DOCSLIB.ORG

Our Wing Teachers: Shimon Is from Israel and Is Not Only a Seed Beader but Also Teaches Soutache

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Our Wing Teachers: Shimon Is from Israel and Is Not Only a Seed Beader but Also Teaches Soutache 2321 Michael Drive Newbury Park, CA 91320-3233 877 Beads4U (877-232-3748) Phone: 805•499•1377 Fax: 805•499•7923 Newsletter E-mail: [email protected] Wing ‘18 (Winter-Spring) Store Hours Tue - Wed 10 - 6pm Dear Beading Friends, Thursday 10 - 8pm Fri - Sat 10 - 6pm Sunday 12 - 5pm Happy Wing and Happy New Year! As I am writing Monday Closed this I find myself grateful for all the wonderful people I have met through “this job”. I appreciate your choice of continuing to support “your local bead store”. If it were not for you we would not still be here. That being said, Creative Castle is still looking for a buyer; it would be great to celebrate new ownership as well as our 29th anniversary so Creative Castle can continue on. Come visit and see our wonderful Trunk Shows and events! We will be having a few added BATC (Beading at the Castle dates this season). Our second Tuesday event has become a monthly Trunk Show of Kandra’s Treasures, Jan 5-7 destination for many of you and the extra beading time has been Beading Special BATC, Jan 27 welcomed by many of you as well. Keep your eyes posted for Kathy King Trunk Show, Feb 2-4 the dates on the monthly calendars. I will also remind you in our Huib Petersen Trunk Show, Feb 9-11 weekly emails. If you are not getting these communications and would like to, please sign up the next time you are in the shop or Italian Bead Trunk Show, Feb 15-18 (preview Feb 14th 6-8) send me an email and I will add you to our list. Sherry Serifini Trunk Show, Feb 23-25 Cynthia Rutledge Trunk Show, Mar 17 10am-5pm We will be hosting a Trunk Show of Kandra’s personal stash of beads. I have known Kandra for over 15 years and we have Sarah Thompson Trunk Show, Mar 23-25 become quite good friends. Her bead stash is phenomenal. This Betty Stephan Trunk Show, Apr 6-8 is a fabulous opportunity to add to yours with some finds that Special Event BATC, Apr 15 are quite rare in today’s bead marketplace. Mark your calendar Anne Mitchell Trunk Show, Apr 26-29 for January 5-7. It will be worth the trip. We have other trunk shows scheduled this season including our annual Italian Bead (All trunk shows during regular store hours.) Trunk Show February 14-18 with Nicole from Venice, so be sure to check out the calendar listings. We will be hosting some new teachers this season. Sarah Thompson specializes in wire and hails from Washington. Miriam Our Wing Teachers: Shimon is from Israel and is not only a seed beader but also teaches soutache. We also welcome many returning favorites so check out the calendar and register! Huib Petersen Sherri Serafini I want to wish all the Wing babies a very Happy Birthday. Remember to come in during the month of your birthday to receive 20% off one shopping trip to Creative Castle and we will Betty Stephan Cynthia Rutledge punch your key tag for the amount of your purchase for Miriam Shimon future redemption. Sarah Thompson Kathy King Please let us know if there is any beading need you have; we would like the opportunity to help. It is our goal to provide you with not Marlene McCall Linda Kavalsky only wonderful merchandise but also a fabulous environment in Carole Tripp which to discover it, as well as an extraordinary shopping experience. Jo Ellen Lee Corinne Loomer Liz Smith Happy beading, Anne Mitchell Inside this issue: January February Anja Schlotman March April uote Techniques…Classes Q and MORE! “Real generosity is doing something nice for someone who will never find out.” - Frank A. Clark Newsletter Designed by: Evolutionistic Knowledge, Inc. January Corinne Loomer Bead Embroidery Independent Study Tue 1/2, 2/6, 3/6 and 4/3 (11-3) Trunk Show Prerequisites: Peyote of $150.00 for the series + supplies Skill Level: All Skill Levels OR Technique: Peyote, Bead Embroidery Kandra’s $50 per class Beads + supplies Be in control of your vision in this independent study. Learn focus, work Fri 1/5 - Sun 1/7 independently, plan your creation, organize your ideas and make them a reality. (during regular store hours) Every month discuss various topics about Bead Embroidery. Take both classes for $185.00 Anja Schlotman SPECIAL EVENT! Stained Glass Sat 1/13 (10-5) Helene Sedlmayer $95.00 + supplies Sun 1/14 (10-5) Beading at the Castle