DOCSLIB.ORG

Our Wing Teachers: You, We Will” Basis

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Our Wing Teachers: You, We Will” Basis 2321 Michael Drive Newbury Park, CA 91320-3233 877 Beads4U (877-232-3748) Phone: 805•499•1377 Fax: 805•499•7923 Newsletter E-mail: [email protected] Wing ‘17 (Winter-Spring) Store Hours Tue - Wed 10 - 6pm Dear Beading Friends, Thursday 10 - 8pm Fri - Sat 10 - 6pm Sunday 12 - 5pm Although this newsletter covers our Wing season Monday Closed which starts in January with Happy New Year, I am just getting started with Thanksgiving and holiday preparations. It seems like each year everything is earlier! If you haven’t been by since our renovations, they are complete and we still have that “new carpet” smell. It is so nice to have everything so fresh and clean and there is much “new” to go along with it. As I am writing this, I again find myself Come visit and see our wonderful grateful for all of the wonderful people I have met through my Trunk Shows and events! “job”. I appreciate your choice of continuing to support “your local bead store”. If it were not for you, we would not be here. Wild Things Beads Trunk Show, Jan 21-22 Thank you. Italian Bead Trunk Show, Feb 10-12 (preview Th Feb 9th 6-9) This season we welcome Kathy King and Liisa Turunen as “first- Betty Stephan Kits Trunk Show, Feb 16-19 timers” to our guest teacher roster. They will be teaching Vintage Bead Trunk Show, Feb 25-26 in April. We have many returning guest teachers this season Cynthia Rutledge Trunk Show, Mar 11 and we’re looking forward to their visits as well. Please check out our Classes Page to see a full calendar of classes as well Robin Nadon Lampwork Trunk Show, Mar 18 as individual class descriptions. We have several trunk shows Tracy Stanley Trunk Show, Mar 24-26 scheduled this season which can be viewed on our website’s Kathy King Trunk Show, Apr 7-9 Events Page. If you have not signed up for our emails, you may Liisa Turunen Trunk Show, Apr 28-30 be missing out not only on email specials but also up-to-date info on all the happenings at “the Castle”. (All trunk shows during regular store hours.) “Beading at the Castle” has become a monthly destination for many of you. On the second Tuesday of each month from 11 a.m.-3 p.m., come and bring your beading (wire work) project, perhaps a friend, lunch (if you want) and meet fellow beaders. Our classroom is yours and help is available on a “if we can help Our Wing Teachers: you, we will” basis. I want to wish all the Wing babies a very Happy Birthday. Huib Petersen Remember to come in and receive your gift from us. During the Sherri Sanchez month of your birthday you will receive 20% off one shopping trip to Creative Castle AND we will punch your key card for the amount of your purchase. Betty Stephan Cynthia Rutledge 2017 begins our 28th year in business. Thank you for your Marcia DeCoster support over the years. Please let us know if there is any Anja Schlotman Kathy King beading need you have; we would like the opportunity to help. It Marlene McCall is our goal to provide you not only with wonderful merchandise, Linda Kavalsky but also a fabulous environment in which to discover it as well as Carole Tripp an extraordinary shopping experience. Jo Ellen Lee Happy beading, Corinne Loomer Liisa Turunen Inside this issue: January February Tracy Stanley March uote April Q Techniques…Classes “The greatest power that a person possesses and MORE! is the power to choose.” - J. Martin Kohe Newsletter Designed by: Evolutionistic Knowledge, Inc. January Huib Petersen Corinne Loomer Beaded Ball Bangle Creature Feature Cont. Tue 1/3, 2/7, 3/7 and 4/4 Bead Embroidery (11-3) Sat 1/7 (10-5) Sun 1/8 (10-5) $TBD + supplies Independent Study $150.00 for the series $95.00 + supplies OR $50 per class Prerequisites: RAW Prerequisites: + supplies Skill Level: Creature Feature Class 8/2012 Prerequisites: Peyote Intermediate/Advanced Skill Level: Advanced Skill Level: Technique: Technique: Peyote, Technique: CRAW, PRAW Off-Loom Stitches Peyote, Bead Embroidery I will cover the basics of cubic and prism This workshop is a continuation of the 2 day Be in control of your vision in this independent study. right angle weave in this class after class in August 2016 for those students who Learn focus, work independently, plan your creation, which we will try our hands on creating participated. Bring your creatures and continue organize your ideas and make them a reality. Every this bangle bracelet. to work and discuss your “creature’s journey”. month discuss various topics about Bead Embroidery. Take 2 classes for $185.00 Seeking Beauty Sun 1/15 (10-5) Anja Schlotman Take all 3 classes for $275.00 $95.00 + supplies Fri 1/13 (10-5) Prerequisites: Odd & Even Count Eva’s Journey Moving Forward Peyote, Herringbone $95.00 + supplies Sat 1/14 (10-5) Skill Level: Intermediate Prerequisites: $95.00 + supplies Technique: Odd & Even Count Peyote, Herringbone, Ladder Prerequisites: Peyote, Herringbone, creative bead Skill Level: Some Bead Weaving weaving stitches Advanced Beginner/Intermediate Skill Level: All Skill Levels The necklace consists out of several main com- Technique: Peyote, Herringbone, Technique: ponents attached to each other using an intricate Creative Bead Stitches Creative Bead Stitches bridge-like smaller component. The main compo- This design can be applied as a Necklace, nent can also be used as an individual pendant Create a bracelet consisting of one main Earrings, Pendant and/or Brooch. The necklace component and two ‘Eifel tower’ like components. consists of one main component and an intri- The necklace will need one main component and cately woven chain, highlighted by Swarovski Wild Things Trunk Show can be completed with two or three ‘Eifel Tower’ Crystal embellished swags. like components surrounding the main component. Jan 21-22 (during regular store hours) Carole Tripp Jo Ellen Lee Sherri Sanchez Wed 1/4 (10-1) OR (6-9) Thu 1/26 (6-9) Peyote $25.00 + supplies Traditional Knotting with Rock of Love Sun 1/29 (10-5) $30.00 + supplies $75.00 + $20 materials fee Keys Prerequisites: None A Contemporary Twist Skill Level: All Skill Levels Prerequisites: Prerequisites: None Technique: Peyote Learn to knot a None Skill Level: All Skill Levels strand of pearls like Skill Level: Technique: Mosaics Learn flat peyote stitch or practice a pro, make a double All Skill Levels Create a unique mosaic heart your newly acquired skills while strand, or extended Technique: rock. Instruction in design, ap- embellishing keys! Metal or length necklace. Give Knotting plication, materials and glass cutting. Glass crystal these peyote covers dress it spunk, sparkle, and provided. Bring your own vintage centerpiece up any key. Add a neck chain and texture! Add crystals, gemstones or or choose from the instructor’s inventory you have a fabulous necklace. glass beads, to make a truly fantastic piece! available for purchase. Technique Classes • Register by phone or in person. • Pre-registration and payment in full at time of Beading Basics with Marlene McCall Registration: registration is required for all classes and workshops. Beading Basics I Beading Basics II Private Lessons • Classes will cancel if not full and a refund given. Thu 1/19 (6-9) OR $30.00 Call for availability • 3 weeks notice of cancellation prior to the first supplies $25.00 per hour Thu 2/2 (6-9) OR $30.00 + supplies class taught by a guest instructor is required. Credit Thu 2/23 (6-9) OR included 2 hour minimum will be given toward a future class if the space can Prerequisites: Beading Basics I Sun 3/5 (1-4) OR Prerequisites: None Take private lessons be filled. No credit given after that time. Instructions Thu 3/16 (6-9) OR Skill Level: Skill Level: Advanced Beginner on any of the basic will be provided for the student if class can not Thu 4/20 (6-9) Beginner classes, get help with be attended. Know the basics but want to make profession- Learn the fundamentals of basic bead a class project. •72 hours notice of cancellation prior to other classes al looking pieces? Need some information on stringing AND basic wire-wrap techniques. is required to receive credit toward a future class. French wire, cones, crimp covers, wrapping Schedule one of our Supplies, findings and tools are discussed. experienced bead briolettes, bead tips, wiring leather cord and • Cancellations after 72 hour notice will receive Learn the basics of stringing using various artisans to assist making decorative spirals? Learn these, plus credit for 1/2 class fee toward a future class. materials and to work with wire to combine it you for a successful a discussion on finishing your problem pieces. with chain and beads. project outcome. • No show = no credit. Seed Bead Series with Carole Tripp Peyote Wed 1/4 Square Stitch Ring RAW Embellished Herringbone Bracelet Loom Beading Keys (10-1) OR (6-9) Wed 2/22 Bracelet Wed 3/1 Thu 3/29 Sun 4/2 $25.00 + supplies (10-1) OR (6-9) (10-1) OR (6-9) (10-1) OR (6-9) (12:30-4:30) Prerequisites: $25.00 + supplies $25.00 + supplies $25.00 + supplies $35.00 + supplies None Skill Level: Prerequisites: Prerequisites: None Prerequisites: None Prerequisites: None All Skill Levels Learn square None Skill Level: Skill Level: Skill Level: Technique: stitch while Skill Level: All skill levels Learn All skill levels Beginner Peyote All skill levels Learn Technique: RAW Technique: Technique: Loom crafting this right angle tubular See description beautiful ring.
Load more

Recommended publications
  • Stringing Wirework
    Introduction 7 © 2007 Kalmbach Publishing Co. Tools and materials 8 All rights reserved. This book may Basics 10 not be reproduced in part or in whole without written permission of the publisher, except in the case of brief quotations used in reviews. Published Stringing 16 by Kalmbach Trade Press, a division Leaf pendant necklace 18 Wirework 48 of Kalmbach Publishing Co., 21027 String an ode to nature with a lovely vintage-reproduction Crossroads Circle, Waukesha, WI Chained crystals 50 53186. These books are distributed to leaf pendant Beads take this design beyond chain the book trade by Watson-Guptill. Boho hoops 20 A cluster of dangles 54 Printed in Singapore. Suspend shimmering mother-of-pearl beads in generous Mix beads in a variety of shapes and sizes for a quick and double hoops casual necklace 11 10 09 08 07 1 2 3 4 5 Three-strand garnet necklace 22 Fringed chandelier earrings 56 Publisher’s Cataloging-In-Publication Data Use graduated bead sizes and strand lengths for an elegant Get ready for a night on the town with glitzy earrings (Prepared by The Donohue Group, Inc.) silhouette Triangle dangles 59 Swinging loops 24 Make great shapes with crystals, chain, and wire Creative beading. Vol. 2 : the best Add some sparkle to your wardrobe with beautiful briolette Delicate drops 62 projects from a year of Bead&Button earrings magazine. Dangle crystal briolettes from chain for a dainty necklace - Fringed focal bead necklace 26 and-earring set p. : col. ill. ; cm. Crystals and art glass are a show-stopping combination Charming glass spirals 64 Includes index.
    [Show full text]
  • BL1804 April 2018.Psd
    Blackwork Journey Blog, April 2018 March was a very busy month catching up on all the work that had been left until we came back from Kenya and Abu Dhabi. Collating the photographs made me realise just how much we had done in a few short weeks and how many ideas are bubbling away waiting to be designed and stitched. Meeting so many new people and listening to their ideas about needlework and working with them was inspiration in itself and I was delighted when Vicky sent me some photographs of the work that the ladies had done since I left. I look forward to seeing the pieces finished and their next projects. Whilst in Kenya, I had the opportunity to visit the Masai people in one of their villages in the Masai Mara to see their craft work. I also visited the craft market in Nairobi which was full of handmade items from jewellery and beading to paintings, wooden animals and weaving. The noise, atmosphere, bustle and vibrant colours made it fascinating and in between being hassled to buy something, I spoke to a number of stall holders about the beads and their history. African Trade Beads come in many different colours, shapes and sizes and whilst modern shops sell replicas to the tourists, the old strings of beads were made of brass, bone, amber and coins, thought to have medicinal and healing powers. Each bead was designed individually, irregular in shape and were often hand painted. They were frequently used as currency or bartered and were a symbol of wealth.
    [Show full text]
  • Herringbone Stitch
    Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns STITCH PRO THERAPY NECKLACE MAGGIE'S WEAVE by JEAN CAMPBELL p. 1 by MARGO FIELD p. 3 by MARLENE BLESSING p. 6 FRESH TWIST CAIRO COLLAR by DORIS COGHILL p. 8 by LYNN DAVY p. 10 MODERN MEDIEVIAL RING PURPLE ANEMONE by MARIA THERESA FERREIRA p. 14 by LESLEE FRUMIN p. 17 Contents ii Beading Daily’s Guide to Herringbone Stitch: 7 Free Herringbone Patterns I can’t think of another bead-weaving stitch that is as a splash of colorful stripes and mixing in some wonderful versatile as herringbone stitch. Maybe I’m biased – herring- silver beads will give you a basic herringbone necklace that’s bone stitch is, after all, my go-to beading stitch when I want casual, yet stylish. to make a beaded rope for a pendant, a beaded bezel for a •Learn the basics of twisted tubular herringbone with Doris cabochon or a crystal stone, or make a fancy beaded collar. Coghill’s Fresh Twist. This simple and refreshing herringbone With its origins in the heart of South Africa’s Ndebele necklace can be used to showcase your favorite glass bead! tribe, there is a rich history of culture and craft behind •Lynn Davy’s Cairo Necklace is a perfect example of how a herringbone stitch. Herringbone stitch is instantly recognizable strong herringbone stitch base can be embellished with larger from the distinctive “v” pattern formed by the beads and beads for a modern, sophisticated look.
