Download This PDF File

Total Page:16

File Type:pdf, Size:1020Kb

Download This PDF File • c I N E M A G • 1986 PRODUCTION CUIDE I' VE HEARD THE MERMAIDS SING Canadian Theatrical VOS PRODUCTIONS INC. Compiled by Ann Kettenbeil PATRICIA B. ROZEMA, ALEXANDRA Features RAFFE PATRICIA ROZEMA The Jollowing is a list oJ Jilm and video productions shot in Canada in 1986. The SEP-OCT A JUDGEMENT IN STONE categories are Canadian theatrical Jeatures, television Jeatures, one-hour television, ON RAWIFILM INC.!SCHULZ TFC,OFDC PRODUCTIONS and Joreign theatrical Jea tu res and television programs, HARVE SHERMAN, JIM COLE IN THE SYSTEM OUSAMARAWI Although the list is as complete as we were able to make it, there are inevitable omis­ NA TlONAL FILM BOARD OF CANADA 'BS-21 FEB sions and errors, Jor which we apologize in advance, In some cases, the production com­ JOHN N . SMITH, SAM GRANA ON JOHN N. SMITH TF,GLOBAL TV pany could no longer be traced, in others the "nationality" oJ the Jilm was uncertain, SEp·NOV aC,ON A STRANGER WAITS In still others, a Pilot may have Jailed to materialize into a series though the title re­ EDGAR AND BRUCE LANSBURY mains in our series list, We take this occasion to ask producers to provide us throughout JAZZ ET BLUES DE LA NOUVELLE ROBERT LEWIS ORLEANS DEC the year with the most complete inJormation possible. NATIONAL FILM BOARD OF CANADA BC ERIC MICHEL The inJormation is given in the Jollowing order: ANDRE GLADU ALFRED LALIBERTE, SCULPTEUR - title OCT-DEC LES FILMS FRANCOIS BRAULT INC. USA CLAUDE SYLVESTER - production company JEAN PIERRE LEFEBVRE - producer JEANNE AVEC NOUS JUNE-SEP SOCIETE RADIO-CANADA QC,ON,FR director JEAN FAUCHER TFC,SGCQ,RC - dates oJprincipal photography QC AN AMERICAN GOTHIC - location oJ shoot JOHN AND THE MISSUS JOHN QUESTED BIG ISLAND MOTION PICTURES INC JOHN HOUGH - Jinancial participants (see abbreviations below) (Independent PIctures Inc) DEC PETER O 'BRIAN, JOHN HUNTER BC - miscellaneous inJormation, including CRTC license (CRTC) and Canadian certifica- GORDON PINSENT UK,CDA tion approval (CCA). The latter may just denote provisional approval, SUMMER 86 NF BACH ET BOTTINE In the listing oJJinancial participants, the order oJ the various parties bas no special CBC,TFC,OFDC LES PRODUCTIONS LA FETE INC. ROCK DEMERS, ANNE BURKE significance; participation may pre-sales, etc. The Jollowing abbreviations have been LES ATELIERS DU CINEMA ANDRE MELANCON used: FC = First Choice Communications, OFDC = Ontario Film Development Corp" QUEBECOIS MAR JEAN DANSEREAU QC PBS = a Public Broadcasting Station, RC = ScieM Radio-Canada, RQ = Radio Quebec, MARC-ANDRE FORCIER TFC,SGCQ,CFCF,RC,SE SGCQ Societe generale de cinema du Quebec, SABC South AJrica Broadcasting Corp., NOV-DEC CCA = = QC SE = Super Eeran, cases, the call numbers oJ various stations are used, TFC,NFB,SGCa BLINDSIDE CCA HIGHER EDUCATION FILM PRODUCTIONS (Slmcom Ltd.) The publication oJthis 1986Production Guide was made possible, in part, by the sup­ L'ILE PETER SIMPSON port oJ TeleJilm Canada. AMOUREIA(Cda)/TRINACRA PAUL LYNCH FILMS(France) NOV-DEC GILLES ST-MARIE, YVES ON CITY IN PANIC EXIT HIGHER EDUCATION ROUSSET-ROUARD TFC,OFDC VIDEO IMPACT VIDEOFILM LTEE HIGHER EDUCATION FILM FRANCOIS LETERRIER CCA PETER WILSON ROBERT MENARD PRODUCTIONS (Slmcom Ud.) AUG-DEC ROBERT BOUVIER ROBERT MENARD JOHN SHEPPARD TAIHITI,CDA BRODY MAR-APR APR-JUNE 86 JOHN SHEPPARD TFC,RC,TFC 1 RAPID FIRE FILM PRODUCTIONS INC ON ac OCT-NOV TREATY CO-PRODUCTION ROBBMAVINS TFC,SGCQ,TM ON KELLYG, WILSON CONCRETE ANGELS CCA OF DC LA LIGNE DE CHALEUR JULY-OCT BRIGHTS TAR FILMS/LEADER MEDIA CCA ACPAV MN,BC TONY KRAMREITHER, CARLO FATE OF A HUNTER MARC DAIGLE LlNCONTI MASSIKUR PRODUCTIONS INC. HIT AND RUN HUBERT-YVES ROSE CARE BEARS ADVENTURE IN CARLO LlNCONTI JOHNA. KURI TELESCENE PRODUCTIONS APR-MAY WONDERLAND AUG-SEP PAUL ALMOND JAMIE BROWN, ROBIN SPRY ac, USA NELVANA INC. ON NOV-DEC ROBIN SPRY TFC,SGCa,Ra MICHAEL HIRSH, PATRICK TFC, OFDC ac OCT-NOV CCA LOUBERT, CLIVE A. SMITH MGM aC,NY RAYMOND JAFELICE CONTES DE MILLE ET UN JOURS OU CCA TFC LE COEUR AU MUR NOV BB-JAN 87 JEAN DESPREZ CCA RADIO-CANADA ON LA MAISON DES OUATRE INC. FAUTEUIL A BASCULER RC TFC CLAIRE STEVENS, SUZANNE SOCIETE RADIO-CANADA HOME IS WHERE THE HEART IS ANDRE BOUSaUET CCA LAVERDIERE PAUL BLOUIN HART PRODUCTIONS LTD. 86 IOLANDE CADRIN-ROSSIGNOL ac JOHN ECKERT ac CARIBE 10-26 FEB REX BROMFIELD SC ENTERTATNMENT CORP. OC GOD RIDES A HARLEY NOV LE FRERE ANDRE NICOLAS STILIADIS TFC,SGCQ,RC AUDVICON ASSOCIATED INC BC LES PRODUCTIONS DE LA MICHAEL KENNEDY CRTC ANDREAS EME, STAVROS TFC MONTAGNE QEC 86-JAN 87 STAVRIDES CCA PIERRE VALCOUR BELIZE DANGEROUS DREAMS STAVROS STAVRIDES JEAN-CLAUDE LABRECaUE CCA VINCENT CIAMBRONE HORTENSE NOV-DEC RICHARD NIQUETTE GODESSES LES ATELIERS AUDIO-VISUELS 011 ac ~CLEMAN DEC NATIONAL FILM BOARD OF CANADA OUEBECINC TFC,SGCa B(}STED UP PRODUCTIONS LTD. ac MARGARET WESTCOTT NICOLE LAMOTHE CCA DAMIENLEE