A HISTORY LESSON by JUDI MILLER

Total Page:16

File Type:pdf, Size:1020Kb

A HISTORY LESSON by JUDI MILLER FEBRUARY 2017 CBS STUDIO CENTER – A HISTORY LESSON by JUDI MILLER The year was 1926 and plans for a new city in stages and several more support buildings. the San Fernando Valley were in development. The Studio was known as the most efficient It began with the purchase of a 50-acre lettuce of the independent studios because of its high ranch at the corner of Colfax Avenue and quality technical equipment, expert use of stock Ventura Boulevard, along with a 300-acre footage, superior editing facilities and high ranch located on Laurel Canyon. During this caliber craftsmen. Between 1937 and 1950, time “King of Comedy” Mack Sennett, known Republic’s output grew from ten features a year for his two reelers and the Keystone Kops, to over fifty, and the number of sound stages was looking for a new studio location. A deal tripled. Some of the film legends to grace the was struck, and in 1928 Mack Sennett Studios lot included Roy Rogers, John Wayne, Slim opened and the surrounding area became known Pickens, Allen “Rocky” Lane, Joan Crawford as Studio City. At this time, the Studio consisted and Barbara Stanwyck. With the advent of of two sound stages, one with a swimming television in the early 1950’s, Republic entered pool below the floor, the other with a two-story a new medium and produced a number of series, dressing room building attached; one office such as The Rifleman, Burke’s Law, Leave it to building, projection room, film editing building, Beaver, and The Big Valley. film library, wardrobe building, and a garage. In May of 1963 the CBS Television Network With the advent of sound in 1929, Sennett was entered into an agreement with Republic Studios the first producer to use RCA equipment, with whereby CBS became the major lessee and the which he produced a bunch of singing short facility was renamed CBS Studio Center. During subject films with a young unknown named this era, many well known television series such Fire, 3rd Rock from the Sun, Cybill, Evening Bing Crosby. During the next several years, as Rawhide, Gunsmoke, The Great Adventure, Shade, and Caroline in the City are just a few Sennett made more than 150 one and two reel Gilligan’s Island, The Wild Wild West and My of the shows which called CBS Studio Center feature films, and also produced and directed Three Sons called CBS Studio Center home. home during the 90’s. Features such as Father four films for Paramount distribution starring In 1969 a then unknown production of the Bride 2, Dr. Doolittle, and I Love Trouble W.C. Fields; The Dentist, The Pharmacist, The company, MTM Entertainment, moved in and were also filmed on the Studio lot at that time. Barber Shop, and The Fatal Glass of Beer. became an important tenant, producing such hit As we approached the year 2000 and moved In 1933 the Great Depression forced Sennett shows as The Mary Tyler Moore Show, Rhoda, forward, CBS Studio Center kept going strong into bankruptcy, and the Studio became an The Bob Newhart Show, Lou Grant, and The with long term hit shows such as Will & Grace, independent production facility. Mascot White Shadow. Malcolm in the Middle, Bernie Mac, According Pictures, under the direction of Nat Levine, In 1982 CBS and 20th Century Fox Film to Jim, That 70’s Show, Just Shoot Me, Passions, became one of the principle tenants and for the Corporation formed a joint venture which Big Brother, CSI: NY, and more recently, Hot next two years the Studio was known as Mascot included ownership and operation of CBS in Cleveland, Last Man Standing, Baby Daddy, Studios. Mascot produced the Saturday matinee Studio Center, and for the first time in almost Brooklyn Nine Nine, and The Talk. serial which always ended with the heroine twenty years a new name appeared on the sign Moreover, the Studio continues to grow left tied to the railroad tracks as a speeding above the main gate, CBS/Fox Studios. Two and change. In 2005 construction on The train came hurtling toward her, interrupted years later, Fox sold its interest in the Studio Broadcast Center began and in 2007 KCBS and by “CONTINUED NEXT WEEK.” Some of to MTM Enterprises and the facility became KCAL9 moved in, followed shortly thereafter Mascot’s big stars included, Gene Autry, Bela CBS/MTM Studios. Shows produced on the by the CBS corporate departments. Our most Lugosi, Gabby Hayes, and Rin Tin Tin. lot during the 1980’s included Roseanne, A recent addition is the Lagoon Building, which In 1935 Mascot Pictures, Monogram Pictures Different World, thirtysomething, St. Elsewhere, provides 30,000 square feet of office space for and Consolidated Film Industries, financed Newhart, Hill Street Blues, and Falcon Crest. productions and corporate entities. And we’re by Herbert J. Yates, joined with several other CBS acquired MTM’s interest in the Studio not done building yet………….stay tuned for independent producers and became known as in 1992 and once again the CBS Studio Center more details! Republic Studios. By then there were