2011 Annual Donor Report
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Annual Report 2015-16 Ywca Utah Leadership 2015-2016
ANNUAL REPORT 2015-16 YWCA UTAH LEADERSHIP 2015-2016 BOARD OF DIRECTORS COMMUNITY ADVISORY Marilynn E. Paine, Chair BOARD Christine B. Arthur Peter M. and Paula Christina Lau Billings Green Johnson, Chair Katy Blommer Thomas and Mary Gloria Garcia Faulkner Schubach McCarthey TABLE OF CONTENTS Kristine Goddard Sheryl Allen Emma E. Houston Pamela J. Atkinson Deneece G. Huftalin Lori Teske Hudson and YWCA Utah Leadership ............................... 2 Audrey Jiricko Phil Hudson Message from the YWCA ............................. 3 Maria Martinez Bruce and Kaye Jorgensen Charlotte L. Miller Carl and Vanessa Laurella Chris’s Story ................................................. 4 Silvia Norman Crystal Maggelet Family Violence Services Highlights .......... 5 Kelli Polcha John and Catherine Nubia’s Story ............................................... 6 Jennifer A. Smith Putnam Netto Kathleen Pitcher Tobey Dinesh Patel For Every Woman Programming ............... 7 Katherine Venti Scott and Sue Ulbrich Cassandra’s Story ........................................ 8 Amanda Wagner Anne Burkholder Early Education Highlights ......................... 9 Financials ...................................................10 Donor List ...................................................12 STAFF LEADERSHIP $100,000 and Greater ............................12 Anne Burkholder, $50,000-$99,999 ....................................12 Chief Executive Officer $25,000-$49,999 ....................................12 Karen Halladay, $10,000-$24,999 ....................................12 -
Harriet Berg Dance Collection
Harriet Berg Dance Collection Papers, 1948-2002 (Predominately 1960-1980) 30 linear feet Accession #1608 Provenance The Harriet Berg Dance Collection was first given to Wayne State University in 1984 by Harriet Berg, and has been added to over the years since that time (up to 2002). Bio/Historical Info For over 40 years Mrs. Berg has been a choreographer, teacher, performer, and arts avocate. She received her B.A. in Art Education and her M.A. in Humanities from Wayne State University. She has taught at Wayne State, the Jewish Community Center (and Camp Tamarack), Burton School, and Bloomfield Hills Academy locally and the Connecticut College Summer School of Dance and the Perry-Mansfield Dance-Drama School nationally. She was the director of the Festival Dancers and Young Dancers Guild at the Jewish Community Center and directed the Renaissance Dance Company and the Madame Cadillac Dancers, both companies specializing in historical dance. In addition to her professional work Mrs. Berg has served as member and Dance committee chairman for the Michigan Council of the Arts, the Detroit Council for the Arts, the Detroit Adventure Planning Project, Michigan Foundation for the Arts and the Detroit Metropolitan Dance Project. Mrs. Berg’s collection reflect her interest in all aspects of dance, and other performing and fine arts. Some of the papers also reflect some aspects of her personal life as well as that of her family members. Subjects American Dance Festival Harriet Berg Choreographers Choreography Connecticut College Dance Books Dance Companies Dance Education Dance in Detroit Detroit Metropolitan Dance Project Historical Dance Isadora Duncan Jewish Community Center Madame Cadillac Dance Theater Michigan Dance Association Modern Dance Renaissance Dance Company Resources for Dance Wayne State University Correspondents Kay Bardsley Harriet Berg Irving Berg Leslie Berg Martin Berg Merce Cunningham Raymond Duncan Louis Falco Martha Graham Lucas Hoving Jose Limon Paul Taylor J.J. -
Date Name Topic Show Producer Host Guest(S) Organization Event/Notes
A B C D E F G H I J 1 Date Name Topic Show Producer Host Guest(s) Organization Event/Notes Note: Anna from the ACLU attended the NeighborWorks Community Leadership Institute in Kentucky this past weekend, as did Tolina. This segment will Alliance for a Better Utah, focus on what kind of work Real Women Run, Utah peace and conflict resolution, needs to be done and why Citizen's Counsel, Peace community dialogue process, policy to address social justice in & Conflict Studies progress on human rights in Utah, civic Utah, as well as how to Program in the College of Real Women Run training engagement, voting, women recruit, mentor and Humanities at the January 16, 2016, at SLCC's 2 1/3/2016 candidates RadioActive Lara Jones Nick Burns support leaders of color. University of Utah Miller Campus