A HISTORY LESSON by JUDI MILLER
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1 Newcomer Among 5 Dealers Elected to CATA Board Seats
Volume 108, No. 12 June 27, 2011 Upcoming DealersEdge Webinars 1 newcomer among 5 dealers The Chicago Automobile Trade Association has estab- elected to CATA board seats lished a partnership with DealersEdge to provide high- quality training and informational Webinars that offer Results announced at Expo the content to CATA member dealers at a significantly An enthusiastic crowd of CATA board of directors discounted rate. dealers and their managers showed four incumbents and The rate for CATA members for the weekly presenta- showed up June 22 for the one newcomer won elec- tions is $149, half what is charged to users who do not 2nd annual CATA Dealer tion to three-year terms. Ed subscribe to DealersEdge. Webinars premiere on a near- Meeting & Expo, and they Burke, Dan Marks, Mike weekly basis. liked what they saw: 45 allied McGrath Jr. and Colin Even for dealers who hold an annual membership with members explaining their Wickstrom all won second DealersEdge, the new relationship with the CATA repre- products and services, and terms on the board. Bill sents a savings because DealersEdge offers its Webinars 11 educational seminars pre- Haggerty won for the first to its own members for $198. Regular annual member- sented during the day. time. ship fees are $397, and normal Webinar fees are $298 for At the Expo, results of A director may serve up non-DealersEdge members. this month’s balloting for the to three terms. Once purchased, DealersEdge Webinars and ac- companying PDF files can be downloaded and viewed Professionalism trumps price: study later—and repeatedly. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors. -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct
University of Dayton eCommons News Releases Marketing and Communications 10-4-1993 Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14 Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14" (1993). News Releases. 7806. https://ecommons.udayton.edu/news_rls/7806 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. 70A(l) The University of Dayton News Release Oct. 4, 1993 Contact: Candace Stuart EMMY AWARD-WINNING ACTOR AND ACTIVIST EDWARD ASNER TO SPEAK AT THE UNIVERSITY OF DAYTON ON OCT. 14 DAYTON, Ohio -- Edward Asner, the acclaimed actor and activist who portrayed the popular TV character Lou Grant on "The Mary Tyler Moore Show" and the dramatic series "Lou Grant," will speak at the University of Dayton at 8 p.m. Thursday, Oct. 14, in the ballroom of the Kennedy Union on campus. The lecture, titled "Morality and Freedom of Speech in the Media," is free and open to the public. As the gruff but good-hearted Lou Grant, Asner symbolized many of the ideals of journalism, both as a no-fluff television producer in the comedy "The Mary Tyler Moore Show" and as an ethical city editor in "Lou Grant." He won five Emmy awards for his Lou Grant portrayals and added two more to his collection for roles in "Rich Man, Poor Man" and "Roots." "I fear the Lou Grants of this world are a dying breed, a species failing to adapt to a rapidly changing environment," Asner wrote in the prologue to Unreliable Sources: A Guide to Detecting Bias in the News Media by journalists Martin Lee and Norman Solomon. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Index to Academy Oral Histories Leo C. Popkin
Index to Academy Oral Histories Leo C. Popkin Leo C. Popkin (Producer, Director, Exhibitor) Call number: OH142 Academy Award Theater (Los Angeles), 343–344, 354 Academy Awards, 26, 198, 255–256, 329 accounting, 110-111, 371 ACE IN THE HOLE, 326–327 acting, 93, 97, 102, 120–123, 126–130, 138–139, 161, 167–169, 173, 191, 231–234, 249–254, 260–261, 295–297, 337–342, 361–362, 367–368, 374-378, 381–383 Adler, Luther, 260–261, 284 advertising, 102-103, 140–142, 150–151, 194, 223–224 African-Americans and film, 186–190, 195–198, 388-392 African-Americans, depiction of, 111–112, 120–122, 126–130, 142–144, 156–158, 165- 173, 186–189, 199–200, 203, 206–211, 325, 338–351, 357, 388–392 