HIRMERPUBLISHERS AUTUMN 2017 PAINTING 1

» Unique analysis of Raphael’s working methods

» New understanding of his drawing materials

» With masterpieces from all creative periods from the world’s great museums.

RAPHAEL

Raphael is a true universal genius of the High Renaissance – whether as painter and Ed. A. Gnann Contributions by C. Whistler, architect in Florence and Rome or when commissioned by popes and princes. His master- B. Thomas ly drawings illustrate masterfully his thought processes and working methods from the sketch to the final composition. With some 150 drawings and paintings the volume assem- 448 pages, 270 illustrations in colour bles all the artist’s important projects. 24 × 30 cm, hardcover

Together with Leonardo da Vinci and Michelangelo, Raphael (1483-1520) is regarded as one £ 45.00 of the most important masters of art history. The drawings and paintings presented here are 978-3-7774-2859-8 October 2017 among his most important and beautiful works and provide an overview of all his creative periods, from his early years in Umbria to the years he spent in Florence and the period in Rome. This wealth of material enables an investigation of Raphael’s design methods and his preparatory process for his panel paintings, works of canvas and frescoes. An additional EXHIBITION focus lies on the materials he used in order to achieve specific tasks, including silverpoint, Albertina, Vienna pen, ink, charcoal and red chalk. 29.09.2017–07.01.2018

3 7 Studies of Heads and Hands, Oxford, Ashmolean Museum, © Ashmolean Museum, University of Oxford 7 The Holy Family with the Lamb, 1507, Madrid, Museo del Prado, © Joseph S. Martín - ARTOTHEK 3The Vision of Ezekiel, 1516, Florence, Palazzo Pitti, Galleria Palatina, Gabinetto Fotografico delle Gallerie degli Uffizi

PAINTING 5

» Spectacular exhibition highlight in the Kunsthistorisches Museum Wien and the Städel Museum in Frankfurt am Main

» Magnificent tribute to the grand master of Flemish Baroque painting

» Rubens’s rivalry with the greatest of his guild: Titian, Tintoretto, Barocci, Goltzius et al.

PETER PAUL RUBENS The Power of Transformation

Peter Paul Rubens is not only one of the most important painters of the Baroque; he is also Eds. G. Gruber, S. Weppelmann and J. Sander a virtuoso of the art of transformation. More than virtually any other artist he sought inspi- with contributions by ration in the works of other artists and was thus constantly reinventing his art in a highly G. Bisacca, N. Büttner, radical manner. Here you can look over Rubens’s shoulder and immerse yourself in the M. Daiman, A. Georgievska- Shine, G. Gruber, F. Healy, creative process through which his masterpieces took shape. N. van Hout, D. Jaffé, E. Oberthaler, G. Prast, The creative study of the important works of his predecessors and contemporaries occu- J. Sander, I. Slama, A. Vergara, pied Peter Paul Rubens (1577–1640) throughout his life and left its mark on the works he S. Weppelmann, J. Wood produced over a period of fifty years. The comparison of his works with sculptures from An- 336 pages, 292 illustrations in tiquity and the Renaissance, paintings by Titian and Tintoretto and prints by Raimondi and colour Goltzius reveals a fascinating view of Rubens’s surprising transformation of subjects, his 24 × 28 cm, hardcover new presentation of familiar pictorial themes and his skilled search for the right format. £ 45.00 Only thus does the exceptional talent of this great master become tangible. Rubens’s works 978-3-7774-2858-1 November 2017 continue to enchant the present-day viewer as directly as they did during his lifetime.

EXHIBITION 3Peter Paul Rubens, Venus and Cupid, ca. 1606/11, Madrid, Museo Thyssen-Bornemisza © Museo Thyssen-Bornemisza/Scala Kunsthistorisches Museum Wien, Vienna 17.10.2017–21.01.2018

Städel Museum, Frankfurt am Main 08.02.–21.05.2018

7Titian, Ecce Homo, 1543, Vienna, Kunsthistorisches Museum Wien © KHM Museums-Verband 3Peter Paul Rubens, Drawing after Titian’s “Ecce Homo” © Courtesy National Gallery of Art, Washington PAINTING 7

» Masterpieces on paper

» In a new context: Bruegel and the pictorial tradition

» First comprehensive index of Bruegel’s prints in the Albertina

PIETER BRUEGEL THE ELDER

Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the Eds. E. Michel and K. A. Schröder 16th century. Even during his lifetime his drawings were highly regarded and many were with contributions by widely distributed as references for copperplate engravings. Drawing on the pictorial tra- D. Hammer-Tugendhat, dition of earlier generations of artists, Bruegel introduced completely new ideas with re- E. Michel, L. Ritter gard to both subject and form. 224 pages, 168 illustrations in colour On the eve of the Dutch War of Independence against Spanish hegemony, in a time of politi- 23.5 × 28.5 cm, hardcover cal, social and religious change, Pieter Bruegel (ca. 1525 – 1569) created an equally complex £ 38.00 pictorial world. Humorous and down-to-earth, sharp-witted and deeply critical, he reflected 978-3-7774- 2863-5 on the society of his time. The lavishly illustrated catalogue illuminates Bruegel’s artistic November 2017 origins and offers an overview of his entire graphical oeuvre which unites contrasting sub- jects such as “Peasant Bruegel”; Bruegel as the “second Hieronymus Bosch”; as an innovator in landscape art; and as a satirical moralist. EXHIBITION Albertina, Vienna 08.09.–03.12.2017

7 Spring, 1565, Albertina, Vienna 3Christ’s Descent into Hell, 1561, Albertina, Vienna Both photographs: Albertina, Vienna PAINTING 9

» Highly topical – The fight for democracy in the Weimar Republic as seen by the artists

» High artistic quality – controversial content: the art of the 1920s from a socio-historical point of view

» From Berlin to Munich and from Rostock to Hannover – A view of the capital and of the entire republic

SPLENDOR AND MISERY IN THE WEIMAR REPUBLIC From Otto Dix to Jeanne Mammen

From the glamour of the Golden Twenties to the depths of the dark side of a world under- Ed. I. Pfeiffer with contributions by A. Braune, going rapid change – the penetrating content of works by more than 60 artists recreates K. Hille, A. Lütgens, S. Moeller, the age of the Weimar Republic, big-city life and the entertainment scene as well as the O. Peters, I. Pfeiffer, D. Price, consequences of the First World War and socially controversial topics such as prostitu- M. Weinland tion, political struggle and social tensions. 320 pages, 200 illustrations in colour As the first German democracy, the Weimar Republic (1918–1933) is regarded as a time of 24 × 29 cm, hardcover crisis and transition – from the German Empire to the totalitarian regime of National Social- £ 45.00 ism. Numerous artists not only portrayed these years in their realistic representations, 978-3-7774-2933-5 which are ironical and grotesque as well as critical-analytical; they also aimed to comment December 2017 on the status quo and bring about social change. Works from Otto Dix and George Grosz via Conrad Felixmüller and Christian Schad to Dodo, Jeanne Mammen, Elfriede Lohse-Wächt- ler, famous artists and others waiting to be rediscovered, paint a multi-layered and political picture of the Weimar Republic. EXHIBITION Schirn Kunsthalle, Frankfurt am Main 27.10.2017-25.02.2018

7George Grosz, Street Scene (Kurfürstendamm, Berlin), 1925, Museo Thyssen-Bornemisza, Madrid © VG Bild-Kunst, Bonn 2017 PAINTING 11

» The artist as a chronicler of the glittering life in 1920s Berlin

» From New Objectivity to Cubism as resistance to National Socialism

» The life’s work of an indomitable loner in the 20th century

JEANNE MAMMEN. THE OBSERVER Retrospective 1910–1975

The rediscovery of icons of the 1920s, “degenerate” experiments, magical-poetic abstrac- Eds. Th. Köhler and A. Lütgens with contributions by K. Aurich, tions – this wide-ranging publication shows the complete work of Jeanne Mammen J. Bertschik, G. Kühnast, (1890–1976), a Berlin artist on the threshold of the modern age. Her productive output Th. Köhler, A. Lütgens, mirrors the extreme circumstances she experienced, from war, destruction and poverty to S. Mainberger, E. Scharrer, D. Schöne, J. Schubert, the emergence from the ruins. C. Smith, C. Thiele, G, Wolter

The Berlin painter and graphic artist Jeanne Mammen is one of the most awkward and co- 256 pages, 170 illustrations in lourful figures of recent German art history. Her complete oeuvre and the breaks it reveals colour 24 × 28.5 cm, hardcover with reflect and comment in an entertaining and critical way on the political and aesthetic up- dust jacket heavals of the last century. Mammen’s art is highly regarded in specialist circles far beyond the boundaries of Berlin and Germany. A monograph which has been in planning for twenty £ 39.95 978-3-7774-2912-0 years presents an overview of her life’s work to a broader public and leads viewers not only November 2017 deep into the 1920s, but also opens up surprising new perspectives on an outstanding artist of Classic Modernism.

EXHIBITION Berlinische Galerie. Landesmuseum für moderne Kunst, Fotografie und Architektur, Berlin 06.10.2017–15.01.2018

3 7 Jeanne Mammen, Revue Girls, 1928/29, Berlinische Galerie, © VG Bild-Kunst, Bonn 2017 7 Jeanne Mammen, Untitled [Self-Portrait], ca. 1926, © VG Bild-Kunst, Bonn 2017 3Gert Ladewig, Jeanne Mammen in her studio, 1975; both images p. 11: Förderverein der Jeanne-Mammen-Stiftung e.V. PAINTING PAINTING/CULTURAL HISTORY

» Portrait of the famous art collector Rudolf » Exclusive authorised publication: a first Leopold, who assembled the world’s largest stock-taking of the Gurlitt art trove collection of works by Egon Schiele and Richard Gerstl and others » For the first time: a presentation of 450 works from the spectacular Gurlitt estate » Interesting and entertaining biography of the man who gave his name to the Leopold Museum » Showcase example of the topical subject of in Vienna the present-day treatment of stolen and looted art » Unique contemporary witness to the important era “Vienna 1900”

