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Bibliography BIbLIOGRAPHY Abbott, Ruth, and Ira Simmons. 1995. An Interview with Ishmael Reed. In Conversations with Ishmael Reed, ed. Bruce Allen Dick, and Amritjit Singh, 74–95. Jackson: University Press of Mississippi. Agamben, Giorgio. 2009. What is the Contemporary? In What is an Apparatus? And Other Essays. Stanford: Stanford University Press. Akomfrah, John. 2013. The Unfinished Conversation. London: Autograph ABP. Anderson, Harlene. 1997. Self, Narrative Identity and Agency. In Conversations, Language and Possibilities. New York: Basic Books. Anderson, John, and Hilary Hevenor. 1987. Burning Down the House: MOVE and the Tragedy of Philadelphia. New York: W.W. Norton & Company. Angelo, Anne-Marie. 2009. The Black Panthers in London, 1967–1972: A Diasporic Struggle Navigates the Black Atlantic. Radical History Review 2009(103): 17–35. Anim-Addo, Joan. Touching the Body: History, Language and African-Caribbean Women’s Writing. London: Mango Publishing, 2007. Appiah, Kwame Anthony, and Henry Louis Gates, Jr. eds. 1999. Tuskegee Airmen. In Africana: The Encyclopaedia of the African and African American Experience, 1902–03. New York: Basic Civitas Books. Arana R., Victoria. 2007. Aesthetics as Deliberate Design: Giving Form to Tigritude and Nommo. In “Black” British Aesthetics Today, ed. R. Victoria Arana. Newcastle-upon-Tyne: Cambridge Scholars Publishing. © The Author(s) 2016 277 L. Kamali, The Cultural Memory of Africa in African American and Black British Fiction, 1970–2000, Palgrave Studies in Cultural Heritage and Conflict, DOI 10.1057/978-1-137-58171-6 278 BIBLIOGRAPHY Arana R., Victoria, and Lauri Ramey (ed). 2004. Black British Writing. New York: Palgrave Macmillan. Assefa, Hizkia, and Paul Wahrhaftig. 1988. Extremist Groups and Conflict Resolution: The MOVE Crisis in Philadelphia. New York: Praeger Publishers. Atwood, Margaret. 1989. Cat’s Eye. Toronto: McClelland & Stewart. Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. Trans. John Howe. London: Verso. Awkward, Michael. 1999. ‘Unruly and Let Loose’: Myth, Ideology, and Gender. In Toni Morrison’s Song of Solomon, Modern Critical Interpretations, ed. Harold Bloom, 159–176. Philadelphia: Chelsea House Publishers. Baldick, Chris. 1990. The Concise Oxford Dictionary of Literary Terms. Oxford: Oxford University Press. Baraka, Amiri. 1997. Speech to the Congress of African Peoples, 1970. In Modern Black Nationalism: From Marcus Garvey to Louis Farrakhan, ed. William L. Van Deburg, 145–157. NYU Press. Bartlett, Lee. 1995. And That History Is Subject to the Will: Ishmael Reed. In Conversations with Ishmael Reed, ed. Bruce Allen Dick, and Amritjit Singh, 258–270. Jackson: University Press of Mississippi. Beauchamp-Byrd, Mora J. (ed). 1997. Transforming the Crown: African, Asian & Caribbean Artists in Britain, 1966–1996, 16–45. New York: The Franklin H. Williams Caribbean Cultural Center/African Diaspora Institute. Beck, Ulrich. 2002. The Cosmopolitan Perspective: Sociology in the Second Age of Modernity. In Conceiving Cosmopolitanism: Theory, Context, and Practice, ed. Steven Vertovec, and Robin Cohen, 61–85. Oxford: Oxford University Press. Behrend, Heike, and Ute Luig. 1999. Spirit Possession: Modernity & Power in Africa. Oxford: James Currey/ Kampala: Fountain Publishers/ Cape Town: David Philip / Madison: University of Wisconsin Press. Bell, C. Rosalind. 1991. Worlds Within: An Interview with Caryl Phillips. Callaloo 14(3): 578–606. Bellinelli, Matteo, dir. 1992. In Black and White: Conversations with African-­ American Writers—Part Six: John Wideman. RTSI-Swiss Television. Benjamin, Walter. 1963. The Origin of German Tragic Drama. Trans. John Osborne. London: NLB, 1977. ———. 1999a. On Some Motifs in Baudelaire. In Illuminations: Essays and Reflections, ed. Hannah Arendt, (trans: Zorn, Harry), 152–196. London: Pimlico, Random House, [London: Jonathan Cape Ltd, 1970]. ———. 1999b. Theses on the Philosophy of History. In Illuminations: Essays and Reflections, ed. Hannah Arendt, (trans: Zorn, Harry), 152–196. London: Pimlico, Random House, [London: Jonathan Cape Ltd, 1970]. Walter Benjamin, “The Image of Proust,” In Illuminations: Essays and Reflections, edited by Hannah Arendt, translated by Harry Zorn (London: Pimlico, Random House, 1999 [London: Jonathan Cape Ltd, 1970]). BIBLIOGRAPHY 279 Benston, Kimberly W. 1991. Re-Weaving the ‘Ulysses Scene’: Enchantment, Post-­ Oedipal Identity, and the Buried Text of Blackness in Toni Morrison’s Song of Solomon. In Comparative American Identities: Race, Sex and Nationality in the Modern Text, ed. Hortense J. Spillers. New York: Routledge. Berben-Masi, Jacqueline. 1999. From Brothers and Keepers to Two Cities: Social and Cultural Consciousness, Art and Imagination, An Interview with John Edgar Wideman. Callaloo 22(3): 568–584. ———. 