Letters on Demonology and Witchcraft
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Magicians, Sorcerers and Witches: Considering Pretantric, Non-Sectarian Sources of Tantric Practices
Article Magicians, Sorcerers and Witches: Considering Pretantric, Non-sectarian Sources of Tantric Practices Ronald M. Davidson Department of Religious Studies, Farifield University, Fairfield, CT 06824, USA; [email protected] Received: 27 June 2017; Accepted: 23 August 2017; Published: 13 September 2017 Abstract: Most models on the origins of tantrism have been either inattentive to or dismissive of non-literate, non-sectarian ritual systems. Groups of magicians, sorcerers or witches operated in India since before the advent of tantrism and continued to perform ritual, entertainment and curative functions down to the present. There is no evidence that they were tantric in any significant way, and it is not clear that they were concerned with any of the liberation ideologies that are a hallmark of the sectarian systems, even while they had their own separate identities and specific divinities. This paper provides evidence for the durability of these systems and their continuation as sources for some of the ritual and nomenclature of the sectarian tantric traditions, including the predisposition to ritual creativity and bricolage. Keywords: tantra; mantra; ritual; magician; sorcerer; seeress; vidyādhara; māyākāra; aindrajālika; non-literate 1. Introduction1 In the emergence of alternative religious systems such as tantrism, a number of factors have historically been seen at play. Among these are elements that might be called ‘pre-existing’. That is, they themselves are not representative of the eventual emergent system, but they provide some of the raw material—ritual, ideological, terminological, functional, or other—for its development. Indology, and in particular the study of Indian ritual, has been less than adroit at discussing such phenomena, especially when it may be designated or classified as ‘magical’ in some sense. -
SOURCES of MEDIEVAL DEMONOLOGY by Diana Lynn Walzel When Most of Us Think of Demons Today, If We Do Think of Them, Some Medieval Imp Undoubtedly Comes to Mind
SOURCES OF MEDIEVAL DEMONOLOGY by Diana Lynn Walzel When most of us think of demons today, if we do think of them, some medieval imp undoubtedly comes to mind. The lineage of the medieval demon, and the modern conception thereof, can be traced to four main sources, all of which have links to the earliest human civilizations. Greek philosophy, Jewish apocryphal literature, Biblical doctrine, and pagan Germanic folklore all contribute elements to the demons which flourished in men's minds at the close of the medieval period. It is my purpose briefly to delineate the demonology of each of these sources and to indicate their relationship to each other. Homer had equated demons with gods and used daimon and theos as synonyms. Later writers gave a different nuance and even definition to the word daimon, but the close relationship between demons and the gods was never completely lost from sight. In the thinkers of Middle Platonism the identification of demons with the gods was revived, and this equation is ever-present in Christian authors. Hesiod had been the first to view demons as other than gods, consider- ing them the departed souls of men living in the golden age. Going a step further, Pythagoras believed the soul of any man became a demon when separated from the body. A demon, then, was simply a bodiless soul. In Platonic thought there was great confusion between demons and human souls. There seems to have been an actual distinction between the two for Plato, but what the distinction was is impossible now to discern. -
On Fairy Stories by J
On Fairy Stories By J. R. R. Tolkien On Fairy-stories This essay was originally intended to be one of the Andrew Lang lectures at St. Andrews, and it was, in abbreviated form, delivered there in 1938. To be invited to lecture in St. Andrews is a high compliment to any man; to be allowed to speak about fairy-stories is (for an Englishman in Scotland) a perilous honor. I felt like a conjuror who finds himself, by mistake, called upon to give a display of magic before the court of an elf-king. After producing his rabbit, such a clumsy performer may consider himself lucky, if he is allowed to go home in proper shape, or indeed to go home at all. There are dungeons in fairyland for the overbold. And overbold I fear I may be accounted, because I am a reader and lover of fairy-stories, but not a student of them, as Andrew Lang was. I have not the learning, nor the still more necessary wisdom, which the subject demands. The land of fairy-story is wide and deep and high, and is filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both sorrow and joy as sharp as swords. In that land a man may (perhaps) count himself fortunate to have wandered, but its very riches and strangeness make dumb the traveller who would report it. And while he is there it is dangerous for him to ask too many questions, lest the gates shut and the keys be lost. -
Witch, Warlock, and Magician, by 1
Witch, Warlock, and Magician, by 1 Witch, Warlock, and Magician, by William Henry Davenport Adams This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Witch, Warlock, and Magician Historical Sketches of Magic and Witchcraft in England and Scotland Author: William Henry Davenport Adams Release Date: February 4, 2012 [EBook #38763] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WITCH, WARLOCK, AND MAGICIAN *** Produced by Irma äpehar, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note Greek text has been transliterated and is surrounded with + signs, e.g. +biblos+. Characters with a macron (straight line) above are indicated as [=x], where x is the letter. Witch, Warlock, and Magician, by 2 Characters with a caron (v shaped symbol) above are indicated as [vx], where x is the letter. Superscripted characters are surrounded with braces, e.g. D{ni}. There is one instance of a symbol, indicated with {+++}, which in the original text appeared as three + signs arranged in an inverted triangle. WITCH, WARLOCK, AND MAGICIAN Historical Sketches of Magic and Witchcraft in England and Scotland BY W. H. DAVENPORT ADAMS 'Dreams and the light imaginings of men' Shelley J. W. BOUTON 706 & 1152 BROADWAY NEW YORK 1889 PREFACE. -