    [Show full text]
  • 50 Great Beading Tips Your Eyes! Make Sure to Bead in Good Light
    50Don’t jeopardize your most important tool— 50 Great Beading Tips your eyes! Make sure to bead in good light. From the Beadwork staff 49 Set up your beading surface in a 42Put on a little lip balm before you your eyes (to protect them from fly- low-lipped tray so that if you spill thread a needle. That way when you ing glass) and carefully break the beads, you won’t have to pick them lick the thread the wax will coat the bead by forcing a larger needle into up off the floor. end and keep the thread fibers from the hole. Start a new thread near this separating. spot and weave to where you want 48Don’t fret about spilled beads. to insert a new bead. Do your best to Simply use a rubber band to secure 41When you’re stringing the first two hide the exposed threads. a piece of pantyhose over the hose rows of peyote stitch, use an eye pin attachment of your vacuum. Turn or needle to string every other bead. 34Permanent markers are available the machine on and swoosh! They This technique pulls the first row of in a wide variety of colors at craft are all picked up. the work down, pops up the second and office stores. Use them to color row, and makes it easier to work the any mismatched thread or mistak- 47Use a manageable length of thread third row. enly placed beads in seed-bead work. to prevent tangles. Three or four feet is a good length.
    [Show full text]
  • Seed Beads and Off-Loom Bead Weaving Stitches
    Seed Beads and Off-Loom Off-Loom Stitches Bead Weaving Stitches Off-loom weaving techniques have originated from around the world and have been passed down from ancient times and tribes. Here are some of the most commonly used stitches. SEED BEADS Brick This stitch is found in Native American traditions, Seed beads are small glass beads sized by number. The notably Comanche and Cheyenne, as well as African larger the number, the smaller the bead. The most Zulu tribes. It creates off-set rows with the beads commonly used seed bead sizes are 6/0, 8/0, 11/0 and 15/0, arranged in a brick-like pattern. It creates the same look with size 15/0 being the smallest. They come in other sizes as peyote, but is stitched very differently. 145 Harrison Street and shapes as well. Oak Park, Illinois Peyote Peyote stitch is found in Native American and West 708.848.1761 Seed beads on hanks (strands African beadwork. It is a very strong stitch that produces, www.beadinhand.com that are bundled together), are like brick stitch, off-set rows arranged like brick paving. It Mon, Tue, Thur, Fri: 10-6 generally made in the Czech ish can also be made in flat tubular, spiral or flat circular pieces. Wed: 1 -6 Republic. They tend to be Sat: 10-5 | Sun: 12-5 rounder, more donut shaped, with Right Angle Weave The origin in unknown for this beading smaller holes. technique but it is found in beaded pieces from Africa, Seed beads in tubes are generally made in Japan.
    [Show full text]
  • Glossary of Jewellery Making and Beading Terms
    Glossary of Jewellery Making and Beading Terms A jewellery glossary of beading terms and jewellery making terminology combining clear images with easy to understand dictionary like definitions. This bead glossary also provides links to more in depth content and bead resources. It can be used as a beading A to Z reference guide to dip into as needed, or as a beading and jewellery glossary for beginners to help broaden beading and jewellery making knowledge. It is particularly effective when used alongside our Beading Guides, Histories, Theories and Tutorials, or in conjunction with our Gemstones & Minerals Glossary and Venetian Glass Making Glossary. A ABALONE These edible sea creatures are members of a large class of molluscs that have one piece shells with an iridescent interior. These shells have a low and open spiral structure, and are characterized by several open respiratory pores in a row near the shell’s outer edge. The thick inner layer of the shell is composed of a dichroic substance called nacre or mother-of-pearl, which in many species is highly iridescent, giving rise to a range of strong and changeable colors, making it ideal for jewellery and other decorative objects. Iridescent nacre varies in colour from silvery white, to pink, red and green- red, through to deep blues, greens, and purples. Read more in our Gemstones & Minerals Glossary. Above are examples of Paua and Red Abalone. ACCENT BEAD Similar in purpose to a Focal Bead, this is a bead that forms the focus for a piece of jewellery, but on this occasion rather then through its size, it is usually through contrast.
