DOCSLIB.ORG

Cinema Canada (416) 596-6829 Or (514) 272-5354; Will Be Handled by CBS Broadcast Mary Armstrong, Elise Swerhone

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cinema Canada (416) 596-6829 Or (514) 272-5354; Will Be Handled by CBS Broadcast Mary Armstrong, Elise Swerhone CINEMA CAN A D A • BY JIM LEVESQ UE he following is a list of current projects being produced in Vlgars. Anna Maria Muccilli ( 416) WHAT'S NEW? J. Cole p . Jim Cole assoc.p. Patrick 35mm. budget: $3,000,000. Official 259·7684 A weekly 112 hr. series. A show for and Payne d. Paul Tucker cam. Tobias CanadalFrance co-production with Canada , Only 1V series and films over one hour are GATE II, about teenagers which looks at news Schliessler p .des. Richard Wilcox art Ardoukoba, Paris . Locations include included, Projects are separated into four categories: On Sequel to the 1987 film THE GATE. A events and Issues. movies and music. d. Tom Duquette set dec. El izabeth East Africa, France. Hungary, the T supernatural, special effects thri ller. exec. p_Cindy Reyes p. Lynne Sleigh, Wilcox cos!. Ph ilip Lowe. Debbie Jow Amazon, Peru , Los Angeles, Baffin Location, Pre-production, Projects in Negotiation, and In the Can, Shooting began on Nov. 3rd . p . Donna Lee Aprile. Jennifer Gibson, sd. Michael McGee sp. tx . Gary Paller Island. Yukon, the Mackenzie Valley. While films in the project stage are subject to change, only those Andras Hamori line p . Peter Bray Steven Wright. hosts David ed. Peter Riley p. man. Shirley Gill Aif shooting ends at the end of 1989. p. p.man. Pani Meade p.co-ord. Lynn KhchinglSuhana Meharchand ass!. d. Larry Horricks casting Anne George Wright. Helene Fournier, Philip in active pre-production at the time of publication - those which Mallay d. Tibor Takacs sc. Michael pub. Jan Oddie. Andersons US casting Cathy Ja ckson have set a date for beginning principal photography and are also Nankin d. O. p. Bryan England p. des. WDNDERSTRUCK Henderson I. p. Ryane Michael, MAKO FILMS LTD, William Beeton sp. fx. des. Randall An ongoing science magazine for 8 to Deborah Wakeham, Stephen Miller (416)322-1172 engaged in casting and crewing - are listed under Pre-production, William Cook sp. make-up & 17 year-olds, produced by the CBC TY pub. Brigine Prochaska dlst. Modern THE LAST FRDNTIER The In Negotiation section is published every other month due to prosthetics Craig Reardon d. O. p. Network Children's Department. exec. Cinema Marketing Inc The third season 01 the 70 x 112h TY lack of turnover in projects, Films are listed by the name of the Bryan England pub. Janice Kaye p . Liz Fox assoc. p. Helga FILMLINE INTERNA TlONAL series about the sea. This (416) 8932900 I.p. Louis Tripp. Haberiellner rep. Debra Manhews p . ( 514 ) 288-5888 adventure/docu mentary series is a company which initiated the project, or by the company that is Paemel Segall, James Villemalre, Paul Goodman, Bob McDonald, Debra BETHUNE : THE MAKING DF A co-production with the CTV Television Simon Reynolds. Neil Munroe. Layne Mathews host Bob McDonald pub. HERD Network. Shooting is scheduled to end popularly associated with it. The production company is not Colman pub. Janice Kaye, Anna Maria Jan Oddie (416) 975·6776, A feature filmlfour-hour miniseries. this month. dist. Lorimar Teiepictures necessarily the same company which initiated or is associated with Muccilli. Shooting resumed on Oct. 29th in exec. p.ld. John Stoneman narr. CBC· TVORAMA Montreal for four weeks and will Henry Ramer host John Stoneman m. the project. ATLANTIS (416) 975·7186 continue in Spain until the end 0/ this Alan Kane p. Sarah Stoneman When two companies are different, the name of the production (416) 462·0246 FAMILY PICTURES month. A co-production with China and composer Ulysses