Prerequisites: $95.00 + supplies Even & Odd Count Peyote Prerequisites: Skill Level: Intermediate Even & Odd Count Peyote Sat Jan 27 (11-5) Technique: Peyote, Skill Level: Creative Bead Stitches Intermediate/Advanced Technique: Peyote, Creative Bead Stitches The necklace Create a necklace inspired by the beautiful consists of 10 main components and 2 fancy stained glass in the Salisbury Cathedral in stone components intricately woven together. England. Necklace consists of 9 main components This is my second piece inspired by a painting Linda Kavalsky assembled and adorned with pearl filled swags. out of the Bavarian Collection in the ‘Gallery of Beauties’ in Germany. Etching Class Sun 1/28 (10-5) $85.00 + $18 materials fee Carole Tripp Jo Ellen Lee Prerequisites: Some Wire or Sheet Metal Experience Peyote Wed 1/10 (10-1) OR (6-9) Mala Inspired Knotting Necklace Skill Level: $25.00 + supplies Beginner/Intermediate Bead Learn how to Thu 1/18 (6-9) Prerequisites: None Technique: Bracelet knot a necklace $30.00 + supplies Etching, Metalsmithing Skill Level: All Skill Levels inspired by malas Technique: Peyote or Buddhist prayer Prerequisites: None Learn the basics of even count beads. When Skill Level: Beginner Etching is so simple with this easy procedure flat peyote while making these using 6 mm Technique: Knotting of using rubber stamps or sharpie pens. In- peyote tube beads. Students beads, this necklace is about 30 inches corporate your etched designs into art to wear will learn how to read a graph, long and is finished with a focal bead and a that’s pronged or bezeled. Even etch the bail. as well as how to assemble their beaded tassel. Learn how to knot and make a tassel. This is a It’s easy and safe to do at home with only 2 beads into a bracelet or necklace. good knotting refresher class. common ingredients. Technique Classes • Register by phone or in person. • Pre-registration and payment in full at time of Beading Basics with Marlene McCall Registration: registration is required for all classes and workshops. Beading Basics I Beading Basics II Private Lessons • Classes will cancel if not full and a refund given. $30.00 Sat 1/21 (1-4) OR Call for availability • 3 weeks notice of cancellation prior to the first supplies $25.00 per hour Thu 1/25 (6-9) OR $30.00 + supplies class taught by a guest instructor is required. Credit included 2 hour minimum Thu 2/8 (6-9) OR will be given toward a future class if the space can Prerequisites: Beading Basics I be filled. No credit given after that time. Instructions Thu 3/1 (6-9) OR Prerequisites: None Take private lessons Skill Level: Skill Level: Advanced Beginner on any of the basic will be provided for the student if class can not Thu 4/12 (6-9) Beginner classes, get help with be attended. Know the basics but want to make profession- Learn the fundamentals of basic bead a class project. •72 hours notice of cancellation prior to other classes al looking pieces? Need some information on stringing AND basic wire-wrap techniques. is required to receive credit toward a future class. French wire, cones, crimp covers, wrapping Schedule one of our Supplies, findings and tools are discussed. experienced bead briolettes, bead tips, wiring leather cord and • Cancellations after 72 hour notice will receive Learn the basics of stringing using various artisans to assist making decorative spirals? Learn these, plus credit for 1/2 class fee toward a future class. materials and to work with wire to combine it you for a successful a discussion on finishing your problem pieces. with chain and beads. project outcome. • No show = no credit. Prerequisites: None Skill Level: All Skill Levels Seed Bead Series with Carole Tripp (for each of the below Seed Bead Series classes except where noted) Peyote Bead Bracelet RAW Embellished Square Stitch Herringbone Brick Stitch Components Bracelet Wed 2/7 Bracelet Wed 2/28 Bracelet Wed 4/4 Wed 1/10 (10-1) OR (6-9) (10-1) OR (6-9) (10-1) OR Wed 3/28 (10-1) OR (6-9) $25.00 + supplies $25.00 (6-9) (10-1) OR (6-9) $25.00 + supplies + supplies $25.00 $25.00 Technique: + supplies Skill Level: Peyote + supplies Beginner Technique: Technique: Technique: Brick Stitch RAW Technique: Learn the basics of even count Learn right Learn square Herringbone flat peyote while making these Square angle weave while crafting stitch while Stitch Learn tubular herringbone Learn the basics of flat brick peyote tube beads. Learn how to this bracelet. The abbrevia- crafting this also