Art, Music & Architecture of the Low Countries 2022
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Scenic Wallpaper – First Quarter 19Th Century Western European Interior Décor in Latvia
Proceedings of the Latvia University of Agriculture Landscape Architecture and Art, Volume 1, Number 1 Scenic Wallpaper – First Quarter 19th Century Western European interior décor in Latvia Laura Lūse, Latvian Academy of Art Abstract. In the early 19th century French scenic wallpaper rapidly gained popularity as the preferred type of interior décor in the homes of country noblemen and rich merchants. The main characteristic of this type of wallpaper is the continuous and unbroken depiction of panoramic scenes that feature exotic countries, prevalent outdoor hobbies and scenes from the natural world, transforming each room into an almost illusory space. Thus the nature was carried indoors in a rather poetic way. It has been established that scenic wallpaper was used in a number of interiors found in the territory of present-day Latvia. This article will present a detailed analysis of these interiors. Keywords: scenic wallpaper, interior, wallpaper trade. Introduction Many experts within the wallpaper scenic wallpaper? How widely available was this manufacturing industry regard scenic wallpaper as interior décor in the present-day Latvian territory one of its highest achievements, not just because of and what trade routes were utilised in its the complex technologies required to produce it but acquisition? The answers to these questions will also of its artistic value. Scenic wallpaper differs provide new insights and contribute towards the from the other types of 19th century wallpaper in a research of 19th century Latvian interiors. considerable way - just like a painting this wallpaper depicts unbroken and continuous scenery without Methodology repeating some or all of its elements. -
Bestemmingsplan De Vecht
bestemmingsplan De Vecht Gemeente Stichtse Vecht Planstatus: ontwerp Plan identificatie: NL.IMRO.1904.BPDeVechtLGB-ON01 Datum: 23-10-2019 Contactpersoon Buro SRO: dhr. J. van Nuland Kenmerk Buro SRO: SR160158 Opdrachtgever: Gemeente Stichtse Vecht Buro SRO 't Goylaan 11 3525 AA Utrecht 030-2679198 www.buro-sro.nl BTW nummer: NL8187.16.071.B01 KvK nummer: 30232281 Rabobank rekeningnummer: NL44.RABO.0142.1540.24 t.n.v. Buro SRO B.V. te Utrecht 2 Inhoudsopgave 1 Inleiding ................................................................................................................................................... 5 1.1 Aanleiding en doelstelling ................................................................................................................................... 5 1.2 Ligging van het plangebied .................................................................................................................................. 6 1.3 Vigerende bestemmingsplannen ........................................................................................................................ 6 1.4 Leeswijzer ............................................................................................................................................................ 6 2 Het plangebied De Vecht ........................................................................................................................ 7 2.1 Historische ontwikkeling .................................................................................................................................... -
The Useful and the Agreeable Country Houses As Investment?
THE USEFUL AND THE AGREEABLE COUNTRY HOUSES AS INVESTMENT? > by Fred Vogelzang K&B editor-in-chief and scientific researcher Dutch Castle Foundation, centre for study on castles and country houses Estates are often presented as luxurious country houses, built from the 17th century onwards by the elites as an escape from the filthy and overcrowded cities. However various other motives have been put forward for the construction of country houses: they are fashionable status symbols that could also function as economic assets. New studies by Brusse and Mijnhardt (Towards a new Template) and Piketty (Capitalism in the 21st Century) give reason to shine a new light on these economic motivations. > DE BUITENPLAATS MET AGRARISCH BEDRIJF MEERZICHT BIJ ZOETERMEER. ENJOYMENT OR