Off the Deep End on Her Sixtieth Birthday, My Auntie Neeli Announced Her Decision to Become an American Citizen

Total Page:16

File Type:pdf, Size:1020Kb

Off the Deep End on Her Sixtieth Birthday, My Auntie Neeli Announced Her Decision to Become an American Citizen Off the Deep End On her sixtieth birthday, my Auntie Neeli announced her decision to become an American citizen. We were all shocked, but I was the only one in the family who was not delighted. As a newly-declared political science major, I enjoy spending hours denouncing the maneuvers of the CIA in Latin America. I like to linger over cafe lattes in dark coffeehouses, debating earnest, bearded 5 young men wearing Birkenstock sandals. My parents, however, were desperately patriotic. They fit every caricature of the typical flag-waving immigrant in love with the American dream. They had been trying to convince Auntie Neeli to become a citizen ever since she’d left India fifteen years ago. But she’d always refused to listen, stubbornly clinging to her primary mission – to protect her three nieces from Western immorality. 10 As Dad’s older sister, Auntie Neeli was given certain inalienable rights by Indian society. For example, she insisted on naming the three of us during the only fit of poetry she’s ever had. I’m Rena, and my two younger sisters are Lena and Mena. Lena’s a cheerleader in high school. We’ve been in a cold war since adolescence, when she chose makeup and teen romances and I joined the Peace and Freedom party and refused to wear a bra. Mena 15 is nine and hopelessly addicted to video games. The only common ground the three of us shared was avoiding Auntie Neeli’s six standard lectures on the vices of American life. When the family returned from City Hall, where Neelima Majumdar had been sworn in as a new citizen of the United States of America, they all looked somewhat stunned. Auntie Neeli was nowhere in sight. I had boycotted the event, but curiosity shattered my vow to maintain a disdainful silence. 20 “What happened?” I asked. “She asked for three hundred dollars,” Mom answered. “We dropped her off at the mall.” I could feel my own eyes glaze over. Auntie Neeli at the shopping mall? Auntie Neeli, whose wardrobe consisted of three different sarees in varying shades of gray? Her repertoire of lectures featured a passionate one on the sin of indiscriminate spending. Our Auntie Neeli – shopping? 25 Mena was the first to recover. “I know! She’s probably out buying us presents to celebrate,” she said. But my naive little sister was dead wrong. Later that afternoon, my door was flung open with violent energy. I leaped out of my chair and fell over a pile of books. Wild thoughts of dialing 911 or screaming for help flashed through my mind. A plump woman with short, curly black hair and purple eye shadow had broken into our home. She was wearing red suede boots and a striped miniskirt. 30 “Rena,” said the invader, in heavily-accented English. “Will you teach me to drive?” Auntie Neeli mastered the freeways, surface streets, and sidewalks in a relatively short amount of time. One morning, as she careened1 past a huge truck on I-80, I had a flashback to the summer when I was eleven. Auntie woke me up early that day, too, and led me down to the swimming pool in our backyard. ____________ 1 careened • moved forwards quickly and suddenly in an uncontrolled way BRIDGES 10.o Ano 35 Jaw set, arms folded across her chest, she stood about ten yards away from the pool. Although she didn’t know how to swim herself, she’d taken us to swimming lessons and watched the neighborhood kids squeal and splash in our pool for years. I stood beside her, shivering in my pajamas in the early morning coolness. Suddenly, Auntie Neeli took a running jump into the deep end. I stayed rooted to my spot, frozen for a minute in shock, and then 40 rushed madly to the edge of the pool. With her gray bun dripping but intact, Auntie Neeli swam to the edge and climbed up the stairs. “But, Auntie!” I gasped, helping her up. “You can’t swim.” “I’ve watched you for years,” she said, wringing out the end of her saree. “It was time to do it myself.” Neither of us ever said a word about our early morning adventure to the rest of the family. 