Auckland 2018 Artweek 6—14 Oct
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Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER: -
Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd
Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Julian Dashper 1960 Born in Auckland, New Zealand 1980 First solo exhibition at 100m2, an artist-run space in Auckland City 1981 Completes B.F.A. 1991 Awarded inaugural Q.E.II Arts Council Visual Arts Programme Fellowship 1992 Exhibits work concurrently in two solo public gallery exhibitions in New Zealand 1994 First solo public gallery exhibition in Australia 1995 Artist in residence at the Ludwig Forum für Internationale Kunst, Aachen, Germany 2001 Senior Fulbright Fellowship 2001 Artist in residence at the Chinati Foundation, Marfa, Texas 2001 Artist in residence at the University of Nebraska, Lincoln 2003 Artist in residence at Artspace, Sydney 2005 25-year retrospective exhibition opens in Sioux City, Iowa, U.S.A. 2008 Visiting scholar, University of Sydney 2009 Dies in Auckland, New Zealand Solo Exhibitions 1980 100m2, Motorway Schools, Auckland, New Zealand 1981 100m2, Huntly Huntly Whangarei, Auckland, New Zealand 1984 Durham House, Dashper at Durham Lane, Auckland, New Zealand 1985 New Vision Gallery, Auckland, New Zealand Real Pictures Gallery, Auckland, New Zealand 1986 Peter McLeavey Gallery, Wellington, New Zealand New Vision Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent Paintings, Christchurch, New Zealand 1987 Peter McLeavey Gallery, Wellington, New Zealand Room 11 Gallery, Auckland, New Zealand Centre Gallery, Julian Dashper. A Survey, Hamilton, New Zealand George Fraser Gallery, Painting, Auckland, New Zealand Brooke/Gifford Gallery, Works on Paper 1985-1987, Christchurch, New Zealand 1988 Peter McLeavey Gallery, Thirteen recent paintings, Wellington, New Zealand The North Gallery, Small Paintings 1980-1988, Whangarei, New Zealand 1989 Sue Crockford Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent paintings, Christchurch, New Zealand Peter McLeavey Gallery, Wellington, New Zealand Artspace, Building. -
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CONTEMPORARY ART AND OBJECTS thursday 3rd april 2008 at 6.30pm 3 abbey street, newton, auckland Cover image: From Left: Garth Chester Curvesse Chair, a feature item in A+O’s May 1st 2008 20th Century Design catalogue Lot 74: Bill Hammond Bird Grip Lot 46: Glen Hayward I am Old enough to be my Own father four thirty two ART AUCTION HIGHLIGHTS FROM 2007 SHANE COTTON’S 4X5(ID). ESSAY BY DAMIAN SKINNER eight fifty six OBJECT AUCTION HIGHLIGHTS FROM 2007 THE GORGEOUS ARTIST... BY JACQUELINE FRASER. ESSAY BY ROB GARRETT. twelve sixty six 20TH CENTURY DESIGN PREVIEW THE OBJECT AUCTION twenty five THE ART AND TEXT AUCTION ninty-four CONDITIONS OF SALE ninty-five ABSENTEE BIDDING FORM ninty-six ARTISTS INDEX contemporary art 3 elcome to ART+OBJECT’s third contemporary art and object catalogue and the first for 2008. In our launch year A+O held two major auctions of these genres and in the process dramatically extended the range of art presented in the auction environment. The art collecting public of New Zealand and internationally responded with such enthusiasm that A+O is proud to have achieved over twenty artist records at auction for both Australian and New Zealand contemporary artists. Works have been acquired from A+O auctions by collectors not just in New Zealand, but also Australia, The United States, Hong Kong, England and Italy. In addition to pioneering the presentation of contemporary art, which we define as being art produced after 1990, ART+OBJECT also achieved repeated success offering major artworks at auction. -
Post-Fair Report