known as N’debele stitch. Increasing, decreasing, read a graph, and how to assem- tion for right angle weave bracelet. Also, learn about while making this and how to read a pattern ble into a bracelet or necklace. is RAW. patterns and bracelets. fashionable bracelet. is discussed. Newsletter Designed by: Evolutionistic Knowledge, Inc. Take 2 one day classes for $185.00 February Kathy King Take 3 one day classes for $275.00 SuperDuo Primer Floral Fountain Necklace Cradle Earrings Fri 2/2 (10-5) Sat 2/3 (10-5) Sun 2/4 (10-5) $95.00 + supplies $95.00 + supplies $95.00 + supplies Prerequisites: Square Stitch Prerequisites: Square Stich Prerequisites: Square Stitch Skill Level: Intermediate Skill Level: All Skill Levels Skill Level: Intermediate Technique: Square Stitch, Technique: Quilling, Square Stitch Technique: Quilling, Beadweaving Stitches Square Stitch Students will learn how to Students will learn how to create Students will learn how to create the three- create a variety of geometric shapes using five different beaded beads, plus the bead quilled dimensional shape shown that make very fun two colors of superduo beads.
Load more

Recommended publications
  • Stringing Wirework
    Introduction 7 © 2007 Kalmbach Publishing Co. Tools and materials 8 All rights reserved. This book may Basics 10 not be reproduced in part or in whole without written permission of the publisher, except in the case of brief quotations used in reviews. Published Stringing 16 by Kalmbach Trade Press, a division Leaf pendant necklace 18 Wirework 48 of Kalmbach Publishing Co., 21027 String an ode to nature with a lovely vintage-reproduction Crossroads Circle, Waukesha, WI Chained crystals 50 53186. These books are distributed to leaf pendant Beads take this design beyond chain the book trade by Watson-Guptill. Boho hoops 20 A cluster of dangles 54 Printed in Singapore. Suspend shimmering mother-of-pearl beads in generous Mix beads in a variety of shapes and sizes for a quick and double hoops casual necklace 11 10 09 08 07 1 2 3 4 5 Three-strand garnet necklace 22 Fringed chandelier earrings 56 Publisher’s Cataloging-In-Publication Data Use graduated bead sizes and strand lengths for an elegant Get ready for a night on the town with glitzy earrings (Prepared by The Donohue Group, Inc.) silhouette Triangle dangles 59 Swinging loops 24 Make great shapes with crystals, chain, and wire Creative beading. Vol. 2 : the best Add some sparkle to your wardrobe with beautiful briolette Delicate drops 62 projects from a year of Bead&Button earrings magazine. Dangle crystal briolettes from chain for a dainty necklace - Fringed focal bead necklace 26 and-earring set p. : col. ill. ; cm. Crystals and art glass are a show-stopping combination Charming glass spirals 64 Includes index.
    [Show full text]
  • Preciosa Soutache & Pellet Bracelet
    DESIGN BY JAROSLAVA RŮŽIČKOVÁ Preciosa Ornela presents the PRECIOSA PelletTM Pressed Beads. PRECIOSA Pellet™ Pressed Beads ART No. 111 01 339 Size: 4 x 6 mm BEAD SHOP ZÁSADA 468 25 Zásada +420 488 117 743 [email protected] 50°41‘49 N, 15°15‘55 E GLASS SHOP DESNÁ Krkonošská, 468 61 Desná +420 488 117 525 [email protected] 50°45‘41 N, 15°19‘7 E SOUTACHE MEANDERS preciosa-ornela.com facebook.com/PreciosaOrnela BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS July 2013 © PRECIOSA ORNELA, a.s. preciosa-ornela.com © PRECIOSA ORNELA, a.s. SOUTACHE MEANDERS SOUTACHE MEANDERS BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS A practical Pressed Bead, PRECIOSA Pellet™, nylon thread, scissors, metal parts for a so-called Step 2: Step 4: whose shape enables it to supplement many American fastening, textile glue. Place the soutaches together so that the longest After reaching the necessary length of the varied types of beads and seed beads, has been of them is longer by ca 12.5 cm on each side. bracelet, thread the excess soutache through presented in Preciosa Ornela’s new collection for Difficulty: Sew the soutaches together in the central the loop on the American fastening and tighten the upcoming season in the second half of 2013. section so that the knot is hidden in the first well. Create a bow from the remaining part The so-called interlocking effect is enabled by the Procedure: meander. Place the individual stitches carefully of the soutache, and hide the ends of all the central slimming of the glass cylinder in the in the central section and do not overly tighten soutaches in it and then carefully sew it up.