RUDOLF LEOPOLD DOSSIER GURLITT Art collector

Diethard Leopold With pioneering far-sightedness and a feeling for art, the collector Rudolf Leopold (1925– When over 1,000 artworks by outstanding artists such as Otto Dix, Franz Marc, Emil Nolde, Eds. Kunst- und Ausstellungs- halle der Bundesrepublik 320 pages, 70 illustrations 2010) achieved something which only a few representatives of this guild succeeded in Paul Cézanne, Wassily Kandinsky and Claude Monet which had long been thought to be lost Deutschland / Kunstmuseum 9.2 x 10.4 in, hardcover doing during the historical era of the new beginning from the 1950s: he founded a major turned up in the collection of Cornelius Gurlitt, the find was celebrated as a sensation – Bern collection of international repute which is not only aesthetically demanding but also rele- but the accusation that the works were looted art also hovered in the air. Until now the £ 28.00 384 pages 978-3-7774-2867-3 vant from an art-historical point of view. pictures have not been on display to the public. Now, for the first time, the works from the 480 illustrations September 2017 Gurlitt estate on view in Bonn and Bern are introduced in a comprehensive publication and 24 × 28 cm, hardcover This biography draws a portrait of Rudolf Leopold as a fascinating personality and collector. their turbulent history is told. It is based on the memories of his son Diethard Leopold as well as conversations with his £ 28.00 978-3-7774-2963-2 father together with relatives and contemporaries as well as his father’s rivals. It is the per- In addition to the presentation of the pictures, the estate of Cornelius Gurlitt (1932–2014), January 2018 manent record of a lifelong striving to preserve that which contributed to the identity of a the son of the art dealer Hildebrand Gurlitt, is set in its historical context by a prestigious list cultural era. Starting with Schiele as the core artist, the collection contains countless mas- of authors, thereby ensuring transparency and enlightenment. One important topic is the terpieces including important works by Klimt, Kokoschka, Gerstl, Egger-Lienz, Kubin and provenance of the works, which in some cases were vilified by the National Socialist regime

the German Expressionists. The collection is rounded out by important items of furniture, as “degenerate art”. Which works in this collection are looted art? Which ones were pur- EXHIBITIONS arts and crafts, jewellery and African and Japanese art. chased legally, and which ones were acquired in forced sales? Another area of focus will be Bundeskunsthalle, Bonn Dossier Gurlitt: Nazi Art Theft the biographies of Jewish collectors and artists who were the victims of art theft and the and its Consequences Holocaust. A further topic of investigation is how stolen works were returned to the muse- 03.11.2017–11.03.2018 ums and private collections after 1945. The official catalogue of the Kunstmuseum Bern and Kunstmuseum Bern the Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Bundeskunsthalle) in Dossier Gurlitt: “Degenerate Bonn permits for the first time a nuanced understanding of this case which is unique in the Art” – Confiscated and Sold 02.11.2017–04.03.2018 postwar history of Germany.

Martin-Gropius-Bau, Berlin Autumn 2018 DOSSIER Further exhibition venues are planned

Rudolf Leopold GURLITT PAINTING 13

» One of the world’s most famous personalities from the world of painting in a high-quality publication with large format and exclusive soft cover on fine cardboard with foil stamping

» Key works from New York, Budapest and Ghent presented for the master artist’s 85th birthday

» Sheds new light on Richter’s early creative years, which provide a key to the understanding of his entire oeuvre

GERHARD RICHTER About Painting – Early Pictures

Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world Ed. C. Schreier, Kunstmuseum Bonn famous, but because he has demonstrated a new approach to painting. His art masterful- with contributions by S. Berg, ly moves between abstraction and representation, sensuousness and denial – ambivalent M. Germann, C. Schreier attitudes which he demonstrated even in his early work. 120 pages, 70 illustrations in Gerhard Richter’s oeuvre overcomes the division between abstract and representational colour 24 × 32 cm, softcover art. His pictures neither cultivate a modest interplay of colours and forms nor do they deliv- er an intact picture of reality. Richter is a sceptical artist who questions the reality of his art £ 29.95 978-3-7774-2894-9 even when the prime subject of his paintings is the tangible. This applies in particular to his November 2017 door, curtain and window pictures of the 1960s, which form the central focus of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. In this lavishly appointed volume they encounter central works from the artist’s last 15 years. EXHIBITION Kunstmuseum Bonn 15.06.–01.10.2017

Stedelijk Museum voor Actuele Kunst, Ghent 21.10.2017–18.02.2018

3Gerhard Richter, Small Chair, 1965, LWL-Museum für Kunst und Kultur. 6Gerhard Richter, Turned Sheet, 1965, Private collections and Westfälisches Landesmuseum, Münster, loan from a private collection Museum Kurhaus Kleve (2nd left) All pictures: © Gerhard Richter CONTEMPORARY ART 15

» Art across borders from Alaska via Central America to South America

» Topical subject: a celebration of art in the tension field between various cultures

» Grand overview from Pre-Columbian art to contemporary works

UNSETTLED

From Alaska to the West Coast of North America, through Central America and down to Ed. J. Northrup Contributions by J. Decker, Colombia; the region extends across vast distances, and its history, culture and the artists J. Northrup, J. Wiersema, living there are equally full of contrasts and yet often very similar. “Unsettled” illuminates W. L. Fox, A. Warden through some 200 artworks their creative approach in this tension field from the Pre-Co- 224 pages, 200 illustrations in lumbian period to the modern age. colour 25.4 × 33 cm, hardcover “The Greater West” is a region which extends across thousands of miles and which is char- acterised by cultural, historical and scenic variety. It bears within it the legacy of colonialism £ 38.00 978-3-7774-2853-6 and is the meeting place for countless traditions and art movements. The use of land and October 2017 water and the preservation of the environment are urgent considerations for today’s inhab- itants. Everything they have in common as well as the differences and contrasts will be found mirrored in the creative work of the artists within the region. With numerous large-for- mat illustrations the volume explores this in depth, covering a period from the end of the EXHIBITION fifteenth century to the present day. Nevada Museum of Art, Reno 26.08.2017–21.01.2018

Anchorage Museum, Anchorage March – September 2018

Palm Springs Art Museum, Palm Springs Late 2018 – early 2019

7 Ed Ruscha, Lost Empires, Living Tribes, 1984. Courtesy of the artist and Marciano Collection, Los Angeles © Ed Ruscha 3Ana Teresa Fernández, Erasing the Border (Borrando la Frontera), 2013. Courtesy of The Bedford Cherubino Collection and Gallery Wendi Norris, San Francisco CULTURAL HISTORY 17

» Exciting and fruitful interaction between politics, culture, and art

» With masterpieces by famous artists inclu- ding Diego Rivera, Frida Kahlo, Edward Weston, Manuel Álvarez Bravo, Tina Modotti, et al.

» A popular subject: modern Mexican art

MEXICO MODERN Art, Commerce, and Cultural Exchange, 1920–1945

Rivera, Kahlo, Tamayo, Covarrubias, Weston, Modotti, Álvarez Bravo, Spratling – names Eds. Donald Albrecht and Thomas Mellins which are closely linked with the internationally celebrated art, photography, and design Co-published by the Museum scene of the 1920s and 1930s in the United States and Mexico. This lavishly illustrated of the City of New York and the publication traces the dynamic cultural exchange which left its mark on both sides of the Harry Ransom Center at The University of Texas at Austin border. 176 pages, 200 illustrations At the beginning of the 20th century a lively and profitable exchange developed between 23 x 27 cm, hardcover artists in the United States and Mexico. The Americans were full of enthusiasm for the Mex- £ 34.00 ican artists' synthesis of history and modernity and their social commitment, which con- 978-3-7774-2856-7 trasted strongly with the consumer culture in the U.S. The Mexicans in turn found important September 2017 financial backing across the border. The volume shows through paintings, drawings, photo- graphs, and graphical works from the Harry Ransom Center at The University of Texas at Austin and other important museums how this intercultural network brought forth a large number of world-famous artists. EXHIBITION Harry Ransom Center at The University of Texas at Austin 11.09.2017–01.01.2018

Museum of the City of New York 2018

Frida Kahlo in New York, 1946. Photograph by Nickolas Muray. ©Nickolas Muray Photo Archives. 7 Workers Parade, 1926. Photograph by Tina Modotti. The Museum of Modern Art. Digital Image © The Museum of Modern Art / Licensed by SCALA / Art 3 Diego Rivera, Niña con muñeca, Resource, NY. 1939. Diego Rivera Collection, Harry 3Women from Tehuantepec Going Ransom Center, The University of to the Mill, 1943. Photograph by Texas at Austin. © 2017 Banco de Fritz Henle. Fritz Henle Photography México Diego Rivera Frida Kahlo Collection, Harry Ransom Center, Museums Trust, Mexico, D. F. / The University of Texas at Austin. © VG Bild-Kunst, Bonn 2017 The Fritz Henle Estate. PHOTOGRAPHY 19

» Photographs from the world-famous Magnum photo agency

» With photographs by David Seymour, Josef Koudelka, Susan Meiselas, René Burri, Alessandra Sanguinetti, Carl De Keyzer, Alec Soth, Bruce Davidson, Paul Fusco, Larry Towell, Thomas Hoepker, Henri Cartier-Bresson, Jim Goldberg, Alex Webb, Bieke Depoorter, Peter van Agtmael, Bruno Barbey

FRAMING COMMUNITY: MAGNUM PHOTOS 1947 – Present

Founded in 1947 on the shared belief in humanist values, the Magnum photo agency has Ed. M. A. Pelizzari mostly focused on a transient world in times of unrest, collapsing social structures and 128 pages, 112 illustrations polarising politics. This volume is being published to mark the 70th anniversary of the in colour agency. A careful selection of images from this cooperative photo agency sheds new light 20.3 x 25.4 cm, soft cover on Magnum according to one important theme: community. £ 28.00 978-3-7774-2888-8 Community is marked by diversity, conflicts and ruptures, and yet we cling to the sometimes October 2017 nostalgic-seeming idea of the harmonious coexistence of man. This volume celebrates this history with over 100 photographs from Magnum taken over the past 70 years. It features pictures of dramatic events of world history to quiet, private insights into our daily lives. The works in this volume prove the long-lasting power of Magnum, showing the empathy and EXHIBITION engagement of photographers as they framed distant and unfamiliar communities. Hunter College Art Galleries’ Bertha and Karl Leubsdorf Gallery, New York 28.09.–26.11.2017

7 Alessandra Sanguinetti, The Black Cloud, 2000. © Alessandra Sanguinetti/Magnum Photos 3Bruce Davidson, At the end of the Selma March, crowds gather outside of the Alabama State Capitol, 1965. © Bruce Davidson/ Magnum Photos PHOTOGRAPHY 21

» Beautifully illustrated survey of photography in the social sphere

» First time the Zimmerli's photography collection is the subject of a book

» Combines American, European, and Soviet and Russian photographers in one volume

SUBJECTIVE OBJECTIVE A Century of Social Photography

Generously illustrated with photographs from early twentieth century reformers to con- Eds. D. Gustafson and A.M. Zervigón temporary artists, this collection of essays re-examines the genre of social documentary with contributions by photography through the shifting lens of photographic objectivity, modes of dissemina- D. Gustafson, S. M. Miller, tion, and the passions animating documentary projects. J. Tulovsky, A. M. Zervigón

While the public’s acceptance of photographs as visual evidence made documentary pho- 320 pages, 200 illustrations 21.6 x 25.4 cm, hardcover tography possible, canny interventions employed by image makers and their editors alter- nately exploit and dismantle assumptions of the medium’s transparency, testing our wish to £ 32.00 978-3-7774-2953-3 see pictures inspire social change. Among the photographers included in the exhibition and December 2017 book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind,

W. Eugene Smith, and Weegee. EXHIBITION Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 05.09.2017–07.01.2018

Igor Moukhin, Hipster from the series Young People in the Big City, 1985, Collection Zimmelri Art Museum at Rutgers 7 August Sander, Anton Raederscheidt and Marta Hegemann, 1925. © VG Bild-Kunst Bonn, 2017 3Nina Berman, Helicopter Fly-by, 2006. © Nina Berman PHOTOGRAPHY 23

» Start of the great Bauhaus anniversary: 100 years of the Bauhaus and 80 years of the New Bauhaus

» Highlights from the collection of the Bauhaus-Archiv Berlin published in an attractive volume

» New Bauhaus Chicago: a school of photo graphy which made history

» With works by Harry Callahan, György Kepes, Nathan Lerner, László Moholy-Nagy, Arthur Siegel, Aaron Siskind, et al.

NEW BAUHAUS CHICAGO Experiment Photography

This lavishly illustrated volume looks from both sides of the Atlantic at 80 years of photog- Ed. Bauhaus-Archiv / Museum für Gestaltung, Berlin raphy from Chicago. At the New Bauhaus and what later became the Institute of Design, with contributions by A. Bähr, teachers like László Moholy-Nagy, György Kepes followed by Arthur Siegel, Harry Callahan S. Daiter, J. Grimes, S. Hoiman, and Aaron Siskind taught an uninhibited approach to the medium which influenced gener- K. Lowis, E. Siegel ations of photographers. 200 pages, 150 illustrations in colour To mark the start of the great Bauhaus anniversary in 2019, the Bauhaus Archiv / Museum 24 × 30 cm, hardcover für Gestaltung, Berlin is presenting its collection of “New Bauhaus Photography” which is £ 38.00 unique in Europe. It introduces the protagonists and institutions who since the foundation 978-3-7774-2937-3 of the New Bauhaus in Chicago in 1937 have inspired, created and collected photography December 2017 and then presented it to the public. The wide range of illustrations extends from abstract photograms and material experiments to conceptual and process-oriented works series. Contemporary works from Chicago complete the picture and reflect the importance of the Bauhaus thought process for the present day. EXHIBITION Bauhaus-Archiv / Museum für Gestaltung, Berlin 15.11.2017 – 05.03.2018

3 7 György Kepes, Untitled (Eggs and Thread on a Mirror), 1942. © Juliet Kepes-Stone. Bauhaus-Archiv Berlin 7 László Moholy-Nagy, Untitled, 1943. Bauhaus-Archiv Berlin, Reproduktion: Markus Hawlik 3Nathan Lerner, Eye on Nails, 1940. © Kiyoko Lerner. Bauhaus-Archiv Berlin FILM/PHOTOGRAPHY 25

Jan Harlan, Producer, Director (D) » 100 years of ARRI – from small Munich business to global player Gernot Roll, BVK, Cinematographer (D) Luo Pan, Cinematographer (CHN) » Interviews with 100 world-famous film makers and contemporary witnesses Hans Albrecht Lusznat, BVK, Cinematographer (D) » Live film history: a must for all cinema lovers Sudeep Chatterjee, ISC, Cinematographer (IND) Denny Clairmont, Rental House Owner (USA) James Chressanthis, ASC, Cinematographer, Director(USA) Hardwrick Johnson, Rental House Owner (USA) Vittorio Storaro, ASC, AIC, Cinematographer (I) Gavin Finney, BSC, Cinematographer (UK) Bill Bennett, ASC, Cinematographer (USA) Edgar Reitz, Director, Author (D) Amy Vincent, ASC, Cinematographer (USA) Ang Lee, Director, Producer (USA) THE FILM MAKER’S VIEW 100 Years of ARRI Du Yan, Producer (CHN) “The best just got better” is how the new ARRI camera is advertised, and indeed the slo- Ed. ARRI John Dowdell, Colorist (USA) With introductions by gan is a perfect summary of the career of the company. To mark the centenary 100 famous M. Hope-Jones and J. Fauer Anette Haellmigk, Cinematographer (D) film makers describe their experiences with ARRI – a fascinating glimpse behind the scenes and an entertaining journey from the era of celluloid to the age of digital films 256 pages, 200 illustrations 18.8 × 27 cm, hardcover Jeremy Benning, CSC, Cinematographer (CAN) September 1917: the young film makers August Arnold and Robert Richter rent a small shop £ 45.00 Michael Seresin, BSC, Cinematographer (UK) in Munich and found ARRI with a film-copying machine. 100 years later the company is the 978-3-7774-2857-4 world market leader in cameras and a technical pioneer. Legendary cameras like the ARRI- September 2017 Dick Pope, BSC, Cinematographer (UK) FLEX (Easy Rider) and the digital ARRI ALEXA (James Bond 007: Skyfall) have led to the com- pany being awarded the Oscar for technical innovations on 19 occasions to date. And be- Roberto Schaefer, ASC, Cinematographer (USA) yond the realm of Hollywood, ARRI cameras are also used for science and medicine. In this Kees Van Oostrom, ASC, Cinematographer (USA) volume, directors, cameramen, lighting specialists, historians, producers and inventors from all over the world have a chance to speak. They sketch a multi-faceted portrait and look Ed Lachman, ASC, Cinematographer, Director (USA) into the future. Davide Pozzi, Head of Restoration L’Immagine Ritrovata (I) James Gardner, CSC, SASC, Cinematographer (ZAF) Richard Crudo, ASC, Cinematographer, Director (USA) Oliver Stapleton, BSC, Cinematographer, Director(UK) Geng Ji, Director of Technology & Equipment Department at August First Film Studio (CHN) Joseph Vilsmaier, BVK, Cinematographer, Director, Producer (D) Jian Zeng, Cinematographer, Editor (CHN)

3Robert Richter and August Arnold, 1918 PHOTOGRAPHY 27

» Staging Empty Parking Spaces: a completely new photo documentation of landscape and architecture in the world of automobiles

» A fascinating photographic journey to spectacular places throughout the world

» Highly topical subject presented in an artistic manner – space and lack of it are confronted by the worldwide desire for individual mobility

ERIK CHMIL Solitude

Erik Chmil’s travels and photo expeditions around the world provided the inspiration for Essay P. Giloy-Hirtz

“Solitude”, his picture series of abandoned car parks. The result is magnificent photo- English-German Edition graphic works of art whose ordered aesthetic and contemplative aura enchant the viewer, as well as revealing the stories of the different locations when examined more closely. 144 Pages 80 illustrations The photographer Erik Chmil (* 1968) is famous for his shootings within the advertisement 30 × 26 cm, Hardcover in Linen sector, in which he presents vehicles and people in atmospheric locations. In his latest pho- £ 38.00 tographs he plays with the curious fact that his usual “model” is not on view. Chmil travelled 978-3-7774-2928-1 October 2017 the world in search of emotive parking areas and photographed them at the precise moment when no car was actually parked there – often a question of patience. The result is much more than simply shots of empty parking spaces under different lighting conditions: these fascinating snapshots show silence, loneliness and longing and bear witness to the secrets and history of these spaces.

All images: © Erik Chmil CONTEMPORARY ART 29

» Essential reading for lovers of dance and performance

» Three exciting contemporary artists: Anna Halprin, Janine Antoni and Stephen Petronio

» Incl. a previously unpublished text by the dramatist Hélène Cixous on the subject of aging, loss and femininity

» Produced in close cooperation with The Fabric Workshop and Museum, Philadelphia

ALLY Janine Antoni, Anna Halprin, Stephen Petronio

Ally brings together three artist personalities who are all outstanding in their fields: the Ed. A. Heathfield A publication of The Fabric sculptor Janine Antoni and the dancers and choreographers Anna Halprin and Stephen Workshop and Museum, Petronio. Together they created a series of works – sculptures and installations as well as Philadelphia film and performance artworks – through The Fabric Workshop and Museum's residency With contributions by A. Heathfield, H. Cixous, program, which the volume reproduces in impressive photographs. C. Becker, J. Baas, R. Move

When invited to create a retrospective of her sculptural works, the artist Janine Antoni pre- 208 pages, 100 illustrations ferred to ask herself what her works would look like when interpreted by other artists and 24.5 x 29 cm, hardcover translated into movement. Together with the choreographers Anna Halprin and Stephen £ 35.00 Petronio she created unique perfomance artworks whose main focus lies on corporeality. It 978-3-7774-2952-6 reveals the enormous potential that lies in the combination of sculpture and dance. Critical December 2017 essays by writers and art theorists accompany the encounter between artists from different generations and genres and show how they have created together a new pictorial language.

Incl.

Anna Halprin, participant at documenta 14 7 Janine Antoni in collaboration with Anna Halprin, Paper Dance, 2013. Photographed by Pak Han at the Halprin Dance Deck. Courtesy of the artists and The Fabric Workshop and Museum, Philadelphia. 3Janine Antoni, Anna Halprin, Stephen Petronio, Rope Dance, 2015. © Hugo Glendinning. Courtesy of the artists and The Fabric Workshop and Museum, Philadelphia 30 ARCHITECTURE / CULTURAL HISTORY CULTURAL HISTORY 31

» Highly topical subject: disaster relief and » A book with high aesthetic appeal prevention in the age of digitalisation » Photographs by one of the best-known » Presentation of innovative and pioneering German photo artists projects: Airbnb Disaster Response Program, Better Shelter (IKEA Foundation + UNHCR), » Broad range of artistic topics Burners Without Borders, MyShake App, Twitter USGS, Urban Risk Lab at MIT School of Architec- ture and Planning, etc.

