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April 2020 • Issue 2 PROSPERO
The newspaper for retired BBC Pension Scheme members • April 2020 • Issue 2 PROSPERO REMEMBERING A GOLDEN AGE OF FILM PAGE 8 PENSION SCHEME | BBC PENSIONS PAUL BOHAN AT 100: ‘A REMARKABLE MAN’ Former BBC broadcast engineer Paul Bohan recently celebrated his 100th birthday, and BBC Volunteer Visitor Arthur Masson caught up with him to talk about the interesting times – and places – he’s seen in his long life. aul was born in Bishop Auckland, County He arrived at Stoney Cross and joined a unit servicing Durham, on 24 November 1919. aircraft, for approximately a year. He was then transferred to RAF Marham, and then to RAF PHe was educated at a council school in Byers Mildenhall. Eventually, with his service completed, Green village, where he obtained the first of many he was released in March 1947. (It is perhaps worth ‘accomplishments’, his 11-plus certificate! He was then posted to Meldrum and completed noting that, as he had passed the Commission 12 years as a TV engineer. He left school at 16 and joined the RAF, completing an examinations, if he had remained in service he would 18-month course at Cranwell as a wireless operator, then, have been a Commissioned Officer.) He was offered early retirement, which he accepted after successfully qualifying, went to RAF Thornaby. at the ‘ripe old age’ of 58 and joined Aberdeen After leaving the RAF he joined BOAC, which was the University Language Laboratory as their recording After one year, he went back to Cranwell for another state airline, and was posted to Sudan (Wadi-Halfa). -
Meet the Makers & Teachers
A RECKONING IN BOSTON MEET THE MAKERS STEPHEN MCCARTHY, AARON BOUCHARD, SOUND RECORDIST: CINEMATOGRAPHER: I first worked with James on the doc back in April of While following Kafi 2014 when it was just it was just him, a cameraman, and Dixon around the vacant I rolling through south Boston in my beat up PT Cruiser. lot on Mission Hill - truly I worked with James on many more shoot days until the a “mission” for Kafi - I film was finished in 2020. Over the years I developed a couldn’t stop thinking of sentimental investment in the lives of Kafi & Carl so see- my late friend John Car- roll. John was a neighbor ing the film for the first time was very moving. It is a rare of in nearby Jamaica experience to work on a project like A Reckoning in Bos- Plain - an African-Amer- ton and it is one I am very proud to have been a part of. ican Vietnam vet with a wondrous green thumb. Our many years of friendship began through early morning encounters in a former horse stable which I helped him cultivate with flowers, herbs and small plots of veg- etables. Like Kafi, John had a quiet mission to spread positivity through agriculture in a dense urban setting. In John’s case, the endeavor resulted in a permanent community garden that now serves as the hub of a thriv- ing (and desirable) neighborhood. There is a monument to John at the garden’s entrance. The less inspiring side of this story is that John’s work likely helped price him out of the very neighborhood in which he had become a true fixture. -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
Researching Digital on Screen Graphics Executive Sum M Ary
Researching Digital On Screen Graphics Executive Sum m ary Background In Spring 2010, the BBC commissioned independent market research company, Ipsos MediaCT to conduct research into what the general public, across the UK thought of Digital On Screen Graphics (DOGs) – the channel logos that are often in the corner of the TV screen. The research was conducted between 5th and 11th March, with a representative sample of 1,031 adults aged 15+. The research was conducted by interviewers in-home, using the Ipsos MORI Omnibus. The key findings from the research can be found below. Key Findings Do viewers notice DOGs? As one of our first questions we split our sample into random halves and showed both halves a typical image that they would see on TV. One was a very busy image, with a DOG present in the top left corner, the other image had much less going on, again with the DOG in the top left corner. We asked respondents what the first thing they noticed was, and then we asked what they second thing they noticed was. It was clear from the results that the DOGs did not tend to stand out on screen, with only 12% of those presented with the ‘less busy’ screen picking out the DOG (and even fewer, 7%, amongst those who saw the busy screen). Even when we had pointed out DOGs and talked to respondents specifically about them, 59% agreed that they ‘tend not to notice the logos’, with females and viewers over 55, the least likely to notice them according to our survey. -
Page 1 of 2 Icangarden.Com
ICanGarden.com - Gardening Resource Site Page 1 of 2 EMAIL SEARCH THE SITE Forgot my Password? MEMBERS AREA EVENTS PIX GARDENS CLUBS KIDS CORNER ARTICLES BOOKS SUPPLIERS LINKS HELP 0 Documents: Latest From: Art Drysdale: Removing Recurring Roots & Animals Digging for Grubs Can anything be done about recurring roots from a Honeylocust tree; and the problem of animals digging for grubs is spreading in Canada! by Art Drysdale by Art Drysdale email: [email protected] Art Drysdale, a life-long resident of Toronto and a horticulturist well known all across Canada, is now a resident of Parksville, British Columbia on Vancouver Island, just north of Nanaimo. He has renovated an old home and has a new garden there. His radio gardening vignettes are heard in south-western Ontario over two radio stations: Easy 101 FM out of Tillsonburg at 2 PM weekdays and CD98.9 FM out of Norfolk County at 11:40 AM weekdays. Art also has his own website at http://www.artdrysdale.com August 26, 2012 This past week Marjorie Casselton from the Simcoe area of Ontario wrote about a problem Landscaping which is now very difficult to solve if one is going to abide by Ontario’s cosmetic pesticide Sod bylaw—but then who says you have to abide by that ridiculous legislation! Here is her letter. Looking to Spruce Up Your “I always hear you speaking on our local radio station, CD 98.9 Simcoe, Ontario. The reason that I need your assistance is that we used to have a Honey Locust tree in our back yard. -
Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned. -
Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21
Cartoon Business erlands) (Neth echt Utr 16, 20 ch ar 3 M -2 21 Conference > New Emerging Business Models in Animation www.cartoon-media.eu pitching event for animated transmedia projects www.cartoon-media.eu Pub-MAS-15-Digit-programme-3.indd 1 16/02/16 13:51 Partners CARTOON BUSINESS IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 NFF: THE GO-TO FESTIVAL FOR DUTCH CINEMA INSPIRATION CO-PRODUCTION MARKET FOR 20 EUROPEAN FEATURE LENGTH PROJECTS CALL FOR ENTRIES 15 MARCH – 15 JUNE FILMFESTIVAL.NL/PROFESSIONALS Willemien van Aalst Gerben Schermer Festival Director - NFF Festival Director - HAFF Dear participants, elcome! We are delighted to meet you in the city that both the Netherlands Film Festival (NFF) and Holland Animation Film Festival (HAFF) operate from. We are proud to host the Cartoon W Business seminar in tandem with our solid partners. Annually in late September, the Netherlands Film Festival (NFF) is a vibrant event for connecting both filmmakers and audiences. The NFF, with the concurrent Holland Film Meeting, is the authoritative festival for Dutch cinema, fostering the interests of the Dutch film and film culture by drawing wide attention to it and by deepening and broadening knowledge about the discipline. We are very happy to see our great city brighten up with scores of animation enthusiasts and professionals in March at HAFF and now at Cartoon Business as well. HAFF is one of the leading international animation festivals and official partner of Cartoon d’Or. It is important to have these events celebrate the art and build on sustaining it. -
Gender Roles & Occupations
1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect. -
Disneyjunior.Com SM
Starting Jan. 11 2013 Weekdays: Monday - Friday 6:00am/5:00c Gaspard and Lisa 6:30am/5:30c Octonauts 7:00am/6:00c Little Einsteins 7:30am/6:30c Chuggington 8:00am/7:00c Mickey Mouse Clubhouse 8:30am/7:30c Jake and the Never Land Pirates 9:00am/8:00c Mickey Mouse Clubhouse 9:30am/8:30c Mickey Mouse Clubhouse (M-Th) NEW SERIES Sofia the First (Fri) 10:00am/9:00c Doc McStuffins 10:30am/9:30c Jake and The Never Land Pirates 11:00am/10:00c Mickey Mouse Clubhouse 11:30am/10:30c Octonauts (M-Th) Rotating Series (Fri) 12:00pm/11:00c Little Einsteins (M-Th) NEW SERIES Sofia the First (Fri) 12:30pm/11:30c Little Einsteins (M-Th) 1:00pm/12:00c Special Agent Oso (M&W) Jungle Junction (T&Th) 1:30pm/12:30c Gaspard and Lisa (M-Th) Fridays: 12:30pm/11:30c - 2:00pm/1:00c Disney Junior Movie Weekends: Saturday - Sunday 6:00am/5:00c Octonauts 6:30am/5:30c Mickey Mouse Clubhouse 7:00am/6:00c Doc McStuffins 7:30am/6:30c Mickey Mouse Clubhouse 8:00am/7:00c Jake and the Never Land Pirates 8:30am/7:30c NEW SERIES Sofia the First ©Disney J#5849 ©Disney J#5849 All shows are rated TV-Y DisneyJunior.com SM Weekdays: Monday - Friday Weekends: Saturday & Sunday 6:00am/5:00c Koala Brothers 6:00am/5:00c The Little Mermaid 6:30am/5:30c Stanley 6:30am/5:30c Jungle Junction 7:00am/6:00c Timmy Time 7:00am/6:00c Handy Manny 7:30am/6:30c 3rd & Bird 7:30am/6:30c Chuggington 8:00am/7:00c Imagination Movers 8:00am/7:00c Higglytown Heroes 8:30am/7:30c Charlie and Lola 8:30am/7:30c Charlie and Lola 9:00am/8:00c JoJo’s Circus 9:00am/8:00c The Hive 9:30am/8:30c Rolie Polie Olie -
MGEITF Prog Cover V2
