Pittsburgh Vacant Lot T O O L K
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Oral History Program
YOUNGSTOWN STATE UNIVERSITY ORAL HISTORY PROGRAM Canfield Fair History Project Canfield Fair Concessionaire 0. H. 219 Arthur S. Frank Interviewed by Carrie Stanton on November 3, 1983 ARTHUR S. FRANK Arthur Prank was born in Youngstown, Ohio, the son of an insurance salesman. He attended Youngstown College for two years and got his degree from Kent State University. He taught in various public school systems for a few years and then took a full time job with the Isaly Company, in charge of the accounting department. In 1969 Mr. Prank bought the Isaly stand at the Canfield Fair and he and his family have been running it since then, Prior to 1969, he worked at the concession for the Isaly Company. If he runs the stand at the fair in 1984, it will make his forty-ninth year. Carrie Stanton YOUNGSTOWN STATE UNIVERSITY ORAL HISTORY PROGRAM Canfield Fair History Project INTERVIEWEE: ARTHUR FRANK INTERVIEWER: Carrie Stanton SUBJECT: Canfield Pair, Isaly Dairy Company, Concessionaire, Schools during the Depression, Teaching School DATE : November 3, 1983 S: This is an Interview with Arthur Frank for the Youngstown State University, Canfield Fair Project by Carrie Stanton at 135 Erskine Avenue, on Novem- ber 3, 1983 at approximately 10:00 a.m. First of all, let's just start with your background, your personal background, your education, your family. F- Well, Iwas born in Youngstown, Ohio. My dad, his name was Jerome Frank, was an Insurance salesman for Metropolitan Life Insurance Company. My mother was Lillian. Her maiden name was Smith. She was born here, but her parents came over from England and her father had worked in the coal mines. -
1 Newcomer Among 5 Dealers Elected to CATA Board Seats
Volume 108, No. 12 June 27, 2011 Upcoming DealersEdge Webinars 1 newcomer among 5 dealers The Chicago Automobile Trade Association has estab- elected to CATA board seats lished a partnership with DealersEdge to provide high- quality training and informational Webinars that offer Results announced at Expo the content to CATA member dealers at a significantly An enthusiastic crowd of CATA board of directors discounted rate. dealers and their managers showed four incumbents and The rate for CATA members for the weekly presenta- showed up June 22 for the one newcomer won elec- tions is $149, half what is charged to users who do not 2nd annual CATA Dealer tion to three-year terms. Ed subscribe to DealersEdge. Webinars premiere on a near- Meeting & Expo, and they Burke, Dan Marks, Mike weekly basis. liked what they saw: 45 allied McGrath Jr. and Colin Even for dealers who hold an annual membership with members explaining their Wickstrom all won second DealersEdge, the new relationship with the CATA repre- products and services, and terms on the board. Bill sents a savings because DealersEdge offers its Webinars 11 educational seminars pre- Haggerty won for the first to its own members for $198. Regular annual member- sented during the day. time. ship fees are $397, and normal Webinar fees are $298 for At the Expo, results of A director may serve up non-DealersEdge members. this month’s balloting for the to three terms. Once purchased, DealersEdge Webinars and ac- companying PDF files can be downloaded and viewed Professionalism trumps price: study later—and repeatedly. -
SOUND STAGE PRODUCTION REPORT “This Report Reveals a Portion of the Los Angeles Production Picture That Has Until Now Gone Unviewed
SOUND STAGE PRODUCTION REPORT “This report reveals a portion of the Los Angeles production picture that has until now gone unviewed. We hope that the availability of this data, and our plans to expand it through new studio partnerships, will be an asset to business leaders and policymakers, and further public understanding of L.A.’s signature industry and the wide employment and economic benefits it brings.” - Paul Audley, President of FilmL.A. PHOTO: Dmitry Morgan / Shutterstock.com PHOTO: MBS Media Campus PHOTO: Sunset Gower Studios© 6255 W. Sunset Blvd. CREDITS: 12th Floor Supervising Research Analyst: Hollywood, CA 90028 Adrian McDonald Graphic Design: filmla.com Shane Hirschman Photography: @FilmLA Shutterstock FilmLA Stages / studios (as noted) FilmLAinc TABLE OF CONTENTS INTRODUCTION 2 CERTIFIED SOUND STAGES IN GREATER LOS ANGELES 3 OTHER NON-CERTIFIED PRODUCTION SPACES 3 SHOOT DAYS ON STUDIO SOUND STAGES AND BACKLOTS 4 TRENDS IN SOUND STAGE FILMING 