3.5 SQUARE METERS ENCOUNTERS WITH ART Constructive Responses to Natural Disasters

Ed. Maya Vinitsky Natural disasters and their consequences dominate the news on an almost daily basis. “Art is art and everything else is everything else.” With this quotation after Ad Reinhardt, Author: Wolfgang Felten Photographer: Hubertus Hamm English-Hebrew edition Quick and effective prevention and aid measures are essential for the survival of the vic- Wolfgang Felten hit the nail squarely on the head: art obeys its own rules. The author and tims. The volume presents a selection of projects which show impressively how a combi- photographer have joined together in a unique illustrated book to show this without sur- 240 pages, 190 illustrations in 248 pages, 186 illustrations nation of the latest technology and materials and resources available on the spot can be rendering the visual to the argumentative. colour 13 × 21 cm, hardcover 24 x 32 cm, linen binding, dust used to achieve this. People who know something about art also know how irritating talking about art can often cover £ 17.95 978-3-7774-2886-4 Government aid programmes are often too slow to be immediately effective when natural be. In this book the connoisseur and collector Wolfgang Felten undertakes to reveal art- £ 68.00 October 2017 disasters strike. 3.5 Square Meters therefore investigates the question as to how individuals works as areas for experience. From a Khmer Buddha statue or an African mask to the pho- 978-3-7774-2902-1 October 2017 and groups can master such extreme situations in an unbureaucratic manner and with a tograph of a façade or a drawing by Alberto Giacometti – the artist’s very personal commit- “bottom-up” approach. The central approaches and chapters in this book are Sharing Knowl- ment is to explaining the phenomenon: how it can be that inanimate material can bring forth edge, Social Technology, Story Telling and DIY (do it yourself). Published as part of the Tel Aviv something that is alive, that inspires and moves, and to understand why this happens. He Museum of Art research project and exhibition the volume presents individual projects by appeals to our willingness to see; independently, intensively and in a way that remains open non-governmental organisations and specialists: engineers, architects, designers, comput- for new experiences. er specialists and social activists. Knowledge transfer and communication, as the publica- tion shows, are decisive and lead to a wide range of novel approaches to problem-solving.

MyShake, digital earthquake app, 2016 SCULPTURE 33

» Unique contemporary bronze sculptures by one of Germany’s most exciting sculptors

» Fascinating new interpretation of the sculptural tradition

» Artist’s edition with etching in two subjects

STELLA HAMBERG

Stella Hamberg is an exceptional figure in the world of contemporary sculpture. Her works Author: Moritz Woelk start with a reflective contemporary language of forms and show primarily people, but 160 pages, 140 illustrations in also creatures, with an elemental intensity that includes not only assertiveness and vital- colour ity but also failure and death. 21.2 × 29.1 cm, hardcover

As a sculptor Stella Hamberg (*1975) mostly chooses the classic material bronze, which has £ 42.00 978-3-7774-2792-8 always combined durability with metamorphosis even in the combination of various metals November 2017 through the smelting process in the fire. Inherent to the nature of the figures she creates are their existence in time and their ability to undergo transformation. One of the subjects of sculptors since antiquity has been the expression of the spiritual in physical form, from the overall posture to the nuances of the three-dimensional details and the shimmer of the EXHIBITION surface. The new interpretation of this great tradition is one aspect of the topicality of Galerie Eigen+Art, Berlin 09.11.–20.12.2017 Hamberg’s works which is presented in depth and with lavish illustrations in this first monograph.

7 Fortune, 2015, Private collection, Photographs: Mick Vincenz SCULPTURE 35

» Serra’s early works presented in a new setting and photographed

» Fragile vs. massive: leaden sculptures which seem to defy gravity

» »Serra’s materials are not only lead and steel; they are above all spaces.« Katharina Rudolph, Frankfurter Allgemeine Zeitung

RICHARD SERRA Props, Films, Early Works

Richard Serra is one of the most important contemporary sculptors and occupies a firm Eds. A. Klar, J. Daur with contributions by J. Daur, place in the art of the past 50 years, where he is already counted among the classics. This P. Forster, M. Nieslony, lavishly produced volume concentrates on Serra’s early works, the so-called “Props” or S. von Berswordt-Wallrabe “Prop Pieces”, as well as works on film from the late 1960s and early 1970s. English-German edition Richard Serra (*1939) experimented at an early stage with industrial materials like rubber, 144 pages, 100 duplex neon and lead, and also with steel a little later. His treatment of them demonstrates power illustrations and sensitivity at the same time. He creates powerful sculptures, canvases and works on 24 × 30 cm, hardcover paper whose execution demonstrates a fine sense of spatial situations. The volume con- £ 34.00 trasts works including a selection of twelve “Prop Pieces” with the artist’s early films. In both 978-3-7774-2884-0 work groups the main focus lies on the artistic action: the positioning, leaning and adjust- September 2017 ment of the lead sheets Serra uses corresponds with the simple actions of his works on film.

7 Richard Serra, Prop 3 Richard Serra, 2-2-1 Both images: Exhibition view, Museum Wiesbaden, 2017 Photographs: Museum Wiesbaden / Bernd Fickert. © VG Bild-Kunst, Bonn 201 SCULPTURE 37

» Matchless: Henry Moore’s outdoor sculptures in dialogue with the architecture of Richard Meier

» A rendezvous of friends: Henry Moore and Jean Arp

» »Everything I do, I intend to make on a large scale« Henry Moore

HENRY MOORE Vision. Creation. Obsession

Like no other artist, Henry Moore (1898–1986) sought the challenge of the monumental Ed. O. Kornhoff and made the outdoors the playing field for his artistic creativity. In its handsome hori- 192 pages, 148 colour images zontal format, this volume puts Moore’s large sculptures center stage and visualizes the 30 x 24 cm, hardcover British artist’s sources of inspiration from the Renaissance to Modernism. £ 45.00 Central to Moore’s art is the monumentalization of natural forms and the integration of the 978-3-7774-2793-5 July 2017 figure into the landscape. Impressive installation views show his sculptures in dialogue with Richard Meier’s museum architecture and, in doing so, reinterpret Moore’s fundamental theme of the interplay between sculpture, architecture, and nature. In addition to nature, the conception of man in the art of the Renaissance was an essential source of inspiration for EXHIBITION the artist. Important impulses also came from immediate predecessors — above all Aristide Arp Museum Bahnhof Maillol and Auguste Rodin — as well as from his contemporary, Jean Arp, to whom drawing Rolandseck, Remagen 28.05.2017 - 07.01.2018 on nature was similarly paramount.

77 A ntonio Rosselino, Madonna with child, 15th century, Arp Museum Bahnhof Rolandseck, Sammlung Rau for UNICEF, photograph: Horst Bernhard 37 Hans Arp, From the Kingdom of the Gnomes, 1949, Arp Museum Bahnhof Rolandseck, photograph: Mick Vincenz, © VG Bild-Kunst, Bonn 2017 7 Henry Moore, Working Model for Mother and Child, 1982, The Henry Moore Foundation, photograph: The Henry Moore Foundation Archive 3Henry Moore, Head and Shoulders, ca. 1935, The Henry Moore Foundation, photograph: Sarah Mercer. both works below: © Reproduced by permission of the 3Henry Moore, Three Piece Henry Moore Foundation Sculpture: Vertebrae, 1968, The Henry Moore Foundation Photograph: Jonty Wilde / The Henry Moore Foundation Archive, © Reproduced by permission of the Henry Moore Foundation 38 SCULPTURE PAINTING 39

» A feast for the eyes: beauty in imperfection » A gift book for lovers of art and literature

» From the first study to the casting to the » A volume for book lovers with exceptionally installation: the fascinating genesis of an attractive design artwork » Writers of world rank in dialogue with the » Contemporary sculpture between tradition crème de la crème of German Expressionism and re-invention Walter Benjamin Max Beckmann Gottfried Benn Lyonel Feininger Anton Chekhov Wassily Kandinsky Alfred Döblin Ernst Ludwig Kirchner Franz Kafka Paul Klee Else Lasker-Schüler Oskar Kokoschka Thomas Mann August Macke Vladimir Nabokov Franz Marc Rainer Maria Rilke Emil Nolde et al. et al.

ELKE HÄRTEL. RAPUNZEL BLUE LAND AND CITY NOISE Genesis of a Sculpture An Expressionist Stroll through Art and Literature

Petra Giloy-Hirtz Rapunzel, the famous fairy-tale character of the Brothers Grimm, comes from the world of “Are there still any surprises left to be had when it comes to German Expressionism?”, Ed. C. Klingsöhr-Leroy With an essay by English-German edition magic. She is the girl, lover, woman and mother who escapes from imprisonment. Elke asks the writer Michael Kumpfmüller. Yes, there are, as this beautifully produced volume M. Kumpfmüller Härtel awakens Rapunzel to new life, modelled in clay and then cast in plaster and bronze. demonstrates by inviting the reader to an interesting and inspiring stroll through the world 96 pages, 46 illustrations in The publication documents the fascinating process of creation with lavish illustrations. of Expressionism with pictures which are seldom shown and texts by writers of world A cooperation between the colour Fondazione Gabriele e Anna rank. 21 × 26 cm, hardcover Elke Härtel draws on inner pictorial worlds as well as on fairy tales, myths and religious Braglia, Lugano and the Franz Marc Museum, Kochel am See £ 29.95 concepts. She takes her strong, usually female figures from the depths of dreams and from Colourful, emotional, impulsive and modern – these are the qualities which characterise our 978-3-7774-2927-4 literary references. Born in 1978, she studied at the Weißensee Academy of Art Berlin and ideas of German Expressionist painting. It is hard to believe that the works caused a scandal 160 pages, 61 illustrations in October 2017 colour the Academy of Fine Arts in Munich. Her sculptures and large-format drawings have already when they were first created. And yet, artists and writers were united in the vision of a new 19.5 × 25 cm, hardcover, been shown in the Lenbachhaus München and in the Diocesan Museum in Freising, amongst beginning combined with fundamental social criticism. Many aspects like the social prob- bookmark other places. Thanks to her numerous projects in the public space she occupies an influen- lems of the big city, the sleazy glamour of the world of entertainment and the rejection of £ 24.95 tial position in contemporary sculpture, as this evocative pictorial volume impressively new technology remain surprisingly topical to this day. Immerse yourself in the powerful 978-3-7774-2906-9 demonstrates. images and texts of world literature and embark on a journey of discovery through the world September 2017 of the early 20th century with its atmosphere of change and decay.

EXHIBITION Franz Marc Museum, Kochel am See 30.04.–03.10.2017

Elke Härtel, Rapunzel, 2016 Elke Härtel working on Rapunzel, 2016. Photography: Thomas Dashuber PAINTING 41

» The spotlight shines on a new aspect in the creative oeuvre of the most important Austrian artist of recent decades

» With hitherto unknown works

MARIA LASSNIG Dialogues

Three years after the death of one of the great contemporary artists of Austria, this publi- Ed. A. Haldemann and A. Hoerschelmann cation pays homage to the drawings and watercolours of Maria Lassnig (1919–2014). Hith- Contributions by A. Haldemann, erto completely unknown sheets are revealed in the exhibition as key works; together with A. Hoerschelmann, B. Reisinger familiar ones they explore new insights of the multi-faceted work of this internationally Interview by R. Ubl with Miriam Cahn famous Austrian artist. English-German edition At the centre of Lassnig’s fascinating and independent creative work lie profound emotions. The revelation of physical feelings and the act of tracking them down form the heart of her 240 pages, 159 colour illustrations works which focus on body awareness. The artist commits her impression to paper in a hu- 24.5 x 28 cm, hardcover morous but serious manner which is as full of longing as it is merciless. The physical world which she experiences enters into a dialogue with the visible exterior world, both in nature £ 36.00 ISBN: 978-3-7774-2877-2 and in the big city. Lassnig’s drawings and watercolours frequently anticipate central themes July 2017 of her painting or accompany it in autonomous variations, demonstrating their central im- portance within her artistic oeuvre.

EXHIBITION Vienna | Albertina Museum 05.05.– 27.08.2017 Kunstmuseum Basel 12.05.–26.08.2018

7 Maria Lassnig, The Illusion of My Animal Family, 1999, Albertina, Vienna 3Maria Lassnig, Head, 1963, Albertina, Vienna, on loan from the Federal Artothek Both photographs: Maria Lassnig Foundation 42 PAINTING CONTEMPORARY ART 43

» Photorealism and Abstraction, Pop Art, » First comprehensive monograph on the work Collage and Montage united in one oeuvre of this Canadian artist with European roots

» Exciting new discovery of the artist and » A representative overview including brilliant his “urban walls” new illustrations of the fundamental early work

» Retrospective with works on paper from 50 » An inspiring presentation of artistic connec- years of creative production (1963 and 2011) tions to abstract expressionism, to art history in general and to poetics

BURHAN DOGAN˘ ÇAY IN) FORMATION On the philosophy and art of Alice Teichert

Eds. K. A. Schröder and The wall was his passion. If we look at urban walls with the eyes of Burhan Do˘gançay, a Alice Teichert’s paintings are known for their holographic depth and unique luminosity, for Author: Dagmar Täube E. Lahner with an essay by J. K. Grande with contributions by D. Beyazit, completely different world opens up: half-ripped posters on rough brickwork, covered in their visual poetry and multifaceted proximity to music. With lines, shapes and colour, she E. Köb, E. Lahner, M. af graffiti, scribblings, messages, signs, stickers. From this rich stock of structures, signs unfolds new realms that when looked at reveal themselves, once the viewer stops trying English–German edition Petersens and symbols the artist created his wall fragments, his “Urban Walls”. to “decipher”. 144 pages, 100 colour English-German edition Dogançay˘ (1929–2013) was born in Istanbul and settled in New York in 1964, where he With a background in graphic art, music and literature, from very early on, Teichert develops illustrations 21 × 26 cm, bound 128 pages, 85 illustrations moved within the art scene around Robert Rauschenberg und Jasper Johns. His subject is her artistic vocabulary to which she keeps adding new expressive dimensions. She creates in colour the visual perception of texture, place and memory, which he researches in serial works. For graphic works, visual poetics and paintings with up to thirty layers of glazes. She is also in- £ 34.00 22 × 26 cm, hardcover 978-3-7774-2882-6 his “Urban Walls” he records house walls and façades all over the world in a variety of media, spired by old masters. Illuminated books and manuscripts from the medieval period play a September 2017 £ 32.00 using a wide range of materials and techniques such as photography, collage and painting. most important role. With their written traces, they often are as illegible as Alice Teichert’s 978-3-7774-2887-1 His works are archives of past decades which capture the spirit of the times. From the 1970s scribbles, which have become her signature. This richly illustrated monograph is the first to October 2017 and 1980s he progresses from these works to develop his “Ribbons” – calligraphic paintings offer a comprehensive insight into her unique oeuvre.

of poetic charm. EXHIBITION St. Annen Museum, Lübeck 18.06.–15.10. 2017 EXHIBITION Albertina, Vienna 06.07.–08.10.2017

Burhan Dogançay,˘ Warning! Rat Poison, 2000, Albertina, Vienna Burhan Dogançay˘ , Torn Poster, 1975, Albertina, Vienna Burhan Dogançay˘ , Untitled, 1984, Albertina, Vienna 3Now and May Be, 2015, Private All works: © Dogançay˘ Foundation collection 44 PAINTING PAINTING 45

» Painted light — paintings filled with radiant » Pioneer of a new urban Expressionism colors in painting

» A comprehensive overview of the impressive » Fascinating insights into Marcus Jansen’s oeuvre of Helene B. Grossmann post-apocalyptic scenarios with in part previously unpublished works » Emotional and contemplative works that are at the same time artistic reflections on painting » Companion volume to the major European as such tour 2017–2018

HELENE B. GROSSMANN MARCUS JANSEN Share the Light Aftermath

Essays by R. Thomas and Helene B. Grossmann draws on a great tradition of light painting. She creates works of He is considered the innovator and pioneer of a new urban Expressionism in painting. The Essays by M. Schneckenburger, C. Vitali G. Knapp, and D. Ronte light and color whose impact unfolds far from any representationalism. This volume pres- nearly 50-year-old New Yorker Marcus Jansen, now living in Fort Myers, already com- English-German edition with a ents for the first time a comprehensive overview of her oeuvre and shows how the artist mands high prices in the United States and is making his way into Europe’s gallery and English-German edition summary in French arrives at her powerful compositions. museum world. This is a companion volume to the artist’s first major European touring 160 pages, 87 illustrations exhibition in 2017–2018. 180 pages, 187 illustrations Nature in ever-changing light is Helene B. Grossmann’s source of inspiration. Through ab- 28 × 28 cm, hardcover 30 x 30 cm, hardcover with dust jacket straction and the application of countless layers of paint she arrives at the distinct glow Since Neo Rauch’s appearance no such powerful artistic expressiveness has blazed a trail £ 38,00 inherent to her works. In both small and large formats she has captured the fluid phenome- between America and Europe as in the work of Marcus Jansen. With this monograph three 978-3-7774-2847-5 £ 28,00 August 2017 non of light on canvas in a wide variety of color diffractions. An unobstructed space opens of Germany’s leading art publicists—Manfred Schneckenburger, Gottfried Knapp, and Diet- 978-3-7774-2849-9 August 2017 up for the viewer, giving rise to intimations of landscapes, tableaus and spatiality. The basis er Ronte—convincingly explain how and why Jansen’s post-apocalyptic scenarios so capti- for each and every painting is the artist’s sketchbook. In it she lays out a first general outline vate the viewer. Central paintings as well as previously unpublished works on paper by this of the composition by means of color planes and lines. In doing so, she often artistically re- internationally celebrated artist with German and Jamaican roots are presented. flects on masterpieces of painting and takes up the particular lighting used in them.

Helene B. Grossmann, Without Borders I / Ohne Grenzen I, 2007 © Marcus Jansen, E Pluribus Unum, Helene B. Grossmann 2008 (Detail),Private collection CONTEMPORARY ART 47

» A Who’s Who of contemporary art

» Panorama from Colour Painting to Installations

» Complete catalogue of the collection with more than 1,500 illustrations on top-quality paper

KICO COLLECTION Mentally Yellow. High Noon

Over the past 20 years the KiCo Collection has become one of the most important collec- Eds. S. Berg, E. Huttenlauch, M. Mühling and C. Schreier tions of contemporary art. Having started with Colour Painting, today it includes the entire with contributions by S. Berg, spectrum of picture-related contemporary art, from panel paintings to installations. The M. Mühling, H. Friedel in catalogue shows central blocks of works from the collection, including masterpieces by conversation with the collectors Doris Keller-Riemer Marcia Hafif, Maria Lassnig, Katharina Grosse, Wolfgang Tillmans and Olafur Eliasson. and Hans-Gerd Riemer

The KiCo Collection has been growing continuously since the 1990s. It originally directed its Englisch-German edition focus towards Colour Painting but later moved beyond the limitations set by the picture and 360 pages, 1600 illustrations also integrated expansive installations into the collection. The spectrum ranges from Elias- in colour son’s light installations to Tillman’s photographic investigations which link visual found ob- 24.5 × 31 cm, linen binding jects with a systematic media reflexion. It is precisely these forms of boundary crossing £ 45.00 which make the KiCo Collection so topical. It shows impressively that the arts no longer al- 978-3-7774-2844-4 low us to confine them to the ghetto of individual genres, but that they draw their strength August 2017 from interconnections and fusions of content and media.

EXHIBITION Kunstmuseum Bonn 04.05.–20.08.2017

Städtische Galerie im Lenbachhaus München 06.05.–08.10.2017

7 Katharina Grosse, Untitled, 2011, Kunstmuseum Bonn – On permanent loan from the KiCo Collection © VG Bild-Kunst Bonn, 2017, photograph: Olaf Bergmann 48 PAINTING PAINTING 49

» At last: the catalogue raisonné of Mack’s » A striking overall display with a number of ZERO paintings hitherto unpublished works

» More than 500 paintings and numerous » Character of an artwork through the photographs from the ZERO period composition of the artist himself

» Exclusive binding with embossed linen » Exquisite production processes in the production of the book

HEINZ MACK. ZERO PAINTING HEINZ MACK CATALOGUE RAISONNÉ 1956–1968 LICHT / LIGHT / LUMIÈRE

Ed. R. Fleck in cooperation with Heinz Mack is famous above all for his sculptures and reliefs. The starting point of his Light is the original phenomenon which has been made visible in the works of Heinz Mack. Ed. H. Friedel Beck & Eggeling International With an essay by H.-N. Jocks Fine Art search for new artistic forms of expression, however, was painting. This publication docu- The search for the possibilities for visualising light kept the multi-faceted oeuvre of this Contributions by E. Derom, ments for the first time Mack’s painting during the ZERO years, whose radical colour re- artist from the Zero circle ever open to new ideas for half a century and provided inspira- German-English-French R. Fleck, A. Knop, B. Weiand duction and concentration on light and rhythm were path-setting for international art tion with regard to both form and technique. edition during the years after 1945. English-German edition There is nothing which makes people so aware of life as our existence in light. Heinz Mack Ca. 424 pages, ca. 358 colour illustrations 2 volumes In 1956, unlike art informel, Mack developed his first Dynamic Structures – paintings in (*1931) was addicted to light as if to a magic potion which inspired him to innovative exper- 26 x 30 cm, hardcover with dust 432 pages, 520 colour which in a singular manner a painting of light is contrasted with traditional colourism and iments with highly varied experimental arrangements. His works break through the tradi- jacket illustrations structure replaces composition. He created new surfaces which appear to vibrate and which tional genres of art and add unknown techniques and materials to the creative aspect. This 26.5 × 30 cm, linen, slipcase £ 60.00 give the impression of three-dimensional reliefs by means of a use of colour which was in- book was compiled by the artist himself from his entire creative oeuvre. It reveals the spec- ISBN: 978-3-7774-2826-0 £ 89.00 creasingly reduced to black and white and grid-like structures. Despite the radical restric- trum of natural and artificial light as it can only be experienced in the imagination of a mys- July 2017 ISBN: 978-3-7774-2818-5 July 2017 tion of means no two paintings are alike. In its focus on the early works of the ZERO period, tic who commands confident control of the rational means of the modern age. this volume provides an indispensable key to an understanding of Mack’s work as a whole.

Vibration Picture, 1958, Darmstadt, Collection Ströher, Photograph: Udo Schäfer, Mühltal, © VG Bild-Kunst, Bonn 2017 Heinz Mack in the Galery Ad Libitum, Antwerp 1961, Photograph: Filip Tas 3 Heinz Mack, Electrical Sun, © VG Bild-Kunst, Bonn 2017 2010, © VG Bild-Kunst, Bonn 2017 50 DRAWING/PAINTING PAINTING 51

» Main works from the golden age of French » Parallels, diversity and contradictions in graphic art French painting between 1820 and 1880

» The first representative overview for many » Rare juxtaposition of so-called “Salon years painters” and “Reformers of painting”

» Drawings by Nicolas Poussin, Claude Lorrain, » Consequences of the reception of French François Boucher, Jean-Honoré Fragonard and painting, mainly in the German-speaking region Jacques-Louis David

FROM POUSSIN TO DAVID PRAISED AND RIDICULED French Drawings in the Albertina French Painting 1820–1880

Ed. C. Ekelhart From poetic love stories to mythological epics; from painterly portrait studies to pictur- In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume Ed. Zürcher Kunstgesellschaft / With contributions by Kunsthaus Zürich C. Ekelhart and H. Widauer esque ruins – the French worlds of the Baroque and the Rococo have lost nothing of their offers a discriminating look at the controversial styles in French painting between 1820 With contributions by Preface by A. Schröder fascination. 70 exquisite major works from the wealth of French artworks at the Albertina and 1880 and the developments within the traditional genres. O. Bätschmann, S. Gianfreda, seduce the public with the dazzling and multi-faceted cosmos of French drawing. M. Koos, M. Krüger, 176 pages, 100 colour Romanticism, Realism, Impressionism – these are still the most important stylistic labels M. Leonhardt, J. H. Rubin illustrations By means of impressive examples the catalogue provides a varied insight into the diverse which acted as slogans for French painting during the 19th century. At that time Delacroix, 23.5 x 28.5 cm, hardcover 240 pages, 184 illustrations in graphic means of expression during this age, in which France developed into the trend-set- Courbet, Manet and many others left the “straight and narrow” of painting, the academ- colour £ 35.00 ting nation in the field of art. The exhibition links together the most influential artists of the ic-neo-classical manner. Highly controversial at the time, today these painters are celebrat- 23 × 28 cm, softcover ISBN: 978-3-7774-2836-9 seventeenth century and the outstanding graphic artists of the eighteenth century. It shows ed worldwide as precursors of Modernism. The situation is very different when it comes to July 2017 £ 39.95 not only Nicolas Poussin’s effective landscape studies but also Claude Lorrain’s light-filled the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly re- 978-3-7774-2946-5 portraits of nature. Virtuoso and elegant masterpieces by François Boucher and Jean-Hon- garded at the time. Today they have been consigned to the fringes, especially in the Ger- December 2017 oré Fragonard are placed alongside the moralising genre scenes by Jean-Baptiste Greuze man-speaking region – unjustifiably, because they play an outstanding role with regard to

EXHIBITION and an imposing creation by Jacques-Louis David. our understanding of developments in art at the time. Albertina Museum Vienna 25.01.–25.04.2017

Jean-Honoré Fragonard, Girl with a Marmot, 1780s, Albertina, Vienna Hubert Robert, Temple Ruin with the Statue of a Captured Barbarian, circa 1780, Albertina, Vienna 3Jean Louis Meissonier, Both photographs: Albertina, Vienna Campaign in France, 1864, (Peter Ertl and Olga Pohankova) Musée d’Orsay, Paris 52 PAINTING PAINTING 53

» A monarch’s passion for art » The inventor of the sottobosco still life within the context of his contemporaries » Imperial artistic pleasure for the first time

» Baroque masterpieces commissioned » Art and science in dialogue by a reforming empress » The discovery of the uncanny

MARIA THERESA AND THE ARTS THE MENAGERIE OF MEDUSA Otto Marseus van Schrieck and the Scholars

Eds. S. Rollig, G. Lechner The 300th birthday of Empress Maria Theresa provides an opportunity to examine her out- The precise details in the works of Otto Marseus van Schrieck, the inventor of the sottobo- Ed. G. Seelig, Staatliches Contributions by A. Gamerith, Museum Schwerin S. Grabner, M. Hohn, standing interest in the fine arts. At the invitation of the reforming monarch a large num- sco still life, fascinate viewers to this day. For the first time the artist is now being shown with contributions by G. Seelig, R. Johannsen, G. Lechner, ber of painters, sculptors and other artists in Austria and abroad found a wealth of work within the context of his contemporaries, revealing an unknown side of the Golden Centu- E. Jorink, B. van de Roemer, M. Pötzl-Malikova, S. Rollig, opportunities. Correspondingly, this era has left its mark on the countries of the former ry of Netherlandish painting and the beauty of still life, as well as the fascination of the K. Leonhard B. Schmidt, K. Schmitz-von Ledebur, S. Schuster- Hofstätter Habsburg monarchy to this day. dark, the hidden and the uncanny. 224 pages, 180 illustrations in colour 240 pages, 160 illustrations in Maria Theresa pursued an individual approach with regard to cultural policy. She was inter- The works of the Amsterdam painter Otto Marseus van Schrieck question the relationship 24 × 28 cm, half-linen binding colour ested in reform not only in education, but also in the field of art. She commissioned contem- between art and science during the seventeenth century. The painter was acquainted with 23 × 29 cm, hardcover £ 38.00 porary artists and helped portrait painting to a new upswing, leading not least to the inter- important scholars in many countries, including Jan Swammerdam and Cassiano Dal Pozzo. 978-3-7774-2898-7 £ 38.00 national consolidation of the newly formed House of Habsburg-Lorraine. This was the His oeuvre shows the paradigm change from book-based scholarship to empirical science. October 2017 978-3-7774-2923-6 function also fulfilled by the allegorical paintings and ceiling frescoes for which impressive The gaze is always directed towards reality. Animal and plant studies served as preparation November 2017 cartoons have survived. Landscape painting was highly esteemed, and finally outstanding for his works, which in fact form the illustrations to the scientists’ research. Together with masterpieces were produced in sculpture and three-dimensional works, for example by them the painter belonged to an international republic of scholars whose image of Europe is Balthasar Ferdinand Moll and Franz Xaver Messerschmidt. still relevant for our worldview today. EXHIBITION Staatliches Museum EXHIBITION Schwerin Unteres Belvedere, Vienna 07.07.–15.10.2017 30.06.–05.11.2017 Rijksmuseum Twenthe, Enschede 05.11.2017–11.03.2018

Christian Seybold, Girl in a Blue Dress, before 1749 Friedrich Heinrich Füger, The Empress Maria Theresia with her 3Peter Paul Rubens, Medusa, Children, 1776 approx. 1618, Moravian Gallery, Both pictures: Belvedere, Vienna Brno CULTURAL HISTORY CULTURAL HISTORY

» Overview of the unique diversity of the » One of the most important private collections collection of the Museum Schnütgen of Islamic and Asian art in Europe

» Introduction into the world of medieval art » Artworks that have never been seen outside in 250 works Italy

» In-depth reference volume with the latest » Stunning high quality reproductions research findings throughout

MUSEUM SCHNÜTGEN IN COLOGNE HIGHLIGHTS FROM A Survey of the Collection THE BRUSCHETTINI COLLECTION

Eds. M. Woelk and M. Beer The new guide to the collection of the Museum Schnütgen offers a compact, chronological The Bruschettini Foundation is world-renowned for its collection of Islamic and Asian art. Ed. F. Çakır Phillip with contributions by M. Beer, Contributions by M.Franses, I. Metje, P. Ralcheva, A. Paetz overview of the internationally famous, high-quality and multi-faceted collection of the This fine publication reproduces a fascinating selection of 13th- to 17th-century carpets, C.-P. Haase, F. Çakır Phillip gen. Schieck, G. Stracke- museum. The volume presents some 250 works from the various sections of the collection textiles, polychrome Iznik wares, paintings, and precious inlaid metalwork chosen from Sporbeck, A. Stead, K. Straub, in an attractive manner and with the latest research findings. the collection, revealing the enduring allure of Islamic masterpieces. 160 pages, 1 foldout, M. Woelk u.a. 100 illustrations The publication assembles works from the different art genres which form the unique diver- Handpicked by Alessandro Bruschettini in conversation with Aga Khan Museum curator 9.4 x 12.6 in, hardcover 432 pages, 350 illustrations in colour sity of the collection, from late Antiquity to the nineteenth century, from sculpture to ivory Filiz Çakır Phillip, this impressive array of works, each equally astonishing in vibrancy and £ 38.00 9.4 × 11 in, hardcover carvings and from metal work to textile art. Concise and informative contributions explain technical perfection, has origins spanning the Islamic world from China to Spain. Bruschet- 978-3-7774-2964-9 November 2017 the individual objects and their unique features as well as their importance for the collec- tini’s ongoing love of seeking out exquisite examples of such art represents the epitome of $ 49.95 978-3-7774-2896-3 tion. The book addresses a wide public with its clearly written texts and lavish illustrations. the collecting spirit and comprises the essence of the collection. The reader will experience January 2018 Additional sections on the scholarly classification and discussion of the research surround- the extraordinary aesthetics of Islamic and Asian art and will be introduced to one of its ing the artworks also make the volume an important reference work for specialists. most perceptive collectors. EXHIBTION Aga Khan Museum, Toronto 23.09.2017–21.01.2018

Tympanon of St Cecilia, Cologne, ca. 1160–70, Museum Schnütgen, Cologne 3 Dish, Iznik, Turkey, ca. 1580–85 © Rheinisches Bildarchiv, Cologne © The Bruschettini Collection 56 PAINTING £ 9.95 THE GREAT MASTERS OF ART

EMIL NOLDE RICHARD GERSTL PABLO PICASSO VINCENT VAN GOGH VASILY KANDINSKY The Great Colour Wizard Diethard Leopold Markus Müller Klaus Fußmann Hajo Düchting Christian Ring, Hans-Joachim Throl 80 pages, 52 illustrations 80 pages, 76 illustrations 64 pages, 44 illustrations 80 pages, 51 illustrations 72 pages, 55 illustrations 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20,5 cm, hardcover 978-3-7774-2622-8 978-3-7774-2757-7 978-3-7774-2758-4 978-3-7774-2759-1 978-3-7774-2774-4

EGON PAUL HENRI SCHIELE GAUGUIN MATISSE

Diethard Leopold Isabelle Cahn, Eckhard Hollmann Markus Müller 80 pages, 80 pages, 80 pages, 59 illustrations 49 illustrations 52 illustrations 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover £ 9.95 £ 9.95 £ 9.95 978-3-7774-2852-9 978-3-7774-2854-3 978-3-7774-2848-2