in Sandy snow, Ski Utah One Wasatch campaign, 3 1/3/2016 public lands preservation WEU John Warlock John Warlock Save Our Canyons women in business, social good POD-Culture Lance Allred, 4 1/4/2016 business model Jock E.P. Lara Jones Lance Allred Liz Galloway Travel + Social Good food, culinary entrepreurs, vegetarianism, eat simple, eat with POD-Utah Ryan Samanka, Chase 5 1/4/2016 color, healthy eating Foodie E.P. Lara Jones Murdock Ian Brandt, Vertical Diner Vertical Diner David Derezotes, director of Peace & Conflict Studies Peace & Conflict Studies Program in the College of Program in the College of peace and conflict resolution starts with Humanities at the Humanities at the 6 1/4/2016 personal relationships RA Rewind Lara Jones Nick Burns University -
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ...................................................................................................................................... -
Dance with Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy
Dance With Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy By: Ann Dils Dils, A. (2001) Dance with Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy. Dance Research Journal. 32 (2), 7-31. Made available courtesy of University of Illinois Press: http://www.press.uillinois.edu/journals/drj.html ***Note: Figures may be missing from this format of the document Dance critic Walter Terry was in the audience the evening of Rosalind Pierson's last, glorious performance with Virginia Tanner's Children's Dance Theatre (CDT). In his review for the New York Herald Tribune of that July 1953 Jacob's Pillow performance, Terry discussed the girls' connections to the Church of Jesus Christ of Latter- day Saints, described the outdoor performance setting, the program, and the children as "wonderfully disciplined yet gloriously free in movement." He concluded his performance description with this paragraph: Other children have danced such themes and there are other children ... who have performed with ... far more precociousness of a technical nature but none, I think, have conveyed so perfectly the bright (not pallid) purity of child-dance. It is difficult to describe even the most potent intangibles and the best I can do is to say that the children danced as if they had faith in themselves, had love for those of us who were seeing them, actively believed in their God and rejoiced in all of these. (Terry 1953)1 The "potent intangibles" that Walter Terry wanted to describe—those feelings of faith, love, belief, and joy— pervaded the work of Virginia Tanner and her Children's Dance Theatre, especially in the years prior to 1960. -
State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios
Utah Dance Education Organization State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios Kay Andersen received his Master of Arts degree at New York University. He resided in NYC for 15 years. From 1985-1997 he was a soloist with the Nikolais Dance Theatre and the Murray Louis Dance Company. He performed worldwide, participated in the creation of important roles, taught at the Nikolais/Louis Dance Lab in NYC and presented workshops throughout the world. At Southern Utah University he choreographs, teaches improvisation, composition, modern dance technique, tap dance technique, is the advisor of the Orchesis Modern Dance Club, and serves as Chair of the Department of Theatre Arts and Dance. He has choreographed for the Utah Shakespearean Festival and recently taught and choreographed in China, the Netherlands, Mexico, North Carolina School of the Arts, and others. Kay Andersen (SUU) Ashley Anderson is a choreographer based in Salt Lake City. Her recent work has been presented locally at the Rose Wagner Performing Arts Center, the Rio Gallery, the BYU Museum of Art, Finch Lane Gallery, the City Library, the Utah Heritage Foundation’s Ladies’ Literary Club, the Masonic Temple and Urban Lounge as well as national venues including DraftWork at Danspace Project, BodyBlend at Dixon Place, Performance Mix at Joyce SOHO (NY); Mascher Space Cooperative, Crane Arts Gallery, the Arts Bank (PA); and the Taubman Museum of Art (VA), among others. Her work was also presented by the HU/ADF MFA program at the American Dance Festival (NC) and the Kitchen (NY). She has recently performed in dances by Ishmael Houston-Jones, Regina Rocke & Dawn Springer. -
Mormons: Who They Are, What They Believe
Digging Deeper Links from the Discussion Guide for MORMONS: WHO THEY ARE, WHAT THEY BELIEVE SESSION ONE: THE MORMONS—GENESIS The Book of Mormon according to the Latter-day Saints This Latter-day Saints article discusses the origins and purpose of the Book of Mormon. It is included here to give you an acquaintance with this Mormon scripture. Introduction to the Book of Mormon The fourth-last paragraph includes Joseph Smith, Jr.’s claim that the Book of Mormon is the world’s most perfect book. Jesus preaches in the Americas This link takes you to 3 Nephi 8-30 in the Book of Mormon which relates Jesus’ supposed visit to the Americas. Moroni’s Visitation This article lists Joseph Smith’s description of the visits of the angel Moroni and unanswered questions critics have raised about it. A Seer Stone and a Hat: Translating the Book of Mormon This article sites early testimony for how Joseph Smith, Jr. translated the Book of Mormon from the golden plates. Leaders of the LDS seem to be shrinking back from what Joseph Smith and his first scribes stated. Seer Stones- the Occult in Joseph Smith’s Day This article points out that seer stones and hats were commonly used in Joseph Smith’s time. Where Are the Ten Lost Tribes? This PBS article describes the background for the lost tribes of Israelites and traces worldwide claims for their location: including the identification of American Indians with the lost tribes centuries before Joseph Smith, Jr. Setting the Record Straight About Native Peoples: Lost Tribes of Israel This article answers linguistic claims that Native American languages match Egyptian and other hieroglyphics. -
M. Troy Smalley
M. Troy Smalley Mechanical Engineer Phone: (385) 227-1850 Email: [email protected] LinkedIn: Background Troy Smalley has more than 20 years of engineering experience; including the design of heating, ventilation, and air conditioning (HVAC) systems; plumbing systems; fire protection systems; and building commissioning. He has designed engineered systems for universities, high schools, houses of worship, hospitals, clinics, research laboratories, and condominiums. He has worked with mechanical systems ranging in size from residential furnaces and condensing units to steam boilers, chillers and cooling towers in central plants. As a Commissioning Authority, Troy implemented commissioning best practices and essential attributes as prescribed by the Building Commissioning Association (BCxA) and ASHRAE Guideline 0. He acted as an advocate for the building owner to ensure quality was incorporated into the project from its inception. During the pre-design phase he helped clients develop and document their building performance requirements, the standard by which the finished product would be judged. As a LEED® Accredited Professional Troy helped clients incorporate goals for energy efficiency and minimal environmental impact into the design. During the design phase he reviewed the engineering basis of design, drawings, submittals, and sequences of operation. He developed equipment Installation Checklists to aid the contractors in installing the approved equipment properly. Throughout the construction phase, he performed site inspections to ensure the equipment was installed per the checklists and document any issues that arose. Troy developed Functional Performance Tests for each major system; including air handlers, boilers, chillers, exhaust fans, building controls, lighting controls, and security equipment; and then supervised their execution. He ensured the contractors and designers resolved all documented issues before the building was turned over to the owner. -
Standing Commission on Lifelong Christian Education and Formation
Standing Commission on Lifelong Christian Education and Formation STANDING COMMISSION ON LIFELONG CHRISTIAN EDUCATION AND FORMATION MEMBERSHIP Mr. Robert C. Laird, Chair Minnesota, 2012 Mr. Keane J. Akao, Vice Chair Hawaii, 2012 The Rev. Valerie Bailey Fischer, Secretary Massachusetts, 2012 The Rt. Rev. Marc Handley Andrus, Resigned California, 2012 Ms. Hisako Miyazaki Beasley, Executive Council Liaison Olympia The Rev. Eddie Michael Blue Maryland, 2009 Mr. Thom Chu, Resigned The Episcopal Church Center Ms. Ruth Ann Collins The Episcopal Church Center Ms. Sarah Eagle Heart Central Gulf Coast, 2009 Dr. Scott Evenbeck Indianapolis Dr. Wayne Floyd, Resigned Washington, 2012 The Rev. Thomas J. Gehlsen, Resigned Iowa, 2012 Ms. Iris Harris Washington, 2009 The Rt. Rev. Carolyn Tanner Irish, Chaplain Utah, 2009 Ms. Joyce Fletcher Menard, Resigned Upper Michigan, 2012 The Rt. Rev. Porter Taylor Western NC, 2012 Dr. Fredrica Harris Thompsett Massachusetts, 2012 The Rev. Mary Stoddard Trainor, Resigned Fond Du Lac, 2012 REPRESENTATIVES OF THE COMMISSION AT GENERAL CONVENTION: Bishop