corp. surface An anthology series ( 1 3 x 1/2hr. ) with If THE TWILIGHT ZONE Belstar Productions ( France) with the cin. Rob Garrard underwater cln. company, if known, is given, producers ask us not to list a London Films and Atlanlls Films are episodes produced by independent panicipation of Telefilm and the CBC. Adam Ravetch asst cam. Norman project or to withhold certain credits because of ongoing collaborating with CBS Broadcast producers In association with regional p . Pieter Kroonenberg. Nicolas Bouchonnais sup. ed. Joseph Blasioli negotiations, we respect their request. Projects are up-to-date as International on 30 new 1/2h sci· Ii production centres. p. Geoff Clermont assoc. p . Julie Allan d. Philip ed. KIp Spidell, Alex Van Ihlnger assit episodes. Shooting until mid- Dec.on Leboutillier, Christine Cavanagh, Borsos sc. Ted Allan I.p. Donald ed. Scott Molnar negative cutter Erik a of the 15th of the month preceding publication, location in Toronto. exec. p. Mark Luciano Lisi, Richard Davis, Nick Sutherla nd budget $13 million pub. Wolfe scientific cons. Or . Alan Emery Please telephone additions and up-dates to: Shelmerdine. Michael MacMillan p. Kendall, Maureen MacDonald. Peter DaVid Novek Assoc. (514 ) 284-2113 stills ph. Ruby Cler. Steven Lewis W. Seaton McLean dlst. new episodes Bryant. Nick Bakyta. Michael Chechlk. Jo BlasloH, Kip Spidell. Cinema Canada (416) 596-6829 or (514) 272-5354; will be handled by CBS Broadcast Mary Armstrong, Elise Swerhone. Joan HBW TELEVISION FAX (514) 270-5068 International and MGM/UA Scott. d. Gil Cardinal. Hermenegitde PRODUCTIONS Telecommunications pub. Jeremy Chaisson, N. Kendall. P. Bryant, Brad (403) 228·1900 Kantz. Turner, Francois Labonte. CONNECTING (SERIES III MOLSTAR COMMUNICATIONS E. Swerhone. pub. SaUy Swank (416) 26 x 1I2h series of a Donahue-style (416) 922·2443 FILM CREDIT ABBREVIATIDNS BEACON GROUP 975-7176 forum for teenagers. host. Re iner STARTING FROM SCRATCH acc. accountant a.d. assistant director adept. adaptation admln. administration (604) 980·3511 THE WAY WE ARE Schwarz p ./d. Helene B. White . 23 x 112 hr. situation comedy series. anlm. animation art d. art director assoc. p. associate producer cam. cameraman COLD FRONT An anthology series which showcases exec. p . Bruce Raymond dist. Co-produced with Taft Entertainment cast. casting director co-p oco -producer cont. continuity cost. des. costume A Canadian action/adventure feature a coll ection of regional dramas Raymond International pub. Sharon (Los Ang eles ) and being shot on designer d. director dey. development dial. dialogue dist. distributor d. o. p director produced in Vancouver, Edmonton. which ends shooting this month in Si nger (4 16 ) 488-2832. Produced in location In Montreal until mid-Feb. of photography ed. editor elec. electrician exec. In ch. of p . executive in chief 01 Vancouver. p . Ed Richardson. Sean Calgary. Winnipeg. Regina, Toronto. associatIOn with CFCN-TV. Calgary exec. p . Perry Rosemond. Victor production exec. p. executive producer funds. financial services gaff. gaffer ginny Onawa. Montreal. Halifax. and St Allan exec. p. Grant Allan. Stephen and CHCH-TV Hamilton. Solnicki p. P.Rosemond assoe. p. op. ginny operator hair hairstylist key grip key grip light d. light director line p. line Cheikes d. Allan Goldstein sc. S. John's .exec.p. Robert Allen writers CITY-Edmonton. CFPL-London and Harve LeVine exec. In charge of p. producer loc. man. location manager m. music narr. narrator orig. m. onglnal music Peter Roberts, Jonathan Campbell, Allan. Stefan Arngrim d. o. p . Thomas ASNMaritimes Garry Blye creator Brian Cooke d. An p. producer p . CI . production assistant p. acc. production accountant p. C. production Burtsyn 1st a.d. T. W. Peacocke ed. David Petersen. Steve