Holy Cross Course Catalog 2016-2017
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
St Tikhon's Orthodox Theological Seminary
ACADEMIC BULLETIN 2018-2020 St. Tikhon’s Orthodox Theological Seminary Bulletin, 2018—2020 Table of Contents Message from the Dean. .................................................................... .2 Introduction ........................................................................................... 3 The Seminary: An Overview ............................................................... 6 Admission............................................................................................... 11 Program and Courses of Study ........................................................... 19 The Master of Divinity (M. Div.) Degree Program ................. 19 Clinical Pastoral Educational Certification Program ............... 25 Continuing Education ................................................................. 25 Academic Policies ................................................................................. 27 General Policies and Information ...................................................... 42 Formation ............................................................................................... 52 Field Education ..................................................................................... 55 The Seminary Library ........................................................................... 58 Student Life ............................................................................................ 59 Financial Information ........................................................................... 71 Course Offerings -
Sniðmát Meistaraverkefnis HÍ
MA ritgerð Norræn trú Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Leiðbeinandi: Terry Adrian Gunnell Október 2019 Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október, 2019 Að hitta skrímslið í skóginum Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Caroline Elizabeth Oxley, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Caroline Oxley MA in Old Nordic Religion: Thesis Kennitala: 181291-3899 Október 2019 Abstract Að hitta skrímslið í skóginum: Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view This thesis is a study of animal shape-shifting in Old Norse culture, considering, among other things, the related concepts of hamr, hugr, and the fylgjur (and variations on these concepts) as well as how shape-shifters appear to be associated with the wild, exile, immorality, and violence. Whether human, deities, or some other type of species, the shape-shifter can be categorized as an ambiguous and fluid figure who breaks down many typical societal borderlines including those relating to gender, biology, animal/ human, and sexual orientation. As a whole, this research project seeks to better understand the background, nature, and identity of these figures, in part by approaching the subject psychoanalytically, more specifically within the framework established by the Swiss psychoanalyst, Carl Jung, as part of his theory of archetypes. -
E-Concerts/Listenings
M.C.E.O. IMS Study Group Music of the Christian East and Orient Aristotle University of Thessaloniki School of Music Studies IMS Study Group Music of the Christian East and Orient First International Musicological e-Symposium: MELISMATIC CHANT REPERTORIES Thessaloniki, 12th –14th June 2020 https://mceo.mus.auth.gr/ E-Concerts/Listenings Friday, 12.6.2020 Τhe “Thessalonikeis Ymnodoi”, dir. Ioannis Liakos: Εὐλογήσατε τόν Κύριον, Ἐμμανουήλ παιδίον, Στίχος ἐκ τοῦ Λατρινοῦ Πολυελέου, εἰς τήν ἑορτήν τῶν Χριστουγένων, Μέλος Ἰωάννη Κουκουζέλη, ἦχος α΄ - Praise the Lord, Emmanouil the Child, Verse from the Latrinos Polyeleos, for Christmas, melody by St John Koukouzeles, first authentic mode: https://www.youtube.com/watch?time_continue=12&v=pBKusHNOYh8&feature=emb_logo Σῶμα Χριστοῦ, Κοινωνικόν, μέλος Μπαλασίου Ιερέως, ιζ΄ αιώνας, ήχος α΄. Ηχογράφηση από τον Καθεδρικό Ναό του Κρεμλίνου – The Body of Christ, melody by Balasios the Priest, 17th cent, first authentic mode. Recording from the Cathedral of the Kremlin: https://www.youtube.com/watch?v=N2GZ9g-hywM 1 Ὦτα ἔχουσιν, Στίχος Πολυελέου, Μπαλασίου ιερέως, ήχος α΄ - They have ears, Verse of a Polyeleos by Balasios the Priest, in the first authentic mode: https://www.youtube.com/watch?v=NJSpqbVDm6o Τhe Volos Women Byzantine Choir “Adousai”, cond. Domestikaina Dr. Sevi Mazera- Mamali: Μεγαλύνει ἡ ψυχή μου τὸν Κύριον, η θ΄ ωδή της θεοτόκου (Λουκ. α΄ 46 – 55), μέλος Κωνσταντίνου Πρωτοψάλτου († 1855), ήχος πλ. δ΄ – Τὴν Τιμιωτέραν, μέλος Μπαλασίου ιερέως και Νομοφύλακος της Μ.Χ.Ε. (περ. 1680), ήχος γ΄ - Bless, my soul, the Lord, ninth ode of the Theotokos (Luke 1, 46-55), melody by Konstantinos Protopsaltes († 1855), plagal of the fourth mode – The more venerated, melody by Balasios the Priest and Nomophylax of the Great Church (ca. -
Teaching Christian History in Seminary: a Declension Story
Teaching Christian History in Seminary: A Declension Story Walter Sawatsky Introduction Do good theology and good pastoring necessarily require deep interest in the Church’s history? A low view of Christian history has long been a free church affliction, apparently due to an exaggerated belief in the sole authority of Scripture. When scholars in my circle recently began talking about a “usable” history, I soon realized this discussion was not really about history. Rather, it was a theological misuse of history, an effort to achieve theological certainty where the history referred to fits the desired theology. Christian history is about the one, holy, catholic and apostolic church – the “body of Christ” as the primary New Testament image – for which Christ gave himself. Sending the flawed human individuals making up the body of Christ into the world as ambassadors of the good news was a divine risk, done with a “sending” of the Holy Spirit to lead and guide that motley crew of humans “into all truth,” to pick one of Jesus’ descriptors for the Spirit’s role in Christian history. It has proved very tempting to select out a usable “exceptional” chosen people to present a story line more easily seen as Holy Spirit-guided. So, I have often started a Christian history class with the question, Do you love the Church?, in order to start probing the light and shadow sides of the story. This reflection on teaching history in a seminary is shaped by the conclusion I have come to that the troubling legacy of the Anabaptist- Mennonite tradition, as seems true of most free churches, is that we do not love the Church and do not believe the Holy Spirit led it into all truth, except for our small part of the story, properly sanitized. -
John a Jillions, Dmin, Phd Holy Ghost Orthodox Church 1510 East Main Street Bridgeport, Connecticut 06608 USA [email protected]
John A Jillions, DMin, PhD Holy Ghost Orthodox Church 1510 East Main Street Bridgeport, Connecticut 06608 USA [email protected] CURRENT APPOINTMENTS • Pastor, Holy Ghost Orthodox Church, Bridgeport, CT • Associate Prof. of Religion and Culture, St Vladimir’s Orthodox Theological Seminary • Adjunct Instructor, Faculty of Theology, Fordham University • Member, Editorial Board, Religions, http://www.mdpi.com/journal/religions. EDUCATION • DMin, Saint Vladimir’s Orthodox Theological Seminary 2005 ! Dissertation: The Language of Enemies • PhD New Testament, Aristotle University of Thessaloniki, Greece, 2002 ! Tyndale House, Cambridge ! Dissertation: Divine Guidance in Corinth: Greco-Roman, Jewish and Pauline Views • MDiv, Saint Vladimir’s Orthodox Theological Seminary, Crestwood, NY, 1980 ! Honors for Thesis: Russian Biblical Scholarship Before 1917: the Work of Mitrofan Muretov • BA Economics, McGill University, Montreal, 1977 ACADEMIC EMPLOYMENT • 2018-present, Adjunct Instructor, Faculty of Theology, Fordham University • 2015-present, Associate Professor of Religion and Culture, St Vladimir’s Orthodox Theological Seminary o Editorial Board, Religions, http://www.mdpi.com/journal/religions • 2003-2013, Saint Paul University/University of Ottawa (Sheptytsky Institute of Eastern Christian Studies) o 2009-2013 Associate Professor, with tenure o Editorial Board, Logos: a Journal of Eastern Christian Studies o 2008-10 Director, Doctor of Ministry Program o 2004-09 Assistant Professor o 2003-04 Adjunct Lecturer • 1999-2003, Lecturer, The Cambridge -
Palaeography
Maria Alexandru (Th essaloniki) SOME THOUGHTS ON THE DIDACTICS OF BYZANTINE MUSIC PALAEOGRAPHY Th e discipline of Palaeography of Byzantine Music holds a crucial position with- in the curriculum of contemporary Byzantine Musical Studies. Th is presentation comprises a brief introduction, followed by thoughts concerning • the teaching of music in Byzantium and during post-Byzantine times, • the emergence of the discipline of Palaeography of Byzantine music and classical manuals of the subject: an incomplete journal, • a new manual online, • conclusions.1 Hymno 1. Introduction History graphic of B.M. and music Most of the themes in the repertories realm of Byzantine mu- Morphology Textüber- sic history, analysis, music and analysis lieferung theory a.o. would remain History unexplored if Palaeogra- Meta- of performance phy would not substan- aesthetics O practices tially contribute in their Palaeography Development investigation (fi g. 1). Oriental of musical classical theoretical music thought History Greek Fig. 1. Palaeography as a key of liturgy, music in the investigation Heortology of diverse thematic cycles Radiance of B.M. in Byzantine Musical Studies.2 1 In support of the English writing of this article, the New Shorter Oxford English Dictio nary on historical principles, edited by Lesley Brown, 2 vols., 3rd ed. repr. (Oxford: Clarendon Press, 1993) has been used, together with several on-line lexica. 