Taos Walking Tour Booklet
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INSIDE Santa Fe • Taos • Painters of Canyons and Deserts • Art of the Horse
INSIDE Santa Fe • Taos • Painters of Canyons and Deserts • Art of the Horse MAY 2019 141 Cover WAC141.indd 1 3/28/19 1:01 PM L ETTER FROM THE EDITOR MAY 2019 Monthly Preservation PUBLISHER Vincent W. Miller n the past three months I have participated in and listened to about EDITORIAL fi ve panels on Western art. One of the concerns that comes up every EDITOR Joshua Rose time is if successive generations will appreciate, and collect, Western [email protected] Iart as much as we do? This is a valid concern but I believe there are things MANAGING EDITOR Rochelle Belsito [email protected] we can do now to secure this art we love well into the future. DEPUTY EDITOR Michael Clawson I think concern should always be followed by action. And what are [email protected] these actions? I’ve been thinking about this a lot lately and I think the ASSISTANT EDITOR Alyssa M. Tidwell fi rst thing we can do is fi gure out ways to preserve the historical aspect of ASSOCIATE EDITOR Taylor Transtrum Western art. For example, last year the Couse-Sharp Historic Site in Taos, SANTA FE EDITOR John O’Hern New Mexico, purchased an old gallery space next door to them and they Francis Smith CONTRIBUTING PHOTOGRAPHER are currently raising money to turn it into a research center for all the EDITORIAL INTERN Maia Gelvin Taos Society of Artists. When I found out about this project, I immediately ADVERTISING (866) 619-0841 reached out to their director, Davison Koenig, and joined the development SENIOR ACCOUNT EXECUTIVE Lisa Redwine [email protected] committee because this is a history we need to have preserved. -
Print a Copy of Historic Taos, a Walking Tour of 22 Taos Landmarks
Welcome visitors and Taoseños! You are invited to explore the diversity of this region, through a self-guided tour. The two-hundred year old Taos Plaza, and the streets that radiate from it like spokes, form the National Historic District of Taos. It contains a number of national and state landmarks which are Historic testimonials to the rich and complex cultural history of T aos. The T aos Valley has been a major trade and travel route since human presence was first felt in the area. Archeological evidence suggests that people have been using and moving through the Taos Valley for, at least, the past 9,000 years. The ancestors of the Pueblo people, commonly known as the Anasazi, were the first permanent inhabitants of the Valley. Room blocks and pit houses in the Taos area testify to their presence since 900 AD. Around 1200 AD, they aggregat- ed into small above ground structures of 50-100 rooms. Many believe the Taos Pueblo was constructed around 1450 as a multi-story TAOS complex. However, archeologists predominantly place the date of construction of Taos Pueblo in the 14th century on or about 1350. Unfortunately , there is no known recorded date. In any case, the Pueblo Indians depended upon nature for their survival, and therefore treated nature as an organizing and spiritual element in their lives. At the time of the arrival of the Europeans, all of Taos Valley was in the domain of Taos Pueblo Indians. In 1540, Francisco de Coronado, a Spanish conquistador and explorer, was authorized to explor e the area by the king of Spain. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
2006 Preliminar Reliminary Conference P Conference Program
2006 P reliminary Conference P rogram Early Bird Discount SAVE MONEY: Register by July 14, 2006 Mountain-Plains Museums Association When Cultures Converge, Doors Open 53rd Annual Conference: Monday, September 18 — Friday, September 22, Taos, NM 2006 Conference Welcome From MPMA’s President The Mountain-Plains Museums Association Annual Conference comes to Taos, New Mexico, in 2006, and what better place to soak up art and culture! New Mexico’s “Land of Enchantment” offers a rich southwestern cultural legacy amid the striking contrasts of its natural beauty. And it has been for centuries a place where cultures converged, from early man to the Indian cliff- dwellers, to the Spanish conquistadors and priests, and finally to the Anglo arrival in the mid-1800s. To this day the Indian, Hispanic, and Anglo cultures mix their cultures, traditions, and talents, and yet they remain distinct. And that mixture will be ever present in MPMA’s conference. There will be sessions devoted to cultural convergence, material culture as well as to the burning museum issues of the day. Illegal antiquities, anyone? You will also be able to participate in unique sessions and workshops: there will be pottery classes on Taos and Hispanic pottery; a forum on the pending closure of three Indian museums located in the MPMA region; and sessions devoted to Taos history, its alternative ways of living (past and present), and its amazing art collections. While you are in one of the state’s northernmost cities, we’ll help you take in its architecture and atmosphere as well as the views of the mountains, the many art galleries, and fantastic museums. -
Shapiro Auctions
Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André. -
Nicolai Fechin [1881–1955] This Russian-American Painter Brought His Intensely Creative Spirit and Genius for Portraiture to the American West
WESTERN VISTA PERSPECTIVE: NICOLAI FECHIN [1881–1955] This Russian-American painter brought his intensely creative spirit and genius for portraiture to the American West WRITTEN BY Gussie Fauntleroy In 1895 in the Russian town of Kazan, a trading port and cultural crossroads on the wide Volga River, 13-year-old Nicolai Ivanovich Fechin stood at a crossroads in life. His father was a masterful artisan skilled in woodworking, archi- tecture, painting, gilding and cabinetry, but less adept at business, and the family had to give up their home. Nicolai’s brother and mother were mov- ing to another town to live with the boys’ grandmother, while their father would travel from village to village as an itinerant craftsman. Young Nicolai could have gone with either parent. Instead, he chose a third, and fortuitous, path. That same year, a graduate Self Portrait of the Imperial Academy of Arts in Saint Petersburg had opened a branch school in Oil on Canvas | 10.5 x 9.5 inches Kazan. It offered painting, sculpture, architecture and general education instruction Private collection to youth from families of all means, not only the wealthy. Nicolai, having spent his boyhood happily engaged in drawing and woodcarving in his father’s workshop, decided to stay in Kazan and attend the school. His father proudly approved. With a classmate, the boy moved into a disused house and subsisted on little more than bread, honey and tea while he attended the six-year school. “It was kind of a miraculous piece of providence. Without that school, Fechin would have needed either a patron or money to hire a master to teach him art, which of course his family didn’t have,” says Susan Fisher, director of the Taos Art rtMusuem Museum in New Mexico, which holds a collection of Fechin paintings, most on A aos long-term loan from private collections. -
Five Museums | the Taos News
5/15/2020 Five Museums | The Taos News (/) Search … ADVANCED SEARCH (/SEARCH.HTML) GALLERY GUIDE Five Museums (/uploads/original/20200406-150431-Davison.jpg) Davison Koenig, the Couse-Sharp Historic Site executive director and curator COURTESY https://www.taosnews.com/stories/taos-society-of-artists-couse-sharp-historic-taos-art-museum-harwood-millicent-rogers-lunder-research-center-blumenschein,63198? 1/4 5/15/2020 Five Museums | The Taos News Posted Thursday, April 16, 2020 1:29 pm By Dena Miller To some it may seem inexplicable why Taos--a tiny town nestled in New Mexico’s high mountain desert-- became the vortex for an American art movement of such national and international significance over the course of a century. But to Davison Koenig, the Couse-Sharp Historic Site executive director and curator, it’s perfectly understandable. “The arrival of those who would come to be known as the Taos Society of Artists was a perfect storm of circumstances, the timing of which coincided with a burgeoning interest in the American Southwest,” he said. “They didn’t just visit here; they settled here. And so they became a colony with a common and concerted vision, which was to share with the rest of the world an authentic depiction of Native culture and the American Southwest landscape.” Today, the site--owned and operated by The Couse Foundation and including the homes and studios of founding artists E. Irving Couse and J. H. Sharp--is a fascinating step back into time, but is poised to become the future’s singular research center dedicated to Taos as one of the most important art colonies in the country’s history. -
Why So Many Artists Have Been Drawn to New Mexico
C r e at i v i t y W h y S o M a n y Ar t i s t s H a v e Be e n D r a w n t o Ne w Mexico For generations, artists from Georgia O'Keeffe to Ken Price havefollowed New Mexico’s magnetic pull, finding inspiration in the highdesert’s expansive vistas, quietude, and respite from social and market pressures. Alexxa Gotthardt May 17, 2019 5:57 pm Georgia O’Keeffe had an unexpected train detour to thank for her first encounter with New Mexico. Little did she know, it was the land that would free her—both artistically and emotionally. Several months after photographergallerist Alfred Stieglitz presented O’Keeffe’s first New York solo show, in April 1917, the 29yearold painter embarked on a trip across the American West with her youngest sister, Claudia. While they’d planned to head straight from Texas to Colorado, their train detoured to Santa Fe. New Mexico’s vast, mercurial skies and incandescent light mesmerized the artist. “I’m out here in New Mexico—going somewhere—I’m not positive where—but it’s great,” she gushed in a letter to Stieglitz, dated August 15th. “Not like anything I ever saw before.” Portrait of Georgia O’Keeffe in Abiquiu, New Portrait of Bruce Nauman in New Mexico by Mexico, 1974. Photo by Joe Munroe/Hulton Francois Le Diascorn/GammaRapho via Getty Archive/Getty Images. Images. “There is so much more space between the ground and sky out here it is tremendous,” she continued. -
In Memoriam: Dr. Robert Rankin White (1942-2014)
New Mexico Historical Review Volume 90 Number 1 Article 6 1-1-2015 In Memoriam: Dr. Robert Rankin White (1942-2014) Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation . "In Memoriam: Dr. Robert Rankin White (1942-2014)." New Mexico Historical Review 90, 1 (2015). https://digitalrepository.unm.edu/nmhr/vol90/iss1/6 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. • In Memoriam • Dr. Robert Rankin White (1942–2014) Steve Watson obert Rankin White, preeminent southwestern art historian and author, passed away in Albu- querque, New Mexico, on 17 July 2014. Born Rin Houston, Texas, on 8 February 1942, he graduated from the prestigious St. Stephen’s Episcopal School in Austin in 1960. He received a bachelor’s degree in geol- ogy from the University of Texas in 1964, served in the U.S. Army in Vietnam, and completed a master’s degree in hydrology from the University of Arizona in 1971. After a two-year stint in Texas, Robert worked for the U.S. Geological Survey in New Mexico as a hydrologist and editor for the next fifteen years. He then obtained his doctorate in American Studies at the University of New Mexico (UNM) in 1993. During the course of his career, Rob- ert authored or co-authored over fifty books, articles, chapters, and essays in history and the arts. -
Partners and Access Points: Taos Education Collaborative
Partners and Access Points: Taos Education Collaborative Who We Are: So far, we are 85% of the way towards our collective goal of 100 Internet access points to support continuous learning for Taos County students. To add to our growing list of partners, please contact [email protected]. TEC Partners and Access Points: Albertsons Taos 710 A Paseo Del Pueblo Sur Taos, NM 87571 Network ID: Albertsons Open Network (no password) Anansi Charter School 57 NM-230 El Prado, NM 87529 Network ID: ACSGuest Password: ACS-Friends! AuraFitness 1337 Gusdorf Rd. Taos, NM 87571 Network ID: Aurafitness Password: inspire12 Comcast/Xfinity WiFi Hotspots 1. Visit xfinity.com/wifi or use the Xfinity WiFi Hotspots app to see a map of Xfinity WiFi hotspots. All open hotspots, both indoor and outdoor, will be displayed on the map in blue. 2. Once at a hotspot, customers and non-customers should select xfinitywifi from the list of available WiFi networks, and then launch a browser. 3. Xfinity Internet customers can sign in using their Xfinity ID and password to be automatically connected to Xfinity WiFi hotspots in the future. Non-Xfinity Internet customers can connect by clicking the Accept and Connect button. Non-Xfinity customers will be able to renew their complimentary sessions every 12 hours. 1 Partners and Access Points: Taos Education Collaborative Bella Vista Apartments Location 110 Otono Rd Taos, New Mexico, 87571 Bent Street Area Shops & Galleries 119 Bent St Taos, New Mexico, 87571 Bent Street Shops Locations II 124 Bent St Taos, New -
State Historic Preservation Officer Certification the Evaluated Significance of This Property Within the State Is
Form No. 10-300 W',. \0/j sra UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Jf MABEL DODGE LUHAN HOUSE / A«€TOft-HHi6H<SHOUSE AND/OR COMMON BIG HOUSE / ST. TERESA HOUSE LOCATION STREET & NUMBER Luhan Lane —NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Taos — VICINITY OF 1 £DDE COUNTY CODE STATE New Mexico1* . Taos 55 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE DISTRICT —PUBLIC —OCCUPIED _ AGRICULTURE —MUSEUM iLBUILDING(S) ^PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS X-EDUCATIONAL X-PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _|N PROCESS X-YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: [OWNER OF PROPERTY NAME v/ George Qtero and Roy Krosky also: Michael Pagan STREET & NUMBER vy 981 llth Street Luhan Lane Boulder, Colorado CITY. TOWN STATE Taos. — VICINITY OF New Mexico LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Taos County Courthouse STREET & NUMBER CITY. TOWN STATE New Mevirn I REPRESENTATION IN EXISTING SURVEYS TITLE New Mexico Register of Cultural Properties DATE December 12, 1Q77 —FEDERAL )LsTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS New Mexjr.n Hlstinrir. Preservation Program CITY, TOWN STATE Santa Fe New Mexico DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED X-ORIGINALSITE V X-GOOD —RUINS _I:ALTER ED —MOVED DATE. _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE In 1918 Mabel Dodge Sterne purchased some property which adjoins Taos Pueblo land and through it runs the Acequia Madre del Pueblo, the oldest water rights in New Mexico and on it were two small adobe houses, Mabel writes of one as a four room coffin-shaped house which dates to the late 18th or early 19th century. -
Big House 2. Loca
*USDI/NPS NRHP Registration Form Luhan, Mabel Dodge, House Page # 1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM __________________________________ 1. Name of Property historic name: Mabel Dodge Luhan House other name/site number: Big House 2. Location Morada Lane, Taos, New Mexico street & number: Morada Lane not for publ ication:N/A city/town: Taos vicinity:N/A state:NM county: Taos code: 055 zip code: 87571 3. Classification Ownership of Property: private Category of Property: building Number of Resources within Property: Contributing Noncontributing 0 buildings 0 sites 0 structures 0 objects 0 Total Number of contributing resources previously listed in the National Register: 1 Name of related multiple property listing: 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property__meets _ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property __ meets __ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet, determined eligible for the National Register __ See continuation sheet, determined not eligible for the National Register removed from the National Register other (explain): ___________ Signature of Keeper Date of Action *USDI/NPS NRHP Registration Form Luhan, Mabel Dodge, House Page # 3 6.