Wheeler, Jack Dikijian assoc. d. Danny HarriS art d. company p . co-ord. production co-ordinator p. des. production designer ph. Manin Hunter p. man. Don McLean Winter. Thomas Lepinski. Marc KEG PRODUCTIONS LTD Rudi Dorn p. sup. Karen Hughes photography p. man. production manager post p . sup. post-production supervisor p.co-ord. Linda Sheehy loc. man. F. Gelinas . Hart Hanson. Kelly Rebar (416) 924·2186 p. ccrord. Jonathan Holiff teeh. d. props prop master pub. publicity rep. reporter SC . script sd. sound sd. ed. sound directors William MacGillivray. Randy Nanci E. Larman p. des./art d. Sanna PRDFILES OF NATURE Marc POliquin I. p. Connie Stevens. Bill editor sd. rec. sound recording set dec. set decorator set des. set deSigner sp. fx. Rotsteln-Chlkes set dec. Bryn Finer Bradshaw. Jim Swan, Roy Hayter. Don A senes of 12 x 1 hour WIldlife specials Dally. Nita Talbot. dist. Worldvision special effects sp. ph. I x. special photographic effects stills ph. slilis photography props Debbie Erhardt sc. sup. Susan Williams, Leo Foucault. Jack Emack, to be completed by Nov. '89. Enterprises pub. J.Holiff (514 ) story ed. story editor sup. ed. supervising editor sup. p. supervising producer tech. Welf cost. des. Jon Woodman gaff. Leo Rampen. Don Haldane. Annie Pre-commitments from Global with 526,2881 . (j. technical director w. writer ward. wardrobe mistress I. p . leading players. Einar Hansen key grip Trou Bayliss O'Donoghue producers J. Emack. financing through Calgary's sd. Martin Fossum spfx co-ord. Ga~ Peter Lower. Jim Swan. David Dewar, CFCN-TV. p. Ralph C. Ellis exec. p. NELVANA Paller stunt coord. Bill Ferguson Janet Evans, Leo Foucault. David Stephen Ellis assoc. p . Cameron ( 416) 588·5571 Sharon McGowan. pub. On Location Produced with the participation of cast. Fiona Jackson/Gen Lee Smith - Waters, Tingley ed. Kip Spidell sd.ed. Robert TANDT Susan Procter. First Choice, Telefilm, B. C. Film, (Vancouver),Lynn Stalmaster( Los Blocking orlg. m. Ron and Anne 20 x 1/2 hr. action/adventure series ALLIANCE ENTERTAINMENT NFB. p . Steven DeNure co-p./sc.ld. Angeles ) dist. Atlantic (U. S. ) I. p . Harrison narr. Neil Dainard writers shooting in and around Toronto until CINE-GROUP J. P. INC. CORP. Sandy Wilson exec. p. Robert Lantos Martin Sheen, Michael Ontkean. Kim William Davidson. Hugh Kemp. Francis the end of Dec. Produced in (514) 524·7567 (416)967·1174 assoc. p. Ralph Zimmerman exec. In Coates. Beverly D·Angelo. Yvan Chapman cam.
Load more

Recommended publications
  • FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
    The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world.
    [Show full text]
  • What Every Producer's Attorney Should Know Jacqui Gold Grunfeld
    Hastings Communications and Entertainment Law Journal Volume 14 | Number 4 Article 1 1-1-1992 Docudramas: The Legality of Producing Fact- Based Dramas - What Every Producer's Attorney Should Know Jacqui Gold Grunfeld Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jacqui Gold Grunfeld, Docudramas: The Legality of Producing Fact-Based Dramas - What Every Producer's Attorney Should Know, 14 Hastings Comm. & Ent. L.J. 483 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss4/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Docudramas: The Legality of Producing Fact-Based Dramas-What Every Producer's Attorney Should Know by JACQUI GOLD GRUNFELD* Table of Contents I. Introduction .............................................. 485 A. Docudrama: A Popular Form of Entertainment ....... 485 B. Producing Docudramas ............................... 487 II. Potential Liabilities When Rights Are Not Secured ......... 488 A . Introduction ......................................... 488 B. Defamation Law: Libel ..............................
