DOCSLIB.ORG

Nightspots Page 29

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Kind of in drag at Club #1016 • April 28, 2010 Krave. nightspots page 29 Glitter It Posing with the glitterati at Le Passage’s Glitter, Thu., April 15. page 16 Bianca of Homer Marrs’ CocoRosie. Fag Libs. page 14 page 18-19 OUR FAVORITE EVENT OF SPRING... THE WINE TASTING PARTY! WEDNESDAY MAY 12 6-9PM SAMPLE W7IN5ES LIGHT BITES TOO. FEATURING ® ...The Video Bar 3349 North Halsted SidetrackChicago.com YOUR $20 CONTRIBUTION BENEFITS EQUALITY ILLINOIS PAC Tickets available at www.EQIL.org That Guy by Kirk Williamson Like most people who of The Catty Corner (Ryan and have quit smoking, I’m still Andrew, I’m snarking at you), smoking. Just the occasional we now have the gorgeous one or two, I swear. In that vein, Nima. Methinks Nima has only thanks to Miztress Vana for bum- begun to be corrupted by me, ming me a whimsical Virginia Cyn, Amy and the whole crew. Ultra Slim outside of Berlin last Want to see what we’ll subject week. I guess the theory is that a him to next? See you at Wild Pug cigarette with 1/3 the diameter on Thu., April 29 and Scarlet on Cyn can handle the little of a normal cigarette will only Tue., May 4. ones all by herself. give 1/3 the cancer. You say that’s hogwash? OK, I quit for Don’t forget to sign up for Ride realz now. for AIDS, July 10 and 11. They need volunteers, crew and riders Windy City Gay Idol chugs along to help raise more money than nicely. You shoulda chugged ever this year. Go to rideforaids. what I chugged at Jackham- org for more info. mer and Spin this past week. Remember to bring your friends And if you’ve got any hors- to vote you into the next round. esense at all, trot it down to It’s the only way it works. Charlie’s this Sunday, May 1 for the derby with the ladies of the And Windy City Gay Idol Windy City Empire. Always a would be nothing without class act with that bunch. Ryan and Cyn have to work our ever-expanding circle of together on the really big [email protected] Idol groupies. Not only do we ones. enjoy the barbed commentary PUBLISHER Tracy Baim ASSISTANT PUBLISHER Terri Klinsky nightspots Managing EDITOR #1016 • April 28, 2010 Kirk Williamson ADVERTISING REPRESENTATIVES Terri Klinsky, Kirk Williamson, Amy Matheny MAIN COVER IMAGE NATIONAL ADVERTISING REPRESENTATIVE Aurora Sexton, CT Hedden and Rivendell Media 212-242-6863 friend at Glitter at Le Passage. DIRECTOR OF NEW MEDIA Photo by Kirk Jean Albright TOP RIGHT OFFICE Photo by Ryan Kolodziej Meghan Streit PHOTOgraphY Mel Ferrand, Kat Fitzgerald, DJ Greg Haus, Kirk, Kizzy, Ryan Kolodziej, Anthony Meade, Steve Starr, DJ Res-5 CAST OF CHARACTERS Andrew Davis, DJ Res-5, Adam Guerino, Homer Marrs, Marc “Moose”Moder, Jennifer Parello, Peter Copyright 2010 Windy City Media Group/Lambda Publications Inc. All rights reserved. Pointers, Randy Pubert Reprint by permission only. Back issues available for $3 per issue (postage included). Return postage must accompany all manuscripts, drawings, and photographs submitted if they are to be returned, and no responsibility may be assumed for unsolicited materials. All rights to letters, art and photos sent to Nightspots/Windy City Times will be treated as unconditionally assigned for publication purposes and as such, subject to editing and nightspots comment. The opinions expressed by the columnists, cartoonists, letter writers, and com- mentators are their own and do not necessarily reflect the position of Nightspots/Windy 5315 N. Clark St. #192, Chicago, IL 60640 City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City Times is not to be construed as any 773.871.7610, fax 773.871.7609 indication of the sexual orientation of such person or organization. While we encourage readers to support the advertisers who make this newspaper possible, Nightspots/Windy www.WindyCityMediaGroup.com City Times cannot accept responsibility for advertising claims. [email protected] Happy 14th anniversary. We couldn’ta done it without you! COCKTAIL Photos by Kirk Noah’s Arc’s Jensen Atwood likes it Ruff(y). URBANO Photos by Pierre Cameron 8 nightspots April 28, 2010 J>KHI:7O 7FH?B(/ .FC I?=D#KF7J-FC +9EL;H '&9EDJ;IJ7DJI?=D#KF<;; *.'&D$8HE7:M7O MEHB:I=H;7J;IJ87H$9EC DANCING ABOUT BRACEs ARCHITECTURE by Adam Guerino by Marc “Moose” Moder Tracey THORN AND ALL HER OppOsITEs As a big music fag, nothing brings me as much joy as something new by Tracey Thorn. With a voice from heaven and biting and illustrative lyrics, Tracey never disappoints. Two years ago Tracey struck out on her own for the first time in 25 years with Out “So. Never trust a man with two of the Woods, an electronic masterpiece right in line with— but completely unique from—the last first names. Even if he’s, like... few Everything But the Girl albums. Logic would a teacher. Especially if he’s Mr. dictate that Tracey Thomas.” would continue on the dance/electro path with her follow up, Love and Its Opposite (Merge, 5/18/10), but she’s taken her biggest turn since going electric with EBTG’s Walking Wounded in 1996. With Love, she again collaborates with producer Ewan Pearson (remixer for Depeche, Goldfrapp, and Ladytron), who knows his dance. With the exception the late disco sound of Why Does the Wind, she seems to be getting “Well, the good news is... I back to a more stripped down, meaningful sound. totally passed 8th grade algebra. She’s tackling very grown-up-lady issues on such Like, yay.” tracks as the lead single, “Oh, The Divorces!,” “Singles Bar” (aging divorcee’s lament), or “Hormones,” a downright poppy handoff from a mom to her tween daughter. Also surprising is her embracing of co-vocalists. In the past, the only voice present was her husband Ben back in the day, but she’s not really taken on guests until now, with haunting tracks like “C’mon Home To Me” with Jens Lekman and the uplifting final track “Swimming” with the delicate Cortney Tidwell. Both cuts show Tracey’s voice, while always rising above any other living vocalist in range and uniqueness; she plays very well with and compliments others. As said to a parent friend of mine the other day, “But the bad news is, like, herpes “growing up is all about learning to play well with is incurable. And totally annoying.” others” and my little “Marine Girl” has certainly done that on her best release to date. For more of Adam’s demented sense of sassafras, check out Nightcaps--The Late You can follow Moose at www.writingaboutmusic.com. Night Cabaret. Next show is in just two days, April 30, 11 p.m. at Berlin. 10 nightspots April 28, 2010 Keeping you a breast of the situation. A hairy, mannish breast. BOBBy LOVE’s Photos by Kirk Roundin’ up the cowboys for ILGRA. TOUCHE Photos by Kirk nightspots 11 April 28, 2010 Ralphi’s beats are so good, they should be against the law. HyDRATE Photos by Anthony Meade JACKHAMMER Tues., April 20 2 1) Finalist Unkommon lives up to his moniker. 4 2) Ryan loves his new The Bird and the Bee CD. 1 3) Promo director Cynthia cuts loose after one helluva show. 4) (Above, L-R) Co-host 3 Sofia Saffire, finalists T and Unkommon, co-host Amy Matheny. (Below, L-R) Judges Kirk Williamson, Mitchell Fain and David Byrne. 12 nightspots April 28, 2010 Ring Around the CocoRosie interviewed by Randy Pubert CocoRosie is an acclaimed musical group consisting of two sisters, Bianca “Coco” and Sierra “Rosie” Casady. In the middle of their European tour, Nightspots Magazine chased down Bianca on the road. Nightspots Magazine: Hi, NM: How do you describe your NM: How do you describe your Bianca. Where are you on the music? show for people that have never tour right now? BC: I like to think of it as spiritual been to a CocoRosie show? Bianca Casady: Paris, France. pop music. BC: It is multimedia. We have been making videos since the time we NM: You ladies have spent time NM: You have a new album have been making music so the there before, correct? called Grey Oceans that is visual aspect of our show is not BC: Yes, back in 2003 we lived here coming out? just decoration. It is conceptual for a while. We have been here on BC: Yes, the record will be out May and is a big part of our project. and off ever since. 11 in the United States and May 3 in Europe. NM: You both sing throughout NM: That’s how the sisters got the show? back together and not in the NM: How is your following in the BC: Sierra is trained classically, United States. USA compared to the UK? which is very different from how I BC: Yeah, that’s true. BC: We haven’t toured the United sing. She studied opera. States as much. But it is not NM: When did they exactly start radically different. We are on tour NM: Well, tell your sister we calling you “Coco?” a lot. We prefer it that way. said hi and we look forward BC: Since I was a baby. to seeing you when you get in NM: How many tattoos do you town! NM: I heard you play have? with children’s toys in the BC: Maybe eighteen.
Recommended publications
  • Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od

    Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od

    Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes.
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
  • Cocorosie Grey Oceans Mp3, Flac, Wma

    Cocorosie Grey Oceans Mp3, Flac, Wma

    CocoRosie Grey Oceans mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Grey Oceans Country: Germany Released: 2010 Style: Art Rock MP3 version RAR size: 1332 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1601 mb Rating: 4.7 Votes: 525 Other Formats: AIFF DXD AHX XM MP1 WMA AUD Tracklist Hide Credits A1 Trinity's Crying 4:40 A2 Smokey Taboo 4:48 Hopscotch A3 3:08 Drums – Gustavo "Bolsa" González Undertaker A4 Bass Clarinet, Alto Saxophone – Martin PantirerVocals [Intro And Extra Vocals] – Christina 3:52 Chalmers A5 Grey Oceans 4:32 R.I.P. Burn Face B1 4:38 Voice [Spoken Word] – Neda Sanai The Moon Asked The Crow B2 3:50 Bass Clarinet, Alto Saxophone – Martin Pantirer Lemonade B3 5:14 Trumpet – Todd Simon Gallows B4 4:25 Violin, Backing Vocals – Florence Fritz B5 Fairy Paradise 4:10 B6 Here I Come 3:28 Companies, etc. Phonographic Copyright (p) – CocoRosie Copyright (c) – CocoRosie Licensed To – Souterrain Transmissions Credits Co-producer – David Sitek* (tracks: B1, B3, B5) Engineer [Additional] – Zephyrus Sowers (tracks: B1, B3, B5) Engineer, Mixed By – Nico Kalwill* Layout – David Babbitt Lyrics By, Music By, Producer – CocoRosie Photography By [Cover] – Matt Greene Piano, Keyboards – Gael Rakotondrabe* Written-By [Co-written By] – Gael Rakotondrabe* (tracks: A3, A4, B2, B3, B6) Notes Gatefold sleeve Sticker on sleeve: "180 gram vinyl, including free digital download code". Barcode and Other Identifiers Barcode: 673790 025913 Label Code: LC 20296 Rights Society: GEMA Matrix / Runout (A, Etched):
  • Voir Au Format

    Voir Au Format

    Musique: Cocorosie Par JFB le lun 12/07/2010 - 12:31 Dans un Paris agonisant culturellement, ou rien de majeur ne s’est passé sur le plan musical depuis l’évaporation du groupe AIR, le duo nord américain Cocorosie vient quelque peu remuer les habitudes. Formé en 2003 dans une chambre de bonne de la butte Montmartre, les sœurs Casady, Bianca et Sierra, ont, en quatre albums, su se faire une place sur la scène musicale internationale actuelle. Cocorosie, c’est un pan du rêve américain “made in Paris” où deux sœurs trop longtemps séparées se retrouvent et composent, à la bonne franquette, des chansons qu’elles enregistrent dans leur petite salle de bains. Si l’album de Hip-hop Word to the crow reste dans les tiroirs, les chansons qui composent l’album La maison de mes rêves trouvent preneur au sein du label indépendant Touch and go. La collaboration entre ce label de référence de la musique indépendante, avec au catalogue des groupe tels Calexico, Henri Rollins, Shellac ou encore the Ex, durera sept ans et donnera lieu à la sortie de trois albums. Le deuxième album, n’a pas été enregistré dans une petite salle de bains du XVIIIe arrondissement de Paris, mais dans beaucoup d’endroits, là où le vent poussa les deux sœurs Coco et Rosie lors de cette année 2005. L’album intitulé Noah’s Ark est un bon mélange de folk déjanté, de musique expérimentale et de pop. Quels morceaux deviennent des références telle la chanson Beautiful Boyz où la voix de Antony Hegarty du groupe Antony and the Johnson se complète incroyablement avec le chant mélancolique des sœurs Casady.
  • O Świecie I Obrazach Świata. Prace Magisterskie Studentów Akademii Sztuk Pięknych W Katowicach 2011–2019, Vol

    O Świecie I Obrazach Świata. Prace Magisterskie Studentów Akademii Sztuk Pięknych W Katowicach 2011–2019, Vol

    O świecie i obrazach świata. Prace magisterskie studentów Akademii Sztuk Pięknych w Katowicach 2011–2019 vol. /// Malarstwo Malarstwo Grafika Grafika Warsztatowa Warsztatowa Małgorzata Kulik Marta Czarnecka Magdalena Natalia Wiśniewska Pietruszewska ! & # ( Projektowanie Malarstwo Malarstwo Grafika Graficzne Warsztatowa Urszula Mitas Przemysław Magdalena Urszula Jeżmirski Wiśniewska Przyłucka-Miozga " ' $ ) Projektowanie Projektowanie Graficzne Graficzne Barbara Pospischil Katarzyna Jendrośka-Goik % !* O świecie i obrazach świata. Prace magisterskie studentów Akademii Sztuk Pięknych w Katowicach 2011–2019 pod redakcją Mieczysława Judy vol. ### Akademia Sztuk Pięknych w Katowicach Katowice 2019 1 &'#& ()*+,# -. )*./0(-)/ 1 5 Małgorzata Kulik Paradoksy obrazu / 11 Marta Czarnecka Derridiańskie koncepcje gry różnic a filozofia postmodernistyczna / 71 Magdalena Wiśniewska Upadek higieny ontologicznej w świecie ponowoczesności / 119 Natalia Pietruszewska Sposoby istnienia. Tożsamość w przestrzeni cyberkultury / 165 Urszula Mitas Zagubieni w informacji. O porządkowaniu rzeczywistości realnej i cyfrowej / 191 Przemysław Jeżmirski Moje ciało jest moim wydarzeniem / 235 Paulina Walczak Miejscotwórstwo – Miejscoodtwórstwo. Przestrzenie współzależne – świat i jego obrazy w naszej świadomości / 283 Urszula Przyłucka-Miozga THE BLUE BOOK / 317 Barbara Pospischil Gry komputerowe, a rozwój technologii komputerowej / 383 Jendrośka-Goik Przedmiot – podmiot – ciało w kulturze. Wokół interpretacji twórczości CocoRosie / 417 #$ %&$'()#%' Kolejny, trzeci już tom O świecie i obrazach świata wychodzi tym razem po więcej niż ośmiu latach po tomie poprzedzającym z roku 2010. Rozmaite stoją za tym powody, lecz ten większy niż poprzed- nio interwał pomiędzy tomem drugim i pierwszym i zdecydowanie większy niż założony początkowy pięcioletni, pokazuje tym bardziej wyraziście obraz rzeczy i tendencje, które dawniej zarysowane teraz tylko mają okazję się potwierdzić. Wszystkie wcześniej wskazywane elementy dotyczące charakteru i natury pisemnej pracy magisterskiej zachowują swoją wartość i znaczenie.
  • 'Apathy Is Our Enemy'

    'Apathy Is Our Enemy'

    March 2, 2018 | Volume XV, Issue 22 one the right to a job because Federal Appeals Court: You they are attracted to someone of the same sex is a form of sex dis- crimination, plain and simple. “We will continue pushing this Can’t Be Fired for Being Gay issue until every LGBT person in this country benefits from the pro- On Monday, February 26th, in a 1964 Civil the case before the Second Circuit. tection that our federal law pro- ten-to-three decision, the full Sec- The Second Circuit ruling is the vides by its plain terms against ond Circuit Court of Appeals ruled Rights Act latest in a trend of rulings clarifying discrimination because of a per- that discrimination on the basis that Title VII of the Civil Rights Act son’s sex, including their sexual of sexual orientation violates the covers covers adverse treatment that takes orientation.” Civil Rights Act of 1964, the fed- sexual an employee’s gender into account, In the opinion filed today, eral law that prohibits employers including firing men, but not women, Chief Judge Katzmann writes: from discriminating against em- orientation for the same thing: being romantical- “Although sexual orientation ployees on the basis of sex, race, ly attracted to men. discrimination is ‘assuredly not color, national origin, and religion. “Today’s opinion is a huge victory in the the principal evil that Congress The ruling comes in the case of the late fight for equality and fairness for all LGBT was concerned with when it en- Victory in Federal court – Rachel Tiven, Lambda Legal Donald Zarda, a New York skydiving instruc- workers,” said Lambda Legal’s Greg Nevins.
  • Simplicity Two Thousand (M

    Simplicity Two Thousand (M

    ELECTRONICA_CLUBMUSIC_SOUNDTRACKS_&_MORE URBANI AfterlifeSimplicityTwoThousand AfterlifeSimplicityTwoThousand(mixes) AirTalkieWalkie Apollo440Gettin'HighOnYourOwnSupply ArchiveNoise ArchiveYouAllLookTheSameToMe AsianDubFoundationRafi'sRevenge BethGibbons&RustinManOutOfSeason BjorkDebut BjorkPost BjorkTelegram BoardsOfCanadaMusicHasTheRightToChildren DeathInVegasScorpioRising DeathInVegasTheContinoSessions DjKrushKakusei DjKrushReloadTheRemixCollection DjKrushZen DJShadowEndtroducing DjShadowThePrivatePress FaithlessOutrospective FightClub_stx FutureSoundOfLondonDeadCities GorillazGorillaz GotanProjectLaRevanchaDelTango HooverphonicBlueWonderPowerMilk HooverphonicJackieCane HooverphonicSitDownAndListenToH HooverphonicTheMagnificentTree KosheenResist Kruder&DorfmeisterConversionsAK&DSelection Kruder&DorfmeisterDjKicks LostHighway_stx MassiveAttack100thWindow MassiveAttackHits...BlueLine&Protection MaximHell'sKitchen Moby18 MobyHits MobyHotel PhotekModusOperandi PortisheadDummy PortisheadPortishead PortisheadRoselandNYCLive Portishead&SmokeCityRareRemixes ProdigyTheCastbreeder RequiemForADream_stx Spawn_stx StreetLifeOriginals_stx TerranovaCloseTheDoor TheCrystalMethodLegionOfBoom TheCrystalMethodLondonstx TheCrystalMethodTweekendRetail TheCrystalMethodVegas TheStreetsAGrandDon'tComeforFree ThieveryCorporationDJKicks(mix1999) ThieveryCorporationSoundsFromTheThieveryHiFi ToxicLoungeLowNoon TrickyAngelsWithDirtyFaces TrickyBlowback TrickyJuxtapose TrickyMaxinquaye TrickyNearlyGod TrickyPreMillenniumTension TrickyVulnerable URBANII 9Lazy9SweetJones
  • VINYL POP 2011 08 20.Xls 20/08/2011 1/247 Artist Title Units Media Price € Origin Label Genre Release Eancode Abe Vigoda 7-Animal Ghosts 1 12In 14 € Usa Ppm

    VINYL POP 2011 08 20.Xls 20/08/2011 1/247 Artist Title Units Media Price € Origin Label Genre Release Eancode Abe Vigoda 7-Animal Ghosts 1 12In 14 € Usa Ppm

    Artist Title Units Media Price € Origin Label Genre Release Eancode A Bit of Education 7-A Bit of Education -Ltd 1 12in 13 € Eu Dille Pop 23/07/2007 5060156910009 A Boy Named Thor 7-No Cult Girlfriend 1 12in 12 € Eu Mo Re Pop 23/04/2001 5021272050277 A Certain Ratio 7-Do the Do 1 12in 14 € Nld Soulj Pop 26/01/2010 9991606082471 A Certain Ratio Early 2 Lp 24 € Nld Soulj Pop 11/04/2002 5026328000602 A Certain Ratio Live In Groningen,.. -Hq- 1 Lp 18 € Eu Vlove Pop 6/12/2010 0889397901158 A Challenge of Honour Seven Samurai -Ltd- 1 Lp 22 € Nld Vriha Pop 15/09/2005 2090502548245 A Clean Kitchen is a Happ A Clean Kitchen is A.. 1 12in 22 € Eu Jf. Pop 21/03/2011 5052571007112 A Fir-Ju Well 7-What's Coming For You 1 12in 14 € Usa Rob's Pop 25/04/2006 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 16 € Nld Cleop Pop 12/07/2007 9991301106656 A Flock of Seagulls 7-I Ran (So Far Away) 1 12in 17 € Usa Cleop Pop 2/09/2008 0741157193817 A Flock of Seagulls Magic 1 Lp 16 € Eu Cresc Pop 1/01/1991 0052824120815 A Flock of Seagulls Space Age Love Songs 1 Lp 12 € Eu Lilit Pop 14/04/2011 8013252915116 A Frames 2 1 Lp 22 € Nld Bornb Pop 24/02/2011 5413356130713 A Girl Called Eddy A Girl Called Eddy 1 Lp 17 € Nld Anti Pop 21/06/2004 8714092671919 A Grave With No Name 7-Streams/Feathers 1 12in 17 € Usa No Pa Pop 17/05/2011 A Hawk and a Hacksaw Delivrance 1 Lp 23 € Nld Leaf Pop 14/05/2009 0843190006410 A Hawk and a Hacksaw Way the Wind Blows 1 Lp 22 € Nld Leaf Pop 9/10/2006 0843190001217 A Killz Insane Bangers Vol.9 1 12in 17 € Nld Insba Pop 23/12/2010 5050580535299 A Paon 7-A Paon Ep -2tr- 1 12in 14 € Usa Elve Pop 18/08/2009 9991509096742 A Radio With Guts Beat Heart Sweet Stereo 1 Lp 17 € Nld S.Dum Pop 11/07/2002 3481573364862 A Storm of Light A Storm of Light -Mlp- 1 Lp 20 € Nld Ltit Pop 2/06/2011 0718752152310 A Storm of Light As the Valley of Death.
  • Christos Tsiolkas Interviews Fiona Mcgregor

    Christos Tsiolkas Interviews Fiona Mcgregor

    FREE JUNE 2010 Readings Monthly Marieke Hardy on Benjamin Law • Cate Kennedy on Robin Black OURTESY SCRIBE PUBLICATIONS) C ( INDELIBLE INK OR'S G DETAIL OF COVER FIONA MGRE DETAIL Christos Tsiolkas interviews Fiona McGregor AUS FICTION HUMOUR FICTION NON-FICTION NON-FICTION DVD JAZZ CD CLASSICAL $32.95 $27.95 $27.95 $32.95 $27.95 $55 $39.95 $19.95 $34.95 $32.95 $34.95 >> p5 >> p4 >> p6 >> p11 >> p10 Blu-ray $44.99 >> p17 >> p19 >> p16 June book, CD & DVD new releases. More new releases inside June event highlights : David Marr, Benjamin Law, Lisa Miller, Nicolas Rothwell, Street/Studio, Bob Graham. More events inside All shops open 7 days, except State Library shop, which is open Monday - Friday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952. Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email [email protected] Check opening hours, find event details, or browse and buy online at www.readings.com.au 2 Readings Monthly June 2010 From the Editor JUNE HIGHLIGHTS ThisTHE READINGS Month’sBLOOMSDAY News NEW LITERARY T-SHIRTS I’m excited about this issue (if FOUNDATION Bloomsday in Melbourne’s seventeenth COMING SOON IN JUNE I say so myself) – and by Applications for the Readings Foundation celebration, on Wednesday 16 June 2010, Celebrating the world's some fantastic June titles. will open in August, 2010. The Foundation focuses on the Circe chapter of James Joyce’s greatest stories through Fiona McGregor’s clever, aims to increase and formalise Readings’ Ulysses.
  • Ewan Pearson

    Ewan Pearson

    Craft Kidderminster, your home town, might be known to pro-audio followers as the former Ewan Pearson home of Midas and Klark Teknik… People I know from school did work experience at Klark Teknik, but I went to the DAVE ROBINSON talks to the supremely positive and Shuttle, the local newspaper! Music was a real personable dance music DJ/remixer-turned-producer about passion and I was interested in production and ‘how do they get these things to sound the his recent work with the caramel-voiced Tracey Thorn way they do?’ but at that stage I only had two synths and an Atari ST... When dance music happened and made a huge impact in Britain, he plot of Midlands-born Ewan Alongside a respected remixing career, that was the point where I thought, right, you Pearson’s formative years is not an Pearson has become the producer and studio don’t need anybody else, and I got really into unfamiliar tale. He fussed and fiddled confidante for Tracey Thorn in her post- instrumental dance music. At the time, the Twith bedroom techno as a teenager, Everything But The Girl years. He’s worked on only thing I wanted to do was have a 12-inch before dropping out of college to pursue ‘a practically all of Thorn’s solo projects since her white label. That was the sum total of my career in music’ and then experiencing the comeback album Out of the Woods (2007). On ambition — I couldn’t see it as a job anywhere highs and lows of the struggling artist.
  • Garbage Collects in Pacific Titans Sweep Experts Estimate That Thousands of Marine Mammals Are Killed Each Year from Trash Accumulating in the Ocean

    Garbage Collects in Pacific Titans Sweep Experts Estimate That Thousands of Marine Mammals Are Killed Each Year from Trash Accumulating in the Ocean

    Vol. 87 Issue 53 May 17, 2010 Multimedia Everyone needs to know how to prepare for an earthquake - watch this handy guide at www.dailytitan.com/earthquakeprep Fibromyalgia Day: Participants raise awareness of the Grad Guide devastating effects of fibromyalgia. included NEWS, Page 2 The Student Voice of California State University, Fullerton Garbage collects in Pacific Titans sweep Experts estimate that thousands of marine mammals are killed each year from trash accumulating in the ocean. The Beach in 26-run weekend PHOTO BY CAMILLE TARAZON/Daily Titan Staff Writer Junior infielder Christian Colon hits a homerun in the second inning, bringing in Richie Pedroza and Casey Watkins on Friday night’s baseball game against the Dirtbags of Long Beach. BY NICHOLAS FORTES Daily Titan Staff Writer [email protected] Cal State Fullerton Titan baseball swept their confer- ence rivals, the Dirtbags of Cal State Long Beach, this past weekend winning 12-2, 8-0 and 6-4; clinching an automatic playoff appearance with UC Irvine’s Sunday loss to UC Santa Barbara. “It means a lot. We don’t want to have to share it with anyone, we’re proud of what we’ve accomplished but we still have a lot of baseball to go,” Titan Head Coach Dave Serrano. “I congratulated the team on at GRAPHIC COURTESY MCT least being co-champs and having an automatic berth Diagram of the Pacific Ocean showing where the Great Pacific Garbage Patch, a slow-moving zone that allows floating debris to accumulate, resides; includes ocean currents. San Jose Mercury News 2009 winning the two out of three (over UCI), but we want to win it by ourselves so we will continue to work hard BY MELISSA MALDONADO States to the patch in about six years; debris from East decades later, greatgarbagepatch.com estimates that the as a team.” Daily Titan Staff Writer Asia makes it in less than a year.
  • Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience

    Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience

    Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience by Christine Sarah Steinbock A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014 Christine Sarah Steinbock ii Abstract Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience Americana, a musical genre defined by its place in a lineage of roots music styles and a nostalgic outlook is enjoying increasing mainstream popularity in response to general societal unease about the fast pace of social change and the increasing presence of technology in everyday life. Americana artists’ invocations of the past cultivate a psychic landscape of collective memory that quells fears of change by asserting the sustained value of the past. Instead of actively resisting social and technological change Americana artists, listeners and promoters embrace technology in service of a nostalgically- motivated humanization and disintermediation of musical performance and consumption. Gillian Welch and Dave Rawlings (who perform as “Gillian Welch”) and their 2011 album The Harrow & the Harvest are analyzed vis-à-vis the ways in which their musical and visual invocations of the rural past dialogue with a psychic landscape of collective memory. iii Acknowledgements I want to express my gratitude for the opportunity to study in the Music and Culture program at Carleton and the privilege of working alongside such dedicated scholars, professors and fellow students alike. I want to especially thank my supervisor, Dr.