    [Show full text]
  • What's Inside?
    CHILDREN HOME DEC What’s Inside? • BERNINA® News • Gourmet Sewing: Elegant Table Linens • Gourmet Sewing: Consumer Programs • Circle of Friends • Whimsical Kingdom: Page 10 Mini Animal Caddy • Potato Chip Purses • The Inside Story • “Age of Innocence” Quilt • A Passel of Tassels • Stitch Recipes • Featured Foot: Serger Gathering Foot Special • Software Skill Builders: Timeless Taupe GOURMET • Professional Profile SEWING Issue! The power to follow your inspiration. Quilt by Alex Anderson Visit your Bernina Dealer and experience the new lightweight and powerful activa machines. Introducing the new activa 145S and 135S Patchwork Edition. Both are lightweight for easy portability and power-packed to penetrate the heaviest of fabrics. With the attachable accessory case, all of your sewing tools can easily follow you to kitchen to class to garden—wherever your inspiration blooms. Starting at just $999.* No one supports the creative sewer like a Bernina Dealer • www.berninausa.com *At participating dealers • ©2003 Bernina of America ISSUE 7 GAYLE HILLERT SUSAN BECK BERNINA® News Chief Editor & Circle of Friends WHO An avid sewer since she was a young girl, Gayle has With a background in Art and Home Economics, managed to combine her vocation and her avocation. Susan is interested in all types of sewing and crafts We Are... As Vice President of Education for BERNINA® of and has written several sewing books. She loves to be America, Inc. she is responsible for training, education creative on paper as well as in fabric and is the and testing functions relating to all BERNINA® Director of Education for BERNINA® of America, Inc. products.
    [Show full text]
  • Husqvarna Viking Embroidery Sewing Machine Stitch Chart
    Husqvarna Viking Embroidery Sewing Machine 1 Stitch Chart Icon Stitch Names Designer I Designer II #1+ Rose Iris Platinum + UTILITY STITCHES Straight Stitch, Left Needle Position A1, D24 A1:1 A1 Straight utility stitch, left needle position; use to gather with the Gathering foot Or for topstitching Straight Stitch, Center Needle Position A2, C34, D25, F1 A1:2 A2 1 1 1:01 A straight stitch, center needle position; 25 needle positions; use Edge-Stitch Foot for edge-stitching woven fabrics Straight Stitch, Right Needle Position A3, D26 A1:3 A3 Straight utility stitch, right needle position; use Edge-Stitch Foot for edge-stitching woven fabrics Stretch Stitch - Left Needle A4 A1:4 A5 3 3 1:02 Left needle stretch stitch Stretch Stitch - Center Needle A5 A1:5 A6 A zigzag-type stitch that makes a stretchy seam; suitable for seaming tricot and light-weight stretch fabrics Stretch Stitch - Right Needle A6 A1:6 A7 Right needle Stretch stitch Reinforced Straight Stitch - Left Needle A7, D27 A1:7 A8, A Tri-motion reinforced stitch, left needle position Reinforced Straight Stitch - Center Needle A8, C35, D28 A1:8 A9 2 2 1:03 Tri-motion reinforced stitch, center needle position; 25 needle positions; for seams subject to strain and to topstitch Reinforced Straight Stitch - Right Needle A9, D29 A1:9 A10 A Tri-motion reinforced stitch, right needle position Zigzag - Left Needle A10 A1:10 A11 A 3mm wide zigzag stitch; changing width leaves left-hand stitch in the same needle position Zigzag - Center Needle A11, F2 A1:11 A12 4 4 1:05 A slanting 3mm wide
