Whitesnake Saved My Life
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Rock and Roll Customers
Rock and Roll Customers 10CC Deep Purple John Martyn Paul McCartney Steve Hillage Abba Demis Roussos John Miles PFM Strawbs AC/DC Depeche Mode John Paul Jones Pink Floyd Supertramp Ace Dire Straits Julio Inglesias Pretenders Sweet Adam Ant ELP Justin Hayward Procul Harem Sweet Sensation Alan Parker Elton John Kate Bush Queen Swingle Singers Alex Harvey Eric Clapton Kiki Dee Ralph McTell Tangerine Dream Bad Manners Fabulous Poodles Kinks Ritchie Blackmore Ten Years After Barbara Dickson Frankie Miller Kokomo Rod Argent The Headboys Barclay James Harvest Gallagher & Lyle Led Zeppelin Rod Stewart The Slits Bay City Rollers Genesis Leo Sayer Roger Glover The Who Bee Gees Gilbert O’Sullivan Lindisfarne Rolling Stones Thin Lizzy Boomtown Rats Graham Parker Lone Star Ronnie Lane Three Degrees Boxer Harry Belafonte Love Machine Rory Gallagher Tom Robinson Bryan Ferry Hawkwind Madness Roxy Music Tubeway Army Camel Heavy Metal Kids Marvin Gaye Roy Harper Ultravox Caravan Hi Tension Meal Ticket Rubettes Uriah Heep Charles Aznavour Home Mike Oldfield Showaddywaddy Vinegar Joe Charlie Charles Horslips Moody Blues Small Faces Wings Chris Stanton Ian Dury Mud Smokie Wizzard Climax Blues Band Ian Gillan Band Mungo Jerry Snafu YES Cockney Rebel Iron Maiden Nazareth Soft Machine Colosseum Jeff Wayne Osibisa Sparks David Coverdale Jess Roden Paper Lace Status Quo David Essex Jethro Tull Patrick Moraz Steeleye Span www.cpcases.com 34 . -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Fro F M V M°J° Nixon Is Mojo Is in A
TW O G R EA T W H A T'S FILMS FROMI HAPPENING S O U TH T O VIC AFR ICA DUNLO P 9A 11A The Arts and Entertainment Section of the Daily Nexus OF NOTE THIS WEEK 1 1 « Saturday: Don Henley at the Santa Barbara County Bowl. 7 p.m. Sunday: The Jefferson Airplane re turns. S.B. County Bowl, 3 p.m. Tuesday: kd. long and the reclines, country music from Canada. 8 p.m. at the Ventura Theatre Wednesday: Eek-A-M ouse deliv ers fun reggae to the Pub. 8 p.m. Definately worth blowing off Countdown for. Tonight: "Gone With The Wind," The Classic is back at Campbell Hall, 7 p.m. Tickets: $3 w/student ID 961-2080 Tomorrow: The Second Animation -in n i Celebration, at the Victoria St. mmm Theatre until Oct. 8. Saturday: The Flight of the Eagle at Campbell Hall, 8 p.m. H i « » «MI HBfi MIRiM • ». frOf M v M°j° Nixon is Mojo is in a College of Creative Studies' Art vJVl 1T1.J the man your band with his Gallery: Thomas Nozkowski' paint ings. Ends Oct. 28. University Art Museum: The Tt l t f \ T/'\parents prayed partner, Skid Other Side of the Moon: the W orldof Adolf Wolfli until Nov. 5; Free. J y l U J \ J y ou'd never Roper, who Phone: 961-2951 Women's Center Gallery: Recent Works by Stephania Serena. Large grow up to be. plays the wash- color photgraphs that you must see to believe; Free. -
WBS-Inc-V-Pearcy.Pdf
Case 2:16-cv-03495-DDP-JC Document 115 Filed 03/05/18 Page 1 of 9 Page ID #:1875 1 2 3 O 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 11 WBS, INC., ) Case No. CV16-03495 DDP(JC) ) 12 Plaintiff, ) ) ORDER GRANTING DEFENDANT’S 13 v. ) MOTION FOR SUMMARY JUDGMENT ) 14 Stephen Pearcy; Artists ) Worldwide; top Fuel ) [Dkt. 89, 90, 100, 109 and 15 National, Strong ) 114] Marketing Group, d/b/a ) 16 Watercraz Marketing ) Group; Kjirsten Strong, ) 17 et al. ) ) 18 Defendants. ) ) 19 ________________________ ) 20 21 Presently before the court is Defendant Stephen Pearcy’s 22 Motion for Summary Judgment. Having considered the submissions of 23 the parties and heard oral argument, the court grants the motion 24 and adopts the following Order. 25 I. Background 26 In 1987, Defendant Stephen Pearcy (“Pearcy”) formed the band now 27 commonly known as “RATT.” (Decl. Stephen Pearcy ¶3.) Pearcy 28 initially named the band “MICKEY RATT,” and started out by playing in local bars and clubs in southern California and Nevada. (Id. at ¶5.) Case 2:16-cv-03495-DDP-JC Document 115 Filed 03/05/18 Page 2 of 9 Page ID #:1876 1 On January 1, 1980, the band relocated to Los Angeles. (Decl. Turner 2 ¶¶4–5.) At that time, the band consisted of Pearcy, Chris Hager, John 3 Turner, and Tim Garcia. (Id.) All the band members, with the 4 exception of Tim Garcia, relocated to Los Angeles. (Id.) According 5 to Turner, upon relocating to Los Angeles, Pearcy decided the band 6 would drop the word “Mickey” from its name and would be renamed 7 “RATT.” (Id. -
Fray Over My Head Cable Car Sheet Music
