DOCSLIB.ORG

Welcome to OA Apparel “ You Can Have Anything You Want in Life, If You Dress for It---Edith Head OA Apparel Is Your One Stop Shop for Team Uniforms, Apparel and Hats

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Welcome to OA Apparel “ You Can Have Anything You Want in Life, If You Dress for It---Edith Head OA Apparel Is Your One Stop Shop for Team Uniforms, Apparel and Hats Welcome to OA Apparel “ You can have anything you want in life, if you dress for it---Edith Head OA Apparel is your one stop shop for team uniforms, apparel and hats. We offer high quality, fast service at competitive prices. Our decoration services include in-house embroidery, dye sublimation, screen printing, heat applied vinyl and promotional printing. OA is your complete source for all apparel and uniform needs. Let our experts outfit your organization in the best apparel in the game! SHORTS TEMPLATES STOCK LOGOS STOCK FONTS Is your team in need of jerseys STOCK JERSEY TEMPLATES STOCK & CUSTOM PANTS Do you have a limited budget to work with We have the solution for you Oa apparel is the home of the $99 player package!! Package includes: 2 Stock jerseys 2 Stock pants or shorts (Standard $39.99 Stock art fee applies) (Shipping is additional) Upcharges: Size upcharge 2Xl+ add $3/item Neon colors add $1 per item DESCRIPTION: FABRICS: | SHORT SLEEVE | BUTTERFLY MESH MILK SILK MICRO MESH OFFERED IN 4 DIFFERENT PROFILES-CREW NECK, V-NECK, FULL BUTTON AND 2 BUTTON. MANUFACTURED IN BUTTERFLY MESH OR MILK SILK, THESE FABRICS OFFER A HIGH DEGREE OF MOISTURE MANAGEMENT AND VENTILATION COUPLED WITH EXCELLENT COMFORT, RANGE OF MO- TION AND DURABLITY. ART #: OA-FB-1001(FULL BUTTON) OA-TB-1001(2-BUTTON) OA-VN-1001(VNECK) OA-CN-1001(CREW NECK) TEXT: FRONT AND BACK SUBLIMATED NUMBERS AND NAMES INCLUDED FABRIC: BUTTERFLY MESH, MILK SILK, MICRO MESH COLOR CHART: | 1/4 ZIPS | MANUFACTURED IN BUTTERFLY MESH, MILK SILK, MICRO MESH B W SG FY CH DB M C HP LP R TX FO TO CMB CMT CMB MG VG FL AG YLW LIME FLG K DG TE M MB EB CB DT R N PU FP OP Camo Medium Brown Metallic Gold Tennessee Orange Tennessee Columbia Blue Athletic Gold Texas Orange Texas Camo Brown FLESH Flow Orange Optic Yellow Electric Blue Dolphin Teal Flow Yellow CHARCOAL Lime Green Flow Green Kelly Green Dark Green Marlin Blue Vegas Gold Vegas Silver Grey | HOODIES | Camo Tan Light Pink Flow Pink Hot Pink Cardinal Maroon Brown Yellow Purple White Royal Black Navy Mint RED MANUFACTURED IN POLY FLEECE Teal WE CAN NOT USE RED WITH ANY NEON COLORS FULL BUTTON 2-BUTTON CREW NECK V-NECK 1/4 ZIP LS 1/4 ZIP SS HOODIE OA-1001 OA-1002 OA-1003 STOCK JERSEY TEMPLATE OA-1005 OA-1004 OA-1006 OA-1007 OA-1008 OA-1009 OA-1010 OA-1011 OA-1012 STOCK JERSEY TEMPLATE OA-1013 OA-1014 OA-1015 OA-1016 OA-1017 OA-1018 OA-1019 