TFC DONNA READ JEAN CHABOT DAMIENLEE CCA OCT-NOV LE JEUNE MAGICIEN NOV-DEC HARTBREAK MOTEL ac LES PRODUCTIONS LA FETE INC'! ON DREAMLINE HART PRODUCTIONS INC. TFC,SGCa,RC FILMS POLSKY eCA TAURUS 7 FILM CORP. CLAUDE S . TR~FEHL, S. COBlE ROCK DEMERS CASTRAVELLI REX BROMFIELD VALDEMAR DZIKI MICHAEL WACHNIUC MAR-APR DEC 8S-FEB 86 NOV8S-MAR BC POLAND aC,USA TFC TFC,RC,CFCF June 1987 - Cinema Canada/37 • c I N E M A G • LE SOURD DANS LA VILLE RECRUITS TRISTESSE, MODELE REDUIT COVERT ACTION LA MAISON DES OUATRE MAURICE SMITH PRODUCTIONSI COOPERATIVE VIDEO DE MONTREAL SPOOKS PRODUCTIONS INC. LOUISE CARRE THUNDER PRODUCTIONS LORRAINE DUFOUR, LOUISE BRIAN DAMUDE MIREILLE DANSEREAU ROBERT CONNOLLY, MAURICE GENDRON LES ROSE SEP-OCT SMITH ROBERT MORIN 05-23 FEB ac RAFAL ZIELINSKI AUG-SEP ON TFC,SGCQ,RC,SE JUNE 86 QC TFC,CBC CRTC,CCA ON SGCQ,NFB MURDER SEES THE LIGHT CBC LES FOUS DE BASSAN SAND AND WATER TURNED OUT ALAN HAUSEGGER CINEVIDEO INC. (Cda)1 LES FILMS DOOMSDAY STUDIOS LTD. FACE TO FACE FILMS HARVEY HART ARIANE (France) RAMONA MACDONALD CHRISTIAN BRUYERE DEADLY INTENTIONS AUG-OCT CAPUSCULE PRODUCTIONS JUSTINE HEROUX, JEAN MACHBAUR RAMONA MACDONALD CHRISTIAN BRUYERE ON YVES SIMONEAU NOV-DEC MAR ANDREW GOTTLIEB JOHN LLEWELLYN MOXEY JULY UNITED ARAB EMIRATE BC NIAGARA QC AJAM INDEPENDENT STUDIO BC VISUAL PRODUCTIONS '80 LTD. TFC,SGCQ,RC,RQ TWAS THE NIGHT BEFORE CBS RON STANDEN SAUVE-TOI LOLA TREATY CO-PRODUCTION,CCA JIM MAKICHUK CINEPIX INC (Cda)IONYX WILSON ASSOCIATES DEFILE DE NUIT DU CAR NAVAL DU JULY-AUG PRODUCTIONS (France) ANDREW -WOODY" STEWART QUEBEC,33e ON LIFE CLASSES ANDRE LINK, GABRIEL BOUSTANY ANDREW -WOODY" STEWART PICTURE PLANT LTD. PRODUCTIONS DE LA CAPITALE INC. MICHEL DRACH MAY-JULY STEPHAN REYNALDS MICHEL RODRIGUE NIGHT TRACKERS JAN ON WILLIAM D . MACGILLIVRAY MICHEL BRODEUR VISUAL PRODUCTIONS '80 LTD. FRANCE 140286 NANCY MICHALSKI SEP-OCT TFC,RQ UN ZOO LA NUIT QC DICK OLESIAK NS TREATY CO-PRODUCTION, CCA PRODUCTIONS OZ INC. TFC,NFB,CC,NS ROGER FRAPPIER, PIERRE TVA OCT-NOV GENDRON ON SAVANNAH ELECTRIC GOING HOME LIP GLOSS DESTINE FILMS JEAN-CLAUDE LAUZON PRIMEDIA PRODUCTIONSIOPIXI PEN '86 LIP GLOSS PRODUCTIONS PERRY MARK SEP-NOV BBC(WALES) JOHN MCGREEVY LOIS SIEGEL PERRY MARK QC RAY MARSHALL JENNIFER PUNCHER LOIS SIEGEL JUNE-JULY NFB,SGCQ,TFC TERRY RYAN JOHN MCGREEVY FEB 86-PRESENT MN CCA JULY-AUG JAN QC SEDUCTIO UNDERGROUND WALES NY PRODUCTIONS CHBIB/MAIN TFC,OFDC,CBC MALONE FILMIVIDEOGRAPHE CTC PRODUCTIONS OFDC