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— Le Poetriae Del Medioevo Latino Modelli, Fortuna, Commenti MEDIOEVO LATINO LATINO MEDIOEVO LE POETRIAE Filologie medievali e moderne 15 Serie occidentale 12 DEL — Le poetriae del medioevo latino ALESSIO, LOSAPPIO Modelli, fortuna, commenti a cura di Gian Carlo Alessio e Domenico Losappio Edizioni Ca’Foscari 15 Le poetriae del medioevo latino Filologie medievali e moderne Serie occidentale Serie diretta da Eugenio Burgio 15 | 12 Edizioni Ca’Foscari Filologie medievali e moderne Serie occidentale Direttore | General editor Eugenio Burgio (Università Ca’ Foscari Venezia, Italia) Comitato scientifico | Advisory board Massimiliano Bampi (Università Ca’ Foscari Venezia, Italia) Saverio Bellomo (Università Ca’ Foscari Venezia, Italia) Marina Buzzoni (Università Ca’ Foscari Venezia, Italia) Serena Fornasiero (Università Ca’ Foscari Venezia, Italia) Tiziano Zanato (Università Ca’ Foscari Venezia, Italia) Serie orientale Direttore | General editor Antonella Ghersetti (Università Ca’ Foscari Venezia, Italia) Comitato scientifico | Advisory board Attilio Andreini (Università Ca’ Foscari Venezia, Italia) Giampiero Bellingeri (Università Ca’ Foscari Venezia, Italia) Paolo Calvetti (Università Ca’ Foscari Venezia, Italia) Marco Ceresa (Università Ca’ Foscari Venezia, Italia) Daniela Meneghini (Università Ca’ Foscari Venezia, Italia) Antonio Rigopoulos (Università Ca’ Foscari Venezia, Italia) Bonaventura Ruperti (Università Ca’ Foscari Venezia, Italia) e-ISSN 2610-9441 ISSN 2610-945X URL http://edizionicafoscari.unive.it/it/edizioni/collane/filologie-medievali-e-moderne/ Le poetriae del medioevo latino Modelli, fortuna, commenti a cura di Gian Carlo Alessio e Domenico Losappio Venezia Edizioni Ca’ Foscari - Digital Publishing 2018 Le poetriae del medioevo latino. Modelli, fortuna, commenti Gian Carlo Alessio e Domenico Losappio (a cura di) © 2018 Gian Carlo Alessio e Domenico Losappio per il testo © 2018 Edizioni Ca’ Foscari - Digital Publishing per la presente edizione cb Qualunque parte di questa pubblicazione può essere riprodotta, memorizzata in un sistema di recupero dati o trasmessa in qualsiasi forma o con qualsiasi mezzo, elettronico o meccanico, senza autorizzazione, a condizione che se ne citi la fonte. Any part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited. Edizioni Ca’ Foscari - Digital Publishing Università Ca’ Foscari Venezia Dorsoduro 3246, 30123 Venezia http://edizionicafoscari.unive.it/ | [email protected] 1a edizione febbraio 2018 ISBN 978-88-6969-137-9 [ebook] ISBN 978-88-6969-205-5 [print] Il volume si inserisce nell’ambito del progetto ALIM, ed è stato finanziato dal Ministero dell’Istru- zione dell’Università e della Ricerca, PRIN 2012. I contributi raccolti nel presente volume sono stati sottoposti alla lettura e al giudizio di un co- mitato scientifico internazionale. Certificazione scientifica delle Opere pubblicate da Edizioni Ca’ Foscari - Digital Publishing: tutti i saggi pubblicati hanno ottenuto il parere favorevole da parte di valutatori esperti della materia, attraverso un processo di revisione anonima sotto la responsabilità del Comitato scientifico della collana. La valutazione è stata condotta in aderenza ai criteri scientifici ed editoriali di Edizioni Ca’ Foscari. Scientific certification of the works published by Edizioni Ca’ Foscari - Digital Publishing: all essays published in this volume have received a favourable opinion by subject-matter ex- perts, through an anonymous peer review process under the responsibility of the Scientific Committee of the series. The evaluations were conducted in adherence to the scientific and editorial criteria established by Edizioni Ca’ Foscari. 240Le poetriae del medioevo latino. Modelli, fortuna, commenti / A cura di Gian Carlo Alessio e Do- menico Losappio — 1. ed. — Venezia: Edizioni Ca’ Foscari - Digital Publishing, 2017. — 316 p.; 23 cm. — (FIlologie medievali e moderne; 15, 12). — ISBN 978-88-6969-205-5. URL http://edizionicafoscari.unive.it/it/edizioni/libri/978-88-6969-205-5/ DOI 10.14277/978-88-6969-137-9/FMM-15 Le poetriae del medioevo latino Modelli, fortuna, commenti a cura di Gian Carlo Alessio e Domenico Losappio Abstract This book offers a reflection upon Medieval Latin artes poetriae and aims to spur the scientific debate on them by means of eleven papers written by international- ly-kwown scholars. The essays investigate, according to different perspectives and in different ways, various aspects of the artes: their relations with other texts (Latin and vulgar), their fortune, their sources, the cultural contexts in which they were read and commented, and single authors’ reflections upon specific questions. Keywords Rhetoric. Poetry. Ars poetriae. Latin Medieval Literature. Latin Medieval Philology. Le poetriae del medioevo latino Modelli, fortuna, commenti a cura di Gian Carlo Alessio e Domenico Losappio Sommario Introduzione Protostoria e storia delle Arti poetiche Claudia Villa 9 Le poetrie e la bucolica medievale latina Elisabetta Bartoli 15 Between Grammar and Rhetoric Poetria nova and Its Educational Context in Medieval and Renaissance Italy Robert Black 45 Tratamiento del ordo en la teorización poética medieval Poetria nova, de Godofredo de Vinsauf Ana Calvo Revilla 69 Translatio Poetriae Occitan Apprenticeship from the Latin Classroom to the Vernacular Court Douglas Kelly 91 Il commento di Bartolomeo da San Concordio alla Poetria nova: alcuni appunti Domenico Losappio 129 L’impronta di Matteo di Vendôme nella diffusione degli schemi di correlazione e pluralità (sec. XI-XVI) Maurizio Perugi 165 La construcción retórica de los discursos en el Laborintus de Everardo el Alemán Carolina Ponce Hernández 195 The Ars versificaria of Gervase of Melkley Structure, Hierarchy, Borrowings Alan M. Rosiene 205 Le Laborintus d’Évrard l’Allemand, ou le roman familial d’un grammairien mélancolique Jean-Yves Tilliette 225 Nova quaedam insita mirifice transsumptio Il linguaggio figurato tra le artes poetriae e Dante Gaia Tomazzoli 257 Indice dei nomi 297 Indice dei manoscritti 313 Le poetriae del medioevo latino Modelli, fortuna, commenti a cura di Gian Carlo Alessio e Domenico Losappio Introduzione Protostoria e storia delle Arti poetiche Claudia Villa (Scuola Normale Superiore, Pisa, Italia) Nella lunga tradizione di lettura e di confronto con testi che affrontano il problema della poesia, nel suo farsi, la stagione delle Arti poetiche è rela- tivamente breve, compressa fra il tempo dell’Ars versificatoria di Matthieu de Vendôme (c. 1175) e la Parisiana poetria di Jean de Garland (c. 1240). Nel volgere di tre generazioni, alcuni maestri sono stimolati a redigere nuovi manuali che negli stessi titoli (Ars versificatoria, Poetria novella) alludono, anche consapevolmente, alla oraziana Epistola ad Pisones, va- riamente proposta dalla tradizione manoscritta mediolatina con i titoli di Ars poetica o Poetria vetus. Neppure un secolo separa, fra di loro, gli autori di queste Artes, presen- tate dal Faral in una fortunatissima pubblicazione che, per lungo tempo, ha rappresentato il solo punto di riferimento su tutte le questioni di poetica mediolatina. I tempi relativamente circoscritti impongono perciò una ri- flessione sull’origine e sulla fortuna di opere che ambiscono a integrare o a sostituire le ben collaudate esegesi oraziane già diffuse in età carolingia. I tempi di questa produzione (chiusi fra l’ultimo quarto del secolo XII e i primi decenni del secolo XIII) e la successiva, significativa fortuna della Poetria novella di Goffredo di Vinosalvo (confermata dalla proliferazione di copie e garantita dai commenti, prodotti da maestri – Guizzardo da Bo- logna, Pace da Ferrara, Bartolomeo da San Concordio – attivi nell’Italia centro-settentrionale fra il XIII e il XIV secolo) obbligano a ragionare sulle logiche di questi consensi. È peraltro necessario ricordare che nuove proposte cronologiche hanno vistosamente ribaltato ogni giudizio sui rapporti fra le Artes e l’esegesi collegata alla fruizione della Epistola ad Pisones nella cultura mediolatina. Il commento oraziano inc. «Materia huius libri»,1 apparentemente dipen- dente dalla dottrina normativa delle Artes, è stato per molto tempo attribuito 1 Il commento è pubblicato da Friis-Jensen, K. «The Ars poetica in Twelfth-Century France. The Horace of Matthew of Vendôme, Geoffrey of Vinsauf, and John of Garland». Cahiers de l’Institut du moyen âge grec et latin, 60, 1990, 319-88. Filologie medievali e moderne 15 ISSN [online] 2610-9441 | ISSN [print] 2610-945X DOI 10.14277/6969-137-9/FMM-15-0 | Submission 2017-09-15 ISBN [ebook] 978-88-6969-137-9 | ISBN [print] 978-88-6969-205-5 © 2018 | cb Creative Commons Attribution 4.0 International Public License 9 Le poetriae del medioevo latino, 9-14 a Paolo da Perugia, anziano sodale di Giovanni Boccaccio, custos librorum della Biblioteca angioina e quasi suggeritore delle inchieste sulle Genealogie deorum, che Boccaccio chiuderà con l’importante elogio della poesia con- densato nel libro XIV. Il commento si conclude infatti con la formula «editus per Paulum Perusinum» nel solo manoscritto per lungo tempo noto (Napoli, Bibl. Nazionale V F 21). Il ricupero di esemplari molto più antichi2 permette di affermare che il Materia fu invece elaborato e quindi utilizzato in un clima culturale diverso da quello in cui operava Paolo e che fu il risultato degli impegni di maestri francesi attivi nella prima metà del secolo XII e impegnati in una società letteraria che nell’Epistola oraziana, promossa a manuale scolastico,
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