    [Show full text]
  • BL1804 April 2018.Psd
    Blackwork Journey Blog, April 2018 March was a very busy month catching up on all the work that had been left until we came back from Kenya and Abu Dhabi. Collating the photographs made me realise just how much we had done in a few short weeks and how many ideas are bubbling away waiting to be designed and stitched. Meeting so many new people and listening to their ideas about needlework and working with them was inspiration in itself and I was delighted when Vicky sent me some photographs of the work that the ladies had done since I left. I look forward to seeing the pieces finished and their next projects. Whilst in Kenya, I had the opportunity to visit the Masai people in one of their villages in the Masai Mara to see their craft work. I also visited the craft market in Nairobi which was full of handmade items from jewellery and beading to paintings, wooden animals and weaving. The noise, atmosphere, bustle and vibrant colours made it fascinating and in between being hassled to buy something, I spoke to a number of stall holders about the beads and their history. African Trade Beads come in many different colours, shapes and sizes and whilst modern shops sell replicas to the tourists, the old strings of beads were made of brass, bone, amber and coins, thought to have medicinal and healing powers. Each bead was designed individually, irregular in shape and were often hand painted. They were frequently used as currency or bartered and were a symbol of wealth.
    [Show full text]
  • Year 76.2 76.3 76.5 76.6 76.7 76.8 76.9
    Year Items Donor 1 Fiske, Eustace, E. 76.1 1 Wilder, Donald, Mrs. 76.2 Gill, Russell, Mrs. 76.3 4 5 Morin, Roland, Rev. 76.4 1 Byam, Edwin, Dr. 76.5 12 Parlee, Ralph, Mrs. 76.6 1 Chelms. Historical Society 76.7 1 Hinckley, William, Mr.& Mrs. 76.8 Day, William, A. 76.9 1 7 Warren, Miriam, Miss 76.10 1 Open Gate Garden Club 76.11 1 Emmons, Henry, Mrs. 76.12 6 Chelms. Historical Comm 76.13 2 MacDougall, Allister, Mr.&Mrs. 76.14 63 River Valley House 76.15 1 Norton, Edward, Mrs. 76.16 Farnum, Harold, Mrs. 76.17 12 5 Lahue, Richard, C. 76.18 Nelson, Herbert 76.19 5 3 Hood, Edward 76.20 18 Tec Art Studios 76.21 1 American Brands, Inc. 76.22 2 Sturtevant, Herbert 76.23 3 Norton, Edward, Mrs. 76.24 2 Cowdkry, Frank, Mrs. 76.25 1 Stewart, George, Mr.& Mrs 76,26 1 Lovering, Priscilla, Miss 76.27 1 Foster, Ida, Lovering 76.28 1 Fogg, Donald, Mrs. 76.29 5 Watt, Charles, Mr.& Mrs. 76.30 1 Wilder, Donald, Mrs. 76.31 Scoboria, Marjorie, Miss 76.32 15 3 Shedd, Harry, Jr. 76.33 2 Dana, Leslie, Mrs. 76.34 2 Gullion, Bruce, Mrs. 76.35 4 annonymous 76.36 1 Norton, Edward, Mrs. 76.37 1 National Park Service 76.38 4 Lahue, Richard, O. 76 .39 20 Day, Raymond, A. 76 .40 1 Stevens, Hazel, Miss 76.41 2 Grade 2, Westland School 76 .42 2 Simard, Roland, Mrs.