OA-1020 OA-1021 STOCK JERSEY TEMPLATE OA-1022 OA-1023 OA-1024 OA-1025 OA-1026 OA-1027 OA-1028 OA-1029 OA-1030 STOCK JERSEY TEMPLATE OA-1031 OA-1032 OA-1033 OA-1034 OA-1035 OA-1036 OA-1037 OA-1038 OA-1039 STOCK JERSEY TEMPLATE OA-1040 OA-1041 OA-1042 OA-1043 OA-1044 OA-1045 OA-1046 OA-1047 OA-1048 STOCK JERSEY TEMPLATE OA-1049 OA-1050 OA-1051 OA-1052 OA-1053 OA-1054 OA-1055 OA-1056 OA-1057 STOCK JERSEY TEMPLATE OA-1058 OA-1059 OA-1060 OA-1061 OA-1062 OA-1063 OA-1064 OA-1065 OA-1066 STOCK JERSEY TEMPLATE OA-1067 OA-1068 OA-1069 OA-1070 OA-1071 OA-1072 OA-1073 OA-1074 OA-1075 STOCK JERSEY TEMPLATE OA-1076 OA-1077 OA-1078 OA-1079 OA-1080 OA-1081 OA-1082 OA-1083 OA-1084 STOCK JERSEY TEMPLATE OA-1085 OA-1086 OA-1087 OA-1088 OA-1089 OA-1090 OA-1092 OA-1091 OA-1093 STOCK JERSEY TEMPLATE OA-1094 OA-1095 OA-1096 OA-1097 OA-1098 OA-1098 DESCRIPTION: | SHORT | SHORTS TEMPLATES • 90% EXTREME MICROKNIT CATIONIC COLORFAST POLYESTER/10% SPANDEX WITH MOISTURE MANAGEMENT FIBERS • SINGLE PLY SHORT WITH TWO ON-SEAM, TRICOT MESH “DEEP” POCKETS – PERFECT FOR COACHES • 2” EXTRA COMFORTABLE COVERED ELASTIC WAISTBAND, INSIDE DRAWCORD • 9” INSEAM ART #: OA-STS-1001(STOCK SHORT) OA-STS-1001 OA-STS-1002 OA-STS-1003 OA-STS-1004 OA-STS-1005 OA-STS-1006 OA-STS-1007 OA-STS-1008 OA-STS-1009 OA-STS-1010 OA-STS-1011 OA-STS-1012 SHORTS TEMPLATES OA-STS-1013 OA-STS-1014 OA-STS-1015 OA-STS-1016 OA-STS-1017 OA-STS-1018 OA-STS-1019 OA-STS-1020 OA-STS-1021 DESCRIPTION: stock pants | STOCK PANT | THE NEXT-GENERATION PANT IS INSPIRED BY THE NATURAL MOVEMENT OF ELITE ATHLETES. EACH PAIR IS DESIGNED WITH AN ATHLETIC FIT MADE FOR EXPLOSIVE MOVEMENTS ON BOTH SIDES OF THE BALL AND IS CONSTRUCTED OF PRO WEIGHT 100% POLYESTER FOR EXTREME DURABILITY. DOUBLE REINFORCED KNEE CONSTRUCTION AND SCOTCHGARD™ STAIN RELEASE TECHNOLOGY ENSURE THAT PANT WILL BOUNCE BACK GAME AFTER GAME.. ART #: OA-STP-1001(STOCK PANT) • 100% DOUBLE KNIT 12 OZ. POLYESTER • 2½” ELASTIC WAISTBAND • RELAXED FIT, WIDE LEG, OPEN BOTTOM NON-TRADITIONAL PANT • ZIPPER FLY, TWO SNAP CLOSURE • SINGLE ROW, COLORED 3/16” SOUTACHE SEWN DOWN BOTH SIDES OF PANT • HEMMED LEG BOTTOMS • DOUBLE KNEE CONSTRUCTION • FIVE PRO-STYLE BELT LOOPS • TWO DOUBLE WELT, SET-IN BACK POCKETS DESCRIPTION: | CUTSTOM PANT | THE NEXT-GENERATION PANT IS INSPIRED BY THE NATURAL MOVEMENT OF ELITE ATHLETES. EACH PAIR IS DESIGNED WITH AN ATHLETIC FIT MADE FOR EXPLOSIVE MOVEMENTS ON BOTH SIDES OF THE BALL AND IS CONSTRUCTED OF PRO WEIGHT 100% POLYESTER FOR EXTREME DURABILITY. DOUBLE REINFORCED KNEE CONSTRUCTION AND SCOTCHGARD™ STAIN RELEASE TECHNOLOGY CUSTOM PANTS ENSURE THAT PANT WILL BOUNCE BACK GAME AFTER GAME.. ART #: OA-CSP-1001(STOCK PANT) • 100% DOUBLE KNIT 12 OZ. POLYESTER • 2½” ELASTIC WAISTBAND • RELAXED FIT, WIDE LEG, OPEN BOTTOM