Egon Schiele (1890–1918) is no- In 1883 Paul Gauguin abandons his Henri Matisse created an oeuvre wadays regarded as one of the prominent banking career and decides that is unparalleled in its brilliance

leading pioneers of Modernism in that »from now on I will paint every and originality. His colorfully lumine- EGON SCHIELE RICHARD GERSTL VIBRANT METROPOLIS / HANS HOFMANN Austria. Although he already enjoyed day«. The co-founder of Synthetism scent paintings are a sweeping Ed. K. A. Schröder, Ed. I. Pfeiffer, J. Lloyd, IDYLLIC NATURE Creation in Form and Color Johann Thomas Ambrózy R. Coffer Kirchner. The Berlin Years some success during his lifetime and and trailblazer of Expressionism turns affirmation of joie-de-vivre, levity Ed. F. Meschede 380 pages, 328 illustrations Ca. 192 pages, ca. 200 illustrations Ed. Zürcher Kunstgesellschaft / 188 pages, 130 colour illustrations came to be considered Austria’s his back on the bourgeois world, and sensitivity. Featuring well-rese- 25 x 29, hardcover 23.5 x 28 cm, hardcover Kunsthaus Zürich 24 × 28 cm, hardcover with dust jacket 978-3-7774-2764-5 978-3-7774-2754-6 greatest artist following his death, his leaves his wife and children, and, in arched texts and numerous illustra- 272 pages, 233 illustrations 978-3-7774-2699-0 £ 42.00 £ 42.00 | June 2017 23 × 29 cm, hardcover £ 35.00 outstanding importance for art was 1891, sets out for the South Sea, tions, this volume offers fascinating 978-3-7774-2729-4 recognized only in the early 1950s. In financing his journey through the sale insights into the life and artistic £ 42.00 this monograph Diethard Leopold of thirty paintings. Together with development of Henri Matisse, one examines the life of the painter, who some forty color reproductions of his of the preeminent pioneers of died prematurely at the age of 28. works, his biography, the book modern art. introduces readers to Gauguin’s universe.

SHERRIE LEVINE KATHARINA SIEVERDING TONY CRAGG HENRY MOORE After All Art and Capital Unnatural Selection A European Impulse Ed. Neues Museum, Staatliches Ed. Kunst- und Ausstellungshalle der Ed. Hessisches Landesmuseum Ed. H. Arnhold, LWL-Museum für Kunst Museum für Kunst und Design Nürnberg Bundesrepublik Deutschland GmbH Darmstadt und Kultur, Westfälisches Landesmuseum, English-German edition 256 pages, 300 illustrations 120 pages, 120 illustrations Münster 192 pages, 129 illustrations 24.5 × 28 cm, hardcover 21 x 28 cm, hardcover 258 pages, 240 illustrations 24 × 30 cm, softcover with flaps 978-3-7774-2808-6 978-3-7774-2707-2 24 × 30 cm, hardcover THE GREAT 978-3-7774-2802-4 £ 39.95 £ 28.00 978-3-7774-2682-2 £ 49.95 £ 38.00 MASTERS OF ART 58 BACKLIST BACKLIST 59 ART ART

THE LUTHER EFFECT LUTHER! THE SPANISH GOLDEN AGE MINIATURES FROM THE BAROQUE PICASSO.MANIA NUDE MEN CHAGALL TO MALEVICH NOLDE, KLEE & Protestantism - 500 Years 95 Treasures - 95 People Painting and Sculpture in the time PERIOD IN THE TANSAY COLLECTION Picasso and the Contemporary from 1800 to the present day The Russian Avant-Gardes DER BLAUE REITER in the World of Velázquez Masters Ed. Stiftung Luthergedenkstätten in Ed. B. Pappe, J. Schmieglitz-Otten Ed. T. G. Natter, E. Leopold Klaus Albrecht Schröder The Braglia Collection Ed. Deutsches Historisches Museum Sachsen-Anhalt Ed. Staatliche Museen zu Berlin, Kunst- English-German edition Ed. D. Ottinger, D. Widmaier-Picasso, E. 348 pages, 291 illustrations in colour, 52 312 pages, 194 illustrations, mostly in Ed. M.Beck, U.Eggeling 432 pages, 457 illustrations 624 pages, 335 illustrations halle München 396 pages, 210 illustrations BouvardIn Association with Gagosian in black and white colour German-English-Italian Edition 21 x 28 cm, hardcover 18.5 × 24 cm, linen withdust jacket 336 pages, 206 colour illustrations 24 x 30 cm, hardcover Gallery, 340 pages, 394 colour illustra- 24.5 × 29 cm, hardcover 24.5 x 30 cm, hardcover 232 pages, 142 colour illustrations 978-3-7774-2722-5 978-3-7774-2804-8 24 x 29 cm, hardcover 978-3-7774-2638-9 tions, 6 foldouts, 24,5 x 29 cm, hardcover 978-3-7774-5851-9 978-3-7774-2577-1 24 x 30 cm, hardcover £ 42.00 £ 35.00 978-3-7774-2526-9 £ 49.95 978-3-7774-2520-7 £ 39.95 £ 39.95 978-3-7774-2497-2 £ 38.00 £ 39.95 £ 32.00

CANALETTO IS THAT BIEDERMEIER? ESPRIT MONTMARTRE HOKUSAI X MANGA OSKAR SCHLEMMER LUDWIG MEIDNER MASTERPIECES WERNER GRAEFF Bernardo Bellotto paints Europe Amerling, Waldmüller and more Bohemian Life in Paris around 1900 Japanese Pop Culture since 1680 Visions of a New World Encounters KUNSTMUSEUM BERN Recollections Of A Bauhaus Artist Ed. A. Schumacher Ed. S. Grabner, A. Husslein-Arco Ed. I.Pfeiffer, M. Hollein Ed. S. Schulze, N. v. Achenbach, S.Klingler Ed. Staatsgalerie Stuttgart, Ina Conzen Ed. P. Gutbrod Ed. M. Frehner, V. Locatelli Ed. R.Zieglgänsberger, E. Bergner 360 pages, 311 colour illustrations 312 pages, 204 colour illustrations 320 pages, 290 colour illustrations 240 pages, 231 illustrations 300 pages, 352 colour illustrations English-German edition 460 pages, 203 illustrations English-German edition 29 × 30 cm, hardcover 23 x 28,5 cm, hardcover 24 x 29 cm, hardcover 21 x 28 cm, softcover with flaps 24 × 28 cm, hardcover 272 pages, 197 colour illustrations 24 x 30 cm, hardcover 288 pages,105 illustrations 978-3-7774-2247-3 978-3-7774-2779-9 978-3-7774-2197-1 978-3-7774-2667-9 978-3-7774-2304-3 23 x 27,5 cm, hardcover 978-3-7774-2629-7 19.5 x 25 cm, linen with dust jacket £ 39.00 £ 42.00 £ 45.00 £ 24.00 £ 45.00 978-3-7774-2683-9 £ 45.00 978-3-7774-2797-3 £ 42.00 £ 35.00

WAYS OF POINTILLISM NORDIC ART EGON SCHIELE GUSTAV KLIMT FERNAND LÉGER ZORAN MUSIC SOVAK. CLEAR VISION[S] ANDY WARHOL Seurat, Signac, Van Gogh The Modern Breakthrough Almost a Lifetime Drawings Painting in Space The Braglia Collection Catalogue Raisonné 1995-2016 The LIFE Years 1949 - 1959 1860-1920 Ed. K. A. Schröder Ed. C. Bauer Ed. M. Bisanz-Prakken Ed. K. Baudin Ed. G. Regazzoni Jäggli Ed. U. Lorenz, A. Friedrichson Ed. Graphische Sammlung ETH Zürich 288 pages, 170 colour illustrations Ed. Groninger Museum, Kunsthalle Mün- 306 pages, 200 illustrations 304 pages, 266 illustrations mostly in 312 pages, 528 illustrations English-Italian-German edition English-German edition English-German edition 23.5 x 28.5 cm, hardcover chen, D.Jackson, 260 pages, 154 mostly 22,5 x 28,5 cm, hardcover colour 22.5 x 27 cm, soft cover with flaps 192 pages, 147 colour illustrations 176 pages, 242 colour illustrations 196 pages, 123 colour and b/w 978-3-7774-2634-1 colour illustrations, 1 map 978-3-7774-2407-1 25 x 29,5 cm, hardcover 978-3-7774-2594-8 24 × 30 cm, hardcover 25 × 28 cm, hardcover illustrations £ 28.00 29.5 x 28,5 cm, hardcover £ 32.00 978-3-7774-4951-7 £ 32.00 978-3-7774-2686-0 978-3-7774-2687-7 24 x 32 cm, hardcover, dust-jacket 978-3-7774-7081-8 £ 45.00 £ 28.00 £ 28.00 978-3-7774-2438-5 £ 45.00 £ 25.00 60 BACKLIST BACKLIST 61 ART CULTURAL HISTORY

GRIMANESA AMORÓS. OCUPANTE JANAINA TSCHÄPE EVA & ADELE AN ARTIST´S LIFE THE DEUTSCHE BUNDESBANK'S MUSEUM ISLAND BERLIN FROM THE LAND OF THE SNOW LION IMAGES TAKE FLIGHT Ed. B. Reifenscheid Flatland You Are My Biggest Inspiration. by Eleanora Antinova MONEY MUSEUM Ed. M. Eissenhauer, A. Bähr, Tibetan Treasures from Feather Art in Mexico the 15th to the 20th Century and Europe 1400–1700 English-German edition English-German edition Ed. Musée d'Art Moderne de la Ville de Eleanor Antin Ed. Deutsche Bundesbank E. Rochau-Shalem 128 pages, 60 illustrations 264 pages, 200 illustrations Paris 216 pages, 53 illustrations 200 pages, 500 colour illustrations Ed. Staatliche Museen zu Berlin Ed. M. Buddeberg, B. Richtsfeld Ed. A. Russo, G. Wolf, D. Fane 24 x 28 cm, hardcover 26 x 30 cm, hardcover English-French edition 17 x 24 cm, hardcover with dustjacket 22 × 28 cm, hardcover 416 pages, 254 illustrations mostly in 340 pages, 627 illustrations 480 pages, 271 colour illustrations 978-3-7774-2648-8 colour 978-3-7774-2633-4 160 pages, 186 illustrations 978-3-7774-2538-2 978-3-7774-2807-9 21.0 x 31.5 cm, hardcover 24 × 30 cm, hardcover, dust jacket £ 24.00 25 x 32,5 cm, hardcover £ 38.00 21 x 27 cm, hardcover £ 19.95 £ 19.95 978-3-7774-2626-6 978-3-7774-2063-9 978-3-7774-2614-3 978-3-7774-4441-3 £ 45.00 £ 39.95 £ 32.00 £ 45.00

GEORG BASELITZ ERAN SHAKINE GERT & UWE TOBIAS THE POWER OF LINE GUGE – AGES OF GOLD VODUN FROM SAMOA WITH LOVE? ÚLTIMOS TESTIGOS. The Heroes A Muslim, a Christian and a Jew Grisaille Ed. G. Wolf, M. Faietti The West Tibetan Masterpieces African Voodoo Samoan Travellers in Germany The Last Maya Rebellion in Yucatán Knocking on Heaven’s Door 1895-1911. Retracing the Footsteps Ed. M.Hollein, E.Mongi-Vollmer Ed. M. Hering 260 pages, 160 colour illustrations Peter van Ham Ed. Fondation Cartier für Ed. C. Kron 166 pages, 100 illustrations Ed. Jürgen B. Tesch English-German edition 17 x 24 cm, hardcover 390 pages, 527 colour illustrations, 2 zeitgenössische Kunst Ed. H. Thode-Arora Photographs by Serge Barbeau 24 x 30 cm, hardcover English-German edition 172 pages, 110 colour illustrations 978-3-7774-2498-9 fold-outs English-French edition 224 pages, 176 mostly colour illustra- English-Spanish-German edition 978-3-7774-2568-9 96 pages, 44 illustrations 24 × 32 cm, hardcover £ 32.00 28 × 28 cm, hardcover, dust-jacket 236 pages, 150 colour and b/w photographs tions 96 pages, 60 colour illustrations £ 32.00 17 x 24 cm, paperback 978-3-7774-2727-0 978-3-7774-2668-6 24 × 32 cm, hardcover 21 × 27 cm, hardcover 26 x 38 cm, hardcover 978-3-7774-2713- £ 38.00 £ 38.00 978-3-7774-4031-6 978-3-7774-2239-8 978-3-7774-2619-8 £ 9.95 £ 60.00 £ 34.00 £ 39.95

THE CHASUBLE OF THOMAS PRECIOUS CUFFLINKS RECONSTRUCTING THE THE PINAKOTHEK MUSEUMS MR RADLEY DRIVES TO VIENNA ROLLS-ROYCE THE MINI STORY BMW - 100 MASTERPIECES BECKET: A BIOGRAPHY From Pablo Picasso to James Bond LANSDOWNE COLLECTION OF IN BAVARIA A Rolls-Royce Silver Ghost Motor Cars Ed. Andreas Braun Ed. A.Braun crossing the Alps - 1913 & 2013 Ed. A. Shalem Ed. W. Grasser, F.Hemmerle CLASSICAL MARBLES Treasures and Locations of the Ed. A. Braun for the BMW Museum, Munich English-german edition English-German edition Bavarian State Painting Collections ca. 304 pages, ca 180 illustrations in English-German edition Elizabeth Angelicoussis John Kennedy English-German Edition 236 pages, 286 colour illustrations 236 pages, 404 illustrations colour and b/w 128 pages, 150 colour illustrations 624 pages (Volume I + II), 548 illustrations Ed. B. Maaz English-German edition 180 pages, 200 colour illustrations 32 × 27 cm, hardcover 32 x 27 cm, linen, dust-jacket 22.5 x 30 cm, hardcover with dust jacket 22 x 28 cm, hardcover 23 × 28 cm, hardcover, linen with dust 180 pages, 144 colour illustrations 152 pages, 108 illustrations 27 × 28 cm, 32 x 27 cm, hardcover cloth over boards, 978-3-7774-2372-2 978-3-7774-2523-8 978-3-7774-2519-1 978-3-7774-2423-1 jacket 15 x 21 cm, softcover with flaps hardcover bookmark £ 45.00 £ 39.95 £ 85.00 August 2017 £ 34.00 ISBN: 978-3-7774-2817-8 978-3-7774-2544-3 978-3-7774-2346-3 978-3-7774-2193-3 £ 60.00 £ 9.95 £ 25.00 £ 50.00 62 BACKLIST BACKLIST 63 ARCHITECTURE PHOTOGRAPHY

NEW MUSEUMS Intentions, Expectations, Challenges Ed. Art Centre Basel, Katharina Beisiegel 216 pages, 260 illustrations 24 × 30 cm, softcover 978-3-7774-2724-9 £ 42.00

NETWORKS OF CONSTRUCTION CARLO SCARPA STEFAN HUNSTEIN ROLAND FISCHER - REFUGEES BENJAMIN KATZ: BENJAMIN KATZ: Ekaterina Nozhova La Tomba Brion San Vito D'Altivole In the Ice Bernhard Waldenfels, Stephan GERHARD RICHTER AT WORK GEORG BASELITZ AT WORK Ed. U. Hassler, Institut für Denkmalpflege Ed. H. M. Koetzle Ed. P. Giloy-Hirtz Lessenich English-French-German edition English-German editon Selected Museum Buildings from und Bauforschung der ETH Zürich Photography: Klaus Kinold 128 pages, 58 colour illustrations Ed. Kunstverein Rosenheim 144 pages, 94 B/W plates 24 x 28 cm, 144 pages, 93 full page colour photo- EXHIBITION 360 pages, 253 illustrations English-German edition hardcover graphs Asia, Europe, Africa, Australia and English-German Edition with Italian 29 x 30 cm, hardcover Genf, Musées d’Art et 21 x 28,5 cm, hardcover with dust-jacket appendix, 72 pages, 55 illustrations 978-3-7774-2734-8 208 pages, 221 colour illustrations 978-3-7774-5311-8 24 × 28 cm, hardcover the United States in spectacular d’Histoire de Genève includes a construction plan 21.0 x 31.5 cm, linen with dust jacket £ 38.00 17 x 24 cm, paperback £ 29.95 978-3-7774-2054-7 11.05.– 20.08.17 Photographs 978-3-7774-2539-9 978-3-7774-2737-9 978-3-7774-2762-1 £ 29.95 £ 39.95 £ 32.00 £ 19.95

FRAGMENTS OF METROPOLIS BERLIN FRAGMENTS OF METROPOLIS MODERNISM LONDON STYLE RUST RED THE EXPANDED SUBJECT JOSEF SUDEK CHRISTINE LJUBANOVIC MAURICE WEISS Expressionist Heritage in Berlin RHEIN & RUHR The Art Deco Heritage The Landscape Park Duisburg Nord New Perspectives in Photographic The Legacy of a Deeper Vision Conversation Portraits Facing Time Ed. C. Rauhut, N. Lehmann Portraiture from Africa Photo-Suites 1974-2014 Ed. C. Rauhut, N. Lehmann Ed. C. Rauhut Peter Latz Ed. M.-M. Sutnik Ed. Jürgen B. Tesch English-German edition English-German edition Text: English / German 288 pages, 300 color illustrations Ed. J. I. Cohen, S. Colard, G. Paoletti, The 288 pages, 210 photographs Ed. C.Ljubanovic English-German edition 256 pages, 150 colour illustrations, 256 pages, 140 colour illustrations, 216 pages, 379 b-w photographs, 123 as 22 x 28 cm, hardcover Miriam and Ira D. Wallach Art Gallery 32 x 26 cm, hardcover English-French-German edition 128 pages, 55 colour illustrations 30 drawn-up maps 56 maps and sketches full-page plates 978-3-7774-2427-9 128 pages, 65 colour illustrations ISBN: 978-3-7774-5291-3 164 pages, 61 duplex illustrations 24,5 x 30 cm, hardcover 15,5 x 24,5 cm, hardcover 15,5 × 24,5 cm, hardcover 24 x 27 cm, hardcover £ 45.00 20.3 x 25.4 cm, hardcover £ 45.00 24 x 31 cm, soft cover 978-3-7774-2242-8 978-3-7774-2772-0 978-3-7774-2678-5 978-3-7774-8031-2 978-3-7774-2632-7 978-3-7774-2528-3 £ 32.00 £ 24.00 £ 24.00 £ 39.95 £ 24.00 £ 25.00

EXTRA! WEEGEE Ed. Daniel Blau 336 pages., 361 illustrations 30 × 24 cm, hardocver with dust-jacket 978-3-7774-2813-0 £ 45.00

LE CORBUSIER LIVING COMPLEX ROLAND FISCHER - FAÇADES ENGINEERING DESIGN GREY MATTER(S) BOXING CUBA The Architect on the Beach From Zombie City Ed. P.Giloy-Hirtz Made in Wuhan – China Tom Jacobi From Backyards to the New Communal to World Championship Niklas Maak English-German edition Ed. T. Herzog, Zhihong J., Baofeng L., Foreword by Bryan Adams Ed. M. Schleicher . 208 pages, 74 b/w illustrations Niklas Maak 224 pages, 101 colour illustrations L. Wang English-German edition Photographs by Katharina Alt 12 × 20 cm, hardcover 240 pages, 117 illustrations 25 x 31,5 cm, softcover with flaps English-German-Chinese edition 144 pages, 73 illustrations Weegee English-German edition 978-3-7774-3991-4 11,5 x 20 cm, hardcover 978-3-7774-2559-7 80 pages, 79 mostly colour photographs 34 x 28 cm, hardcover 184 pages, 102 illustrations "My name is £ 17.95 978-3-7774-2410-1 £ 22.00 28 x 30 cm, softcover 978-3-7774-2576-4 24 x 28 cm, hardcover £ 17.00 978-3-7774-2029-5 £ 39.95 978-3-7774-2612-9 £ 19.95 £ 28.00 I'm the world's greatest photographer ..." 64 HIRMER PUBLISHERS HIRMER PUBLISHERS 65 AGENTS & DISTRIBUTORS AGENTS & DISTRIBUTORS

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Taken from the T: 020 7845 5000 publication: Peter Paul Rubens – The Power of London Gift Accounts (Corner Nelson Street) Industriestraße 23 F: 020 7845 5055 Transformation (see page 5) Illustration page Observatory 7925 D-70565 Stuttgart E: [email protected] 56: Paul Gauguin, Pastorales Tahitiennes , 1892 James Denton Cape Town Telefon +49-(0)711-7899-2010 (Detail) Eremitage St. Petersburg Illustration T: +44 7765 403 182 T: +27 21 447 5300 Telefax +49-(0)711-7899-1010 page 57: Vasily Kandisnky, Heaven Blue, 1940, E: [email protected] F: +27 21 447 1430 [email protected] Musée national d’art moderne, Centre Pompidou South and South East Gift Accounts E: [email protected] www.hirmerpublishers.co.uk HIRMER PUBLISHERS www.hirmerpublishers.com www.hirmerverlag.de Nymphenburger Strasse 84 80636 Munich Germany T: +49 (0)89 12 15 16 0 F: +49 (0)89 12 15 16 10 E: [email protected]