POST-FAIR REPORT 24 - 28 FEBRUARY 2021 THE CLOUD / AKL WATERFRONT / AOTEAROA NEW ZEALAND 2021 Auckland Art Fair. Photo by Luke Foley-Martin 1 IT WAS A PRIVILEGE TO HOLD A LIVE HIGHLIGHTS OF THE FAIR INCLUDED: FAIR IN 2021. THE 2021 AUCKLAND ART − four galleries from Australia, and one each from Beijing and FAIR WAS DELIVERED AGAINST A STATUS Rarotonga joined 32 of the best galleries from across Aotearoa at the 2021 Art Fair, despite the closure of international borders QUO OF UNCERTAINTY, AS COVID-19 SWEPT THROUGH THE WORLD. ALMOST − $10 million worth of art sales by the galleries, continuing the upwards trajectory of sales at the Fair since 2016 EVERY OTHER INTERNATIONAL ART FAIR GLOBALLY IN THE LAST 11 MONTHS HAD − the launch of a new outdoor sculpture space at the harbour BEEN CANCELLED, INCLUDING THE 2020 end of The Cloud AUCKLAND ART FAIR. − the continuation of Projects with ‘Present Tense’ curated by Micheal Do, commissioning six new works by early-career artists The first-ever summer edition of Auckland Art Fair, opened at The for exhibition at the Fair and also at Tiffany & Co. in Britomart Cloud on Wednesday 24 February 2021 and was scheduled to run and Yu Mei in Newmarket until Sunday 28 February, but closed one day early due to a change in COVID alert levels. Collectors, gallerists, artists, art enthusiasts, − an inaugural museum partnership with the Govett-Brewster Art media and other partners came to celebrate and showcase the Gallery / Len Lye Centre enabling the presentation of Len Lye’s outstanding contemporary art of Aotearoa Pacific Rim region. -
To Be a Forum for the Nation to Present, Explore, and Preserve the Heritage
G.12 ANNUAL REPORT 2008/09 TONGAREWA PAPA TE ZEALAND NEW OF MUSEUM To be a forum for the nation to present, explore, and preserve the heritage of its cultures and knowledge of the natural environment in order to better understand and treasure the past, enrich the present, and meet the challenges of the future… Directory TE RÄRANGI INGOA MUSEUM OF NEW ZEALAND TE PAPA TONGAREWA Cable Street PO Box 467 Wellington 6140 New Zealand TORY STREET RESEARCH AND COLLECTION STORAGE FACILITY 169 Tory Street Wellington 6011 Telephone + 64 4 381 7000 Facsimile + 64 4 381 7070 Email [email protected] Website http://www.tepapa.govt.nz Auditors Audit New Zealand, Wellington, on behalf of the Auditor-General Bankers Westpac Banking Corporation Photography by Te Papa staff photographers, unless otherwise credited ISSN: 1179 – 0024 1 MUSEUM OF NEW OF MUSEUM Museum of New Zealand Te Papa Tongarewa Annual Report 2008/09 Te Pürongo ä-Tau 2008/09 In accordance with section 44 of the Public Finance Act 1989, this annual report of the Museum of TONGAREWA PAPA TE ZEALAND New Zealand Te Papa Tongarewa for 2008/09 is presented to the House of Representatives. Contents Ngä Ihirangi ANNUAL Part one Overview Statements Ngä Tauäki Tirohanga Whänui 3 Chairman’s Statement 4 REPORT Acting Chief Executive/Kaihautü Statement 6 Tribute to the late Dr Seddon Bennington (1947–2009) 7 2008/09 Performance at a Glance He Tirohanga ki ngä Whakatutukitanga 8 Part two Operating Framework Te Anga Whakahaere 12 Concept 12 Corporate Principles 12 Functions and Alignment with Government -
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COLLECTORS NEW ART ART+OBJECT 151 2020 ART + OBJECT 23.06.20 Front cover: Laurence Aberhart Taranaki, Midhurst, 11 July 1991 Back cover: Ann Verdcourt Untitled – Ladybird Figure Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 [email protected] www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier Welcome to Art+Object’s third post-lockdown auction, an absorbing collection of art and decorative arts. In particular we are proud to offer an excellent collection of New Zealand photography from a private collector together with many other interesting consignments. Since returning to the office in May we have completed two auctions that had been on hold since April. Both of these events were remarkably successful and we would like to warmly thank our vendors who remained patient during the lockdown and all those who supported us at the viewings and attended the auctions, whether on-line at home or in person. It is extremely heartening to see that even in the most tumultuous of times, there is still a desire for art in our lives. During the recent lockdown period, like many I agreed with the slogans that suggested we should send 2020 back to where it came from. If only we could rewind and start again! The effect on businesses and families, the many disappointments of cancelled events and travel, will be felt for some time to come. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
New Zealand Potter Volume 30 Number 2 1988