NON-TRADITIONAL PANT • ZIPPER FLY, TWO SNAP CLOSURE • SINGLE ROW, COLORED 3/16” SOUTACHE SEWN DOWN BOTH SIDES OF PANT • HEMMED LEG BOTTOMS • DOUBLE KNEE CONSTRUCTION • FIVE PRO-STYLE BELT LOOPS • TWO DOUBLE WELT, SET-IN BACK POCKETS OA-CSP-1001 OA-CSP-1002 OA-CSP-1003 OA-CSP-1004 OA-CSP-1005 OA-CSP-1006 OA-CSP-1007 OA-CSP-1008 OA-CSP-1009 OA-CSP-1010 OA-CSP-1011 OA-CSP-1012 DESCRIPTION: | STOCK LOGO | ANY STOCK LOGO CAN BE CHANGE TO YOUR TEAM NAME AND COLORS. STOCK LOGO WE CAN CHANGE THE FONT AS NEED, PLEASE GO TO DAFONT.COM AND CHOOSE A SPECIFIC FONT, OR USE ONE OF THE POPULAR FONTS LISTED PAGES 23-24 ART #: OA-SLG-1001(STOCK LOGO OA-SLG-1001 OA-SLG-1002 OA-SLG-1003 OA-SLG-1004 OA-SLG-1005 OA-SLG-1006 OA-SLG-1007 OA-SLG-1008 OA-SLG-1010 OA-SLG-1011 OA-SLG-1012 STOCK LOGO OA-SLG-1013 OA-SLG-1014 OA-SLG-1015 OA-SLG-1016 OA-SLG-1017 OA-SLG-1018 OA-SLG-1019 OA-SLG-1020 OA-SLG-1021 STOCK LOGO OA-SLG-1022 OA-SLG-1023 OA-SLG-1024 OA-SLG-1025 OA-SLG-1026 OA-SLG-1027 STOCK FONTS STOCK FONTS.
Load more

Recommended publications
  • Preciosa Soutache & Pellet Bracelet
    DESIGN BY JAROSLAVA RŮŽIČKOVÁ Preciosa Ornela presents the PRECIOSA PelletTM Pressed Beads. PRECIOSA Pellet™ Pressed Beads ART No. 111 01 339 Size: 4 x 6 mm BEAD SHOP ZÁSADA 468 25 Zásada +420 488 117 743 [email protected] 50°41‘49 N, 15°15‘55 E GLASS SHOP DESNÁ Krkonošská, 468 61 Desná +420 488 117 525 [email protected] 50°45‘41 N, 15°19‘7 E SOUTACHE MEANDERS preciosa-ornela.com facebook.com/PreciosaOrnela BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS July 2013 © PRECIOSA ORNELA, a.s. preciosa-ornela.com © PRECIOSA ORNELA, a.s. SOUTACHE MEANDERS SOUTACHE MEANDERS BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS BRAIDED BRACELET MADE FROM THE PRECIOSA Pellet™ PRESSED BEADS A practical Pressed Bead, PRECIOSA Pellet™, nylon thread, scissors, metal parts for a so-called Step 2: Step 4: whose shape enables it to supplement many American fastening, textile glue. Place the soutaches together so that the longest After reaching the necessary length of the varied types of beads and seed beads, has been of them is longer by ca 12.5 cm on each side. bracelet, thread the excess soutache through presented in Preciosa Ornela’s new collection for Difficulty: Sew the soutaches together in the central the loop on the American fastening and tighten the upcoming season in the second half of 2013. section so that the knot is hidden in the first well. Create a bow from the remaining part The so-called interlocking effect is enabled by the Procedure: meander. Place the individual stitches carefully of the soutache, and hide the ends of all the central slimming of the glass cylinder in the in the central section and do not overly tighten soutaches in it and then carefully sew it up.