Fray Over My Head Cable Car Sheet Music Download fray over my head cable car sheet music pdf now available in our library. We give you 2 pages partial preview of fray over my head cable car sheet music that you can try for free. This music notes has been read 3202 times and last read at 2021-09-28 18:00:27. In order to continue read the entire sheet music of fray over my head cable car you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Drum Set, Percussion Ensemble: Mixed Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music Over My Head Cable Car Intermediate Piano Over My Head Cable Car Intermediate Piano sheet music has been read 2443 times. Over my head cable car intermediate piano arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-27 17:09:19. [ Read More ] Into The Fray Into The Fray sheet music has been read 3653 times. Into the fray arrangement is for Intermediate level. The music notes has 4 preview and last read at 2021-09-28 06:13:13. [ Read More ] You Found Me Aka Amistad The Fray String Quartet You Found Me Aka Amistad The Fray String Quartet sheet music has been read 3015 times. You found me aka amistad the fray string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-28 14:48:35. [ Read More ] How To Save A Life By The Fray Arranged For String Quartet How To Save A Life By The Fray Arranged For String Quartet sheet music has been read 4302 times. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course. -
Palladia to Exclusively Air 'The Fray: Live in NYC' Saturday, February 14 at 9Pm*
Palladia To Exclusively Air 'The Fray: Live In NYC' Saturday, February 14 at 9pm* NEW YORK, Feb. 11 -- Palladia, MTV Networks' high-definition music channel will exclusively premiere the sold-out performance of the GRAMMY award-nominated band The Fray, in "The Fray: Live In NYC" on Saturday, February 14 at 9pm. The concert which taped on February 4 at Webster Hall in New York City is part of The Rhapsody Rocks concert series and part of VH1 and Rhapsody's ultimate fan sweepstakes for The Fray's new album, The Fray (epic). In the concert, "The Fray: Live In NYC," the band will perform songs from their hit album How To Save A Life and songs from their new self-titled album, The Fray. Songs performed will include "You Found Me," "How To Save A Life," "Over My Head," "Never Say Never" and "Say When" among others. VH1 has also thrown their multiplatform support behind the band with the advance listen program "The Leak" on VH1.com/music which allowed fans to listen to The Fray and buy the album a week in advance of the February 3 release date. The video for "You Found Me" exclusively premiered on VH1's Top 20 Countdown on December 13 and The Fray will appear on a special Top 20 Video Countdown from VH1's Lift Ticket to Ride '09 event on March 14 from Beaver Creek, Colorado. About Palladia Palladia, MTV Networks' high-definition music channel, launched in January 2006 and features original music-based programming for a variety of music genres, including hip hop, rock, country, pop, reggaeton, soul and more, as well as HDTV acquisitions and original content from MTV Networks Music Group's MTV, VH1, and CMT family of services. -
Jon Lord June 9 1941 – July 16 2012
Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar. -
GRADUATION 2015 Presentation Speech for Bernie Marsden for The
GRADUATION 2015 Presentation speech for Bernie Marsden for the honorary degree of Master of Arts of the University honoris causa Chancellor, over the centuries, Buckingham has been the birth place of many famous people. The list is remarkably wide ranging and includes the actress Gillian Blake, the theologian William Goode, the cricketer Wyndham Hazleton, the politician Francis Ingoldsby, the architect George Gilbert Scott and the speed skater John Tipper. Today, however, there can be little doubt that the best known of all is our honorand - the rock and blues singer and guitarist, Bernie Marsden. To most people in Buckingham, Bernie Marsden is synonymous with Whitesnake, the hard rock band he joined in 1978, playing on eight albums, from Snakebite to Saints and Sinners. He wrote or co-wrote many of the group’s hit songs, such as Here I Go Again. Following his departure from Whitesnake, he formed a new band which later became Bernie Marsden’s Alaska, which released two rock albums, Heart of the Storm and The Pack. More recently, he has been involved in some unusual projects, notably two engagements at the National Theatre for Nickolas Hytner’s productions of Shakespeare’s The Winter’s Tale and Henry V. In 2012, he performed at the premier of Rock of Ages, starring Tom Cruise and featuring the Whitesnake hit ‘Here I Go again on my Own.’ He has also produced a blues documentary, A Day in the Delta. Bernie Marsden’s new album, ‘Shine’ was released in August 2014, reaching the number 1 spot on the iTunes blues chart. -
"Eustace the Monk" and Compositional Techniques
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice.