DOCSLIB.ORG

Songs of the Dragons Flying to Heaven and Other Plays Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Songs of the Dragons Flying to Heaven and Other Plays Free Download SONGS OF THE DRAGONS FLYING TO HEAVEN AND OTHER PLAYS FREE DOWNLOAD Young Jean Lee | 201 pages | 31 Aug 2010 | Theatre Communications Group Inc.,U.S. | 9781559363266 | English | New York, United States Songs of the Dragons Flying to Heaven and Other Plays Enlarge cover. Songs is a hilarious and deadly serious set of riffs on the tensions between Korean, Korean American and "white"--Lee's clearly aware of the flattening entailed in the term--cultural stereotypes. Reading this play was absolutely hilarious, given that one of the courses I'm taking this semester is one on Romantic poetry, and the poetry of Wordsworth and Coleridge in particular. Irma Mayorga rated it it was amazing Dec 30, Click here. This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching? The Asian kitsch of the surroundings becomes decidedly muted once one enters the performing space, where the stage is a box of unpainted plywood. She wrote a naturalistic play to honor their requests, though a last-minute twist upends all that has come before. A thoroughly entertaining, uplifting, Songs of the Dragons Flying to Heaven and Other Plays piece of art? There are not any reviews for this product. So thought provoking, it's only appropriate to give thanks and praise.? As reading texts, Young Jean Lee's plays strike me as erratic, alternating between really sharp and funny engagement with contemporary problems of identity--especially as it revolves around race, culture a To respond adequately to these six short plays, I'd need to see them performed. Watch fullscreen. Login Register. I saw Young speak at ODU and bought her books immediately after. Recognizing younger generations' understanding of ethnicity that is little confined by colonial memory and victim mentality, I will suggest that self-exoticization is a practice of cultural diversity, which is gaining significance in contemporary Korean and Korean American culture. March 12, Want to Read Currently Reading Read. It is an honest [work] that takes itself seriously, and that is refreshing. And to agree with Lee that we may not live long enough to purge ourselves of them. Young Jean Lee's specialty lies in the "Theater of the Discomfort" -- the real treat is experiencing one of her plays in person! Other editions. However, Lee also makes a constant point to acknowledge the show's excesses and pretenses. I was Songs of the Dragons Flying to Heaven and Other Plays to myself. Are you sure you want to report this review as abusive? Sorry, Songs of the Dragons Flying to Heaven and Other Plays item can only be purchased by current members. Songs of the Dragons Flying to Heaven and Other Plays Extensions HQ. Two main characteristics: 1 music to express Korean Americans' rootedness in Korea, and 2 music in the new wave Korean American theater works in the s and s, will be discussed in order to grasp the relationship between the incidental music and the message of the play. Another said he wanted to play Hedda Gabler. Mostly, I was just confused and not a little bit disgust I don't quite know what to think after reading 'Songs of the Dragons Flying to Heaven. Want to save more? It is an honest work] that takes itself seriously, and that is refreshing. Kara Grozan rated it it was ok Oct 09, Something about this play that I love: The TRUENESS of some things the Korean American says "Like the fact that the reason why so many white men dare Asian women is that they can get better-looking Asian women than they can get white women because we are easier to get and have lower self-esteem. Paperbackpages. Oct 11, William rated it really liked it. Any Condition Any Condition. Amy Lee rated it liked it Jan 11, You may also like. This item doesn't belong on this page. Goodreads helps you keep track of books you want to read. Categories : American theatre directors 21st-century American dramatists and playwrights American dramatists and playwrights of Korean descent American people of Korean descent American writers of Korean descent American women of Korean descent Brooklyn College alumni Obie Award recipients People from Daegu Postmodern theatre South Korean emigrants to the United States University of California, Berkeley alumni American women dramatists and playwrights births Living people 21st-century American women writers. I have great thought-like things within my head.?? How to train your dragon wii fighting other dragons part 2 - we win. I only read the title play but I'm intrigued enough to the extent where I'd love to find time to read the others. If her plays worry away at similar questions, she radically alters form, tone, and style with each new work. Sep 21, Jenny rated it it was amazing. Nov 10, J rated it liked it Recommends it for: Asian-Americans, slapstick-lovers. The above exchange has a lot in common with Songs of the Dragons Flying to Heaven and Other Plays dynamic between the real Wordsworths--and, in fact, the dynamic between the real Wordsworth and the real Coleridge--who were both poets, but Dorothy often compared herself unfavorably to William--just as Coleridge often compared himself unfavorably to William. Lee was born in South Korea and moved to the United States when she was two years old. .
Load more

Recommended publications
  • 2016Seasonpressrelea
    Crowded Fire Theater FOR IMMEDIATE RELEASE: Contact: Tiffany Cothran (415) 523-0034 [email protected] CROWDED FIRE THEATER’S 2016 SEASON THREE PROVOCATIVE PLAYS BY DIPIKA GUHA, JONAS HASSEN KHEMIRI, AND YOUNG JEAN LEE AT THICK HOUSE IN SAN FRANCISCO MECHANICS OF LOVE by Dipika Guha February 18-March 12 I CALL MY BROTHERS by Jonas Hassen Khemiri March 31-April 24 Translated by Rachel Willson-Broyles THE SHIPMENT by Young Jean Lee September 22-October 15 Thick House 1695 18th St, San Francisco San Francisco - Crowded Fire Theater (CFT) Crowded Fire’s newly appointed Artistic Director Mina Morita unveiled the 2016 mainstage season lineup of three contemporary plays that continue to uphold the company’s long tradition of producing boundary - pushing, thought-provoking theater. At a season-announcement party on Saturday, November 14 th Morita addressed Crowded Fire donors, patrons, and artists saying “At Crowded Fire, we are unafraid of tackling big issues. We commit ourselves to true experimentation of form and content to question, disrupt, or complicate comfortable notions of cultural hierarchy.” Crowded Fire‘s 2016 season begins with the world premiere of Dipika Guha’s play MECHANICS OF LOVE (2/18-3/12), a wild romp about how we love, who we choose, and the cost of making sense of it. Followed in March by a translation by Rachel Willson-Broyles of Swedish playwright Jonas Hassen Khemiri’s I CALL MY BROTHERS (3/31-4/24) an investigation of racial profiling that leads to a funny and fierce showdown with paranoia. The 2016 season concludes in September with Young Jean Lee’s unsettling and incisive comedy THE SHIPMENT (9/22-10/15) that upends African American stereotypes permeating the dominant culture.
    [Show full text]
  • Our Playwrights in the Spotlight Tony Nods, Rave Reviews, and The
    NEWS | SUMMER 2017 inside: Our Playwrights in the Spotlight James Baldwin is Having a Moment The Yaddo Summer Reading List Tony nods, rave reviews, and the premieres Thirty years after his death, the radical prophet of a With a bumper crop of new releases, our we’re looking forward to this fall generation is the hottest writer in America authors have you covered for beach season Our Playwrights Step Into the Spotlight t has been a banner year thus far for Yaddo dramatists both on and off Broadway. Leading the pack is J.T. Rogers, whose magnificent Oslo JENNY ANDERSON JENNY opened at Lincoln Center’s Vivian IBeaumont Theater in April to rave reviews and went on to win the 2017 Tony for Best Play. Directed by Bartlett Scher and starring Broadway vets Jennifer Ehle and Jefferson Mays, Rogers’s “colossus” of a play (so labeled by New York Times theater critic Ben Brantley) depicts the behind-the-scenes intrigue of the secret peace talks between Israel and the Palestine Liberation Organization that led to the 1993 Oslo Accords. Another late-season standout was War Paint, a triumphant collaboration between three Yaddo alums — Doug Wright (book), Scott Frankel (music) and Michael Korie (lyrics) — that garnered nominations ABOVE: J.T. Rogers and the cast of his Tony-award winning Oslo for best leading actress in a musical (double honor to Tony-Award grand dames Patti legend Paula Vogel’s elegiac Indecent writer Danny Rubin celebrated his first Tony LuPone and Christine Ebersole, playing (first staged at the Yale Repertory Theater nomination, for Best Book of a Musical, cosmetic industry rivals Helena Rubinstein in 2015) picked up a Best Play Tony for Groundhog Day, his adaptation of the and Elizabeth Arden), best costume design, nomination as well as awards for screenplay he co-wrote with Harold and best scenic design.