2006. Of Basketball and Beads: Following the Thread of One’s Origins. In Critical Essays on John Edgar Wideman, ed. Bonnie TuSmith, and Keith Byerman, 31–41. Knoxville: The University of Tennessee Press. Bereano, Nancy K. 1984. Introduction to Sister Outsider: Essays and Speeches, by Audre Lorde, 8. Freedom, CA: The Crossing Press. Berghahn, Marion. 1977. Images of Africa in Black American Literature. London: Macmillan Press. Berlant, Lauren. 1993. Race, Gender, and Nation in The Color Purple. In Alice Walker: Critical Perspectives Past and Present, ed. Henry Louis Gates Jr., and K.A. Appiah, 211–238. New York: Amistad Press. Bernabé, Jean, Patrick Chamoiseau, Raphaël Confiant, and Mohamed B. Taleb Khyar. 1990. In Praise of Creoleness. Callaloo 13(4): 886–909. Bewes, Timothy. 2006. Shame, Ventriloquy, and the Problem of the Cliché in Caryl Phillips. Cultural Critique. 63: 33–60. Bhabha, Homi. 1992. The World and the Home. Third World and Post-Colonial Issues 31(32): 141–153. Bigsby, Christopher. 2001. In Conversation with Alice Walker. In Writers in Conversation, vol 2, 213–223. University of East Anglia, Norwich: Arthur Miller Centre for American Studies. Binder, Wolfgang. 1997. Interview with David Dabydeen, 1989. In The Art of David Dabydeen, ed. Kevin Grant. Leeds: Peepal Tree Press. Birat, Kathie. 1999. ’Re-visionary Strategies’: History and Fiction in the Novels of Caryl Phillips and Wilson Harris. In Theory and Literary Criticism, ed. Jean-­ Pierre Durix, 21–31. Dijon: Editions Universitaires de Dijon. Bobo, Jacqueline. 1989. Sifting Through the Controversy: Reading The Color Purple. Callaloo 12(2): 332–342. ———. 2003. The Color Purple: Black Women as Cultural Readers. In The Audience Studies Reader, ed. Will Brooker, and Deborah Jermyn, 305–314. London: Routledge. Boehmer, Elleke. 2005. Colonial and Postcolonial Literature: Migrant Metaphors. Oxford: Oxford University Press. Bowers, Maggie Ann. 1998. Acknowledging Ambivalence: The Creation of Communal Memory in the Writing of Toni Morrison. Wasafiri 27(Spring): 19–23. 280 BIBLIOGRAPHY Boyer, Jay. 1993. Ishmael Reed. Boise State University Western Writers Series, 110. Boise, Idaho: Boise State University. Boyette, Michael. 1989. ‘Let It Burn!’: The Philadelphia Tragedy. Chicago: Contemporary Books. Brantlinger, Patrick. 1988. Rule of Darkness: British Literature and Imperialism, 1830–1914. Ithaca, NY: Cornell University Press. Brathwaite, Edward. 1973. The Arrivants: A New World Trilogy. Oxford: Oxford University Press. Brennan, Timothy. 1989. Cosmopolitans and Celebrities. Race & Class 31(1): 1–19. ———. 1990. The National Longing for Form. In Nation and Narration, ed. Homi K. Bhabha, 44–59. Routledge. Brown, Elaine. 1992. Attack Racism, Not Black Men. In The New York Times, Op-Ed section, May 5, 1993. Steinem, Gloria, Revolution From Within: A Book of Self-Esteem. London: Bloomsbury. Brown, Jacqueline Nassy, and Deborah Thomas (ed). 2006. Globalization and Race: Transformations in the Cultural Production of Blackness. Durham, NC: Duke University Press. Brown, Karen McCarthy. 2006. Afro-Caribbean Spirituality: A Haitian Case Study. In Vodou in Haitian Life and Culture: Invisible Powers, ed. Claudine Michel and Patrick Bellegarde-Smith, 1–26. New York: Palgrave Macmillan. Brown, Stewart. 1999. Lara, Bernardine Evaristo. Reviews. Wasafiri 29(Spring): 83–84. Browning, Barbara. 1992. Babaluaiye: Searching for the Text of a Pandemic. In AIDS: The Literary Response, ed. Emmanuel S. Nelson. New York: Twayne. Bryan, Beverley, Stella Dadzie, and Suzanne Scafe. 1985. The Heart of the Race: Black Women’s Lives in Britain. London: Virago Press. Buck-Morss, Susan. 1992. Aesthetics and Anaesthetics: Walter Benjamin’s Artwork Essay Reconsidered. October 62(Fall): 3–41. Bunce, Robin, and Paul Field. 2010. Obi B. Egbuna, C. L. R. James and the Birth of Black Power in Britain: Black Radicalism in Britain 1967–72. Twentieth Century British History 22(3): 391–414. ———. 2015 [2014]. Front matter, Darcus Howe: A Political Biography. London: Bloomsbury. Bundy, A.J.M. 1999. Appendix—El Dorado and the Grail Legend: A Memorandum with References to Wilson Harris’s Fiction. In Selected Essays of Wilson Harris: The Unfinished Genesis of the Imagination, ed. A.J.M. Bundy, 263–267. London: Routledge. Burleson, Blake Wiley. 1986. John Mbiti: The Dialogue of an African Theologian with African Traditional Religion. Ann Arbor: University Microfilms International. BIBLIOGRAPHY 281 Byerman, Keith. 1989. Walker’s Blues. In Alice Walker, ed. Harold Bloom, 59–66. New York: Chelsea House Publishers. Campbell, Christopher. 2005. Writing, Representation and Rescue: Narrating an Eighteenth-Century History in S.I. Martin’s Incomparable World. New Formations 55(Spring):
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