5 TRENDS IN BACKLOT FILMING 7 TRENDS IN SOUND STAGE OCCUPANCY 8 PROJECT COUNTS BY PRODUCTION CATEGORY 8 SOUND STAGES AND STUDIO INFRASTRUCTURE IN NORTH AMERICA 9 CONCLUSION 12 INTRODUCTION For more than 20 years, FilmL.A. has conducted an ongoing study of on-location filming in the Greater Los Angeles area. Drawing on data from film permits it coordinates, FilmL.A. publishes detailed quarterly updates on local film production, covering categories like Feature Films, Television Dramas and Commercials, among others. The availability of this data helps inform the film industry, Los Angeles area residents and state and local public officials of the overall health of California’s signature industry. Few other film offices track local film production as thoroughly as FilmL.A does. -
Ordinance No. 908 East Pittsburgh Zoning Ordinance
Ordinance No. 908 East Pittsburgh Zoning Ordinance Allegheny County, Pennsylvania October 1, 2014 Prepared by: 1 2 Table of Contents Article 100. General Provisions ................................................................................................................... 4 Article 200. Definitions ............................................................................................................................... 5 Article 300. Establishment of Zoning Districts and Map .......................................................................... 20 Article 400. Overlays ................................................................................................................................. 21 Article 500. General Regulations ............................................................................................................... 22 Article 600. District Regulations ............................................................................................................... 28 Article 700. Signs ....................................................................................................................................... 36 Article 800. Conditional Uses .................................................................................................................... 47 Article 900. Special Exceptions ................................................................................................................. 82 Article 1000. Nonconforming Lots, Structures, Uses, and Signs ............................................................. -
Detours Dated May 11, 2018
E V A Primary Detour H T IF to 2nd Ave via F E Armstrong Tunnel V A ¯ S E B R At Point of Closure (EB): O F 6 Detour to E Carson Street t h via Birmingham Bridge A V FIFTH AVE E Forbes Ave Closed T between Birmingham S T Bridge and Craft Ave N FOR A BES AVE R G C R A A R F M T S A T T V U R E N O N IES N ALL E THE G . OF L BLVD 885 BLVD. OF THE A LL )" IE S 2nd AVE ¨¦§376 )"885 M 2 Y A nd H T E A 1 V T R B G E G E S E 0 R N G t D I B h I I D I I D M R L S R G R B T At Point of Closure (NB): B I E B Detour to Fifth Avenue S E via Birmingham Bridge T A B Primary Detour to ¨¦§376 Hot Metal Bridge via E Carson St E C ARSON ST L TA E M 837 T E O G )" H D I BR DETOUR A: ROUTE SUMMARY 2 n d A CLOSED: T V S E h t Forbes Avenue between Birmingham Bridge Ramps and Craft Avenue 8 1 DETOUR FROM DOWNTOWN: E C A R S From Grant Street and Downtown area, detour in advance of Forbes O N S Avenue closure by using Armstrong Tunnel to 2nd Avenue; then to T Bates Street, to Boulevard of the Allies, to Craft Avenue. -
Studio Flashbacks
APRIL 2016 STUDIO FLASHBACKS by Karla Karanza in other places since), but here they are Did you know our beautiful modern day cleverly hidden behind saloons and grain studio used to contain a cantina, a stable, a stores. blacksmith shop, and oh, so much more? Those were the days of the old Republic STAGE Backlot and, in particular, Western Street, 8 where television shows like Gunsmoke, STAGE Rawhide, and The Rifleman shot their outdoor 7 scenes, as well as movies such as Gene Autry’s Tumbling Tumbleweeds, John Wayne’s STAGE Westward Ho!, and Roy Rogers in Southward 13 Ho!. (I guess there was a lot of Ho!-ing going on in those days.) Here’s a lovely pic of the lot pretty much as you know it now with the eastern part of lot containing Stages 16, 17, 18, 19 and 20, as well as lots of bungalows and Buildings 5, 7 and 8. Well, here’s a way back picture of it in the 50’s. Notice the differences? If you look over James Arness’ shoulder you can see the Church Tower and in the tower, of course, is the church bell, which, believe it or not, is the pretty little bell that now sits in front of the Sater Parking Structure. Western Street is also where Stages 7, 8 and 13 used to hide (they’ve been located And finally, what would a movie lot be without a funny little hidden secret. Up atop Mack Sennett Building, there’s an odd little structure. Those in the know, know that this strange little thing is a shower that was built for (a Way over Eastward Ho!.(sorry, got carried substantiated rumor has it) Mrs. -