Changelings-High-School-Edition.Pdf
CHANGELINGS: HIGH SCHOOL PERFORMANCE EDITION Written by Reina Hardy Reinahardy.com 312-330-3031 [email protected] For whatsoever from one place doth fall, Is with the tide unto another brought: For there is nothing lost, that may be found, if sought. -The Fairy Queen, Edmond Spenser Forget about the baby. -Labyrinth, David Bowie Note: This version of the script takes place in Austin, TX, but could be adapted to any city with at least one university. ii. Casting Information Humans, in order of appearance The Young Mother- female Luther Powers- male, early 20s. Has a habit of holding eye contact with others for entirely too long. Megan Powers- His sister. Female, early 20s. Knows she is pretty. Timothy Stamp- Her fiance. Male, early 20s. Magus Kemp- any gender, but male is preferred. A grandiose and talkative wizard. Angus Powers- male, 30s-40s. A less than ideal father from the Elizabethan era. Fairies, in order of appearance (note, with the exception of the Wicked Child and Pandora, the gender casting for fairies is quite flexible. Adjust pronouns as needed.) The Wicked Child/Elizabeth- female, appears around 13. A whimsical, dangerous fairy princess with a habit of stealing babies. The Whiteling- any gender, sort of a mother of pearl gargoyle thing. The Mysterious Figure/Pandora- female. An immensely powerful and scary fairy queen. The Luck Angel- any gender. A very kind and pretty fairy. Luwis- any gender. A fairy janitor. Grunts. Bantam Beth- a little girl who is also a fierce fighter. Bantam- the same person as Bantam Beth, but a large burly dude. -
The Witch-Cult in Western Europe, by 1
The Witch-cult in Western Europe, by 1 The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma Špehar and the Online Distributed Proofreading Team at http://www.pgdp.net THE WITCH-CULT IN WESTERN EUROPE A Study in Anthropology BY MARGARET ALICE MURRAY The Witch-cult in Western Europe, by 2 OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published in extenso; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices. -
Episode #032 – a Deed Without a Name
“The Infinite and the Beyond” hosted by Chris Orapello Episode #032 – A Deed Without A Name 1 Episode #032 – A Deed Without A Name The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Show Introduction. ➢ MM, BB, 93, Hello and Welcome to the 32nd Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. ➢ In this episode… • We speak with Author, Lee Morgan about her new book A Deed Without A Name: Unearthing the Legacy of Traditional Witchcraft. We hear some awesome music by our featured artist Swallows from their latest album “Witching and Divining.” In A Corner in the Occult we learn about Scottish witch Isobel Gowdie who was tried for witchcraft back in the 17th century. And in the Essence of Magick we consider the values and issues surrounding Authenticity, but before all that, here is “Witching and Divining” by the band Swallows. Enjoy. ▪ http://swallows.bandcamp.com/album/witching-divining ▪ http://swallowthemusic.com/ Featured Artist “Witching and Diving” by Swallows Interview Part 1 : Lee Morgan Segment: A Corner in the Occult: (approx. 1300-1500 words): Isobel Gowdie (Background Music: “Piano Quartet in g 3rd Movement by Mozart” performed by Linda Holzer) Hello and welcome to “A Corner in the Occult” Where we focus on one part or person from the history of occultism. -
Folklore, Folk Belief, and the Selkie
Supernatural Beings in the Far North: Folklore, Folk Belief, and The Selkie NANCY CASSELL MCENTIRE Within the world of folklore, stories of people turning into animals are well known. Either by accident or by design, a person may become a malevolent wolf, a swan, a helpful bird, a magic seal, a dog, a cat. Sometimes these stories are presented as folktales, part of a fictitious, make-believe world. Other times they are presented as legends, grounded in a narrator’s credibility and connected to everyday life. They may be sung as ballads or their core truths may be implied in a familiar proverb. They also affect human behavior as folk belief. Occasionally, sympathetic magic is involved: the human imagination infers a permanent and contiguous relationship between items that once were either in contact or were parts of a whole that later became separated or transformed. A narrative found in Ireland, England, and North America depicts a man who spends a night in a haunted mill, where he struggles with a cat and cuts off the cat’s paw. In the morning, the wife of a local villager has lost her hand (Baughman: 99; Disenchantment / Motif no. D702.1.1). France, French-speaking Canada and French-speaking Louisiana have stories of the loup-garou, a shape- shifter who is a person trapped in the body of an animal. One might suspect that he or she has encountered a loup-garou if that the animal is unusually annoying, provoking anger and hostile action. One penetrating cut will break the spell that has kept it trapped in animal form. -
Witch, Fairy and Folktale Narratives in the Trial of Bessie Dunlop. In: Henderson, L