African-American films, 70-214, 390-394 African-Americans in the film industry, 34–36, 43–45, 71–214, 339–341, 351–352, 388- 392 agents, 305-306, 361–362 Ahn, Philip, 251 alcoholism in films, 378 Aliso Theater (Los Angeles), 66 Allied Artists, 89 American Automobile Association (AAA), 315 American Federation of Musicians (Local 47 and Local 767, AFL), 34, 267, 274 American Legion Stadium (Hollywood), 55–56 Anaheim Drive-in Theater (Anaheim), 28, 69 AND THEN THERE WERE NONE, 11-12, 54, 114–120, 166, 224–236, 276, 278, 283, 302–304, 317–318 Anderson, Ernest, 339–341 Anderson, Judith, 226 Anderson, Richard, 382–383 Andriot, Lucien, 226, 230 Angel's Flight railway (Los Angeles), 50 animation, 222 anti-Semitism, 107 Apollo Theater (New York City), 45, 178–179, 352 architecture and film, 366–367 Armstrong, Louis, 133 art direction, 138, 162, 199, 221–222, 226, 264, 269, -
Pittsburgh Vacant Lot T O O L K
PITTSBURGH VACANT LOT TOOLKIT Resource Guide VLTk December 2015 ABOUT THE toolkit The Vacant Lot Toolkit is a comprehensive overview of the goals, policies, processes, procedures, and guidelines for transforming vacant, blighted lots into temporary edible, flower, and rain gardens. Residents of the City of Pittsburgh can refer to this toolkit when thinking about creating a vacant lot project on City-owned land, and will find it useful throughout the process. The toolkit can also be a resource for projects on other public and privately owned land throughout the city. The City of Pittsburgh thanks you for your time, creativity, and stewardship to creating transformative projects in your ACKNOWLEDGMENTS neighborhoods. We look forward collaborating with you and VLTK Project Manager watching your projects grow. Josh Lippert, ASLA, Senior Environmental Planner Andrew Dash, AICP, Assistant Director For questions please refer to the Vacant Lot Toolkit Website: VLTK Program COORDINATOR www.pittsburghpa.gov/dcp/adoptalot Shelly Danko+Day, Open Space Specialist VLTK ADVISORY COMMITTEE City of Pittsburgh - Department of City Planning Raymond W. Gastil, AICP, Director **Please note that this toolkit is for new projects as well as City of Pittsburgh - Office of the Mayor existing projects that do not possess a current license, lease, Alex Pazuchanics right-of-entry, or waiver for City-owned property. Projects that exist without these will have to contact the Open Space Specialist City of Pittsburgh - Office of Sustainability and/or begin through the -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
8 Unit Multi-Family Investment Opportunity
8 Unit Multi-Family InvestmentOpportunity 14629 Gilmore Street Van Nuys, California 91411 OFFERING MEMORANDUM 14629 GILMORE STREET TABLE OF CONTENTS ➢Property Overview ➢Financial Analysis ➢Comparables ➢Location Overview 14629 Gilmore Street Page 2 SECTION ONE PROPERTY OVERVIEW 14629 Gilmore Street Page 3 PROPERTY OVERVIEW DETAILS Street Address 14629 Gilmore St. Number of Units 8 City Van Nuys Number of Buildings 1 State CA Number of Stories 2 Zip Code 91411 Water Master-Metered APN 2236-017-017 Electric Individually Metered Building Size 6,534 SF Gas Individually Metered Lot Size 7,502 SF Construction Wood-frame Stucco Year Built 1962 Roof Flat Parking 8 Zoning LARD 1.5 Unit Mix (4) 1 Bed / 1 Bath (4) 2 Bed / 1 Bath 14629 Gilmore Street Page 4 PROPERTY OVERVIEW HIGHLIGHTS INVESTMENT DESCRIPTION ➢ Located in the heart of Van Nuys, CA, in the central San Fernando Valley, 14629 Gilmore Street is a prime multifamily value-add investment opportunity. Situated two blocks away from Van Nuys and Victory Boulevards, the 8-unit gated property is within walking distance of Van Nuys High School, Van Nuys City Hall, and many useful and essential services and businesses. EXCELLENT UNIT MIX ➢ 50% 1-bedroom Units, 50% 2-bedroom Units RENTAL UPSIDE ➢ While currently leased to long-term tenants the property boasts significant potential future upside in rents. BUILDING AMENITIES ➢ Gated property, covered parking, on-site laundry 14629 Gilmore Street Page 5 SECTION TWO FINANCIAL ANALYSIS 14629 Gilmore Street Page 6 FINANCIAL ANALYSIS PRICING ANALYSIS $1,800,000