    [Show full text]
  • Download This PDF File
    • c I N E M A G • 1986 PRODUCTION CUIDE I' VE HEARD THE MERMAIDS SING Canadian Theatrical VOS PRODUCTIONS INC. Compiled by Ann Kettenbeil PATRICIA B. ROZEMA, ALEXANDRA Features RAFFE PATRICIA ROZEMA The Jollowing is a list oJ Jilm and video productions shot in Canada in 1986. The SEP-OCT A JUDGEMENT IN STONE categories are Canadian theatrical Jeatures, television Jeatures, one-hour television, ON RAWIFILM INC.!SCHULZ TFC,OFDC PRODUCTIONS and Joreign theatrical Jea tu res and television programs, HARVE SHERMAN, JIM COLE IN THE SYSTEM OUSAMARAWI Although the list is as complete as we were able to make it, there are inevitable omis­ NA TlONAL FILM BOARD OF CANADA 'BS-21 FEB sions and errors, Jor which we apologize in advance, In some cases, the production com­ JOHN N . SMITH, SAM GRANA ON JOHN N. SMITH TF,GLOBAL TV pany could no longer be traced, in others the "nationality" oJ the Jilm was uncertain, SEp·NOV aC,ON A STRANGER WAITS In still others, a Pilot may have Jailed to materialize into a series though the title re­ EDGAR AND BRUCE LANSBURY mains in our series list, We take this occasion to ask producers to provide us throughout JAZZ ET BLUES DE LA NOUVELLE ROBERT LEWIS ORLEANS DEC the year with the most complete inJormation possible. NATIONAL FILM BOARD OF CANADA BC ERIC MICHEL The inJormation is given in the Jollowing order: ANDRE GLADU ALFRED LALIBERTE, SCULPTEUR - title OCT-DEC LES FILMS FRANCOIS BRAULT INC. USA CLAUDE SYLVESTER - production company JEAN PIERRE LEFEBVRE - producer JEANNE AVEC NOUS JUNE-SEP SOCIETE RADIO-CANADA QC,ON,FR director JEAN FAUCHER TFC,SGCQ,RC - dates oJprincipal photography QC AN AMERICAN GOTHIC - location oJ shoot JOHN AND THE MISSUS JOHN QUESTED BIG ISLAND MOTION PICTURES INC JOHN HOUGH - Jinancial participants (see abbreviations below) (Independent PIctures Inc) DEC PETER O 'BRIAN, JOHN HUNTER BC - miscellaneous inJormation, including CRTC license (CRTC) and Canadian certifica- GORDON PINSENT UK,CDA tion approval (CCA).
    [Show full text]
  • Affidavit of Claude Robinson Feb
    500-09-020033-098 QUÉBEC COURT OF APPEAL (Montréal) On appeal from a judgment of the Superior Court, District of Montréal, rendered on August 26, 2009 by the Honourable Mr. Justice Claude Auclair. _______ No. 500-09-020033-098 C.A.M. – 500-05-021498-967 S.C.M. CINAR PRODUCTION LES FILMS CINAR INC. APPELLANTS (defendants) v. CLAUDE ROBINSON LES PRODUCTIONS NILEM INC. RESPONDENTS (plaintiffs) - and - FRANCE ANIMATION S.A. CHRISTOPHE IZARD RAVENSBURGER FILM + TV Gmbh RTV FAMILY ENTERTAINMENT AG RONALD A. WEINBERG CHRISTIAN DAVIN PETER HILLE BBC WORLDWIDE TELEVISION THERESA PLUMMER-ANDREWS HÉLÈNE CHAREST McRAW HOLDINGS INC. MIS-EN-CAUSE (defendants) RONALD WEINBERG ès qualités Liquidator of the Estate of Micheline Charest MIS-EN-CAUSE (defendant in continuance of suit) VIDEAL GESELLSCHAFT ZUR HERTELLUNG VON AUDIOVISUELLEN PRODUKTEN MHB 3918203 CANADA INC. MIS-EN-CAUSE (mis-en-cause) APPELLANTS’ FACTUM AND SCHEDULE Henri A. Lafortune Inc. 2005 Limoges Street Tel. 450 442-4080 Longueuil, Québec Fax 450 442-2040 J4G 1C4 [email protected] www.halafortune.ca - 2 - Me William Brock, Ad.E. Me Cara Cameron Me Christine Aubé-Gagnon Davies Ward Phillips & Vineberg LLP 26th Floor 1501 McGill College Avenue Montréal (Québec) H3A 3N9 Tel. : 514 841-6400 Fax : 514 841-6499 [email protected] [email protected] [email protected] Counsel for appellants Cinar Corporation, Les Films Cinar inc. and 3918203 Canada inc. Me Florence Lucas Me Francine Martel Me Jeanne Tugault-Lafleur Gowling Lafleur Henderson LLP 37th Floor 1 Place Ville-Marie Montréal (Québec) H3B 3P4 Tel. : 514 392-9590 Fax : 514 878-1450 [email protected] [email protected] [email protected] Counsel for respondents Claude Robinson and Les Productions Nilem inc.
    [Show full text]
  • Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
    DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit.