MONT BLANC FILMS VINCENT CIAMBRONE, RICHARDO CRTC BACHAR CHBIB HEAVEN ON EARTH LEOl. FUCHS BACHAR CHBIB BERTONI PRIMEDIA PRODUCTIONSIOPIX REBIRTH OF THE HAIDA CANOE HARLEY COKLISS OCT MICHEL WACHNIUC PAT FERNS RAVEN PRODUCTIONS · AUG-OCT QC NOV-DEC BC OC ALLAN KROEKER CHRIS WOOTTEN SGCQ,NFB JUNE-JULY CCA JOHN WRIGHT MARIE S'EN VA EN VILLE YEARBOOK ON 85-MAR 86 TFC,OFDC,CBC,BBC(WALES) LES PRODUCTIONS DU LUNDI MATIN STAKEOUT YEARBOOK PRODUCTIONS INC. BC FRANCOIS BOUVIER STEVEN FANFARA, CRAIG NISKER TFC TOUCHSTONE FILMS ISLAND LOVE SONG MARQUISE LEPAGE GREG CHAMPION, CATHLEEN SEP-NOV CRTC CBC NOV-DEC SUMMERS ON QC CCA JEANNINE LOCKE SKATE(W.T.) JOHN BADHAM VIC SARIN TFC,SCGQ,RC BC CBC JUNE-JULY ALLEN BURKE NS MATMATA TAKING CARE RANDY BRADSHAW CINE-GROUPE INC. TELLTALES LTD. NOV-DEC JACQUES PETTIGREW PASIA SCHOENBERG KIT/MORIN LA FAUVE ON JOSE PINHERO CLARKE MACKEY PRODUCTIONS DE LA CAPITALE MAR-JUNE NOV-DEC MICHEL RODRIGUE THE CHAMPIONS, PART 3: THE QC ON Canadian Television BERNARD PICARD FINAL CHAPTER TF TFC,TVO,OAC,CC,OFDC AUG NA TlONAL FILM BOARD OF CCA CCA Features QC CANADA/CBC (over 75 minJ TF ADAM SYMANSKY, DONALD NATIONAL PARK THE DARK SIDE BRITTAIN NATIONAL PARK FILM DONALD BRITTAIN PRODUCTIONS (Clnepix) KYTES ON TOUR SEP85-JAN CONTANTINO MAGNETTA SUNRISE FILMS LTD. ANDRE LINK, JOHN DUNNING A GREATER ALARM ON,QC CONTANTINO MAGNETTA PAUL SALTZMAN RAFAL ZIELINSKI EMBASSY TELEVISION JULY-SEP DEEPA MEHTA SALTZMAN THE COMIC BOOK FILM THE GATE STAN KILLIS 85-86 ac ROBERT LEWIS SPHINX PRODUCTIONS ALLIANCE ENTERTAINMENT CORP. ON ITC PRODUCTIONS LTD. APR-MAY RON MANN JOHN KEMENY, ANDRAS HAMORI TF CCA RON MANN TIBOR TAKACS BC CRTC MAR-MAY TFC,OFDC NO CANDY MOUNTAIN ON A LIFE OF INDEPENDENCE LES FILMS VISION 4 CCA THE HY PERSPECTIVES MEDIA L'HOMME RENVERSE THE DEVLIN SHOOT INC.(Cda)IXANADU FILMS GROUP NATIONAL FILM BOARD OF CANADA VISUAL PRODUCTIONS '80 LTD. (Swlterz/and)lLES FILMS PLAIN THE GREAT LAND OF SMALL JON STODDART SUZANNE DUSSAULT, ROGER RON STANDEN CHANT (France) LES PRODUCTIONS LA FETE HARVEY CROSSLAND FRAPPIER, MICHEL GAUTHIER ROB STEWART CLAUDE BONIN/SUSANNE HENAUT, ROCK DEMERS MAY-JUNE YVESDION APR-MAY RUTHWALDBURGER, PHILLIPE DIAZ VOJTECH JASNY BC,USA MAR 85-APR ON ROBERT FRANK NOV TF,PETRO CANADA QC OCT-DEC QC CCA THE LAST SEASON NS, NY TFC LA CAS A CBC TFC,FC,TS PRODUCTIONS, CCA AND THEN YOU DIE NATIONAL FILM BOARD OF ROBERT SHERRIN MILENAPOYLO, FILMS A2, CBC TORONTO CANADA/UNICEF ALLAN KING TELEVISION SWISS, DEPT.