ERY - 3 AUG 1988 PUBLIC , ’ 6 New Zealand Potter ‘We Promise Satisfaction’ % - . , 0.6 $910 EXCL. 3.5 $12528 $1900 )))))))))))))))))))))))))))))»l)l»ll»)i.‘ * 1.0 927 5.0 1 2110 2-0 $1465 G-S-T- 6-0 $2020 $2270 New Zealand Potter 4.0 $2670 7.5 $2220 $2470 5.0 $2830 9.0 $2505 $2755 Volume 30, Number 2, 1988 6 0 $3035 11.0 $2965 $3215 ))»)»)))))l)»))))))))))))))))))1)))1») 1333 3333 $18 ggggg gggg ISSN 0113 — 583X Price $7.50 includes (:51 15.0 $5395 20.0 $4055 $4305 Cover: “A Gift from Betty and Martha”, Raku wall form 91 x 81 cm. Susan and Steven Kemenyffy, USA. 20.0 $6995 22.0 $4157 $4407 3323 $3333 $215338 CONTENTS )))))))))))))»))))»)))»»)l»»»»») Editor: Howard S. Williams 0 A variety of controllers are available. Desigw John Booth 2 Through the Filter Press — Howard s. Williams m 0 Stack bonded fibre on request. Publisher and Distributor: 3 EXhibition Calendar Element Support Systeni 0 Optional LPG Reduction in our Electric Kilns. NZ Potter Publications Ltd 4 Eileen Lewenstein — Peter Gibbs PO Box 881 We go to Australia — John Crawford SLABROLLER 323122333“ 5 NZSP, Waikato, 1989 Christine Harris at Pots of Ponsonby The best available Recommended by Adleitismg‘. 6 Norsewear Art Award Peter Stichbury Siglhgoiafiyson’ 10th Borland Potters School Albany. ’ 7 Canberra Symposium — Merilyn Wiseman MONEY BACK GUARANTEE 11 Chester Nealie School — Barbara Olsen Reid 15 Wellington Potters Annual Exhibition Reasonably Priced At 17 Fletcher Challenge Pottery Award 1988 $800 Excl. G.S.T. Tymt by: 22 Fletcher Challenge — NZSP National —- Peter Gibbs Mills Typeset Ltd 23 National Ceramics, Wellington — Peter Gibbs Easy to fire gleam-250 25 NZSP National Exhibition 1988 hinted by: 29 Nelson Potters Summer Exhibition Consistently Better Imcdia Print Ltd 30 Book Reviews . -
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ART + OBJECT 2017 has undoubtedly been a dynamic year at Art+Object, as well as for the wider New Zealand art world. We are fortunate to be part of a healthy, thriving arts community that really does offer something for everyone, across a variety of art forms. This year, along with our usual catalogues of Important Paintings and Contemporary Art, New Collectors, Decorative Arts and Rare Books, we have been favoured with the sale of some fabulous private collections. Visionary collectors like Anne Coney and Glenn Schaeffer, in taking the brave decision to sell their collections at auction, provide viewers with a wonderful opportunity to admire and acquire. Thank you to everyone who has taken part in our auction program this year, we put real effort into making our auction videos, organising talks and events and we love it when you watch on-line, or come along to viewings and auctions. Our talk with collector Glenn Schaeffer in October was given to a packed house, with a large number of interested collectors attending to hear from Mr Schaeffer, a significant international art collector. The year cannot pass without making mention of the wonderful success of the Estate of Michael Illingworth auction. The enthusiasm shown by the market for work by this legendary artist was unprecedented, resulting in one of the most successful auctions in our ten year history. We have enjoyed working with a number of brand partners this year. We’ve been serving freshly brewed Allpress coffee at our weekend viewings, which was particularly well-received on cold wintry viewing days, and it certainly feels like we’ve had plenty of those this year. -
The Tim & Sherrah Francis Collection
The Tim & Sherrah FrancisTimSherrah & Collection The The Tim & Sherrah Francis Collection A+O 106 a life, and love, in New Zealand art… The Tim & Sherrah Francis Collection Art + Object 7–8 September 2016 Tim and Sherrah Francis, Washington D.C., 1990. Contents 4 Our Friends, Tim and Sherrah Jim Barr & Mary Barr 10 The Tim and Sherrah Francis Collection: A Love Story… Ben Plumbly 14 Public Programme 15 Auction Venue, Viewing and Sale details Evening One 34 Yvonne Todd: Ben Plumbly 38 Michael Illingworth: Ben Plumbly 44 Shane Cotton: Kriselle Baker 47 Tim Francis on Shane Cotton 53 Gordon Walters: Michael Dunn 64 Tim Francis on Rita Angus 67 Rita Angus: Vicki Robson 72 Colin McCahon: Michael Dunn 75 Colin McCahon: Laurence Simmons 79 Tim Francis on The Canoe Tainui 80 Colin McCahon, The Canoe Tainui: Peter Simpson 98 Bill Hammond: Peter James Smith 105 Toss Woollaston: Peter Simpson 108 Richard Killeen: Laurence Simmons 113 Milan Mrkusich: Laurence Simmons 121 Sherrah Francis on The Naïve Collection 124 Charles Tole: Gregory O’Brien 135 Tim Francis on Toss Woollaston Evening Two 140 Art 162 Sherrah Francis on The Ceramics Collection 163 New Zealand Pottery 168 International Ceramics 170 Asian Ceramics 174 Books 188 Conditions of Sale 189 Absentee Bid Form 190 Artist Index All quotes, essays and photographs are from the Francis family archive. This includes interviews and notes generously prepared by Jim Barr and Mary Barr. Our Friends, Jim Barr and Mary Barr Tim and Sherrah Tim and Sherrah in their Wellington home with Kate Newby’s Loads of Difficult. -
Appendix 9.1 Schedule of Significant Historic Heritage Places 18 September 2015 Council's Proposed Changes Are Shown in Striket
Appendix 9.1 Schedule of Significant Historic Heritage Places 18 September 2015 Council's proposed changes are shown in strikethrough and underline Black text changes record amendments proposed in first mediation session Green text changes record amendments proposed and agreed to in mediation Red text changes record amendments proposed in rebuttal evidence Blue text changes record amendments proposed post hearing (e.g. right of reply) Yellow highlighted text changes record amendments that are considered to be outside the scope of submissions. Grey highlight text changes record consequential amendments. [all provisions in this appendix are: rcp/dp] Heritage values The sSchedule of Significant hHistoric hHeritage pPlaces identifies historic heritage places in Auckland which have significant historic heritage value. The heritage value evaluation criteria against which historic heritage places are evaluated are set out in the RPS - Historic Heritage. They are The evaluation criteria that are relevant to each scheduled historic heritage place are identified in the schedule using the following letters: A: historical B: social C: Mana Whenua D: knowledge E: technology F: physical attributes G: aesthetic H: context. The values that are evident within scheduled historic heritage places (at the time of scheduling) are identified in the column headed ‘Known heritage values’ in the schedule. Applicability of rules Rules controlling the subdivision, use, and development of land and water within scheduled historic heritage places are set out in the Historic Heritage overlay rules. - Historic Heritage. The rules in the historic heritage overlay activity tables apply to all scheduled historic heritage places. They apply to all land and water within the extent of the scheduled historic heritage place, including the public realm, land covered by water and any body of water. -
LATE NIGHT ART @ARTWEEKAUCKLAND Th #ARTWEEKAKL Tuesday 10 October, 5-9Pm Welcome to Live Interactive Art, Galleries Open Late, Creative Events Artweek Auckland 2017
IN THE CENTRAL CITY ARTWEEK.CO.NZ LATE NIGHT ART @ARTWEEKAUCKLAND th #ARTWEEKAKL Tuesday 10 October, 5-9pm Welcome to Live interactive art, galleries open late, creative events Artweek Auckland 2017 Artweek Auckland is an annual, week-long festival celebrating the visual arts of Auckland. Throughout the week activations will be taking place all over Auckland, newcomers and experts alike can immerse themselves in Auckland’s diverse and vibrant contemporary art scene. Venues include galleries, public, Ellen Melville Centre and Freyberg Place private spaces, pop ups and street art. Mapping home through sound, colour and light He aha e tangi te kainga rite? / What sounds The 2017 festival presents the work of over 1000 artists in more than 100 venues. like home? RM Gallery presents a response by UNIFORM + An expressive, lighting piece using street cones at its core to create a living organism KINAlights by Ernest Aurora Artweek Auckland is owned and presented by the New Zealand Contemporary Art Trust, a charitable trust established in 2005 with the objective of creating opportunities for artists, promoting the visual arts industry, and facilitating greater public access to and engagement with the visual arts community. You are invited to look, participate and enjoy. streetARTdego Deborah White ONZM streetARTdego is a micro-festival of food and art that sees 5 of Auckland’s top food vendors Director working with 5 artists for an evening of wonder, surprise and delicious eats in Khartoum Place. Experience music, performance and visual art while