    [Show full text]
  • What's Inside?
    CHILDREN HOME DEC What’s Inside? • BERNINA® News • Gourmet Sewing: Elegant Table Linens • Gourmet Sewing: Consumer Programs • Circle of Friends • Whimsical Kingdom: Page 10 Mini Animal Caddy • Potato Chip Purses • The Inside Story • “Age of Innocence” Quilt • A Passel of Tassels • Stitch Recipes • Featured Foot: Serger Gathering Foot Special • Software Skill Builders: Timeless Taupe GOURMET • Professional Profile SEWING Issue! The power to follow your inspiration. Quilt by Alex Anderson Visit your Bernina Dealer and experience the new lightweight and powerful activa machines. Introducing the new activa 145S and 135S Patchwork Edition. Both are lightweight for easy portability and power-packed to penetrate the heaviest of fabrics. With the attachable accessory case, all of your sewing tools can easily follow you to kitchen to class to garden—wherever your inspiration blooms. Starting at just $999.* No one supports the creative sewer like a Bernina Dealer • www.berninausa.com *At participating dealers • ©2003 Bernina of America ISSUE 7 GAYLE HILLERT SUSAN BECK BERNINA® News Chief Editor & Circle of Friends WHO An avid sewer since she was a young girl, Gayle has With a background in Art and Home Economics, managed to combine her vocation and her avocation. Susan is interested in all types of sewing and crafts We Are... As Vice President of Education for BERNINA® of and has written several sewing books. She loves to be America, Inc. she is responsible for training, education creative on paper as well as in fabric and is the and testing functions relating to all BERNINA® Director of Education for BERNINA® of America, Inc. products.
    [Show full text]
  • Husqvarna Viking Embroidery Sewing Machine Stitch Chart
    Husqvarna Viking Embroidery Sewing Machine 1 Stitch Chart Icon Stitch Names Designer I Designer II #1+ Rose Iris Platinum + UTILITY STITCHES Straight Stitch, Left Needle Position A1, D24 A1:1 A1 Straight utility stitch, left needle position; use to gather with the Gathering foot Or for topstitching Straight Stitch, Center Needle Position A2, C34, D25, F1 A1:2 A2 1 1 1:01 A straight stitch, center needle position; 25 needle positions; use Edge-Stitch Foot for edge-stitching woven fabrics Straight Stitch, Right Needle Position A3, D26 A1:3 A3 Straight utility stitch, right needle position; use Edge-Stitch Foot for edge-stitching woven fabrics Stretch Stitch - Left Needle A4 A1:4 A5 3 3 1:02 Left needle stretch stitch Stretch Stitch - Center Needle A5 A1:5 A6 A zigzag-type stitch that makes a stretchy seam; suitable for seaming tricot and light-weight stretch fabrics Stretch Stitch - Right Needle A6 A1:6 A7 Right needle Stretch stitch Reinforced Straight Stitch - Left Needle A7, D27 A1:7 A8, A Tri-motion reinforced stitch, left needle position Reinforced Straight Stitch - Center Needle A8, C35, D28 A1:8 A9 2 2 1:03 Tri-motion reinforced stitch, center needle position; 25 needle positions; for seams subject to strain and to topstitch Reinforced Straight Stitch - Right Needle A9, D29 A1:9 A10 A Tri-motion reinforced stitch, right needle position Zigzag - Left Needle A10 A1:10 A11 A 3mm wide zigzag stitch; changing width leaves left-hand stitch in the same needle position Zigzag - Center Needle A11, F2 A1:11 A12 4 4 1:05 A slanting 3mm wide
    [Show full text]
  • Year 76.2 76.3 76.5 76.6 76.7 76.8 76.9
    Year Items Donor 1 Fiske, Eustace, E. 76.1 1 Wilder, Donald, Mrs. 76.2 Gill, Russell, Mrs. 76.3 4 5 Morin, Roland, Rev. 76.4 1 Byam, Edwin, Dr. 76.5 12 Parlee, Ralph, Mrs. 76.6 1 Chelms. Historical Society 76.7 1 Hinckley, William, Mr.& Mrs. 76.8 Day, William, A. 76.9 1 7 Warren, Miriam, Miss 76.10 1 Open Gate Garden Club 76.11 1 Emmons, Henry, Mrs. 76.12 6 Chelms. Historical Comm 76.13 2 MacDougall, Allister, Mr.&Mrs. 76.14 63 River Valley House 76.15 1 Norton, Edward, Mrs. 76.16 Farnum, Harold, Mrs. 76.17 12 5 Lahue, Richard, C. 76.18 Nelson, Herbert 76.19 5 3 Hood, Edward 76.20 18 Tec Art Studios 76.21 1 American Brands, Inc. 76.22 2 Sturtevant, Herbert 76.23 3 Norton, Edward, Mrs. 76.24 2 Cowdkry, Frank, Mrs. 76.25 1 Stewart, George, Mr.& Mrs 76,26 1 Lovering, Priscilla, Miss 76.27 1 Foster, Ida, Lovering 76.28 1 Fogg, Donald, Mrs. 76.29 5 Watt, Charles, Mr.& Mrs. 76.30 1 Wilder, Donald, Mrs. 76.31 Scoboria, Marjorie, Miss 76.32 15 3 Shedd, Harry, Jr. 76.33 2 Dana, Leslie, Mrs. 76.34 2 Gullion, Bruce, Mrs. 76.35 4 annonymous 76.36 1 Norton, Edward, Mrs. 76.37 1 National Park Service 76.38 4 Lahue, Richard, O. 76 .39 20 Day, Raymond, A. 76 .40 1 Stevens, Hazel, Miss 76.41 2 Grade 2, Westland School 76 .42 2 Simard, Roland, Mrs.
    [Show full text]
  • Wearable Fiber Optic Technology Based on Smart Textile: a Review
    materials Review Wearable Fiber Optic Technology Based on Smart Textile: A Review Zidan Gong 1,* , Ziyang Xiang 1, Xia OuYang 2, Jun Zhang 3, Newman Lau 3 , Jie Zhou 4 and Chi Chiu Chan 1 1 Sino-German College of Intelligent Manufacturing, Shenzhen Technology University, Shenzhen 518118, China; [email protected] (Z.X.); [email protected] (C.C.C.) 2 Department of Electrical Engineering, The Hong Kong Polytechnic University, Hong Kong 999077, China; [email protected] 3 School of Design, The Hong Kong Polytechnic University, Hong Kong 999077, China; [email protected] (J.Z.); [email protected] (N.L.) 4 Apparel & Art Design College, Xi’an Polytechnic University, Xi’an 710048, China; [email protected] * Correspondence: [email protected]; Tel.: +0755-23256330 Received: 9 September 2019; Accepted: 8 October 2019; Published: 11 October 2019 Abstract: Emerging smart textiles have enriched a variety of wearable technologies, including fiber optic technology. Optic fibers are widely applied in communication, sensing, and healthcare, and smart textiles enable fiber optic technology to be worn close to soft and curved human body parts for personalized functions. This review briefly introduces wearable fiber optic applications with various functions, including fashion and esthetics, vital signal monitoring, and disease treatment. The main working principles of side emission, wavelength modulation, and intensity modulation are summarized. In addition, textile fabrication techniques, including weaving and knitting, are discussed and illustrated as combination methods of embedding fiber optic technology into textile fabric. In conclusion, the combination of optical fibers and textiles has drawn considerable interest and developed rapidly.
    [Show full text]
  • Home Millinery, Madame Margariete's Manual
    # ^ TT 655 .C7 Copy 1 Home Millinery Madame Margariete's Manual CU572832 presenting this manual on the fascinating art of INmaking fancy trimmings and teaching the art of exclusive millinery in the home, which is useful and helpful to any woman, I feel quite sure that the keenest pleasure to the needle worker will come from the thought that a hint contained in this book enabled her to create designs of her own and teach the art of blending colors, or all parts pertaining to millinery. I also suggest what to wear and how to wear it. \)'\^b^ tiUN 25 1920 is the milliner busy at work making her own hat. This shows THISposition to hold the frame while sewing the braid or other material. You will observe that she is getting her instructions out of JNIme. Mar- cariete's Millinery Manual. You will also notice the dainty art there is pertaining to millinery. All of this is easy to obtain if you will only follow closely the instructions I give in this manual. Make hat of straw braid or other material. First cover frame with chiffon net or any shir material. Then start center back and bind braid over edge. When you have continued around edge do not cut braid ; continue around and sew as you work braid; continue the braid around until you reach head size, and sew braid to head size wire. Make crown of same braid, starting from center back. Bind edge of braid like brim; continue around the cro\Mi until you reach the top of crown; continue over top of crown until you reach center crown, then sew neatly; make neat finish; long stitches should be on under side.
    [Show full text]
  • Embellishments: Exploring Dress in Detail
    Embellishments: Exploring Dress in Detail Madeleine Byrne Autumn Quarter 2018 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Advisor: Deanna Aliosius, Head of Costume Technology, The Theatre School Faculty Reader: Cheryl Bachand, History of Art and Architecture Abstract: This exhibit and supporting written materials were created to explore historic costume in detail through a variety of techniques and contexts. Using a methods and materials based framework, this exhibit examines three objects and their construction. The supporting framework and theory behind this exhibit has been established by identifying the ways that fashion exhibits in museums have evolved over the 20th and 21st centuries, featuring case study examples from the Victoria and Albert Museum, the Museum of Modern Art, and the Chicago History Museum. This exhibit serves as an example of how fashion might be displayed in museums in the future to better serve its visitors. Table of Contents 1. Theory and Framework Paper 2. Exhibition Catalogue 3. Exhibit Text Deconstructing Fashion in Museums: Theory and Framework Fashion in museums is more present than ever, drawing crowds and perhaps even reinvigorating institutions in need of visitorship. However, despite the commercial success of fashion exhibits that center designers and aesthetics, fashion in the museum setting has greater potential to educate than the current model of blockbuster fashion exhibits allows. Clothing construction methods and materials have much to teach us about fashion objects beyond aesthetic appreciation. Museums must ask what the public stands to gain from exhibits of dress and fashion. Exhibits rooted in scholarship and research centering around materials, construction, and design approach have the potential for greater education and impact than those that frame fashion as pure artistic expression.
    [Show full text]
  • Guide to the Wear and Appearance of Army Uniforms and Insignia
    Department of the Army Pamphlet 670–1 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Headquarters Department of the Army Washington, DC 31 March 2014 UNCLASSIFIED SUMMARY DA PAM 670–1 Guide to the Wear and Appearance of Army Uniforms and Insignia This administrative revision, dated 10 April 2014- o Makes administrative changes (paras 13-14e and f, 14-15e and f, 21-12b(4), and 22-16b(4)). o Updates paragraph references and figures (paras 22-17d(6), (7), (8), (10), and (14) and figs 14-13, 21-55, 22-56, and 22-63). This new pamphlet, dated 31 March 2014- o Provides the implementation procedures for wear and appearance of Army uniforms and insignia (throughout). Headquarters Department of the Army Department of the Army Pamphlet 670–1 Washington, DC 31 March 2014 Uniform and Insignia Guide to the Wear and Appearance of Army Uniforms and Insignia Applicability. This pamphlet applies to t o t h e p o l i c y p r o p o n e n t . R e f e r t o A R t h e A c t i v e A r m y , t h e A r m y N a t i o n a l 25–30 for specific guidance. Guard/Army National Guard of the United States, and the U.S. Army Reserve, unless Suggested improvements. Users are otherwise stated. invited to send comments and suggested improvements on DA Form 2028 (Recom- Proponent and exception authority. m e n d e d C h a n g e s t o P u b l i c a t i o n s a n d T h e p r o p o n e n t o f t h i s p a m p h l e t i s t h e Deputy Chief of Staff, G–1.
    [Show full text]
  • Vocabulary Mastery for Pa Cular Vocational Education Courses. They Are Part of the Vocational Reading Power Project, Title III, E.S.E.A
    DOCUMENT RESUME ED 086 843 95 CE 000 877 AUTHOR Peyton, Gladys TITLE Clothing Services; Glossary of Key Words. Vocational Reading Power Project, Title III, E.S.E.A. INSTITUTION Oakland County Schools, Pontiac, Mich. SPONS AGENCY Bureau of Elementary and Secondary Education (DHEW/OE), Washington, D.C.; Michigan State Dept. of Education, Lansing. REPORT NO MDE-0671 PUB DATE Nov 72 NOTE 41p.; For related documents, see CE 000 872-876, CE 000 878-891 EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Clothing Ins+rucl'on; *Definitions; *Glossaries; *Home Economic v" -lotion; *Seamstresses; Vocational Education IDENTIFIERS Elementary Sc Y.Alation Act Title III; ESEA Title III ABSTRACT The glossar-- is one of twenty in various subject areas of vocational educa n & signed to assist the student in vocabulary mastery for pa_cular vocational education courses. They are part of the Vocational Reading Power Project, Title III, E.S.E.A. This glossary is for a course in clothing services. It is divided into two parts: one provides the student with two definitions for each term listed; the second part lists the same words with space for the student's definition. It is intended that upon completion of the course, mutually agreeable definitions for each term will be arrived at by the instructor and the students. These definitions will be made available to future students taking the course. (AG) SCOPE OF INTEREST NOTICE the ERIC Facility has assented thd dueume1il. Qr pr song to In out lodgement, the, dot.timent ,ilso of Interest to the clod, my houses noted to the right Index mg should reflet.t their special points of view orP4.R1".-^t rDtgal ^ti s saRE sta.
    [Show full text]
  • Gisele Dress Fiii06013 Table of Contents