    [Show full text]
  • Young Jean Lee's Theater Company
    wexner center for the arts THE OHIO STATE UNIVERSITY PRESENTS world premiere Wexner Center Artist Residency Award Project Young Jean Lee’s Theater Company STRAIGHT WHITE MEN THU–SAT, APR 10–12 | 8 pm SUN, APR 13 | 2 pm Performance Space 2013–14 PERFORMING ARTS SEASON world premiere Thank you for Wexner Center Artist Residency Award Project Young Jean Lee’s Theater Company joining us at tonight’s STRAIGHT WHITE MEN THU–SAT, APR 10–12 | 8 pm performance. SUN, APR 13 | 2 pm Performance Space STRAIGHT WHITE MEN is a production by a nonprofit real estate organization Special thanks to all Wexner Center Young Jean Lee’s Theater Company. It dedicated to expanding the supply of long- was commissioned by the Wexner Center term, affordable rehearsal and studio space members and sponsors. Your support makes for the Arts at The Ohio State University; for NYC artists. Center Theatre Group, Los Angeles; This presentation of Young Jean Lee’s this event possible. steirischer herbst festival, Graz; Les Theater Company’s STRAIGHT WHITE MEN spectacles vivants—Centre Pompidou, is made possible with funding by the Paris; Festival d’Automne à Paris; and The The Wexner Center for the Arts is your one-stop New England Foundation for the Arts’ Public Theater, New York. National Theater Project, with lead source for everything in the contemporary arts. Funding support for the creative funding from The Andrew W. Mellon Come back and check out our groundbreaking development of STRAIGHT WHITE Foundation. Additional support is provided MEN was provided by the Doris Duke by the National Endowment for the Arts.
    [Show full text]
  • Playwright and Director Young Jean Lee Returns To
    PLAYWRIGHT AND DIRECTOR YOUNG JEAN LEE RETURNS TO WEX FOR RESIDENCY AND WORLD PREMIERE STRAIGHT WHITE MEN MAKES ITS DEBUT WITH SUPPORT FROM WEXNER CENTER ARTIST RESIDENCY AWARD “Young Jean Lee is, hands down, the most adventurous downtown playwright of her generation.”—New York Times March 11, 2014—Columbus, OH—Acclaimed playwright/director Young Jean Lee returns to the Wexner Center for the Arts April 10–13 for the world premiere of STRAIGHT WHITE MEN, a provocative The cast of Young Jean Lee’s STRAIGHT WHITE MEN, left to right: Pete Simpson, Austin new work presented with an all-star cast (Austin Pendleton, Scott Shepard and James Stanley Pendleton, Scott Shepherd, Pete Simpson, and James Photo: Blaine Davis Stanley) and finalized through the support of the Wexner Young Jean Lee’s Theater Company STRAIGHT WHITE MEN Center Residency Award program. Young Jean Lee’s World Premiere Theater Company delighted audiences at the Wexner Thu, Apr 10–Sat, Apr 12 | 8 PM Sun, Apr 13 | 2 PM Center last October with the Obie Award-winning Audience Q&A with Young Jean Lee and cast after Apr 11 performance. production WE’RE GONNA DIE. STRAIGHT WHITE MEN will tour throughout North America and Europe Tickets: $22 for the general public, $18 for members, and $10 for students. Tickets available at after its debut. Her play The Shipment, which delved into tickets.wexarts.org. issues of African-American identity with Lee’s unique Location: Performance Space, 1871 N. High St. touch, also was supported by the Wexner Center Artist Parking: http://wexarts.org/visit/parking Residency program and premiered at the Wexner Center More information: http://wexarts.org/performing-arts/straight-white- October 30–November 2, 2008 and subsequently toured men worldwide.