Carolyn Tanner Irish and Deputy Dr. Scott Evenbeck are authorized to receive non-substantive amendments to this report. SUMMARY OF WORK The Standing Commission on Lifelong Christian Education and Formation convened for the first time during the 2006-2009 triennium by an act of the 75th General Convention. According to the mandate, as described in the Constitutions and Canons of The Episcopal Church, the Commission shall consist of twelve members (three bishops, three presbyters and/or deacons, and six lay persons). The Commission is mandated to develop and recommend to the General Convention comprehensive and coordinated policies for children, youth, young adults, adults and seniors for lifelong Christian formation. -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights. -
Letter from the President
VOLUME 2, ISSUE 2 WINTER/SPRING 2006 UDEO NEWS LETTER FROM THE PRESIDENT UDEO 2006 Conference Dubbed “Most Proactive Conference in the State! The UDEO 2006 Spring Conference Four Part Harmony and performances inspired us to reflect on ways personal heritage has been dubbed “the state’s most pro-active conference,” by Carol can influence our art-making. Now we have two more wonderful Ann Goodson, Utah State Office of Education Fine Arts Coordinator. UDEO sponsored events to unite and renew us. Her flattering statement piqued my curiosity and I asked her why Please accept a personal invitation to attend the UDEO/ she felt that way. “Because your members will - March forth on USOE day-long High School Dance Festival on February 25, March 4th!” she replied. Jean Irwin, arts education coordinator at at Bingham High School. This event concludes with an evening the Utah Arts Council added, “But your group will march forth…in concert that features the “best” high school choreography in the a dancerly way!” It’s a clever play on words yet I have come to state. Our Spring Conference, Four Part Harmony, with keynote realize that there is great truth in the observations of both Carol and presenter Alonzo King, a variety of professional development dance Jean. workshops, and a first of its kind panel presentation by members of This state is blessed with an abundance of excellent and our state legislature, school boards, and arts advocacy organizations pro-active dance and arts colleagues. Whether your dance interest will instruct and inspire us. If you share in the goal to increase lies in private or public dance education, professional or community quality dance opportunities in Utah, and enjoy the great connections, dance concerts and events, or you are the concerned parent of a child conversations, and of course great food that we always have at our who loves to dance, your membership and participation in UDEO Spring Conferences, then don’t forget to “March forth on March has real impact. -
05357 HIP Newsltr Press.Indd
PARTICIPATION WINTER 2005 40th Anniversary for Hinckley Institute of Politics The Hinckley Institute of Politics will celebrate IN THIS ISSUE its 40th anniversary and announce the new director of the Hinckley Institute at an event in September. Institute History Page 2 The gathering will feature a prominent guest Scholarships Page 3 speaker and a program about the history of the Outstanding Interns Page 4 Institute. All former interns and students, commu- Congressional Interns Page 5 nity members, friends of the Institute, and elected Former Interns Page 5 officials are invited to attend. Further details will Featured Internships Page 6 be released in the coming months. We hope to see Hinckley News Page 6 you there! Semester Abroad Page 8 Hinckley Staff Page 9 Hinckley Forums Page 10 From top to bottom: Hinckley interns with newly elected 2003-2004 Interns Page 12 Utah Governor Jon Huntsman, Jr.; 1966 Hinckley Summer interns; intern Lieu Tran with Sen. Arlen Specter and Gov. Donors Page 15 Arnold Schwarzenegger; Pres. Ronald Reagan greeting Capital Encounter Page 16 interns; and Hinckley interns campaign for Scott Matheson, Jr. 1 HINCKLEY INSTITUTE OF POLITICS PARTICIPATION History of Hinckley Institute of Politics Scholarship Award Winners Anne Bergstedt Receives John Micah Elggren Receives Robert H. Hinckley founded the Hinckley Institute of Politics in 1965 with the vision to “teach students and Anne Hinckley Scholarship Robert H. Hinckley respect for practical politics and the principle of citizen involvement in government.” Forty years later, Mr. Hinckley’s dream is a reality. Countless students, schoolteachers, and the general public have participated in Graduate Scholarship programs he made possible through the Hinckley Institute.