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten ,nn Henderson, L. (2009) Witch, fairy and folktale narratives in the trial of Bessie Dunlop. In: Henderson, L. (ed.) Fantastical Imaginations: The Supernatural in Scottish History and Culture. John Donald: Edinburgh, pp. 141-166. ISBN 9781906566029 Copyright © 2009 John Donald A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) http://eprints.gla.ac.uk/45389/ Deposited on: 11 March 2015 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 7 Witch, Fairy and Folktale Narratives in the Trial of Bessie Dunlop 1 Lizanne Henderson Once Upon A Time, there lived a witch named Bessie. She hadn’t always been a witch but since becoming one she found that her neighbours thought her very powerful and they began to visit her in search of cures and advice. A terrible plague and famine was sweeping across the land and Bessie, who was expecting a child, was afraid. Her husband, and her animals, were suffering from the pestilence. Bessie was in labour when a stranger came in through her cottage door. She was a stout woman and she asked Bessie for a drink, and she obliged. The woman then said “Bessie, your bairn will die, but your husband will mend of his sickness”. With that, she left. -
Electric Scotland's Weekly Newsletter for December 5Th, 2014
Electric Scotland's Weekly Newsletter for December 5th, 2014 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News YouTube I got an email in from YouTube saying that I have received 25,952 views of all my videos I've posted over the years and they provided a fast way to find them at https://www.youtube.com/c/AlastairMcIntyre. I might just say that most of them are either videos about the web site where I'm just talking about something to do with the site or videos I've taken when attending various events. However I do sometimes do a video where I talk about some matter that concerns me such as my recent finding that tourism in Canada had seen a steady decline in foreign arrivals over the past 11 years. I did some research on this and as a result I made two videos telling of my research and what I thought was the problem. I also sometimes do a video to back up an issue where I am having problems in getting to talk to people. For example I was mighty fed up with not being able to talk to anyone at the Scottish Chamber of Commerce where they kept saying someone would phone me back but they never would. -
The Witches' Sabbath in Scotland
Proc Soc Antiq Scot 142 (2012), 371–412 THE WITches’ SABBATH IN SCOTLAND | 371 The Witches’ Sabbath in Scotland Laura Paterson* ABSTRACT There are ample surviving references in the witchcraft trial material to indicate that the witches’ sabbath became an important feature of the crime of witchcraft in Scotland. Comparison of the trial material has revealed numerous discrepancies between individual and group accounts of the witches’ sabbath. The frequent inability of the witches to agree upon a time, date or place that the witches’ sabbath took place have indicated that, in the cases studied, the witches’ sabbath was not a genuine historical event. Elite beliefs and ideas about the witches’ sabbath were frequently introduced during interrogations, and certainly left their mark upon the witchcraft records. However, the examination process was often a negotiation between witches and their interrogators, and as such, allowed many witches to incorporate their own beliefs and ideas into their descriptions of the witches’ sabbath. Close reading of the trial material, combined with an analysis of contemporary presbytery records and popular ballads, provides evidence that many witches were drawing upon popular beliefs about fairies, magic and the supernatural, as well as their experiences at real life celebrations and festivities, to compose their descriptions of the witches’ sabbath. The majority of confessions that contain descriptions of the witches’ sabbath are the product of this interrogation and negotiation process, but this research has also explored the possibility that the witches’ sabbath might have been a real visionary experience for some witches, and that these visionary experiences were fantasies induced by psychological trauma, or a waking or sleeping vision similar to those experienced by tribal shamans. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit “Fairies, Witches, and the Devil: The Interface between Elite Demonology and Folk Belief in Early Modern Scottish Witchcraft Trials” Verfasserin Ruth Egger, BA angestrebter akademischer Grad Magistra (Mag.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 057 327 Studienrichtung lt. Studienblatt: Individuelles Diplomstudium Keltologie Betreuerin: Dr Lizanne Henderson BA (Guelph) MA (Memorial) PhD (Strathclyde) 1 Acknowledgements First of all, I want to thank all my lecturers in history who introduced me to the basic theories and methods of historiography, but also to those providing lessons for Celtic Studies who made me aware of the importance of looking beyond the boundaries of one’s own discipline. Their interdisciplinary approach of including archaeology, linguistics, literature studies, cultural studies, and anthropology among other disciplines into historical research has inspired me ever since. Regarding this current study, I specially want to thank Dr. Lizanne Henderson who not only introduced me into the basic theories of methods of studying witchcraft and the supernatural during my time as Erasmus-student at the University of Glasgow, but also guided me during the writing process of this dissertation. Furthermore, I would like to thank the University of Vienna for giving me the chance to study abroad as Erasmus-student and also for providing me with a scholarship so that I could do the literature research for this dissertation at the University of Glasgow library and the National Archives of Scotland. Also, I thank Univ.-Prof. Mag. Dr. Melanie Malzahn for supporting me in acquiring this scholarship and helping me finding a viable topic for the dissertation, as well as Univ.-Doz.