    [Show full text]
  • Wearable Fiber Optic Technology Based on Smart Textile: a Review
    materials Review Wearable Fiber Optic Technology Based on Smart Textile: A Review Zidan Gong 1,* , Ziyang Xiang 1, Xia OuYang 2, Jun Zhang 3, Newman Lau 3 , Jie Zhou 4 and Chi Chiu Chan 1 1 Sino-German College of Intelligent Manufacturing, Shenzhen Technology University, Shenzhen 518118, China; [email protected] (Z.X.); [email protected] (C.C.C.) 2 Department of Electrical Engineering, The Hong Kong Polytechnic University, Hong Kong 999077, China; [email protected] 3 School of Design, The Hong Kong Polytechnic University, Hong Kong 999077, China; [email protected] (J.Z.); [email protected] (N.L.) 4 Apparel & Art Design College, Xi’an Polytechnic University, Xi’an 710048, China; [email protected] * Correspondence: [email protected]; Tel.: +0755-23256330 Received: 9 September 2019; Accepted: 8 October 2019; Published: 11 October 2019 Abstract: Emerging smart textiles have enriched a variety of wearable technologies, including fiber optic technology. Optic fibers are widely applied in communication, sensing, and healthcare, and smart textiles enable fiber optic technology to be worn close to soft and curved human body parts for personalized functions. This review briefly introduces wearable fiber optic applications with various functions, including fashion and esthetics, vital signal monitoring, and disease treatment. The main working principles of side emission, wavelength modulation, and intensity modulation are summarized. In addition, textile fabrication techniques, including weaving and knitting, are discussed and illustrated as combination methods of embedding fiber optic technology into textile fabric. In conclusion, the combination of optical fibers and textiles has drawn considerable interest and developed rapidly.
    [Show full text]
  • Home Millinery, Madame Margariete's Manual
    # ^ TT 655 .C7 Copy 1 Home Millinery Madame Margariete's Manual CU572832 presenting this manual on the fascinating art of INmaking fancy trimmings and teaching the art of exclusive millinery in the home, which is useful and helpful to any woman, I feel quite sure that the keenest pleasure to the needle worker will come from the thought that a hint contained in this book enabled her to create designs of her own and teach the art of blending colors, or all parts pertaining to millinery. I also suggest what to wear and how to wear it. \)'\^b^ tiUN 25 1920 is the milliner busy at work making her own hat. This shows THISposition to hold the frame while sewing the braid or other material. You will observe that she is getting her instructions out of JNIme. Mar- cariete's Millinery Manual. You will also notice the dainty art there is pertaining to millinery. All of this is easy to obtain if you will only follow closely the instructions I give in this manual. Make hat of straw braid or other material. First cover frame with chiffon net or any shir material. Then start center back and bind braid over edge. When you have continued around edge do not cut braid ; continue around and sew as you work braid; continue the braid around until you reach head size, and sew braid to head size wire. Make crown of same braid, starting from center back. Bind edge of braid like brim; continue around the cro\Mi until you reach the top of crown; continue over top of crown until you reach center crown, then sew neatly; make neat finish; long stitches should be on under side.
    [Show full text]
  • Our Wing Teachers: You, We Will” Basis
    2321 Michael Drive Newbury Park, CA 91320-3233 877 Beads4U (877-232-3748) Phone: 805•499•1377 Fax: 805•499•7923 Newsletter E-mail: [email protected] Wing ‘17 (Winter-Spring) Store Hours Tue - Wed 10 - 6pm Dear Beading Friends, Thursday 10 - 8pm Fri - Sat 10 - 6pm Sunday 12 - 5pm Although this newsletter covers our Wing season Monday Closed which starts in January with Happy New Year, I am just getting started with Thanksgiving and holiday preparations. It seems like each year everything is earlier! If you haven’t been by since our renovations, they are complete and we still have that “new carpet” smell. It is so nice to have everything so fresh and clean and there is much “new” to go along with it. As I am writing this, I again find myself Come visit and see our wonderful grateful for all of the wonderful people I have met through my Trunk Shows and events! “job”. I appreciate your choice of continuing to support “your local bead store”. If it were not for you, we would not be here. Wild Things Beads Trunk Show, Jan 21-22 Thank you. Italian Bead Trunk Show, Feb 10-12 (preview Th Feb 9th 6-9) This season we welcome Kathy King and Liisa Turunen as “first- Betty Stephan Kits Trunk Show, Feb 16-19 timers” to our guest teacher roster. They will be teaching Vintage Bead Trunk Show, Feb 25-26 in April. We have many returning guest teachers this season Cynthia Rutledge Trunk Show, Mar 11 and we’re looking forward to their visits as well.