Recommended publications
  • FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
    The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world.
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights And
    Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights and Wonder Woman as Symbols of the United States and Canada Scores of superheroes emerged in comic books just in time to defend the United States and Canada from the evil machinations of super-villains, Hitler, Mussolini, and other World War II era enemies. By 1941, War Nurse Pat Parker, Miss America, Pat Patriot, and Miss Victory were but a few of the patriotic female characters who had appeared in comics to fight villains and promote the war effort. These characters had all but disappeared by 1946, a testament to their limited wartime relevance. Though Nelvana of the Northern Lights (hereafter “Nelvana”) and Wonder Woman first appeared alongside the others in 1941, they have proven to be more enduring superheroes than their crime-fighting colleagues. In particular, Nelvana was one of five comic book characters depicted in the 1995 Canada Post Comic Book Stamp Collection, and Wonder Woman was one of ten DC Comics superheroes featured in the 2006 United States Postal Service (USPS) Commemorative Stamp Series. The uniquely enduring iconic statuses of Nelvana and Wonder Woman result from their adventures and character development in the context of World War II and the political, social, and cultural climates in their respective English-speaking areas of North America. Through a comparative analysis of Wonder Woman and Nelvana, two of their 1942 adventures, and their subsequent deployment through government-issued postage stamps, I will demonstrate how the two characters embody and reinforce what Michael Billig terms “banal nationalism” in their respective national contexts.
    [Show full text]
  • Olympusat Lands Content Partnership Agreement with Cookie Jar Entertainment
    For Immediate Release: Olympusat Lands Content Partnership Agreement with Cookie Jar Entertainment Business Expansion and new Programming to ¡Sorpresa! - Their 24/7 Spanish-language Children’s Network April 19, 2012 –West Palm Beach, FL – Olympusat, Inc., the country’s market leader in the development and distribution of independent Hispanic, Specialty, and Faith & Family television networks, announced today that they have signed a partnership with Cookie Jar Entertainment, a global leader in children and family entertainment, for both expanded business in the US and in Latin America as well as to carry their Spanish-language content on ¡Sorpresa!, Olympusat’s 24/7 Spanish-language children’s network. This partnership will add a portfolio of new series to ¡Sorpresa!’s existing and future lineups. Through this agreement, Olympusat will also have access to Cookie Jar’s library of over 6,000 titles, including current favorites and the classic hit series The Busy World of Richard Scarry and Mary Kate and Ashley: In Action. These leading titles among others are dubbed in Spanish. “Our partnership with Olympusat is a powerful reminder that the strength of Cookie Jar's library serves as the backbone to channels like Olympusat's ¡Sorpresa!,” said Toper Taylor, President & COO of Cookie Jar Entertainment. “We have hit series that have aired over thirty years in 160 countries. With this Olympusat deal, ¡Sorpresa! now enjoys access to the rocket fuel necessary to support the channel’s existing audience and growing distribution.” “We are very pleased
    [Show full text]
  • Nelvana a All P
    FEA TURE lsons Ne f o tesy r ou c tos ho Nelvana a All p , Michael Hirsh Patrick Loubert Clive Smith In 1971, when three some of the finest animated rotting away." The three got young men decided to in- and children's live-action hold of the books and acquired corporate themselves into a shows in the world. the rights to them. The CBC film company called Nelvana, helped to finance a docu- the commercial cinema scene The three first met in the late mentary on an interesting was far different than it is 1960s, a time well remem- moment in Canadian popular today in Canada. Very few bered for its funky, rebellious history; Peter Martin and features were being made in attitudes. Hirsh and Loubert Associates came on as a this country, much less started a small production firm publisher of a coffee-table Toronto, and the occasional called Laff Arts with a business book on Johnny Canuck, independently produced tele- card portraying a man in a suit Nelvana and their cohorts; and vision show created here was on the front; when the card the National Gallery of Canada rarely broadcast interna- was flipped over onto its back, agreed to support a two-year tionally. Michael Hirsh and he had dropped his pants. travelling tour of the comic Patrick Loubert, two York Hirsh admits now, "Toronto book art. These successes University graduates with a wasn't ready for that kind of helped to establish the trio. As taste for underground film- humour." The designer of the a tip of the hat to the project, making, and Clive Smith, a card was Clive Smith.
    [Show full text]
  • Truth, Justice, and the Canadian Way: the War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario
    Truth, Justice, and the Canadian Way: The War-Time Comics of Bell Features Publications Ivan Kocmarek Hamilton, Ontario 148 What might be called the “First Age of Canadian Comics”1 began on a consum- mately Canadian political and historical foundation. Canada had entered the Second World War on September 10, 1939, nine days after Hitler invaded the Sudetenland and a week after England declared war on Germany. Just over a year after this, on December 6, 1940, William Lyon MacKenzie King led parliament in declaring the War Exchange Conservation Act (WECA) as a protectionist measure to bolster the Canadian dollar and the war economy in general. Among the paper products now labeled as restricted imports were pulp magazines and comic books.2 Those precious, four-colour, ten-cent treasure chests of American culture that had widened the eyes of youngsters from Prince Edward to Vancouver Islands immedi- ately disappeared from the corner newsstands. Within three months—indicia dates give March 1941, but these books were probably on the stands by mid-January— Anglo-American Publications in Toronto and Maple Leaf Publications in Vancouver opportunistically filled this vacuum by putting out the first issues of Robin Hood Comics and Better Comics, respectively. Of these two, the latter is widely considered by collectors to be the first true Canadian comic book becauseRobin Hood Comics Vol. 1 No. 1 seems to have been a tabloid-sized collection of reprints of daily strips from the Toronto Telegram written by Ted McCall and drawn by Charles Snelgrove. Still in Toronto, Adrian Dingle and the Kulbach twins combined forces to release the first issue of Triumph-Adventure Comics six months later (August 1941), and then publisher Cyril Bell and his artist employee Edmund T.