six sound sign appeared at the gate. Seinfeld, Grace Under n n n 1 PRODUCTION SCHEDULE ADR ...........................5091 Backlot Services ..................5667 Carla’s Café Commissary ...........5692 Car Wash .......................5042 Client Services ...................5099 People’s Choice Awards CPR & First Aid Training (monthly) ....5256 Winners Emergency Line ..................5555 Graphics ........................5395 Favorite Cable TV Comedy Grip Dept. ......................5711 Hair Salon ......................6000 Baby Daddy Health Wheels ............818.876.4755 House Internet Access .............5218 Favorite Actor In A New TV Series Janitorial .......................5966 Matt LeBlanc – Man With A Plan Joe’s Gym ......................5099 Lighting ........................5349 Medical ........................5341 Favorite New TV Comedy Notary Public Services Man with a Plan -Brandt Bowers (1st Flr. Mack Sennett) ....5162 THE GREAT INDOORS (CBS TV Studios/CBS) n n n Parking .........................5165 Parking Place Signs ...............5670 SOLUTREAN FEATURE Paint Dept. .................5396/5858 (Solutre, LLC) Safety & Environmental Concerns ....4444 LIP SYNC BATTLE Safety Hotline (anonymous reporting) ....6078 (Highway Content/Spike TV) ongratulationsongratulations Sign Shop ......................5395 PHOTO: ABC/John Fleenor © 2015 American Broadcasting Companies, Inc. All rights reserved. American Broadcasting Companies, Inc. ABC/John Fleenor © 2015 PHOTO: C ENtertAINMENT TONIGHT Special Effects ...................5671 John Idoni, A/V (CBS TV Distribution/Syndication) Supply Station ...................5001 Department Take 5 Coffee Shop ...............5979 THE INSIDER (CBS TV Distribution/Syndication) On your retirement after Telephones ......................4800 42 years of services at RECYCLING LAST MAN STANDING HH we no longer recycle videotape, cds or dvds HH (20th Century Fox TV/ ABC) CBS Television City and CBS Studio Center. Stage and Media .................5661 BROOKLYN NINE-NINE Paint, Solvents, Spray Cans, Rags, (Universal Television/FOX) Batteries, Brush Wash, Office Recycling ..................5966 MAN WITH A PLAN Toner Cartridges, Paper, Cans (CBS TV Studios/CBS) Craig McCue, Telecom E-Waste Recycling ................5396 BROWN GIRLS PILOT Department Anything with a circuit board, ie TVs, (Prodco/Freeform) On the birth of your Monitors, Recorders, Keyboards and UNTITLED DISTEFANO PILOT grandson Florescent Lights (Woodridge Productions Inc./CBS) Pens .....................interoffice to Jonathan Craig TVC RECORD CENTER, RM. 73 THE TALK October 21, 2016 (CBS TV Studios/CBS) Born to Emily and Jose PLAYING HOUSE Camacho (Open 4 Business Productions/USA) BABY DADDY afety (Prodco/Freeform) Tammy Yazgulian, S Medical Department & ecurity YOUNG & HUNGRY S (Prodco/Freeform) On the birth of your granddaughter SAFETY IS EVERYONE’s RESPONSIBILITY! SUPERIOR DONUTS (CBS TV Studios/CBS) Autumn Rose Attention all CBS & Production Drivers: Please AMERICAN HOUSEWIFE January 13 obey the RED LIGHTS near the stages by (ABC Studios/ABC) Born to Crystal stopping and shutting off your engine until the ALONE TOGETHER and Christopher red light turns off. (Prodco/Freeform) Yazgulian Please observe the speed limit (8mph), stop Jason Hilmer, signs and pedestrian crossings. The Studio Transportation FEBRUARY Department has the contractual right to refuse entrance to BLACK HISTORY MONTH any repeat violator of our Safety Rules. Studio and wife Heather Security strictly enforces this policy. n2 Groundhog Day On the birth of your daughter 12 Lincoln’s Birthday n Brooklyn Diane n 14 Valentine’s Day January 23 n n n n n n n 20 President’s Day (observed) and big brother Contributing Editor Marsha Gorodkin Carter NewsletterDesign Elizabeth Gulick Staff n 28 Shrove Tuesday (Mardi Gras) 2 FEBRUARY 2017 In Memoriam MARY TYLER MOORE SHE TURNED THE WORLD ON WITH HER SMILE! by JUDI MILLER film Ordinary People, in which she portrayed and later in 1982 when their company had On January 25th we lost a true television pioneer the bitter matriarch of a family who recently ownership in the Studio. and icon. Mary Tyler Moore was best known lost their son in a drowning accident. She for her comedic roles as Laura Petrie on The also received a Tony® Award that year for her In later years, Mary Tyler Moore returned Dick Van Dyke Show in the 60’s, and later as the role in the Broadway play Whose Life Is It to CBS Studio Center time and again, guest indomitable, groundbreaking Mary Richards on Anyway? starring in The Naked Truth in 1997, That The Mary Tyler Moore Show, which was filmed 70’s Show (also filmed on Stage 2), and most here on Stage 2 from 1970-1977, and became a In addition to being a renowned actress, Ms. recently joining her old cast mate Betty White fixture on the CBS network. She was nominated Tyler Moore was a successful businesswoman on Hot in Cleveland in 2011 and 2013. for a Best Actress Emmy® Award each of the seven as well. She and former husband Grant Tinker years the show aired, and she won three times.
