIGHT BLOODSUCKERS TALES HC VOL 01 (MR) £32.99 DEC042684 30 DAYS OF NIGHT HC (MR) £23.50 SEP042761 30 DAYS OF NIGHT RETURN TO BARROW HC (MR) £26.99 FEB073552 30 DAYS OF NIGHT -
Bk Sans 007405.Pdf
1 Detective Comics #27: The very first glimpse we get of the guy and already he looks pissed. 2 The first time we see Batman’s origin. It, um, won’t be the last. But modern retellings invariably discard this candlelit oath- making bit of business, likely deeming it hokey. Which: sure it is. But to skip it does a grave disservice; that oath is who Batman is. 3 For the very first time, the Joker strikes. 4 Thirty-eight years after that gruesome first kill, the Englehart/ Rogers/Austin team would pay fannish homage to it—and to a lot of Batman’s history—during their acclaimed run. 5 Enter: the pixie-booted pre- pubescent! Brought on board just a year after Batman’s first appearance to lighten the mood, Robin doubled sales and touched off a vogue for kid sidekicks. But! 6 (Detail of above page.) For decades, Robin’s steadfast appearance at Batman’s side has invited snide jokes and innuendo. Perhaps this was inevitable, even fated. Some unfortunate kerning in his introductory scroll (“ . .takes under his protect- ing mantle GUYS WHERE’S THE SPACE BETWEEN ‘AN’ AND ‘ALLY’ AW GEEZ STOP THE DAMN PRESSES”) couldn’t have helped matters. 7 Robin’s chirpy presence made for a sunnier Batman. His rogues’ gallery felt it too: suddenly mass-murdering became passé and petty larceny was au courant. Take this goon: Joe Coyne, the Penny Plunderer, and his “crime symbol.” In Gotham’s underworld, ya gotta have a gimmick. 8 In the ’50s, Batman’s supporting cast swelled with masked hangers-on. -
The DC Comics Guide to Pencilling Comics - Klaus Janson
The DC Comics Guide to Pencilling Comics - Klaus Janson 128 pages - 0770434568, 9780770434564 - Klaus Janson - Potter/TenSpeed/Harmony, 2013 - The DC Comics Guide to Pencilling Comics - 2013 - America’s leading comic book publisher brings its superstar creators and classic characters to the second in an authoritative series of books on how to create comics. The art of Klaus Janson has endured in the ever-changing comic book industry for over 30 years. Now this talented artist brings that experience to the most critical step of effective comic book storytelling: pencilling.Covering everything from anatomy to composition to page design, Janson details the methods for creating effective visual communication. Step by step, he analyzes and demonstrates surefire strategies for comic book pencilling that are informative and exciting. Using DC’s world-famous characters, he illustrates the importance of knowing the fundamentals of art and how best to use them.The DC Comics Guide to Pencilling Comics is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring artist. It is a valuable resource for comic book, graphic novel, and storyboard artists everywhere. file download pyre.pdf Freddie E Williams II - The DC Comics Guide to Digitally Drawing Comics - 144 pages - ISBN:9780823008322 - Art - Jul 9, 2013 - At lastthe first guide to drawing comics digitally! Artists! Gain incredible superpowers...with the help of your computer! The DC Comics Guide to Digitally Drawing Comics The David Okum - Draw fearless -
Convergence Side 1.Pub
For the months of April and May, DC will not be publishing any of their normal “New 52” superhero comics. Instead, each month will feature 40 different Convergence issues, spotlighting a variety of eras for DC’s heroes. Pre-Flashpoint, Post-Crisis, Golden Age, and many more alternate realities as well. Since most (if not all) of these 40 comics aren’t based on series you may have a subscription for, we’re asking all of our subscribers to look over this list to see if there’s anything from Convergence that you’d like to add. Keep in mind, this is everything DC’s publishing for superhero comics in April and May, so if you don’t fill out this list, you won’t be receiving any DC superhero comics in April or May . Below is a list of each 2-issue series shipping in April and May. Any questions, let us know! WEEK ONE meeting between Oliver Queen and his