    [Show full text]
  • Stringing Wirework Crossweave Technique Chevron Chain Netting
    Introduction 7 Chain mail knot bracelet 52 Jump ring knots link to form a supple bracelet. © 2008 Kalmbach Publishing Co. Tools and materials 8 All rights reserved. This book may Basics 10 Chain mail watchband 54 not be reproduced in part or in whole Combine jump rings and colored O-rings for a fl exible band. without written permission of the Stringing publisher, except in the case of brief Lampwork and gemstones 16 Nestled rings and crystals 56 quotations used in reviews. Published Feminize a core of easy chain mail with sparkling crystals. by Kalmbach Publishing Co., 21027 Partner nuggets with lampworked beads in a classic necklace. Crossroads Circle, Waukesha, WI Bejeweled bangles 18 Circular chain mail earrings 58 53186. These books are distributed to Combine colored metal and brass or sterling jump rings to Strings of crystals fl oat between picot-edged bangles. the book trade by Watson-Guptill. make a pair of chain mail earrings. 12 11 10 09 08 1 2 3 4 5 Beachy bracelet 20 Shell buttons accent pearl or crystal dangles. Crossweave technique Publisher’s Cataloging-In-Publication Data Art-glass focal bead 22 Delight in crystal rings 60 Creative beading. Vol. 3 : the best Display an art-glass bead on a multistrand necklace with fringe. Combine crossweave technique, a cubic zirconia, and crystals projects from a year of Bead&Button Branched fringe wrap 24 to make quick and easy rings. magazine. Accent a multistrand necklace with pearl fringe. Elegant pathways 62 p. : col. ill. ; cm. Focal bead fun 27 Fire-polished beads mimic the color and sparkle of cut gemstones.
    [Show full text]
  • How to Do Brick Stitch
    How To Make a Wrapped Loop on a Head Pin Here are some simple instructions on making a wrapped loop on a head pin. This technique can be handy for making basic earrings, adding drops from a necklace or bracelet, and many other cool beadwork applications. Difficulty: Easy Time Required: 20 minutes Here's How: 1. Place beads or other objects on the head pin, making sure they go all the way down the shaft, and that the head of the pin is flush with the bead. 2. Using a pair of chainnose pliers, bend the wire right next to the bead away from you at a right angle. 3. Grasp the bent wire with your round nose pliers just beyond the bend. Pull the end of the wire back around the tip of the pliers. Go all the way around and make a loop around the tip of the pliers, until the wire points in the other direction. 4. Now that you have the loop formed, you may slip the chain, ear wire or other finding into the loop, so that you will be closing the wrapped loop with the item attached. 5. Grasp the top of the loop with your round nose pliers to hold it steady while you use your chainnose pliers to grasp the remaining free wire and wrap it twice around the wire below the loop. 6. Cut the remaining wire flush with the work, and press it against the wire gently, using the tip of your chainnose pliers. 7. Use a small file to clean any rough edges from the cut.
    [Show full text]
  • Embroiderers' Guild of America Master Craftsman Program Beading
    Embroiderers’ Guild of America Master Craftsman Program Beading Step 1 – SQUARE STITCH AND/OR LOOM WEAVING PURPOSE: To demonstrate mastering and expertise of the Square Stitch and/or Loom Weaving. Demonstrate one or both of these techniques by beading an original wall hanging. GENERAL REQUIREMENTS: Please read the information package. DESIGN: It must be an original design planned to include the following: 1. Use of color shading techniques. 2. Increasing and decreasing on the side edges. 3. A minimum of three geometric shapes and three separate elements from nature. DESIGN SIZE: The body of the finished piece of beading must be a minimum of five inches by eight inches but no more than seven inches by ten inches. The completed piece, including hanging hardware, must be no more than ten inches by twelve inches. Fringe, appropriate to the design, may be added after the other design criteria has been met but must be within the overall finished size limitations. BEADS: Size 11o Miyuki Delica or 1.8mm Toho Treasure beads must be used for the body of the piece. THREADS: Your choice of thread appropriate to the piece should be used. COLORS: These are your choice but must be appropriate for the design. Include an explanation of why you chose these colors. FINISHING HARDWARE: This is your choice but must be appropriate to the design and for the usage of the wall hanging. PLEASE NOTE: In order for your submission to be judged, you must include a chart of the finished design to include bead placement and color choices. Check general instructions for preparation of work for submission and what to include.