Recommended publications
  • 1 Newcomer Among 5 Dealers Elected to CATA Board Seats
    Volume 108, No. 12 June 27, 2011 Upcoming DealersEdge Webinars 1 newcomer among 5 dealers The Chicago Automobile Trade Association has estab- elected to CATA board seats lished a partnership with DealersEdge to provide high- quality training and informational Webinars that offer Results announced at Expo the content to CATA member dealers at a significantly An enthusiastic crowd of CATA board of directors discounted rate. dealers and their managers showed four incumbents and The rate for CATA members for the weekly presenta- showed up June 22 for the one newcomer won elec- tions is $149, half what is charged to users who do not 2nd annual CATA Dealer tion to three-year terms. Ed subscribe to DealersEdge. Webinars premiere on a near- Meeting & Expo, and they Burke, Dan Marks, Mike weekly basis. liked what they saw: 45 allied McGrath Jr. and Colin Even for dealers who hold an annual membership with members explaining their Wickstrom all won second DealersEdge, the new relationship with the CATA repre- products and services, and terms on the board. Bill sents a savings because DealersEdge offers its Webinars 11 educational seminars pre- Haggerty won for the first to its own members for $198. Regular annual member- sented during the day. time. ship fees are $397, and normal Webinar fees are $298 for At the Expo, results of A director may serve up non-DealersEdge members. this month’s balloting for the to three terms. Once purchased, DealersEdge Webinars and ac- companying PDF files can be downloaded and viewed Professionalism trumps price: study later—and repeatedly.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
    MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors.
    [Show full text]
  • Fact Or Fiction: Hollywood Looks at the News
    FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct
    University of Dayton eCommons News Releases Marketing and Communications 10-4-1993 Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14 Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Emmy Award-Winning Actor and Activist Edward Asner to Speak at the University of Dayton on Oct. 14" (1993). News Releases. 7806. https://ecommons.udayton.edu/news_rls/7806 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. 70A(l) The University of Dayton News Release Oct. 4, 1993 Contact: Candace Stuart EMMY AWARD-WINNING ACTOR AND ACTIVIST EDWARD ASNER TO SPEAK AT THE UNIVERSITY OF DAYTON ON OCT. 14 DAYTON, Ohio -- Edward Asner, the acclaimed actor and activist who portrayed the popular TV character Lou Grant on "The Mary Tyler Moore Show" and the dramatic series "Lou Grant," will speak at the University of Dayton at 8 p.m. Thursday, Oct. 14, in the ballroom of the Kennedy Union on campus. The lecture, titled "Morality and Freedom of Speech in the Media," is free and open to the public. As the gruff but good-hearted Lou Grant, Asner symbolized many of the ideals of journalism, both as a no-fluff television producer in the comedy "The Mary Tyler Moore Show" and as an ethical city editor in "Lou Grant." He won five Emmy awards for his Lou Grant portrayals and added two more to his collection for roles in "Rich Man, Poor Man" and "Roots." "I fear the Lou Grants of this world are a dying breed, a species failing to adapt to a rapidly changing environment," Asner wrote in the prologue to Unreliable Sources: A Guide to Detecting Bias in the News Media by journalists Martin Lee and Norman Solomon.
    [Show full text]
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • Index to Academy Oral Histories Leo C. Popkin
    Index to Academy Oral Histories Leo C. Popkin Leo C. Popkin (Producer, Director, Exhibitor) Call number: OH142 Academy Award Theater (Los Angeles), 343–344, 354 Academy Awards, 26, 198, 255–256, 329 accounting, 110-111, 371 ACE IN THE HOLE, 326–327 acting, 93, 97, 102, 120–123, 126–130, 138–139, 161, 167–169, 173, 191, 231–234, 249–254, 260–261, 295–297, 337–342, 361–362, 367–368, 374-378, 381–383 Adler, Luther, 260–261, 284 advertising, 102-103, 140–142, 150–151, 194, 223–224 African-Americans and film, 186–190, 195–198, 388-392 African-Americans, depiction of, 111–112, 120–122, 126–130, 142–144, 156–158, 165- 173, 186–189, 199–200, 203, 206–211, 325, 338–351, 357, 388–392 African-American films, 70-214, 390-394 African-Americans in the film industry, 34–36, 43–45, 71–214, 339–341, 351–352, 388- 392 agents, 305-306, 361–362 Ahn, Philip, 251 alcoholism in films, 378 Aliso Theater (Los Angeles), 66 Allied Artists, 89 American Automobile Association (AAA), 315 American Federation of Musicians (Local 47 and Local 767, AFL), 34, 267, 274 American Legion Stadium (Hollywood), 55–56 Anaheim Drive-in Theater (Anaheim), 28, 69 AND THEN THERE WERE NONE, 11-12, 54, 114–120, 166, 224–236, 276, 278, 283, 302–304, 317–318 Anderson, Ernest, 339–341 Anderson, Judith, 226 Anderson, Richard, 382–383 Andriot, Lucien, 226, 230 Angel's Flight railway (Los Angeles), 50 animation, 222 anti-Semitism, 107 Apollo Theater (New York City), 45, 178–179, 352 architecture and film, 366–367 Armstrong, Louis, 133 art direction, 138, 162, 199, 221–222, 226, 264, 269,
    [Show full text]
  • Pittsburgh Vacant Lot T O O L K
    PITTSBURGH VACANT LOT TOOLKIT Resource Guide VLTk December 2015 ABOUT THE toolkit The Vacant Lot Toolkit is a comprehensive overview of the goals, policies, processes, procedures, and guidelines for transforming vacant, blighted lots into temporary edible, flower, and rain gardens. Residents of the City of Pittsburgh can refer to this toolkit when thinking about creating a vacant lot project on City-owned land, and will find it useful throughout the process. The toolkit can also be a resource for projects on other public and privately owned land throughout the city. The City of Pittsburgh thanks you for your time, creativity, and stewardship to creating transformative projects in your ACKNOWLEDGMENTS neighborhoods. We look forward collaborating with you and VLTK Project Manager watching your projects grow. Josh Lippert, ASLA, Senior Environmental Planner Andrew Dash, AICP, Assistant Director For questions please refer to the Vacant Lot Toolkit Website: VLTK Program COORDINATOR www.pittsburghpa.gov/dcp/adoptalot Shelly Danko+Day, Open Space Specialist VLTK ADVISORY COMMITTEE City of Pittsburgh - Department of City Planning Raymond W. Gastil, AICP, Director **Please note that this toolkit is for new projects as well as City of Pittsburgh - Office of the Mayor existing projects that do not possess a current license, lease, Alex Pazuchanics right-of-entry, or waiver for City-owned property. Projects that exist without these will have to contact the Open Space Specialist City of Pittsburgh - Office of Sustainability and/or begin through the
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • 8 Unit Multi-Family Investment Opportunity
    8 Unit Multi-Family InvestmentOpportunity 14629 Gilmore Street Van Nuys, California 91411 OFFERING MEMORANDUM 14629 GILMORE STREET TABLE OF CONTENTS ➢Property Overview ➢Financial Analysis ➢Comparables ➢Location Overview 14629 Gilmore Street Page 2 SECTION ONE PROPERTY OVERVIEW 14629 Gilmore Street Page 3 PROPERTY OVERVIEW DETAILS Street Address 14629 Gilmore St. Number of Units 8 City Van Nuys Number of Buildings 1 State CA Number of Stories 2 Zip Code 91411 Water Master-Metered APN 2236-017-017 Electric Individually Metered Building Size 6,534 SF Gas Individually Metered Lot Size 7,502 SF Construction Wood-frame Stucco Year Built 1962 Roof Flat Parking 8 Zoning LARD 1.5 Unit Mix (4) 1 Bed / 1 Bath (4) 2 Bed / 1 Bath 14629 Gilmore Street Page 4 PROPERTY OVERVIEW HIGHLIGHTS INVESTMENT DESCRIPTION ➢ Located in the heart of Van Nuys, CA, in the central San Fernando Valley, 14629 Gilmore Street is a prime multifamily value-add investment opportunity. Situated two blocks away from Van Nuys and Victory Boulevards, the 8-unit gated property is within walking distance of Van Nuys High School, Van Nuys City Hall, and many useful and essential services and businesses. EXCELLENT UNIT MIX ➢ 50% 1-bedroom Units, 50% 2-bedroom Units RENTAL UPSIDE ➢ While currently leased to long-term tenants the property boasts significant potential future upside in rents. BUILDING AMENITIES ➢ Gated property, covered parking, on-site laundry 14629 Gilmore Street Page 5 SECTION TWO FINANCIAL ANALYSIS 14629 Gilmore Street Page 6 FINANCIAL ANALYSIS PRICING ANALYSIS $1,800,000
    [Show full text]