    [Show full text]
  • Download As Scanned
    • In which the author meets three wise alie·ns and their Bionic Pet . , BY ROBERT THOMAS· ALLEN ' At 7:30 next Tuesday evening in Can­ one of those and one of those and one of ada, Wednesday in the United States, those'' (Mother: ''Isn't she terrible?"); TV viewers will see a Canadian-made stately organ music when the three . animated film called A CosmicChristntas, aliens step out of their craft, and one a lively modern fairy tale that includes walks over and tries to shake hands with enough science fiction to fascinate the a tree : •·we are equipped to identify, kids. spoofs it enough to amuse their comprehend and speak all languages parents, and combines it with an old­ known. Hello. How do you do? I am time Christmas here on earth, with fine.'' rousing all-out carols and some lovely And there's a great dance by Peter's ·music composed and sung by Sylvia pet goose, Lucy, who wears a little,-wool Tyson. Animated-film fans who haven't toque, and a sort of Bionic Pet, a friendly missed a major cartoon since the heyday little fell ow built like a cordless electric of Disney ' consider .it one of the best, if razor, the two of them doing a Shu.tfle not the best, ever to have been made in Off to Buffalo r.outine to old-time thump­ Canada. ing flon~y-tonk piano music. I've never beep much of an animated­ In one scene, Peter and Lucy hike out cartoon fan and when I'd first heard of into a moody winter forest and slide Cosmic Christnws I'd had visions of all around on some · thin ice, and this is the things that, in the old days before pretty much what the producers of A smoking in theatres, used · to send me Cosn,ic Christmas_, Michael Hirsh and he ,nen M-'hon1ade A Cosmi c Christmas can relax no~,;rhe b ailiff is not at the out to the lobby for a last cigarette before Patrick Loubert, did throughout the door.Clocktt•ise.f rom top right.
    [Show full text]
  • 2013 CANADIAN SCREEN AWARDS Television Nominations
    2013 CANADIAN SCREEN AWARDS Television Nominations Best Animated Program or Series Almost Naked Animals YTV (Corus) (9 Story Entertainment Inc.) Vince Commisso, Tanya Green, Tristan Homer, Steven Jarosz, Noah Z. Jones Jack TVO (TVOntario) (PVP Interactif / Productions Vic Pelletier, Spark Animation -Wong Kok Cheong) François Trudel, Wong Kok Cheong, Vincent Leroux, Vic Pelletier Producing Parker TVtropolis (Shaw Media) (Breakthrough Entertainment) Ira Levy, Jun Camerino, Laura Kosterski, Peter Williamson Rated A for Awesome YTV (Corus) (Nerd Corps Entertainment) Ace Fipke, Ken Faier, Chuck Johnson Best Breaking News Coverage PEI Votes CBC (CBC) (CBC PEI) Julie Clow, Mark Bulgutch, Sharon Musgrave CBC News Now: Gadhafi Dead CBC (CBC) (CBC News) Nancy Kelly, Tania Dahiroc, Rona Martell Eaton Centre Shooting Citytv (Rogers) (Citytv) Kathleen O'Keefe, Irena Hrzina, James Shutsa, Kelly Todd CBC News Now: Jack Layton's Death CBC (CBC) (CBC) Jennifer Sheepy, Layal El Abdallah, Paul Bisson, Gerry Buffett, Patricia Craigen, Seema Patel, Marc Riddell, Bill Thornberry Global National - Johnsons Landing Slide Global TV (Shaw Media) (Global National) Doriana Temolo, Mike Gill, Bryan Grahn, Francis Silvaggio, Shelly Sorochuk Best Breaking Reportage, Local CBC News Ottawa at 5, 5:30, 6:00 - School Explosion CBC (CBC) (CBC Ottawa) Lynn Douris, Omar Dabaghi-Pacheco, Marni Kagan CBC News Toronto - CBC News Toronto - Miriam Makashvili CBC (CBC) (CBC Television) John Lancaster, Nil Koksal Best Breaking Reportage, National CBC News The National - Reports
    [Show full text]
  • Affidavit of Claude Robinson Feb