Contents Welcome 02 Sponsors 04 Festival Information 09 Festival Extras 10 Free Clinics 11 Social Events 12 Channel of the Year Awards 13 Orientation Guide 14 Festival Venues 15 Friday Sessions 16 Schedule at a Glance 24 Saturday Sessions 26 Sunday Sessions 36 Fast Track and The Network 42 Executive Committee 44 Advisory Committee 45 Festival Team 46 Welcome to Edinburgh 2009 Tim Hincks is Executive Chair of the MediaGuardian Elaine Bedell is Advisory Chair of the 2009 Our opening session will be a celebration – Edinburgh International Television Festival and MediaGuardian Edinburgh International Television or perhaps, more simply, a hoot. Ant & Dec will Chief Executive of Endemol UK. He heads the Festival and Director of Entertainment and host a special edition of TV’s Got Talent, as those Festival’s Executive Committee that meets five Comedy at ITV. She, along with the Advisory who work mostly behind the scenes in television times a year and is responsible for appointing the Committee, is directly responsible for this year’s demonstrate whether they actually have got Advisory Chair of each Festival and for overall line-up of more than 50 sessions. any talent. governance of the event. When I was asked to take on the Advisory Chair One of the most contentious debates is likely Three ingredients make up a great Edinburgh role last year, the world looked a different place – to follow on Friday, about pay in television. Senior TV Festival: a stellar MacTaggart Lecture, high the sun was shining, the banks were intact, and no executives will defend their pay packages and ‘James Murdoch’s profile and influential speakers, and thought- one had really heard of Robert Peston. -
Annual Report and Accounts 2007/08 the BBC Executive’S Review and Assessment 07 08
PART TWO: Annual Report and Accounts 2007/08 The BBC Executive’s review and assessment 07 08 Director- General ’s introduction 01 About the BBC 02 BBC & me 04 BBC Executive Board 24 BBC at a glance 26 Review of services Future Media & Technology 29 Vision 32 Audio & Music 38 Journalism 44 Commercial activities 52 Engaging with audiences 54 ...quality programming that informs Performance us, educates us and more often BBC People 58 than not, entertains us. These three Operations 62 Statements of Programme Policy tenets are as important today as commitments 2007/08 70 when they were first uttered around Finance 80 years ago. Financial overview 82 Governance and financial statements 86 Getting in touch with the BBC 148 Other information Inside back cover THE DIRECTOR -GENERAL 01 WELCOME When I wrote to you a year ago, our award- Despite these difficulties, the BBC has had a downloads and streams. And it’s still growing. winning Gaza correspondent Alan Johnston year of outstanding creative renewal. From There is no evidence that it is impacting was still missing. We didn’t know if we would Cranford to Sacred Music to Gavin and Stacey, our linear television and radio ratings which ever see him again. And then, what we’d all television has lived up to our aim – to delight remain very strong. been hoping, working and praying for: Alan’s audiences. And we have seen the nation share tired but smiling face as he was led to freedom. some of the events that unite us all – from the With Freesat now launched, complementing Concert for Diana to Wales’ triumph at the Six our popular Freeview service, it’s clear But within a few days, we had fresh problems Nations Rugby championship. -
2015 Oscar for the Best Actor? A) Steve Carell B) Bradley Cooper C) Eddie Redmayne D) Michael Keaton
A 16117 120 MINUTES 1. Who in 1953 introduced the ABX model of communication? A) German Maletzke B) Denis McQuail C) Theodore H. Newcomb D) John W. Riley 2. Conversing with the divine, with spirits and ancestors, may be termed --- communication. A) Transpersonal B) Intra-divine C) Trans-divine D) Intra-line 3. Which of the following is derived from the Hutchins Report? A) Authoritarian Theory B) Free Press Theory C) Social Responsibility Theory D) Soviet Media Theory 4. The concept of hegemony owes much to the work of ------ A) Antonio Gramsci B) Abraham Maslow C) Aristotle D) Noam Chomsky 5. Who said that ‘the medium is the message’? A) Alfred Marshall B) David McLuhan C) Wilbur Schramm D) Marshall McLuhan 6. When did the Parliament pass the Right to Information Act? A) 2004 B) 2005 C) 2006 D) 2007 7. Transcendental meditation is an example of ---communication. A) Group B) Interactive C) Intrapersonal D) Interpersonal 8. Who founded the first nationalist news agency in India? A) Raja Ram Mohan Roy B) Surendranath Bannerjee C) Maulana Abul Kalam Azad D) S. Sadanand 9. The quarterly journal, Vidura is published by --- A) Press Trust of India B) Press Council of India C) Press Institute of India D) Prasar Bharati 10. Article 19(2) of the Constitution deals with --- A) Limitations to the right to property B) Reasonable limitations to the freedom of expression C) Reasonable restrictions of right to Information D) Limitations of right to religion 11. Who was the Chairman of the First Press Commission in India? A) Justice P.