    [Show full text]
  • The Korean American Context
    Exploding Stereotypes Inside and Out: The Theatre of Young Jean Lee and Issues of Gender and Racial Identity Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Seunghyun Hwang, M.A. Graduate Program in Theatre The Ohio State University 2010 Thesis Committee: Lesley Ferris, Advisor Chan Park Copyright by Seunghyun Hwang 2010 Abstract Young Jean Lee is a playwright and director who has worked in New York City since 2002. She founded the Young Jean Lee's Theatre Company in 2003 where she produced a number of her own plays. She can be classified as a "1.5 generation" Asian American playwright who has added her particular voice about diasporic Asian woman’s issues to American theatre. Her creative and artistic interests were not limited to academic reading and writing, but expanded to live theatre and performance. Her works thematically involve the daily issues and interaction among contemporary American people. In her theatrical works, Young Jean Lee challenges the audience to rethink the nature of race or gender stereotypes in the USA through her trajectory of reconsidering these stereotypes. This thesis focuses on two of her most recent and controversial works, Songs of the Dragons Flying to Heaven (2006) and The Shipment (2008). Chapter 1 provides a brief overview of Asian American theatre history and specifically situates Lee’s work within a context of Korean American playwrights since 1990s where they appeared for the first time in any significant number. The next two chapters analyze Lee's multiple narratives of race, culture, and diaspora, and her attempt to deconstruct and explode ever present and recycled stereotypes of Asian Americans and African Americans.
    [Show full text]
  • 2019 Creative Change Participant Bios
    2019 Creative Change Retreat Participant Bios: phillip agnew co-founded the Dream Defenders in 2012 after the murder of Trayvon Martin and has been dubbed “one of this generation’s leading voices.” He has been recognized by both EBONY magazine and The Root as one of the 100 most influential African Americans in the nation. In 2018 he transitioned from his role as co-director of the Dream Defenders and now travels the country training and organizing where “the movement” hasn’t touched. He is the co-founder of Miami’s Smoke Signals Studio—a community-based radical artistic space—with his partner, poet Aja Monet. Smoke Signals Studio is a space where those invested in using art, sound, and music as a meeting place for transformation and liberation can come to create together. He is a nationally recognized educator, strategist, trainer, speaker, and cultural critic and was a featured speaker at TEDxWomen and SXSW in 2019. Jouelzy Baker curates discussions to encourage women of color as they define their own success stories, emboldening them to push back against harmful social norms. She has cultivated a #SmartBrownGirl movement that provides a safe space to tackle complex cultural issues through dialogue that meets at the intersection of pop culture and political history. Marya Bangee is the Executive Director of Harness, an organization started by America Ferrera, Wilmer Valderrama, and Ryan Piers Williams to center the stories of underrepresented communities in Hollywood. Through her work at Harness, Marya works with networks, studios, and culture shapers to promote new narratives within popular culture.
    [Show full text]
  • November 1–18, 2012 NOH Space & Z Space San Francisco Golden
    Golden Thread Productions Theatre Festival & Forum Exploring the Middle East November 1–18, 2012 NOH Space & Z Space San Francisco “a radical cultural exchange” – New York Times “thick with ideas and inspiration” – LA Times “a place where jazz, Middle Eastern music and the avant-garde converge” – Chicago Tribune Closing Night Concert and Reception Featuring Hafez Modirzadeh and Friends Sunday, November 18, at 7:00pm Bay Area jazz saxophonist, Hafez Modirzadeh will be joined by longtime collaborators Ramin Zoufonoun (Piano), Jamsheed Agahi (percussion) and Timothy Volpicella (guitar) for an unforgettable evening of live music that is sure to ReOrient. A reception will follow the concert. For over two decades, Hafez Modirzadeh has developed his pioneering “chromodal” concept, a cross-cultural musical approach developed from his own American jazz and Iranian dastgah heritages. He has published extensively on the subject while developing alternative performance techniques to adapt the saxophone to the Persian tuning system. From the Founding Artistic Director Welcome to ReOrient 2012! It was three years ago that we celebrated ReOrient’s tenth anniversary, experimenting with the idea of a two- day Forum and changing the festival from an annual event to triennial. The year 2009 feels like a century ago – so much has changed at Golden Thread as we have had to navigate through economic uncertainty while strengthening our foundation and expanding our reach. Last year’s groundbreaking premieres, Night Over Erzinga by Adriana Sevahn Nichols and Language Rooms by Yussef El Guindi, raised the bar for everything that was to follow. Earlier this year, we remounted Language Rooms at the Los Angeles Theatre Center and received some of the best reviews in our history.
    [Show full text]
  • 2015-2018 SFAC Review Panelists Pool Community Arts, Education and Grants Committee September 8, 2015
    2015-2018 SFAC Review Panelists Pool Community Arts, Education and Grants Committee September 8, 2015 Idris Ackamoor Executive Director, Cultural Odyssey Idris Ackamoor is a multi-instrumentalist, composer, actor, tap dancer, director and videographer. He is the Founder and Co-Artistic Director of the San Francisco performance company Cultural Odyssey. He is also Artistic Director of the legendary world music/jazz ensemble THE PYRAMIDS. In addition, Mr. Ackamoor is also a curator with the National Black Theatre Festival in Winston-Salem, North Carolina where he produces the New Performance in Black Theater Series as an integral part of the Festival. Since 1993 Idris has presented a who’s who of the African American performing arts including the late Sekou Sundiata, Roger Guenveur Smith, Ntozake Shange, Pearl Cleage, Will Power, Marc Bamuthi Joseph, and many others. Stella Adelman Theater and Adult Program Director, Dance Brigade's Dance Mission Theater A San Francisco native, Stella Adelman holds a B.A. in World Arts and Cultures from UCLA, where she graduated Summa Cum Laude and was awarded a Gold Shield Arts Scholarship. She also holds a Masters in Education from Pace University and spent a year studying liberal arts at La Universidad de La Habana and dance at El Instituto Superior del Arte in Havana, Cuba. She co-produced the CubaCaribe Festival of Dance and Music from 2007 to 2010, sat on the Advisory Board for both CounterPulse’s Performing Diaspora Program 2013-2014 and Duniya Drum and Dance Company, and has produced Carnaval San Francisco’s King and Queen Competition since 2014.
    [Show full text]
  • Alan Smithee Directed This Play: Triple Feature
    BAM 2014 Next Wave Festival #AlanSmithee Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board Alan William I. Campbell, Vice Chairman of the Board Adam E. Max, Smithee Vice Chairman of the Board Karen Brooks Hopkins, President Directed Joseph V. Melillo, Executive Producer This Play: Triple Feature Big Dance Theater Directed by Annie-B Parson and Paul Lazar Choreography by Annie-B Parson and the company BAM Harvey Theater Sep 30—Oct 4 at 7:30pm Approximate running time: one hour and 15 mins, no intermission Performers: Tymberly Canale Elizabeth DeMent Chris Giarmo Season Sponsor: Cynthia Hopkins Paul Lazar Aaron Mattocks Kourtney Rutherford Time Warner is the BAM 2014 Next Wave Festival Sponsor Video by Jeff Larson Major support for theater at BAM provided by: Scenery by Joanne Howard The Francena T. Harrison Foundation Trust Sound by Tei Blow Stephanie & Timothy Ingrassia Donald R. Mullen Jr. Lighting by Joe Levasseur The Morris and Alma Schapiro Fund Costumes by Oana Botez The SHS Foundation Music director and vocal arrangements Chris Giarmo The Shubert Foundation, Inc. Alan Smithee Directed This Play: Triple Feature In Alan Smithee Directed This Play: Triple Feature, Big Dance Theater liberates film scripts from their narrative moorings to reveal a stunning series of pure film tropes, melding pathos and politics from iconic films of the American ’70s and Cold War Russia. On a stage littered with fur coats, lawn chairs, and telephones, decades merge, renegades draw guns on their adversaries, astronauts self- congratulate, revolutionaries pontificate, tragic lovers bid farewell under the threat of nuclear war, while American suburbanites grapple with abortion, debt, and divorce.
    [Show full text]
  • NEXT BIG BANG: the EXPLOSION of ASIAN AMERICAN THEATRE Would Not Have Been Possible Without the Generous Support Of
    NEXT BIG BANG: THE EXPLOSION OF ASIAN AMERICAN THEATRE would not have been possible without the generous support of: The Nathan Cummings Foundation The Doris Duke Charitable Trust The Ford Foundation The California Community Foundation The James Irvine Foundation Anheuser-Busch Companies, Inc. The contents of this report were collected to represent diverse perspectives expressed and brought about by the framework of the conference. The transcribing of the time line and conference survey comments is unaudited, and the dates and accuracy of the timeline have not been verified. The conference survey comments should not be inferred as a reflection of opinions of all attending as a whole but those of individuals who provided feedback in the surveys. These comments are meant to present a transparent reflection of the conference so that we may learn from this experience in preparation for the next conference. 1 Introduction After three years of planning, the first-ever National Asian American Theatre Conference convened in Los Angeles, California at East West Players in June 2006, marking the first time that leaders of Asian American theatres, Asian Pacific performing arts programs and groups, individual artists and academics had the opportunity to assemble with the primary mission of bringing Asian American theatre and performance to the forefront of the genre. The momentum from this event has created a movement to ensure that Asian American theatre and performance continues to grow, thrive, educate, enlighten and even lead the American theatre scene. The outcome of this conference was one of positive inspiration and the realization that, despite the challenges that affect all arts groups across the country, the concept of Asian American theatre continues to grow and expand.
    [Show full text]
  • Pressemappe Impulstanz2019.Pdf
    Presseinformation Pressekontakt Theresa Pointner, Almud Krejza & Zorah Zellinger ImPulsTanz – Vienna International Dance Festival Museumstraße 5/21 1070 Wien, Austria T +43.1.523 55 58-34 T +43.1.523 55 58-35 F +43.1.523 55 58-9 [email protected] impulstanz.com Laufend aktualisierte Presseinformationen, -texte und -fotos zu unserem Festivalprogramm finden Sie in unserem Pressebereich auf der ImPulsTanz-Website. impulstanz.com/presscontact Pressetexte Hier finden Sie eine Auswahl der aktuellen Pressetexte, die Sie als PDF herunterladen können. impulstanz.com/pressfiles Pressefotos In diesem Bereich steht Ihnen eine Auswahl an Fotos des diesjährigen Performance- und Workshop- Programms zur Verfügung. Bitte beachten Sie, dass die Fotos nur im Zusammenhang mit ImPulsTanz und unter Angabe des Copyrights verwendet werden dürfen. Sollten Sie an weiterem Fotomaterial interessiert sein, wenden Sie sich bitte an uns. impulstanz.com/presspictures Presseakkreditierungen Es gibt die Möglichkeit, per Online-Formular einen Antrag auf Akkreditierung für das ImPulsTanz Festival 2019 zu stellen. Bitte füllen Sie dieses aus und senden Sie es gemeinsam mit den genannten Unterlagen ab. Wir werden uns nach Ansicht und Bearbeitung Ihrer Unterlagen mit Ihnen in Verbindung setzen. impulstanz.com/mediaaccreditation 11 Juli — 11 August 2019 1 Inhaltsverzeichnis Presseinformation 1 Inhaltsverzeichnis 2 Spielplan 5 Compagnie Übersicht 14 Spielstätten 17 Vorverkauf & Tageskassen 18 ImPulsTanz Performances 19 ImPulsTanz X Museum 21 Grußworte 22 [8:tension] Young Choreographers’ Series 23 Compagnies A-Z 25 Artists 25 Agudo Dance Company 26 Alleyne Dance 31 [8:tension] Eric Arnal-Burtschy 36 Simone Aughterlony, Petra Hrašćanec & Saša Božić 39 Jérôme Bel 44 Jonathan Burrows 50 Dimitri Chamblas & Boris Charmatz / Terrain 54 [8:tension] Tatiana Chizhikova & Roman Kutnov 60 Steven Cohen 63 Claire Croizé & Matteo Fargion / ECCE vzw 69 Ivo Dimchev 74 Cie.
    [Show full text]
  • Female-Enacted Violence Through Minority American Female Playwrights' Works
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 When Oppressed Women Attack: Female-Enacted Violence Through Minority American Female Playwrights' Works Kate Busselle University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Busselle, Kate, "When Oppressed Women Attack: Female-Enacted Violence Through Minority American Female Playwrights' Works" (2015). Electronic Theses and Dissertations, 2004-2019. 1481. https://stars.library.ucf.edu/etd/1481 WHEN OPPRESSED WOMEN ATTACK: FEMALE-ENACTED VIOLENCE THROUGH MINORITY AMERICAN FEMALE PLAYWRIGHTS’ WORKS by KATE BUSSELLE B.F.A., Michigan State University, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 Major Professor: Belinda Boyd © 2015 Kate Busselle ii ABSTRACT As an Actor Combatant with the Society of American Fight Directors, theatrical violence is something that has always captivated me. When a female combat instructor once told me that even though I throw a great punch I will never be able to use it because women are always on the receiving end of violence in theatre, I wondered if this was truly the case.
    [Show full text]