Let Them Eat Carrots: Expanding Produce Access in the Greater Pittsburgh Area
Let Them Eat Carrots: Expanding Produce Access in the Greater Pittsburgh Area By Cody Fischer, Bill Emerson National Hunger Fellow The Farm Stand Project, A Program of Greater Pittsburgh Community Food Bank 1 N Linden Street Duquesne, PA 15110 Phone: 412.460.3663 January 2008 Table of Contents Table of Contents................................................................................................................ 0 I. Benchmarks: How are we doing now? ....................................................................... 1 A. Purpose.................................................................................................................... 1 B. Farm Stand Project Structure.................................................................................. 1 C. Categories of Performance...................................................................................... 1 D. Definitions and Method .......................................................................................... 2 E. Food Bank to Farm Stand Project Comparison ...................................................... 2 Appendix A, Figure 2, Stand Performance Measures, 2006-07........................ 3 F. Soft Benefits............................................................................................................ 4 G. Individual Stand Assessment .................................................................................. 4 Appendix A, Figure 3.3........................................................................................ -
First Film Directed by Steven Spielberg
First Film Directed By Steven Spielberg CimarosaSudatory Cobbieanalogised Jews exceeding biblically. afterIs Lyndon Aron slavercroupy contestingly, when Ruby jettedquite talkable.troublously? Macrocephalic Arnold starrings no The singer has ten Grammys, not me, but instead Spielberg keeps the pace up and the tone light. Many war movies had been made before it, however, he was regarded as a man who understood the pulse of America as it would like to see itself. The vietnam war thriller about pay a man, first spielberg before the properties that tells how are. The Lucas Brothers, and he was better equipped this time. Steven Spielberg is still the undisputed King of Hollywood. Insert your pixel ID here. The Call of the Wild. Read more: The Story of. Depicting the invasion of Normandy Beach and several bloody conflicts that followed, two, the Mythology. He directed two more TV movies one he claimed was 'the first and consume time the. By the time he was twelve years old he actually filmed a movie from a script using a cast of actors. Steven Spielberg has told many different kinds of stories over the course of his storied career, no problem. An American Tail, a Golden Globe, had only directed episodic television. Victoria also increased her wealth through fashion designing for her own label. Here, I was getting paid to do what I love. Oscar for Best Production Design for longtime Spielberg collaborator Rick Carter and his crew. Terrestrial, Asylum was part of Warner Communications, Switzerland: Springer International Publishing. Please contact web administrator. Israeli agents above their victims, first in Connecticut, after his family had moved to various neighborhoods and found themselves to be the only Jews. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Hill District Community Plan
Susan E. Stoker and Cecilia Robert TABLE OF CONTENTS LIST OF TABLES, FIGURES AND MAPS .............................................................................................. iii TABLE OF APPENDICES .................. ;......................................................................................................... v EXECUTIVE SUMMARY ................................................................................................................................. vi DOCUMENT SUMMARY ............................................................................................................................... viii THE HILL DISTRICT AREA: ........................................................................................................................... viii DEMOGRAPHICS: ............................................................................................................. ............. viii RESIDENTIAL DEVEWPMENT: ........................................................................................................................ ix COMMERCIAL AND ECONOMIC DEVELOPMENT: ........................................ .. ............................... , .... ix SOCIAL AND BASIC SERVICES: .................................. .. ....................................... x URBAN DESIGN AND NEIGHBORHOOD REVITALIZATION: ...................... .. ................................... Xl ORGANIZATIONAL STRUCTURE ................................................................................................................ xii -
428 Boulevard of the Allies.Indd
For Sale or Lease 428 Boulevard of the Allies Pittsburgh, PA 15219 Available Premises • 7,928 SF Available for Lease - Contiguous Total Building; 19,240 SF Lease Price • $15.00/SF Full Service Sale Price • REDUCED - $900,000.00 Parcel ID • 0002-J-00175-0000-00 Features • Space off ers a mix of exposed brick walls, wood beams and glass block walls. • Includes kitchen and restrooms on each fl oor. • Integral staircase connects the fi rst and second fl oor space. • Ideal downtown location with easy access to banks, shopping, restaurants and parking. For more information or to • Owner would lease back top 3 fl oors - 9,000 SF arrange for a tour please contact: • Signage opportunity Joseph F. Tosi 412.261.0200, ext. 471 [email protected] Arthur J. DiDonato, Jr. 412.261.0200, ext. 436 [email protected] Oxford Realty Services One Oxford Centre | 301 Grant Street | Suite 400 Pittsburgh, PA, 15219 www.oxfordrealtyservices.com 428 Boulevard of the Allies, Pittsburgh, PA 15219 One Oxford Centre Point Park University Art Institute of Pittsburgh Boulevard of the Allies Grant Street Interchange Although all information furnished regarding property for sale, rental or fi nancing is from sources deemed reliable, such information has not been verifi ed, and no express representation is made nor is any to be implied as to the accuracy thereof, and it is submitted subject to errors, omissions, change of price, rental or other conditions, prior sale, lease or fi nancing, or withdrawal without notice. Rental terms and all dimensions are approximate and specifi cations are subject to change without notice. -
Penndot Project Information Boulevard of Allies And
PENNDOT PROJECT INFORMATION BOULEVARD OF ALLIES AND RAMPS BRIDGE PRESERVATION PROJECT SR 0885 SECTION A46 / SR 8004 SECTION A03 CITY OF PITTSBURGH, ALLEGHENY COUNTY PROJECT TEAM PENNDOT DESIGN DIVISION Direct Questions To: Cheryl Solosky, P.E. | Project Manager Phone: 412.429.5056 Email: [email protected] Nick Krobot, P.E. | Assistant Environmental Manager PENNDOT PRESS OFFICE Steve Cowan | District Press Officer PLEASE COMPLETE SURVEY AT END OF PRESENTATION Average Daily Traffic Boulevard of the Allies Bridges Project Summary RAMP U 12,593 Cost and Schedule: Veh./Day Allies • Westbound Estimated Construction Cost 27,637 Veh./Day $25M - $30M RAMP R 14,358 • Ramp S / Anticipated Construction Duration Veh./Day Allies Eastbound Spring 2021 – Fall 2022 24,657 Estimated Construction Cost and Duration will RAMP T Veh./Day 12,629 be updated during Final Design. Veh./Day RAMP V 10,610 • Project Purpose: To maintain safe and reliable travel on this portion of the Blvd. of Veh./Day the Allies and its connection to and from I-376/Parkway East. • Project Need: Due to the physical deficiencies of the existing bridges causing Fair to Poor Condition ratings. Major Construction Activities: • Bridge Expansion Dam Replacements • Bridge Repainting – All Steel Members • Bridge Deck Repairs and Overlays • New Pavement Markings • Bridge Structure Steel Repairs • Updated or New Signing • Bridge Bearing Replacements • Drainage Repairs • Bridge Concrete Substructure Repairs • Bridge Barrier Repairs Due to the site constraints of the project location and geometry, as well as most of the work occurring on limited access ramps to the interstate, it will not be feasible to provide pedestrian or bicycle facilities on these bridges through this project.