    SEWING INSTRUCTIONS GISELE DRESS FIII06013 TABLE OF CONTENTS METHODOLOGY . 3 Symbology . 3 Suggested equipment . 4 Things you need . 5 Pattern pieces . 6 Sewing technology . 7 How to read instructions . 10 SEWING . 11 1. Chest darts . 11 2. Side pockets . 12 3. Front placket . 17 4. Side seams of bodice . 22 5. Sleeves . 24 6. Continuous bound placket . 26 7. 30 8. Set-in-sleeve . 34 9. Shoulder seams . 35 10. Neckline . 37 11. Waistline gathering . 41 12. Frill . 46 13. Hem . 52 14. Shank buttons . 54 SEWING SUGGESTION . 58 GLOSSARY . 64 Gisele dress FIII06013 Page 2 Table of contents METHODOLOGY SYMBOLOGY PATTERN MARKINGS SEWING LINE CUTTING LINE CENTER LINE FOLD LINE PLACEMENT LINE GRAINLINE GATHER STRETCH BUTTONHOLE BUTTONHOLE BUTTON PLACEMENT NOTCH SEAM STRUCTURE INTERFACING FABRIC ZIPPER SERGE CENTER LINE SERGER STITCH SEWING LINE FOLD LINE Gisele dress METHODOLOGY FIII06013 Page 3 Symbology SUGGESTED EQUIPMENT Sewing machine Iron Sewing Board Serger Universal foot Overedge foot Serger foot Edge stitching Foot Dressmaking Sewing needle for Seam ripper Rotary cutter shears hand stitch 9 8 7 3 6 5 4 2 3 2 1 1 Thread snips Tailors chalk; Bobbins Ruler soap or fabric pen 3” 4 8 3” 1” 1” 1 1 4 2 1 8 1” 1” 4 1” 8 5” Tape measure Pins Seam gauge Machine needle Bias tape Maker Eyelet pliers Safety pin Gisele dress METHODOLOGY FIII06013 Page 4 Suggested equipment THINGS YOU NEED • Fabric • Staystitch tape • Fusible interfacing • Bias Tape • Sewing needle / Universal • Soutache Thread or Elastic Thread for • Sewing thread Button Loops • Serger
    [Show full text]
  • Modus Anglorum 2017
    Contents Incipit p.2 Eyeglasses p.16 Getting Started p.2 Cosmetics p.16 Costume Etiquette p.3 Dramatis Personae p.3 APPENDICES Bibliography p.17 BASICS Glossary p.18 Colours p.4 Patterns p.22 Fabrics p.4 The Contract p.24 Trims p.5 Blank sketch figures p.26 Construction p.6 UNDERWEAR Shirts & Smocks p.6 Farthingales, Stays, & Other Underpinnings p.7 Stockings p.7 Shoes p.7 OUTER GARMENTS Doublets & Jerkins p.8 Nether Garments: Trunk Hose & Venetians p.9 Cloaks & Gowns p.9 Bodices p.10 Partlets p.10 "But speake, I praie: vvho ist vvould gess or skann Skirts & Foreparts p.11 Surcoats p.11 Fantasmus to be borne an Englishman? Sleeves p.12 Hees hatted Spanyard like and bearded too, Buttons p.12 Ruft Itallyon-like, pac'd like them also: ACCESSORIES His hose and doublets French: his bootes and shœs Hats p.12 Are fashiond Pole in heels, but French in tœs. Ruffs p.13 Oh! hees complete: vvhat shall I descant on? Jewellery p.14 A compleate Foole? nœ, compleate Englishe man." Fans p.15 Weapons p.15 William Goddard, A Neaste of Waspes, 1615 Belts p.15 ❦ Other Accessories p.15 Hairstyles p.16 !1 Incipit The customers at our events have two ways of learning who we are: what we wear and what we say. They perceive us first by what we wear, and often this is the only input they get from us. Therefore, we must convey as much information as possible about ourselves by our clothing. It is traditional in the Elizabethan era and in the Guild of St.
    [Show full text]
  • How to Make Loops in Soutache Braid
    Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. How to Make Loops in Soutache Braid Pull the inner cord of soutache trim to create loops. In the current issue of Threads, you'll find great ideas on how to use the many and varied trims that are available today. One of the trims that can be found on many holiday decorations and garments is soutache. Soutache is a narrow braid woven into a herringbone pattern around two strands of piping inside the braid. It comes in lots of colors and fibers. It’s used to create decorative details on garments and is often applied in intricate looped motifs. Creating the loops can be a little tricky, but with this tip, your loops will lie perfectly flat. Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. Care: Soutache is available in a variety of fiber types. Follow the manufacturer’s care instructions. 1. Expose the inner cording. Unravel the soutache at the end to expose the cording inside. Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. 2. Pull the cord. Holding one cord firmly with one hand, gently push the soutache away from you with the other hand, pulling the cord toward you. A loop will begin to form. Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. 3. Position the loop. Push the loop up the soutache by gently nudging it up the trim. Secure it with a pin.
    [Show full text]