    [Show full text]
  • Bead Netting and Plaiting Techniques in the Peranakan World
    BEADS: Journal of the Society of Bead Researchers Volume 28 Article 9 2016 Bead Netting and Plaiting Techniques in the Peranakan World Valerie Hector Follow this and additional works at: https://surface.syr.edu/beads Part of the Archaeological Anthropology Commons, History of Art, Architecture, and Archaeology Commons, Science and Technology Studies Commons, and the Social and Cultural Anthropology Commons Repository Citation Hector, Valerie (2016). "Bead Netting and Plaiting Techniques in the Peranakan World." BEADS: Journal of the Society of Bead Researchers 28: 66-91. Available at: https://surface.syr.edu/beads/vol28/iss1/9 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in BEADS: Journal of the Society of Bead Researchers by an authorized editor of SURFACE. For more information, please contact [email protected]. BEAD NETTING AND PLAITING TECHNIQUES IN THE PERANAKAN WORLD Valerie Hector It has long been recognized that the Peranakan Chinese peoples oceans in mainland and island Southeast Asia to trade or, in of Southeast Asia were expert bead embroiderers. As it happens, the early Ming dynasty (1368-1644), exact imperial tribute they were also expert bead netters and plaiters. After establishing from local rulers during maritime missions lasting many a conceptual framework for discussing bead netting and plaiting months (Reid 1996:17 ff.). These contacts infused “Chinese techniques in general, this article discusses 14 pieces of Peranakan blood, wealth and technology” into the region, eventually Chinese (or Minangkabau) beadwork and various techniques. The enabling Chinese to “assume key positions in Southeast techniques likely derived not just from Europe, as early researchers Asian trade and statecraft” (Reid 1996:25-27).
    [Show full text]
  • Publication (8.22
    2017 CRAFT Arts & Crafts Fiber Arts Woodworking Find a Niche & Scratch It! Thank you for your interest in our 2017 Craft catalog. Here you will find the hard work of our passionate authors and editors, who have created books that educate, entertain, instruct, and inspire. This season, we’re excited to introduce the new seriesArtistry in Fiber (pg. 8), a three-volume survey of cutting-edge fiber art in wall hangings, sculpture, and wearables. Dive into the histories of craftsmanship in America in Wool: Unraveling an American Story of Artisans and Innovation (pg. 11), Rooted, Revived, Reinvented: Basketry in America (pg. 12), and Swept Away: The Vanishing Art of Broom Making (pg. 12). Gain new insight from Cast (pg. 16), the first-of-its-kind book that reveals how the art and process of casting has impacted and shaped our world today. As always, our newest season stretches across topics, and we pride ourselves on curating and designing a list that offers something for everyone. Digital editions of our catalogs are available on our website, www.schifferbooks.com, where you can view these titles along with our backlist catalog of 6,000+ titles. New releases are listed on Edelweiss for book and specialty stores alike. If you would like to receive other catalogs, please contact our customer service team at [email protected] or (610) 593-1777. Have a book idea? We welcome compelling voices. If you have a fresh idea, we would love to hear from you. Glance through this catalog to see the types of books we publish, and then visit our website to pitch your vision.
    [Show full text]
  • Beadwork Slip Behind the Beads
    Beaded Rings and Beaded Headbands Quick and Simple Beaded Projects It's actually a ton of fun making these simple rings. Kids will love them and I bet you will too. They're great for using up dabs of leftover beads. Here's how you make 'em: First pick out a big bead for the center. "Big" is a relative term, anywhere from 4 to 10mm will work, but you'll want to scale your ring beads to fit the size of your center bead. For a very large center bead use size 6 ring beads, for a small one, use size 10 or 11 seed beads. Use doubled thread for this project. Pick up enough ring beads to reach from the hole halfway around the center bead, and the center bead. Then pick up the same number of ring beads minus one. Go back through the first ring bead you picked up in the first set of ring beads. Tie the short end and the long end of your thread together in a square knot. Now pick up enough beads to fit around your finger and around half the center bead. Go through the center bead. Pick up the same number of beads as you picked up in the second set of ring beads in the first step. Count down the number of beads you just picked up from the center bead back on the other side and re-enter the next bead back. Continue through the entire ring loop and up around one side of the center bead.
    [Show full text]