son, Connor Hawke! ○ Father and son may be united, but is their world about to ○ CONVERGENCE: SPEED FORCE #1 Written by TONY BEDARD end? ○ CONVERGENCE: THE ATOM #1 Art by TOM GRUMMETT and SEAN PARSONS Written by TOM PEYER Cover by BRETT BOOTH and NORM RAPMUND ○ CONVERGENCE: GREEN LANTERN/PARALLAX #1 Art by STEVE YEOWELL and ANDY OWENS STARRING HEROES FROM THE PRE-FLASHPOINT DCU! The Written by TONY BEDARD Cover by STEVE DILLON fastest family alive loses its powers as Wally West and his Art RON WAGNER and BILL REINHOLD STARRING HEROES FROM THE PRE-FLASHPOINT DCU! kids face an uncertain future while trapped away from Cover by STEVE LIEBER There’s a mysterious voice in Ray Palmer’s head! Does that home. -
Grant Morrison Interview
STIC 3 (1) pp. 5–16 Intellect Limited 2012 Studies in Comics Volume 3 Number 1 © 2012 Intellect Ltd Interviews. English language. doi: 10.1386/stic.3.1.5_7 interviews Jeffery Klaehn University of Strathclyde Grant Morrison Interview Grant Morrison is highly regarded as one of the most original and inventive writers in the comics medium. He has been recognized as one of the top writers in the comics industry for over two decades and is acknowledged as one of its most imaginative storytellers. In his time in comics, Morrison has contributed ground-breaking and best-selling runs of popular stories for the major companies, including DC Comics – Batman, Superman, Action Comics, JLA, Doom Patrol, Animal Man – and for Marvel Comics the best-selling monthly, New X-Men, as well as Marvel Boy and Fantastic Four 1234. He has created a number of revolutionary original comic series including We3, The Invisibles, The Filth, Zenith, Sebastian O, Marvel Boy and the cult classics Kill Your Boyfriend, The Mystery Play, Sea Guy and Seaguy 2: The Slaves of Mickey Eye. His graphic novels and comic book collections have been translated into over a dozen languages and are sold worldwide. In 2006 Morrison wrote two Eisner Award winning series, the 30-part epic Seven Soldiers and the critically acclaimed All-Star Superman, and he also gained a further three Eagle Awards in the United Kingdom, including one for Lifetime Achievement within the comics field. In 2007, Morrison won 5 STIC 3.1_Klaehn_5-16.indd 5 8/6/12 10:57:27 AM Jeffery Klaehn another Eagle Award for All-Star Superman in 2007. -
SFT -Intern H .J
Impressum Inhalt SCIENCE FICTION TIMES M<Jyd71n fur spekulat•ve Thematik Artikel her<JUsgeqeben von der ArbeltS()Amemschaft Spokulflt1 ve Themat•k Uber e1n1ge Kl1 schees der SF Literatur Re1 nhard Merker 4 Geschaftsfuhrung und Redaktion Perry Rhodan und Konkret Klaus H .J. Gartner 16 Hans Jcwch1m Alpers, 2850 Bremerhaven 1. We1f.~enburger Strat..., 6 Uber Agentenfilme Hagen Zboron 30 Ronald M Hahn. 5600 Wuppertal 2. Werth 62 Stories Audio-visuelle Redaktion OttoW Bernhard Gnmmmger 16 Bernt Klmg & Georq Seef~len. 8000 Munchen 40. Postfach 40 16 07 Wohlstandsspiegel Bernhard Gnmminger 16 Verbrauchertest Bernhard Schm1tz 37 Grafische Gestaltung und Layout AbseitS Helmut Wenske 38 Horst Adam 5600 Wuppertal 11. Hochdahler Weg 7 Scalam1cron Georg Seeßlen 39 29 September Bernhard Grimm1nger 39 Vertriebsleitung Wo das Getriede wogt A.& B. Strugatzk1j 40 Kurt StPrz. 5032 Efferen. Hahnenstr 27 Information Auslieferung und Bestellannahme SFT -Intern H .J . Alpars 3 Hans Joachun Alpers, 2850 BrPrnerhaven 1. We1ßenb urgN Straße 6 Sc1ence Fict1on 111 USA Franz Rottens tei ner 13 Rezens1onen ( 1 ) Klaus D1edrieh Redaktionelle Mitarbeiter Gerd Eversberg 22 Film Gerd Max1mov1e Mart 111 Beranek. Vic-sur Seil le/France Sylv1a Brecht, Fre1burq Hagen Zboron 25 Klaus D•edr1ch, B•berach/Riß X Festival del Film d • Gerd Eversberq, Köln Fantasc1enza Bernt Kl1ng 30 Werner Fuchs. Erkrath Rezens1onen (2) Carsten Wrobel Klaus J. Gartner. Koln H.J. Alpars 45 Bernd W Holu•chter. Bochum D1skuss•o n 46 HPimut Magnana. W1en/Austna Nachnchten 48 Remhard Mr.rker. Dortmund 81bl1ograph•e H.J . Alpars 50 Jurgr.n Nowak. Du1sburg Graphik Karl Pax. München Titelbild und Rückb1ld Helmut Wenske Horst Pukallus. -
GRANT MORRISON Great Comics Artists Series M
GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images.