45 “SLOWPOKE! GEEK! MOVE OVER!” shrieked Auntie Neeli, leaning out of the window and using some of her favorite new American words. A car had been crawling along at 70 in the fast lane. I was jolted out of my reverie, but it had come with a great realization. My sixty-year-old aunt possessed an unbelievable amount of the single-minded determination I mourned in my own generation. The focus of her single-mindedness – Americana – wasn’t on the top of my list, but I 50 had to admire her passionate immersion into it. I decided to become Auntie Neeli’s champion at home, where the rest of the family watched her every move with doubtful eyes. I was the one who convinced Mena to let Auntie join one of her slumber parties. “In all my years here, I’ve wanted to know just what you girls do at those sleep-over parties of yours,” Auntie had confessed to me, munching tortilla chips while I read her excerpts from Marx. 55 I didn’t quite see the connection between the freedom of the proletariat and one of Mena’s slumber parties, but I approached my little sister with Auntie’s request. In the end, Mena was just as delighted as the rest of her cronies2. Auntie shrieked3 at the oozing killer squid on the movie and sustained an admirable level of M & M consumption. I certainly didn’t let anyone know I’d heard her sneak out of the sleeping bag, tiptoe into her own bedroom, and sigh 60 with relief as she settled into her bed. The girls were still sleeping when she tiptoed back at sunrise. I was the one who talked Lena into letting Auntie accompany her to a high school football game. My parents and I watched them leave – Lena in her pleated cheerleader’s skirt and sweater with her usual entourage of entranced high school boys, and Auntie Neeli, shaking Lena’s pom-poms good-bye out of the car window. 65 When I got home, I could hear Lena and my parents in the kitchen. I knew by the weary tone in Dad’s voice that Lena’s rampage had been going on for a long time. I took a deep breath and walked in. “Never again!” My sister was saying. “I’ll never suffer through that kind of humiliation again.” “What happened?” I asked, determined to defend Auntie Neeli’s freedom of expression at any cost. ____________ 2 crony • (plural, cronies) • a friend or supporter, especially of someone powerful 3 shrieked • shouted in a loud high voice because you are frightened or surprised BRIDGES 10.o Ano “Well, as far as I can tell,” Dad said, “Neeli called the referees ‘geeks’ and ‘nerds,’ cheered wildly in the 70 wrong places, and threw her Nerf football onto the playing field at fourth and two in the last quarter.” Even I could see that the Nerf football was going a bit too far. Auntie discovered a latent love for Motown oldies. The Temptations, Stylistics, and Spinners crooned in our kitchen as she stirred up yet another exciting Tuna Helper recipe. Yes, the zeal4 for Americanization had extended even to Auntie’s cooking. We grimly chewed 75 and swallowed an endless series of frozen lasagnas, InstaPizzas and other convenience foods. She even threw her Indian spices away. I caught Dad with his shirt sleeves rolled up, digging through the garbage can with a flashlight for the jar of imported Bombay mango pickle. One evening, Auntie Neeli left for the mall. Mom and Dad were out somewhere. Lena, Mena and I exchanged glances of disgust, remembering the slabs of cold ham waiting inside the fridge. 80 Without a word, we jumped in the car and screeched5 to a stop in front of the local Indian restaurant, desperate and united in our curry deprivation. Somehow, we weren’t surprised to see our parents there, feverishly eating chicken tandoori. “AHA!” cried Mena. “Aha, yourselves,” answered Dad sheepishly6, while the waiter squeezed three more chairs 85 around the table. In spite of these annoyances, I staunchly defended Auntie Neeli’s freedom. But that changed one Sunday morning, when I became her most vocal opponent. I was leafing through the newspaper in my usual morning haze. The front door shut and I could hear Auntie Neeli humming. Suddenly, she burst into a full-fledged rendition of “Amazing Grace” 90 – words and all. “Auntie!” I shouted, rushing into the kitchen. “What are you singing and where have you been?” “Hello, sister,” she said, clasping my hand and fanning me with a cardboard fan advertising an upcoming faith healing service. I swooned7. I quoted Freud, Feuerbach, and Darwin and gave regular lectures about the Crusades, 95 the Inquisition, and Nazi Germany. But nothing made a difference. Every Sunday morning, Auntie Neeli swished8 out of the house in a big white hat, a ruffly9 white dress, and shiny white pumps, and drove to Emmanuel Jehovah African Methodist Episcopalian Church. She went to all the services, Bible studies, Ladies’ Sewing Circles, and especially the revivals. My rage was boundless10. I debated the matter with my parents, but they were disgustingly 100 tolerant of Auntie’s leap into blind faith. ____________ 4 zeal • great energy, and enthusiasm 5 screeched • made a loud and unpleasant cry, especially when you are upset 6 sheepishly • ashamed 7 swooned • extremely excited by someone who you admire 8 swished • moved quickly with a smooth gentle sound 9 ruffly • no longer smooth or even 10 boundless • without a limit or end BRIDGES 10.o Ano “Aren’t you the one who’s been defending her freedom?” my Dad asked me, peering over his reading glasses.
Recommended publications
  • Fro F M V M°J° Nixon Is Mojo Is in A
    TW O G R EA T W H A T'S FILMS FROMI HAPPENING S O U TH T O VIC AFR ICA DUNLO P 9A 11A The Arts and Entertainment Section of the Daily Nexus OF NOTE THIS WEEK 1 1 « Saturday: Don Henley at the Santa Barbara County Bowl. 7 p.m. Sunday: The Jefferson Airplane re­ turns. S.B. County Bowl, 3 p.m. Tuesday: kd. long and the reclines, country music from Canada. 8 p.m. at the Ventura Theatre Wednesday: Eek-A-M ouse deliv­ ers fun reggae to the Pub. 8 p.m. Definately worth blowing off Countdown for. Tonight: "Gone With The Wind," The Classic is back at Campbell Hall, 7 p.m. Tickets: $3 w/student ID 961-2080 Tomorrow: The Second Animation -in n i Celebration, at the Victoria St. mmm Theatre until Oct. 8. Saturday: The Flight of the Eagle at Campbell Hall, 8 p.m. H i « » «MI HBfi MIRiM • ». frOf M v M°j° Nixon is Mojo is in a College of Creative Studies' Art vJVl 1T1.J the man your band with his Gallery: Thomas Nozkowski' paint­ ings. Ends Oct. 28. University Art Museum: The Tt l t f \ T/'\parents prayed partner, Skid Other Side of the Moon: the W orldof Adolf Wolfli until Nov. 5; Free. J y l U J \ J y ou'd never Roper, who Phone: 961-2951 Women's Center Gallery: Recent Works by Stephania Serena. Large grow up to be. plays the wash- color photgraphs that you must see to believe; Free.
    [Show full text]
  • "Eustace the Monk" and Compositional Techniques
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice.
    [Show full text]
  • "WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
    "WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday.
    [Show full text]
  • Krist Novoselic
    OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
    [Show full text]
  • Ent-2002-03-01.Pdf
    ENTERTAINMENTpage 15 Technique • Friday, March 1, 2002 • 15 Looking for break action? It’s on his business card The Live List is your place to check out “Voice of the Yellow Jackets” is one of ENTERTAINMENT the many options for live entertain- Director of Broadcasting Wes ment if you’re staying in the ATL this Durham’s titles. Read up on this Technique • Friday, March 1, 2002 spring break. Page 16 member of the Tech family. Page 24 Morisette’s ‘Under Rug Swept’ not to be discarded Alanis Morissette has found her inner angst again with her newest single, “Hands Clean,” from her newest CD, with which she proves her growth from early releases like Jagged Little Pill which brought her fast fame. By Rob Hill and Danielle Bradley off the deep end. Staff Writers Some of the middle tracks are where listeners may become bored, Artist: Alanis Morissette distracted, or even sick of the mo- Album: Under Rug Swept notony of a “not so newly rich” girl Label: Maverick complaining about the same things Rating: yyy 1/2 we heard about three years ago. Per- sonally we got our fill back then. The angst is back. With Alanis Even the instrumentals of the fourth Morissette’s newest record, Under track, “Flinch,” remind the casual Rug Swept, we have a record closer listener of every Matchbox Twenty in spirit to her smash debut, Jagged song ever written. Fame and for- Little Pill. Well, at least that’s what tune certainly need not detract from she’s trying for. Perhaps trying a bit the value and agenda of an artist, too hard in the process.
    [Show full text]
  • Alaskan Collection
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1995 Alaskan collection R. Glendon Brunk The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brunk, R. Glendon, "Alaskan collection" (1995). Graduate Student Theses, Dissertations, & Professional Papers. 1494. https://scholarworks.umt.edu/etd/1494 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofMONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. An Alaskan Collection by R. Glendon Brunk B.S. The University of Alaska, 1974 presented in partial fulfillment of the requirements for the degree of Master of Fine Arts The University of Montana 1995 Approved (by: Chairperson Dean, Graduate School Date UMI Number: EP35780 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted.
    [Show full text]
  • The 48 Hour Film Project the Sweet One All Shows Start Approximately 10Pm, 21+, No Cover Go to Our Facebook for Band and Burlesque Listings for This Month
    SEPTEMBER 2017 TYBEEBEACHCOMBER.COM Island’s Guide for fun ! The Tybee Island Marine Science Center CONFESSIONS of A Reformed Beer Snob HURRICANE SEASON IT’S BAAACK! The 48 Hour Film Project The Sweet One All shows start approximately 10pm, 21+, no cover Go to our Facebook for Band and Burlesque Listings for this Month 13 Tybrisa St. | Tybee Island 912 -786 -5100 Tybee Post Theater ................................................... 472-4790 Tybee Fishing License (Chu’s on Campbell) .......................... 786-5904 Area Code Dizzy Dean’s Liquor, Beer & Wine .............................. 786-4500 912Digits XYZ Liquors .............................................................. 786-4822 Tybee Golf Carts ....................................................... 226-9676 Emergency- Police, Fire, Medical ............................... 911 Fat Tire Bikes ........................................................... 786-4013 Police NON-Emergency ............................................. 786-5600 Tim’s Bike & Beach Gear ........................................... 786-8467 Fire NON-Emergency ................................................ 472-5062 Burke’s Beach Rentals, Inc ........................................ 547-8145 Ocean Rescue .......................................................... 786-9873 Boogie Scooters Rentals ........................................... 472-4266 City Hall ................................................................... 786-4573 Shuttle Services Library ....................................................................
    [Show full text]
  • The Potential of Informative Comedy Music As Supplementary Teaching Material
    http://dx.doi.org/10.7592/EJHR2018.6.3.mckeague European Journal of Humour Research 6 (3) 30–49 www.europeanjournalofhumour.org Lyrical lessons: The potential of informative comedy music as supplementary teaching material Dr. Matthew McKeague Kutztown University of Pennsylvania [email protected] Abstract The comedic arts have provided opportunities for humourists to spread information to audiences, sometimes intentionally and other times as a side effect while trying to create laughter. Educators have also found success incorporating comedy into the classroom with humorous activities. While research regarding comedy as a tool to spread information or educate audiences has focused primarily on literature, broadcast media, and film, the area of informative comedy implemented through music remains relatively unexplored. In this paper, the researcher defines ‘informative comedy’ and takes a critical literacy approach analysing song samples of comedy musician “Weird Al” Yankovic—one of the notable comedic music artists in the 20th and 21st centuries—and discusses how his music could be used in a classroom setting. While comedy such as Yankovic’s is not designed to be an educational tool, the researcher suggests that his songs could be used as supplementary materials in the classroom to reinforce concepts specifically regarding cultural issues through commentary as well as lessons in science and grammar. A central aspect of this exploratory paper involves Yankovic’s mix of comedy and informative content focused on culture in the United States, using the popular music genre to convey ideas in ways that may be more palatable for wider audiences and that could be used to assist classroom instruction.
    [Show full text]
  • A Scientist Takes on Gravity - Nytimes.Com Page 1 of 6
    A Scientist Takes On Gravity - NYTimes.com Page 1 of 6 z Reprints This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. July 12, 2010 A Scientist Takes On Gravity By DENNIS OVERBYE It’s hard to imagine a more fundamental and ubiquitous aspect of life on the Earth than gravity, from the moment you first took a step and fell on your diapered bottom to the slow terminal sagging of flesh and dreams. But what if it’s all an illusion, a sort of cosmic frill, or a side effect of something else going on at deeper levels of reality? So says Erik Verlinde, 48, a respected string theorist and professor of physics at the University of Amsterdam, whose contention that gravity is indeed an illusion has caused a continuing ruckus among physicists, or at least among those who profess to understand it. Reversing the logic of 300 years of science, he argued in a recent paper, titled “On the Origin of Gravity and the Laws of Newton,” that gravity is a consequence of the venerable laws of thermodynamics, which describe the behavior of heat and gases. “For me gravity doesn’t exist,” said Dr. Verlinde, who was recently in the United States to explain himself. Not that he can’t fall down, but Dr. Verlinde is among a number of physicists who say that science has been looking at gravity the wrong way and that there is something more basic, from which gravity “emerges,” the way stock markets emerge from the collective behavior of individual investors or that elasticity emerges from the mechanics of atoms.
    [Show full text]
  • 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
    #'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
    [Show full text]
  • List: 44 When Your Heart Stops Beating ...And You Will Know Us By
    List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.
    [Show full text]
  • Leading Chicago Women in the Blues
    THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 31, Number 30 Thursday, August 6, 2015 Leading Chicago Women in the Blues Editor’s note — Through our partnership with iRock Jazz, this week’s two-part installment of Art + Times, written by Steen Burke, focuses on the fi rst Ship and Shore Blues Festival in New Buffalo. The members of the Chicago Women in Blues are (from right): Donna Herula, Peaches Straten, Holle Tree Maxwell, Shirley King, Liz Manderville, Dia Madden, Joan Gand and Tracee Adams. It was only supposed to be a one-time show. ing artist Demetria Taylor; international favorite Responding to the absence of female artists at Peaches Staten; Southside legend Tracee Adams; Chicago’s blues festival back in 2011, Joan Gand Ramblin Rose; Dia Madden; Keisha Dixon-Nelson and her husband, Gary, knew people were upset, so (granddaughter of Willie Dixon); Vanessa Davis; they chose to do something about it. Mz. Peachez; and Shirley Johnson. The band mem- bers often include T.K. “The Tequila Kid” on saxo- phone, Sherri Weathersby on bass, Gary Gand on Art+Times guitar, Blake Wollerman on blues harmonica and The end result gave birth to Chicago Women in Tony Dale on drums. the Blues. From there emerged a band that features With the fi rst Ship and Shore Blues Festival on some of the best female blues artists of the Chicago the horizon, Art+Times spoke with Gand about her area: Blues Hall of Fame inductees Holle Thee Max- personal music style, her infl uences and the moti- well and Liz Mandeville; Shirley King (daughter of vation behind creating the Chicago Women in the B.B.
    [Show full text]