    [Show full text]
  • Herringbone Stitch
    Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns STITCH PRO THERAPY NECKLACE MAGGIE'S WEAVE by JEAN CAMPBELL p. 1 by MARGO FIELD p. 3 by MARLENE BLESSING p. 6 FRESH TWIST CAIRO COLLAR by DORIS COGHILL p. 8 by LYNN DAVY p. 10 MODERN MEDIEVIAL RING PURPLE ANEMONE by MARIA THERESA FERREIRA p. 14 by LESLEE FRUMIN p. 17 Contents ii Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns I can’t think of another bead-weaving stitch that is as a splash of colorful stripes and mixing in some wonderful versatile as herringbone stitch. Maybe I’m biased – herring- silver beads will give you a basic herringbone necklace that’s bone stitch is, after all, my go-to beading stitch when I want casual, yet stylish. to make a beaded rope for a pendant, a beaded bezel for a •Learn the basics of twisted tubular herringbone with Doris cabochon or a crystal stone, or make a fancy beaded collar. Coghill’s Fresh Twist. This simple and refreshing herringbone With its origins in the heart of South Africa’s Ndebele necklace can be used to showcase your favorite glass bead! tribe, there is a rich history of culture and craft behind •Lynn Davy’s Cairo Necklace is a perfect example of how a herringbone stitch. Herringbone stitch is instantly recognizable strong herringbone stitch base can be embellished with larger from the distinctive “v” pattern formed by the beads and beads for a modern, sophisticated look.
    [Show full text]
  • Embellishments: Exploring Dress in Detail
    Embellishments: Exploring Dress in Detail Madeleine Byrne Autumn Quarter 2018 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Advisor: Deanna Aliosius, Head of Costume Technology, The Theatre School Faculty Reader: Cheryl Bachand, History of Art and Architecture Abstract: This exhibit and supporting written materials were created to explore historic costume in detail through a variety of techniques and contexts. Using a methods and materials based framework, this exhibit examines three objects and their construction. The supporting framework and theory behind this exhibit has been established by identifying the ways that fashion exhibits in museums have evolved over the 20th and 21st centuries, featuring case study examples from the Victoria and Albert Museum, the Museum of Modern Art, and the Chicago History Museum. This exhibit serves as an example of how fashion might be displayed in museums in the future to better serve its visitors. Table of Contents 1. Theory and Framework Paper 2. Exhibition Catalogue 3. Exhibit Text Deconstructing Fashion in Museums: Theory and Framework Fashion in museums is more present than ever, drawing crowds and perhaps even reinvigorating institutions in need of visitorship. However, despite the commercial success of fashion exhibits that center designers and aesthetics, fashion in the museum setting has greater potential to educate than the current model of blockbuster fashion exhibits allows. Clothing construction methods and materials have much to teach us about fashion objects beyond aesthetic appreciation. Museums must ask what the public stands to gain from exhibits of dress and fashion. Exhibits rooted in scholarship and research centering around materials, construction, and design approach have the potential for greater education and impact than those that frame fashion as pure artistic expression.
    [Show full text]
  • Guide to the Wear and Appearance of Army Uniforms and Insignia
    Department of the Army Pamphlet 670–1 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Headquarters Department of the Army Washington, DC 31 March 2014 UNCLASSIFIED SUMMARY DA PAM 670–1 Guide to the Wear and Appearance of Army Uniforms and Insignia This administrative revision, dated 10 April 2014- o Makes administrative changes (paras 13-14e and f, 14-15e and f, 21-12b(4), and 22-16b(4)). o Updates paragraph references and figures (paras 22-17d(6), (7), (8), (10), and (14) and figs 14-13, 21-55, 22-56, and 22-63). This new pamphlet, dated 31 March 2014- o Provides the implementation procedures for wear and appearance of Army uniforms and insignia (throughout). Headquarters Department of the Army Department of the Army Pamphlet 670–1 Washington, DC 31 March 2014 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Applicability. This pamphlet applies to t o t h e p o l i c y p r o p o n e n t . R e f e r t o A R t h e A c t i v e A r m y , t h e A r m y N a t i o n a l 25–30 for specific guidance. Guard/Army National Guard of the United States, and the U.S. Army Reserve, unless Suggested improvements. Users are otherwise stated. invited to send comments and suggested improvements on DA Form 2028 (Recom- Proponent and exception authority. m e n d e d C h a n g e s t o P u b l i c a t i o n s a n d T h e p r o p o n e n t o f t h i s p a m p h l e t i s t h e Deputy Chief of Staff, G–1.
    [Show full text]