INVESTMENT? FOTO ALBERT SPEELMAN R. van Luttervelt, who was among the first to study country houses scientifically, gives several reasons for the construction of After years of historical research into the Zeeland past they these luxurious retreats.1 Besides the love of nature he also arrived at the conclusion that the common division of Dutch clearly emphasises economic motives. The flourishing commerce history in the periods Revolt, Bataafse Period and Kingdom, and shipping industry of the 17th century brought in large determined by political make-up, should make way for a new amounts of wealth, triggering a diligent search for investment paradigm in which the (more social and economical) relationship opportunities for the profits. Farms and agricultural land became between city and countryside is the main reference point. This sought-after objects for investment, but castles and country paradigm should also hold true outside of Zeeland, allowing houses also served as investment opportunities. -
Antwerp in 2 Days | the Rubens House
Antwerp in 2 days | The Rubens House Rubens was a man of many talents. Besides being the gifted painter we all know, he was also a diplomat, a devoted family man, an art collector and an architect. Where better to begin this immersion in Rubens’s city than the house in which he lived and worked? Rubens as an architect Rubens was talented in many areas of life. Besides being the gifted painter we all know, he was also a diplomat, a devoted family man, an art collector and architect. Where better to begin this immersion in Rubens’s city than the house in which he lived and worked? When Rubens returned from Italy in 1608, at the age of 31, he came back with a case full of sketches and a head full of ideas. He purchased a plot of land with a house near his grandfather’s home (Meir 54) and converted it into his own Palazzetto. Take an hour to visit the Rubens House and to breathe in the atmosphere in the master’s house before setting off to explore his city. Rubens’s palazzetto on the Wapper was not yet complete when the artist was commissioned to work on the Baroque Jesuit church some distance away, at Hendrik Conscienceplein. On your way to Hendrik Conscienceplein, we would suggest you make a brief stop at another church: St James’s Church (St Jacobskerk) in Lange Nieuwstraat. This robust building dooms up rather unexpectedly among the houses, but its interior presents a perfect harmony between Gothic and Baroque: the elegant Middle Ages and the flamboyant style of the 17th century go hand-in-hand here. -
Association of the Overseas Countries and Territories
COUNCIL OF THE EUROPEAN COMMUNITIES COMPILATION OF TEXTS ASSOCIATION OF THE OVERSEAS COUNTRIES AND TERRITORIES FRENCH OVERSEAS DEPARTMENTS 1 January 1986 - 31 December 1986 COUNCIL OF THE EUROPEAN COMMUNITIES COMPILATION OF TEXTS X ASSOCIATION OF THE OVERSEAS COUNTRIES AND TERRITORIES FRENCH OVERSEAS DEPARTMENTS 1 January 1986 - 31 December 1986 This publication is also available in: ES ISBN 92-824-0485-4 DA ISBN 92-824-0486-2 DE ISBN 92-824-0487-0 GR ISBN 92-824-0488-9 FR ISBN 92-824-0490-0 IT ISBN 92-824-0491-9 NL ISBN 92-824-0492-7 PT ISBN 92-824-0493-5 Cataloguing data can be found at the end of this publication. Luxembourg: Office for Official Publications of the European Communities, 1988 ISBN 92-824-0489-7 Catalogue number: BY-50-87-235-EN-C © ECSC-EEC-EAEC, Brussels · Luxembourg, 1988 Reproduction is authorized, except for commercial purposes, provided the source is acknowledged Printed in Luxembourg 3 - CONTENTS Part 1 : OCT I - TRANSITIONAL MEASURES Page Council Decision 86/46/EEC of 3 March 1986, extending Decision 80/1186/EEC on the association of the OCT with the EEC 13 Council Decision 86/48/ECSC of 3 March 1986 extending Decision 80/1187/ECSC opening tariff preferences for products within the province of the ECSC Treaty and originating in the OCT associated with the Community 14 II - BASIC TEXTS Page Council Decision 86/283/EEC of 30 June 1986 on the association of the OCT with the EEC (1) 17 Council Decision 86/284/EEC of the Representatives of the Governments of the Member States, meeting within the Council, of 30 June -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Rubenianum Fund Field Trip to Princely Rome, October 2017
2017 The Rubenianum Quarterly 3 Peter Paul Rubens: The Power of Transformation Drawn to drawings: a new collaborative project Mythological dramas and biblical miracles, intimate portraits and vast landscapes – Although the Rubenianum seldom seeks the Peter Paul Rubens’s creative power knew no limits. His ingenuity seems inexhaustible, public spotlight for its scholarship, specialists and his imagination boundless. The special exhibition ‘Kraft der Verwandlung’ institutions in the field know very well where to turn (Kunsthistorisches Museum, Vienna, 17 October 2017–21 January 2018) sets out to to for broad, grounded and reliable art-historical explore this spirit of innovation, taking an in-depth look at the sources on which the expertise. Earlier this year, the Flemish Government Flemish master drew and how he made them his own. approached us with a view to a possible assignment Rubens had an unrivalled ability to apply his examples freely and creatively. concerning 17th-century drawings. Given that Ignoring the boundaries of genre, he studied the small-scale art of printmaking as well another of the Rubenianum’s unmistakable as monumental oil paintings. The artist’s extensive library provided a further source trademarks is its open and generous attitude to of inspiration, as did antique coins. He took three-dimensional sculptures – bronze statuettes, casts from nature and marble statues – and brought them to life in his collaboration, this task was indeed assigned to paintings. us thanks to a thoroughly prepared partnership Rubens drew, copied and interpreted as he saw fit throughout his life. Existing with the Royal Library of Belgium. We are proud, sources were transformed by his hand into something entirely new. -
GENERAL AGREEMENT on 16 November 1973 TARIFFS and TRADE Limited Distribution
RESTRICTED L/3954 GENERAL AGREEMENT ON 16 November 1973 TARIFFS AND TRADE Limited Distribution GENERALIZED SYSTEM OF PREFERENCES Notification by the European Communities With reference to the Decision of the CONTRACTING PARTIES of 25 June 1971 concerning the Generalized System of Preferences and the previous notifications by the European Communities on the implementation of the generalized tariff preferences accorded by the European Economic Community (documents L/3550 and L/3671), the Commission of the European Communities has transmitted for the information of the contracting parties the text of the regulations and decisions adopted by the Council of the European Communities in respect of the application of the scheme for the year 1973.1 The regulations and decisions are the following: - Regulations (EEC) No. 2761/72 to No. 2767/72 - Decisions No. 71/403 and 71/404/ECSC 1The EEC's GSP scheme for 1973 reproduced in the present document is applied by the six original member States. This scheme is scheduled to be replaced in 1974 by a scheme to be pplied by the enlarged Community of nine members. L/3954 (ii) CONTENTS Council Regulation (EEC) No. 2761/72 of 19 December 1972 concerning the establishment, sharing and management of Community tariff quotas for certain products originating in developing countries ....................1 Council Regulation (EEC) No. 2762/72 of 19 December 1972 concerning the establishment of tariff preferences for certain products originating in developing countries ......................... 15 ... Council Regulation (EEC) No. 2763/72 of 19 December 1972 concerning the establishment, sharing and management of Community tariff quotas for certain textile products originating in developing countries ................. -
FACT SHEET INDONESIA-KOREA LEATHER 5Th Edition 2016
FACT SHEET INDONESIA-KOREA LEATHER 5Th Edition 2016 Leather is a durable and flexible material created by tanning animal rawhide and skin, often cattle hide. It can be produced at manufacturing scales ranging from cottage industry to heavy industry. People use leather to make various goods—including clothing (e.g., shoes, hats, jackets, skirts, trousers, and belts), bookbinding, leather wallpaper, and as a furniture covering. It is produced in a wide variety of types and styles, decorated by a wide range of techniques. Most of the leather product exported by Indonesia Leather is one of the most widely traded commodities are sport gloves, leather jacket, casual shoes, woman in the world. The leather and leather products handbag and other accessories, of leather or industry plays a prominent role in the world’s composition leather. Leather product in South Korea economy. The total export of world gained in 2015 mostly come from China. Based on the rising demand amounted US$ 75.2 billion. China is the top notch for Leather product in Rep of Korea, that making Rep country which contributed total export 42% of the of Korea became one of target import Leather total world export. Indonesia have a slight role which product market especially in fashion,and Indonesia exported also to the world valued US$ 323 million will try to increase export Leather product to Rep of and ranked 22th place. This amount is still potent to Korea . expanding year by year. Rep of Korea is one of the countries which imported World’s export HS Code 42 also much of leather product. -
The Domestication of History in American Art: 1848-1876
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The domestication of history in American art: 1848-1876 Jochen Wierich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Wierich, Jochen, "The domestication of history in American art: 1848-1876" (1998). Dissertations, Theses, and Masters Projects. Paper 1539623945. https://dx.doi.org/doi:10.21220/s2-qc92-2y94 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Last Modified Sun May 31 2015 13:34:23 Liste Des Châteaux / Forts
Last modified Sun May 31 2015 13:34:23 [1] Liste des Châteaux / Forts / Ruines de Châteaux de Belgique @ ON6DP / ON7RN (update 31/05/2015) Lijst van kastelen / Forts / Ruines van Kastelen van Belgïe @ ON6DP / ON7RN (update 31/05/2015) BCA Ref WCA Ref Date - Datum Call Lang Commune - Gemeente - Cities Noms- Namen-Names / Dénominations-Benamingen-Descriptions GPS Coordonates (Decimals) Long (East) Lat (Nord) AN-001 ON-00001 21/05/2000 ON4NOK N 2300 Turnhout Kasteel van Hertogen van Brabant AN-002 ON-00002 N 2160 Wommelgem Brialmont Fort 2 4,4928053716 51,2028262385 AN-003 ON-00003 09/03/2003 ON4OSA ON7SS N 2150 Borsbeek Brialmont Fort 3 4,4786902477 51,1868378245 AN-004 ON-00004 N 2640 Mortsel Brialmont Fort 4 4,4589511902 51,1743018047 AN-005 ON-00005 N 2650 Edegem Brialmont Fort 5 4,4330433878 51,1680896921 AN-006 ON-00006 28/04/2002 ON7SS N 2000 Antwerpen (Wilrijk) Brialmont Fort 6 4,4056806153 51,1656561593 AN-007 ON-00007 8-9/05/2002 ON7SS N 2000 Antwerpen (Wilrijk) Brialmont Fort 7 4,3774059709 2013-07-24 AN-008 ON-00008 N 2660 Hoboken (Antwerpen) Brialmont Fort 8 4,3480174349 51,1662051125 AN-009 ON-00009 20/05/2002 ON7SS N 2390 Westmalle Kasteel van Westmalle 4,6953674644 51,3059578561 AN-010 ON-00010 15/06/2002 ON7SS N 2610 Wilrijk (Antwerpen) Kasteel Den Brandt 4,4051047275 51,1828341347 AN-011 ON-00011 09/11/2003 ON4AWT N 2000 Antwerpen Het Steen 4,3973206646 2013-07-24 AN-012 ON-00012 19/12/2004 ON5JE ON4AUB N 2880 Bornem Kasteel Marnix de Sainte-Aldegonde 4,2167470000 51,1027980000 AN-013 ON-00013 09/04/2005 ON5JE ON4AUB N -
Late Middeleeuwen En Moderne Tijden
Onderzoeksrapport Onderzoeksbalans archeologie in Vlaanderen, versie 1 29/10/2008: late middeleeuwen en moderne tijden Agentschap Onroerend Erfgoed COLOFON TITEL Onderzoeksbalans archeologie in Vlaanderen Versie 1, 29/10/2008: Late middeleeuwen en moderne tijden REEKS Onderzoeksrapporten agentschap Onroerend Erfgoed nr. 189 AUTEURS Vera Ameels & Marc Dewilde JAAR VAN UITGAVE 2021 Een uitgave van agentschap Onroerend Erfgoed Wetenschappelijke instelling van de Vlaamse Overheid, Beleidsdomein Omgeving Published by the Flanders Heritage Agency Scientific Institution of the Flemish Government, policy area Environment VERANTWOORDELIJKE UITGEVER Sonja Vanblaere OMSLAGILLUSTRATIE Onderzoek van een laatmiddeleeuwse beerput in de Mechelse binnenstad Copyright Stadsarcheologische dienst Mechelen. Opmaak: Sylvia Mazereel (OE) agentschap Onroerend Erfgoed Havenlaan 88 bus 5 1000 Brussel T +32 2 553 16 50 [email protected] www.onroerenderfgoed.be Dit werk is beschikbaar onder de Modellicentie Gratis Hergebruik v1.0. This work is licensed under the Free Open Data Licence v.1.0. Dit werk is beschikbaar onder een Creative Commons Naamsvermelding 4.0 Internationaal-licentie. Bezoek http://creativecommons.org/licenses/by/4.0/ om een kopie te zien van de licentie. This work is licensed under a Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/. ISSN 1371-4678 D/2021/3241/239 /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////