    500-09-020033-098 QUÉBEC COURT OF APPEAL (Montréal) On appeal from a judgment of the Superior Court, District of Montréal, rendered on August 26, 2009 by the Honourable Mr. Justice Claude Auclair. _______ No. 500-09-020033-098 C.A.M. – 500-05-021498-967 S.C.M. CINAR PRODUCTION LES FILMS CINAR INC. APPELLANTS (defendants) v. CLAUDE ROBINSON LES PRODUCTIONS NILEM INC. RESPONDENTS (plaintiffs) - and - FRANCE ANIMATION S.A. CHRISTOPHE IZARD RAVENSBURGER FILM + TV Gmbh RTV FAMILY ENTERTAINMENT AG RONALD A. WEINBERG CHRISTIAN DAVIN PETER HILLE BBC WORLDWIDE TELEVISION THERESA PLUMMER-ANDREWS HÉLÈNE CHAREST McRAW HOLDINGS INC. MIS-EN-CAUSE (defendants) RONALD WEINBERG ès qualités Liquidator of the Estate of Micheline Charest MIS-EN-CAUSE (defendant in continuance of suit) VIDEAL GESELLSCHAFT ZUR HERTELLUNG VON AUDIOVISUELLEN PRODUKTEN MHB 3918203 CANADA INC. MIS-EN-CAUSE (mis-en-cause) APPELLANTS’ FACTUM AND SCHEDULE Henri A. Lafortune Inc. 2005 Limoges Street Tel. 450 442-4080 Longueuil, Québec Fax 450 442-2040 J4G 1C4 [email protected] www.halafortune.ca - 2 - Me William Brock, Ad.E. Me Cara Cameron Me Christine Aubé-Gagnon Davies Ward Phillips & Vineberg LLP 26th Floor 1501 McGill College Avenue Montréal (Québec) H3A 3N9 Tel. : 514 841-6400 Fax : 514 841-6499 [email protected] [email protected] [email protected] Counsel for appellants Cinar Corporation, Les Films Cinar inc. and 3918203 Canada inc. Me Florence Lucas Me Francine Martel Me Jeanne Tugault-Lafleur Gowling Lafleur Henderson LLP 37th Floor 1 Place Ville-Marie Montréal (Québec) H3B 3P4 Tel. : 514 392-9590 Fax : 514 878-1450 [email protected] [email protected] [email protected] Counsel for respondents Claude Robinson and Les Productions Nilem inc.
    [Show full text]
  • Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
    DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit.
    [Show full text]
  • Financial Reporting Frauds: a Manifestation of Hubris in the C-Suite? Some Exploratory Evidence
    Cahier de recherche 2013-02 Financial Reporting Frauds: A Manifestation of Hubris in the C-Suite? Some Exploratory Evidence Michel Magnan John Molson School of Business Concordia University 1455 de Maisonneuve West Montreal, Quebec, CANADA H3G 1M8 Denis Cormier Department of Accountancy UQAM C.P. 8888, Down Town Station Montreal, Quebec, CANADA Pascale Lapointe-Antunes Department of Accounting Goodman School of Business Brock University 500, Glenridge Avenue St. Catharines, Ontario, CANADA, L2S 3A1 The authors acknowledge receiving financial support from Autorité des marches financiers, the Chair in Performance Reporting and Disclosure (UQAM), the Lawrence Bloomberg Chair in Accountancy (Concordia), the Social Sciences and Humanities Research Council of Canada, FQRSC (Quebec) and the CA/Brock University Institute for International Issues in Accounting. We thank workshop participants at Brock University, York University, Concordia University, HEC Paris, UQAM, University of Padova, University of Rennes I, ESSEC and Ivey (University of Western Ontario) for their comments and suggestions, especially Antonio Parbonetti, Sophie Audousset-Coulier, Marion Brivot, Claudine Mangen, Tim Fogarty and Darlene Bay. All usual caveats apply. Financial Misreporting: A Manifestation of Hubris in the C-Suite? Some Exploratory Evidence Abstract In this paper, we investigate if and how a firm’s managerial, governance and market oversight attributes relate with a propensity to financial misreporting. Our sample comprises both firms for which there was a regulatory allegation of financial misreporting accompanied by fines as well as firms matched on industry and size with no evidence of misreporting. Our findings suggest that proxies for managerial hubris (active mergers and acquisitions strategy, complex corporate structure, top-rated managers) fed by fawning media and financial analysts, may be a potential driver of financial misreporting.
    [Show full text]
  • AWNMAG5.05 Cover
    Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI.
    [Show full text]