    [Show full text]
  • Seabrook Post Office Wrecked by Explosion
    >ri., - m The weather Inside today Variable cloudlneaa with chance o t showers thii afternoon. High mM 70s to news.........5 obituaries .. 10 low 80s. Chance of showers tonight en­ ■ v-v-™ Business..............6 Sr. Citliens.........8 ding Sunday morning. Low SS-60. Sun­ Churches............ 8 Sports............11-lJ day partly sunny, high near 80. Fair Classified ... .1M8 Wings ................. 8 Monday with high near 80, NaUonal “p ® Comic............... 8 Week-Review ...2 weather forecast map on Page 10. Dear Abby.........8 Fourth bombing in 24 hours tJ Seabrook Post Office wrecked by explosion bW*-. M SEABROOK, N.H. (UPI) - The Seabrook. He didn’t say where or Security at Massachusetts’ historic fourth bombing in 24 hours within a what time it was to go off. He also sites has been Increased for the July 45-miIe radius of Boston Friday claimed he was with some militant 4th Bicentennial weekend. Many wrecked the interior of the Seabrook group but I didn’t catch the name of Massachusetts communities, post office. it. He claimed his group was respon­ expected increased tburism during The New Hampshire blast came at sible for the Newburyport bombing, the weekend because of the state’s 10:45 p.m., 18 minutes after a male also." central role in the 1776 revolution and caller informed Deputy Fire Chief Sanborn said the explosion at the colonial America. Ernest Sanborn a bomb had been post office was clearly heard^-gt the "We will utilize all resources and planted somewhere in Seabrook, a fire station nearly two miles away. every available man at our disposal seacoast summer resort astride the Arriving at the scene, Sanborn said to increase security this weekend at Massachusetts line with a population he found “jieavy smoke from the historical shrines and monuments,” of 3,000 persons.
    [Show full text]
  • Financial Reporting Frauds: a Manifestation of Hubris in the C-Suite? Some Exploratory Evidence
    Cahier de recherche 2013-02 Financial Reporting Frauds: A Manifestation of Hubris in the C-Suite? Some Exploratory Evidence Michel Magnan John Molson School of Business Concordia University 1455 de Maisonneuve West Montreal, Quebec, CANADA H3G 1M8 Denis Cormier Department of Accountancy UQAM C.P. 8888, Down Town Station Montreal, Quebec, CANADA Pascale Lapointe-Antunes Department of Accounting Goodman School of Business Brock University 500, Glenridge Avenue St. Catharines, Ontario, CANADA, L2S 3A1 The authors acknowledge receiving financial support from Autorité des marches financiers, the Chair in Performance Reporting and Disclosure (UQAM), the Lawrence Bloomberg Chair in Accountancy (Concordia), the Social Sciences and Humanities Research Council of Canada, FQRSC (Quebec) and the CA/Brock University Institute for International Issues in Accounting. We thank workshop participants at Brock University, York University, Concordia University, HEC Paris, UQAM, University of Padova, University of Rennes I, ESSEC and Ivey (University of Western Ontario) for their comments and suggestions, especially Antonio Parbonetti, Sophie Audousset-Coulier, Marion Brivot, Claudine Mangen, Tim Fogarty and Darlene Bay. All usual caveats apply. Financial Misreporting: A Manifestation of Hubris in the C-Suite? Some Exploratory Evidence Abstract In this paper, we investigate if and how a firm’s managerial, governance and market oversight attributes relate with a propensity to financial misreporting. Our sample comprises both firms for which there was a regulatory allegation of financial misreporting accompanied by fines as well as firms matched on industry and size with no evidence of misreporting. Our findings suggest that proxies for managerial hubris (active mergers and acquisitions strategy, complex corporate structure, top-rated managers) fed by fawning media and financial analysts, may be a potential driver of financial misreporting.
    [Show full text]
  • AWNMAG5.05 Cover
    Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI.
    [Show full text]
  • An Economic Analysis of the Prime Time Access Rule
    BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18
    [Show full text]
  • 10 FRANCSS 10 Francs, 28 Rue De L'equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265
    MIPTV - MIPDOC 2013 PRE-MARKET UNABRIDGED COMPREHENSIVE PRODUCT GUIDE SPONSORED BY: NU IMAGE – MILLENNIUM FILMS SINCE 1998 10 FRANCSS 10 Francs, 28 Rue de l'Equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265. www.10francs.fr, [email protected] Distributor At MIPTV: Christelle Quillévéré (Sales executive) Market Stand: MEDIA Stand N°H4.35, Tel: + 33 6 628 04 377 Fax: + 33 1 487 48 265 COLORS OF MATH Science, Education (60') Language: English Russian, German, Finnish, Swedish Director: Ekaterina Erementp Producer: EE Films Year of Production: 2011 To most people math appears abstract, mysterious, complicated, inaccessible. But math is nothing but another language to express the world. Math can be sensual. Math can be tasted, it smells, it creates sound and color. One can touch it - and be touched by it... Incredible Casting : Cedric Villani (french - he talks about « Taste »). Anatoly Fomenko (russian - he talks about « Sight »), Aaditya V. Rangan (american - he talks about « Smell »), Gunther Ziegler (german - he talks about « To touch » and « Geométry »), Jean- Michel Bismut (french - he talks about « Sound » … the sound of soul …), Maxime Kontsevich (russian - he talks about « Balance »). WILD ONE Sport & Adventure, Human Stories (52') Language: English Director: Jure Breceljnik Producer: Film IT Country of Origin: 2012 "The quest of a young man, athlete and disabled, to find the love of his mother and resolve the past" In 1977, Philippe Ribière is born in Martinique with the Rubinstein-Taybi Syndrome. Abandoned by his parents, he is left to the hospital, where he is bound to spend the first four years of his life and undergo a series of arm and leg operations.
    [Show full text]
  • For Immediate Release
    ‘BEFORE YOU SAY “I DO”’ PRODUCTION BIOS ZEV BRAUN (Co-Executive Producer) - Chicago-born Zev Braun has been a successful and honored filmmaker for over 30 years. In 1964, his production of “Goldstein” won the Prix de la Nouvelle Critique at the Cannes Film Festival. In 1974, his co-production of Maximilian Schell’s “The Pedestrian” won the Golden Globe Award as Best Foreign Film and was nominated for an Academy Award in the same category. In 1986, Braun again teamed up with director Schell to co-produce “Marlene,” which earned him another Academy Award nomination for Best Documentary Feature along with winning the New York Film Critics Award, The National Society of Film Critics Award and the National Board of Review Award. Braun’s all-consuming interest in filmmaking led him fresh from studying Humanities and Classic Arts at the University of Chicago to enter movies while still serving as President of Braun International, his family’s packaging firm. Some of Braun’s other productions include: “Angela,” starring Sophia Loren and John Huston; “Freedom Road,” starring Muhammad Ali and Kris Kristofferson; “The Fiendish Plot of Dr. Fu Manchu,” starring Peter Sellers; and “Where are the Children,” starring Jill Clayburgh and Frederick Forrest. The 1987-88 television season saw the company produce the TV movie “Stillwatch,” starring Lynda Carter and Angie Dickinson; a four-hour mini-series, “Murder Ordained,” starring JoBeth Williams, Keith Carradine and Terry Kinney; a two-hour NBC movie, “The Father Clements Story,” starring Louis Gossett, Jr., Malcolm-Jamal Warner and Carroll O’Connor (winner of the Christopher Award and CEBA Award).
    [Show full text]
  • Laszloandrew-2000-Everyframearembrandt.Pdf
    EVERY FRAME A REMBRANDT ART AND PRACTICE OF CINEMATOGRAPHY Andrew Laszlo, A.S.C. with additional material by Andrew Quicke Focal Press An Imprint of Elsevier Boston Oxford Auckland Johannesburg Melbourne New Delhi Focal Press is an imprint of Elsevier Copyright © 2000 Butterworth-Heinemann (Si A member of the Reed Elsevier group All rights reserved. All trademarks found herein are property of their respective owners. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photo­ copying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier's Science and Technology Rights Department in Oxford, UK. Phone: (44) 1865 843830, Fax: (44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage: http://www.elsevier.com by selecting "Customer Support" and then "Obtaining Permissions". 0 Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. GLOBAL E*sev*er suPPorts me efforts of American Forests and the Global ReLeaf REPEAT program in its campaign for the betterment of trees, forests, and our environment. Library of Congress Cataloging-in-Publication Data Laszlo, Andrew, 1926- Every frame a Rembrandt: art and practice of cinematography / Andrew Laszlo, with Andrew Quicke. p. cm. ISBN-13: 978-0-240-80399-9 ISBN-10: 0-240-80399-X (pbk. : alk. paper) 1. Cinematography. I. Quicke, Andrew. II. Title. TR850.L38 2000 778.5—dc21 ISBN-13: 978-0-240-80399-9 99-058083 ISBN-10: 0-240-80399-X British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library.
    [Show full text]