2 Fig. 1 is based on: Μαρία Αλεξάνδρου, Παλαιογραφία Βυζαντινής Μουσικής. Επιστημονι- κές και καλλιτεχνικές αναζητήσεις, πρώτη αναθεωρημένη έκδοση (Αθήνα: Ελληνικά Ακαδημαϊ- κά Ηλεκτρονικά Συγγράμματα και Βοηθήματα, 2017), p. 17: https://repository.kallipos.gr/handle/ 11419/6487 (10.3.2018). 18 Maria Alexandru 2. -
International Journal of Education and Social Science Research
International Journal of Education and Social Science Research ISSN 2581-5148 Vol. 4, No. 04; July-Aug 2021 A SAINT OR A PROSTITUTE? THE POSITION OF THE WOMAN IN DANCE DURING THE BYZANTINE ERA Konstantinos Dimopoulos Postdoctoral Researcher, School of Physical Education and Sport Science, National and Kapodistrian University of Athens, Greece DOI: http://dx.doi.org/10.37500/IJESSR.2021.4405 ABSTRACT Dance is an activity, which, ever since the Antiquity, has never ceased to be performed in the Hellenic space. This fact gives a broad margin for the study of dance through many different approaches. From all the periods, the darkest but also the most controversial one is the Byzantine period. In this period, in a male-dominated Byzantine society, “women have been placed by law on the margin of public life” and “have been intentionally set away from the circles of the church. Only a few empresses and noblewomen made their presence felt”. The aim of this paper is to demonstrate the position and the role of the woman in dance and dance occasions during the Byzantine period. In particular, it will examine whether women danced, what they danced to and the way they did it during the Byzantine period, and how this was seen and addressed by the society and the Official Church. Data collection was based on secondary sources and, in particular, on the principles of the bibliographic and historical archival research. In conlusion, women in Byzantium skillfully “danced” around the antithetical relationship “a saint or a prostitute”, and this balance is achieved through their dance. -
Clergy Packet
CLERGY SESSION Monday, June 28, 2021 10:00 a.m. Call to Order Bishop John Hopkins Musical Centering Heewon Kim “And Are We Yet Alive” UMH #553 Seating of Designated Laity Chair, Mark Meyers Instructions [ZOOM] Secretary, Wesley Dickson Bishop’s Reflections Bishop John Hopkins Moral and Official Conduct of All Ordained Clergy and Local Pastors Dean of the Cabinet, Jeffry Bross Presentation of Candidates for Ministry Adrienne Stricker and Mary Gay McKinney Conference Relations Report Chair, Mark Meyers Fellowship of Local Pastors Report Chair, Sharon Engert Order of Deacons Report Chair, Adrienne Stricker Order of Elders Report Chair, Paul Lee Board of Ordained Ministry Chairperson’s Report Chair, Mark Meyers Adjournment Bishop John Hopkins Seating of Designated Laity at Clergy Session (Updated 6/2021) MOTION TO BE MADE AS FOLLOWS: Bishop, I move that the laypersons, local pastors and associate members of the annual conference who are members of the Northern Illinois Conference Board of Ordained Ministry be seated within the Clergy Session with voting privileges. And that the following Annual Conference staff persons be allowed to be present during the 2021 Clergy Session: Laura Lopez, Registrar Anne Marie Gerhardt, Director of Communications Marva Andrews – Bishop’s Administrative Assistant TO ALL PERSONS GATHERED HERE TODAY, just a reminder: You can vote at Clergy Session “on matters of ordination, character and conference relations of other clergy” if: • You are a clergy member in full connection; • Or you are a member of the Board of Ordained Ministry You cannot vote at Clergy Session if you are a: • Provisional Member • Associate and Affiliate Clergy Member • Full-time and Part-time Local Pastor • Clergy Members of another annual conference or other Methodist denominations (346.1) • Clergy from other denominations (346.2) • Laity Order of Elders The following are recommended for provisional membership and commissioning as Elder candidates: JI EUN MORI SIEGEL 1724 W. -
A Brief Historical Survey of the Catholicosate
1 A BRIEF HISTORICAL SURVEY OF THE ARMENIAN APOSTOLIC CHURCH Christianity in Armenia can be traced back to the age of the Apostles. The Apostolic Church of Armenia acknowledges as its original founders two of the twelve Apostles of Christ, St. Thaddeus and St. Bartholomew, who evangelized in Armenia, and were martyred there. It was at the beginning of the fourth century, during the reign of King Trirdates III, and through the missionary efforts of St. Gregory that Christianity was declared and adopted as the official religion of Armenia in 301 A.D. Until the 5th century, Christian worship in Armenia was conducted in Greek or Syriac. In 404 A.D., St. Mesrob together with the Catholicos St. Sahag (387-439), having the financial assistance and collaboration of King Vramshabouh, invented the Armenian alphabet in 404, which became a decisive and crucial event for Armenian Christianity. Soon after with a number of disciples, St. Mesrob worked on the translation of the Bible and a large number of religious and theological works were translated into Armenian, and the golden age of classical Armenian literature began shortly thereafter. This “cultural revolution” gave national identity and led to one of the most creative and prolific periods in the history of Armenian culture. The Armenian Apostolic Church aligns herself with the non- Chalcedonian or with lesser-Eastern-Orthodox churches, namely: Syrian Orthodox Church; Coptic Orthodox Church; Ethiopian Orthodox Church. They all accept the first three Ecumenical Councils of Nicaea (325), Constantinople (381), and Ephesus (431). The Armenian Church has traditionally maintained two Catholicosates: The Catholi-cosate of Etchmiadzin in Armenia, and Catholicosate of Holy See of Cilicia in Antelias-Lebanon. -
The Seminary and Western Culture: Relationships That Promote Recovery and Holiness
Nova et Vetera, English Edition, Vol. 14, No. 4 (2016): 1099–1111 The Seminary and Western Culture: Relationships that Promote Recovery and Holiness James Keating Institute for Priestly Formation Creighton University Omaha, NE “The fault line of our culture . is that we have been willing to sacrifice objective truth in order to save subjective freedom, understood particularly as freedom of choice by an auton- omous self. This fault line will eventually erode our civilization from within, just as the willingness on the part of Marxist societies to sacrifice personal freedom for social justice (. brutal equality) eroded those societies.” 1 This quote from Cardinal Francis George, echoing ideas of St. John Paul II, highlights the corrosive effect the autonomous self can have upon culture when such autonomy is that culture’s supreme princi- ple. In contradistinction, he raises the example of Marxism, as well. These remarks from Cardinal George were written in 2008; and by our current time, not only had the North American population been long tutored in autonomy by the popular culture, but also its government and professions had begun tutoring the populace in Marxist principles as well. For example, the United States Government promulgated the Affordable Care Act, undermining religious freedom as it sought to impose a universal duty for employers to provide abortifacients, as well as other contraceptives, in their health care benefits. A weakening of religious freedom was also recognized within the culture as government leaders 1 Cardinal Francis -
Makams – Rhythmic Cycles and Usûls
https://doi.org/10.5771/9783956506734, am 26.09.2021, 20:13:18 Open Access - http://www.nomos-elibrary.de/agb https://doi.org/10.5771/9783956506734, am 26.09.2021, 20:13:18 Open Access - http://www.nomos-elibrary.de/agb Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) © 2016 Orient-Institut Istanbul https://doi.org/10.5771/9783956506734, am 26.09.2021, 20:13:18 Open Access - http://www.nomos-elibrary.de/agb ISTANBULER TEXTE UND STUDIEN HERAUSGEGEBEN VOM ORIENT-INSTITUT ISTANBUL BAND 28 © 2016 Orient-Institut Istanbul https://doi.org/10.5771/9783956506734, am 26.09.2021, 20:13:18 Open Access - http://www.nomos-elibrary.de/agb Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) by Kyriakos Kalaitzidis Translation: Kiriaki Koubaroulis and Dimitri Koubaroulis WÜRZBURG 2016 ERGON VERLAG WÜRZBURG IN KOMMISSION © 2016 Orient-Institut Istanbul https://doi.org/10.5771/9783956506734, am 26.09.2021, 20:13:18 Open Access - http://www.nomos-elibrary.de/agb Umschlaggestaltung: Taline Yozgatian Umschlagabbildung: Gritsanis 8, 323 (17th c.): “From here start some songs and murabba’s” Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. ISBN 978-3-95650-200-2 ISSN 1863-9461 © 2016 Orient-Institut Istanbul (Max Weber Stiftung) Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt.