Global Chinese Art Auction Market Report 2014

Total Page:16

File Type:pdf, Size:1020Kb

Global Chinese Art Auction Market Report 2014 Table of Contents Foreword . 4 About the China Association of Auctioneers (CAA) . 5 About artnet . 6 Key Findings . 7 Introduction . 10 1 Market Overview . 26 1 1. Industry and Market Scale . 27 1 .2 Market Share . 33 2 Lot Composition and Price Distribution . 37 2 1. Lot Composition . 38 2 .2 Price Distribution and Average Prices . 43 2 3. High-Priced Lots . 47 Appendix 1: 2014 List of Global Chinese Antiques and Art Auction Houses . 53 Appendix 2: 2014 List of Lots Sold for Over 10 Million RMB . 94 Notes . 139 Contact . 143 4 Global Chinese Art Auction Market Report 2014 Foreword artnet and the China Association of Auctioneers (CAA) are The Chinese art and antiques market has been undergoing pleased to present the third edition of the Global Chinese a period of volatility since 2012 . To help readers better Art Auction Market Report, taking an in-depth look at the understand the social-economic factors behind the Chinese art and antiques market in 2014 . Today, artnet is volatility, why each market sector performed differently, the undisputed leader of the art world online . As the art and where the market is headed, we again invited the world continues to evolve and expand, artnet intends to renowned art economist Dr . Clare McAndrew to write the maintain its leadership role and help connect millions more introduction of the report . We hope that the big picture people around the world who love and appreciate art . context provided by the introduction, coupled with the detailed analysis of reliable market data in the report, can In a continued effort to present the most accurate help create a deeper understanding of the global market representation of the auction market in China, artnet has for Chinese art . again partnered with CAA to produce a definitive study of the market, which only these two trusted organizations Once again, we would like to express our sincere can provide . gratitude to all who have made this report possible . The Global Chinese Art Auction Market Report is the only report of its kind to publish auction results from mainland China that have been vetted by a third party organization with insider knowledge of the state of the market in China . The 2014 edition of the report continues to examine the global sale of Chinese art and antiques, emphasizing quality and accuracy of the data, with the goal of creating a new standard of transparency . ©2015 Artnet Worldwide Corporation. ©2015 China Association of Auctioneers. All rights reserved. Global Chinese Art Auction Market Report 2014 5 About the China Association of Auctioneers (CAA) The China Association of Auctioneers (CAA) is the only In 2010, the Ministry of Commerce of the People’s national association of the auction industry in China . Its Republic of China issued the Standard for Auction of functions include auctioneers administration and auction Cultural Relics and Art Works . Drafted by CAA, this house regulation and supervision, as outlined in the marked the beginning of the standardized development of Auction Law of the People’s Republic of China, as well Chinese auctions . Currently, the Chinese auction industry as business promotion, policy coordination, information is regulated by one national standard and five industry services, and consulting . codes of practice . Established in 1995, CAA has been the most important In 2012, CAA initiated the promotion and execution of platform in the world for establishing connections within auction industry standardization, and has certified 56 the Chinese auction industry, making every effort to antiques and art auction houses, so far, as houses that promote the development of the Chinese auction industry have met the industry standard . This act marked the and market . Revitalized in 1986, and led by CAA, the industry’s transformation, from quantity driven growth to Chinese auction industry has entered a new era . quality-driven improvement . In 1996, the Auction Law of the People’s Republic of In 2014, CAA collaborated with artnet to successfully co- China took effect after several years’ effort by CAA . As host the international summit, The Chinese Art Market: the first auction law in China, it laid a solid foundation for Present and Future, in New York . CAA’s proposal of the standardized development of Chinese auctions . establishing an international auctioneers association was well received by fellow organizations . In 1997, CAA certified the first national auctioneers . Currently, 12,380 national auctioneers have been trained In the future, with the globalization of the Chinese auction and certified, and serve as the backbone of the industry . industry, CAA will continue to play a leading role in building a platform for international communication, and In 2005, CAA total membership reached 1,000 for the first will work with fellow organizations to promote a better time . Today, we have more than 2,500 members, including integration and development of the global auction market . all of the most well-known and prestigious Chinese auction houses . ©2015 Artnet Worldwide Corporation. ©2015 China Association of Auctioneers. All rights reserved. 6 Global Chinese Art Auction Market Report 2014 About artnet artnet is the leading place to buy, sell, and research fine In 1999, artnet went public in Germany . Since 2007, art, design, and decorative art online . artnet has been listed in the Prime Standard of the Frankfurt Stock Exchange, the segment with the highest artnet was founded in 1989 with the goal of bringing transparency standards . transparency to the art world . In the past, the lack of objective price information was a stumbling block, for In 2008, artnet pioneered the first online auctions buyers in particular, that prohibited the market from platform exclusively for fine art, artnet Auctions . With growing . artnet Auctions, collectors can both buy and sell art 24/7, with instant turnaround and lower commissions . The art business has always been international; however, before artnet, it was managed locally in relatively The newest branch of our valuation products, artnet inefficient markets by tens of thousands of geographically Analytics Reports, covers over 600 Modern and disparate art dealers, galleries, auction houses, book Contemporary artists . This product allows users to publishers, museums, and collectors . benchmark the market performance of artists, art categories, and customized sets of artworks against For 25 years, artnet has worked to transform the market . financial indices, such as the S&P 500 and Dow Jones, or We provide a range of services to connect buyers and other assets, such as gold . sellers online, and have a suite of valuation tools to make market information instantly accessible . In February 2014, artnet launched a 24/7 global art newswire: artnet News . artnet News is a one-stop The artnet Price Database provides users with a global platform for the events, trends, developments, and standard of price comparison . The database includes over people that shape the art market and global art industry, 9 million auction results compiled from more than 1,600 providing up-to-the-minute analysis and commentary, international auction houses dating back to 1985 . with the highest possible standards in cultural journalism . Launched in March 2015, artnet News China delivers Another pillar of the artnet business is the artnet the same high-quality, timely content in Chinese, and Gallery Network, which was introduced in 1995 . As the publishes original news for the local and regional largest network of its kind, this product features 1,500 Chinese-speaking audience . galleries, and approximately 170,000 artworks by nearly 35,000 artists . The Gallery Network offers the world’s Today, artnet is the undisputed leader of the art world most comprehensive overview of artworks available for online . As the art world continues to evolve and expand, purchase . artnet intends to maintain its leadership role and help connect millions more people around the world who love and appreciate art . ©2015 Artnet Worldwide Corporation. ©2015 China Association of Auctioneers. All rights reserved. Key Findings 8 Global Chinese Art Auction Market Report 2014 Key Findings – 2014 marked another cooling period for the global – Fulfillment of payment has long plagued the auction auction market of Chinese art and antiques, as market in mainland China . In 2014, up to 63% of all lots worldwide sales fell to $7 9. billion (¥50 5. billion), a sold for over ¥10 million were left unpaid or only partially 31 3%. decline since the market’s peak in 2011 . paid . This non-payment rate is up 22% from 2013 . – By the end of 2014, there were 721 auction houses – The art market in mainland China is supported primarily dealing in Chinese art (+9 0%. year-on-year), which is by auction sales, which account for approximately 70% the most to date . of the market’s value, while gallery sales represent the remaining percentage . This breakdown is in contrast – Regionally, sales in mainland China witnessed a 9 3%. to other art markets, where gallery and retail sales drop year-on year (and a 40 0%. decrease since 2011), dominate . while the overseas market was considerably more stable, and saw only a marginal decrease of 1 1%. – The Beijing and Tianjin region continues to hold the majority market share in mainland China; however, – Looking at the external market, Asia (supported by decreases in this share suggest the market is slowly Hong Kong) fared particularly well, as sales increased gaining ground in other regions, particularly the 5 3%. Sales in Europe and North America were much Yangtze River Delta region . weaker, and fell 29 7%. and 8 0%,. respectively . – Demand for Chinese works is reportedly stronger – The number of lots consigned globally in 2014 was overseas than in mainland China, as limited liquidity comparable to 2013; however, demand for these lots bolstered a sell-through rate of 60 9%.
Recommended publications
  • Karbury's Auction House
    Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300
    [Show full text]
  • Ming Dynasty Porcelain Plate Laura G
    Wonders of Nature and Artifice Art and Art History Fall 2017 Blue-and-White Wonder: Ming Dynasty Porcelain Plate Laura G. Waters '19, Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/wonders_exhibit Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, History of Science, Technology, and Medicine Commons, Industrial and Product Design Commons, and the Intellectual History Commons Share feedback about the accessibility of this item. Waters, Laura G., "Blue-and-White Wonder: Ming Dynasty Porcelain Plate" (2017). Wonders of Nature and Artifice. 12. https://cupola.gettysburg.edu/wonders_exhibit/12 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/wonders_exhibit/12 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Blue-and-White Wonder: Ming Dynasty Porcelain Plate Abstract This authentic Ming Dynasty (1368-1644) plate is a prime example of early export porcelain, a luminous substance that enthralled European collectors. The eg nerous gift of oJ yce P. Bishop in honor of her daughter, Kimberly Bishop Connors, Ming Dynasty Blue-and-White Plate is on loan from the Reeves Collection at Washington and Lee University in Lexington, Virginia. The lp ate itself is approximately 7.75 inches (20 cm) in diameter, and appears much deeper from the bottom than it does from the top.
    [Show full text]
  • The Generalissimo
    the generalissimo ګ The Generalissimo Chiang Kai- shek and the Struggle for Modern China Jay Taylor the belknap press of harvard university press Cambridge, Massachusetts London, En gland 2009 .is Chiang Kai- shek’s surname ګ The character Copyright © 2009 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Taylor, Jay, 1931– The generalissimo : Chiang Kai- shek and the struggle for modern China / Jay Taylor.—1st. ed. â p. cm. Includes bibliographical references and index. ISBN 978- 0- 674- 03338- 2 (cloth : alk. paper) 1. Chiang, Kai- shek, 1887–1975. 2. Presidents—China— Biography. 3. Presidents—Taiwan—Biography. 4. China—History—Republic, 1912–1949. 5. Taiwan—History—1945– I. Title. II. Title: Chiang Kai- shek and the struggle for modern China. DS777.488.C5T39 2009 951.04′2092—dc22 [B]â 2008040492 To John Taylor, my son, editor, and best friend Contents List of Mapsâ ix Acknowledgmentsâ xi Note on Romanizationâ xiii Prologueâ 1 I Revolution 1. A Neo- Confucian Youthâ 7 2. The Northern Expedition and Civil Warâ 49 3. The Nanking Decadeâ 97 II War of Resistance 4. The Long War Beginsâ 141 5. Chiang and His American Alliesâ 194 6. The China Theaterâ 245 7. Yalta, Manchuria, and Postwar Strategyâ 296 III Civil War 8. Chimera of Victoryâ 339 9. The Great Failureâ 378 viii Contents IV The Island 10. Streams in the Desertâ 411 11. Managing the Protectorâ 454 12. Shifting Dynamicsâ 503 13. Nixon and the Last Yearsâ 547 Epilogueâ 589 Notesâ 597 Indexâ 699 Maps Republican China, 1928â 80–81 China, 1929â 87 Allied Retreat, First Burma Campaign, April–May 1942â 206 China, 1944â 293 Acknowledgments Extensive travel, interviews, and research in Taiwan and China over five years made this book possible.
    [Show full text]
  • China's Smiling Face to the World: Beijing's English
    ABSTRACT Title of Thesis: CHINA’S SMILING FACE TO THE WORLD: BEIJING’S ENGLISH-LANGUAGE MAGAZINES IN THE FIRST DECADE OF THE PEOPLE’S REPUBLIC Leonard W. Lazarick, M.A. History Directed By: Professor James Z. Gao Department of History In the 1950s, the People’s Republic of China produced several English-language magazines to inform the outside world of the remarkable transformation of newly reunified China into a modern and communist state: People’s China, begun in January 1950; China Reconstructs, starting in January 1952; and in March 1958, Peking Review replaced People’s China. The magazines were produced by small staffs of Western- educated Chinese and a few experienced foreign journalists. The first two magazines in particular were designed to show the happy, smiling face of a new and better China to an audience of foreign sympathizers, journalists, academics and officials who had little other information about the country after most Western journalists and diplomats had been expelled. This thesis describes how the magazines were organized, discusses key staff members, and analyzes the significance of their coverage of social and cultural issues in the crucial early years of the People’s Republic. CHINA’S SMILING FACE TO THE WORLD: BEIJING’S ENGLISH-LANGUAGE MAGAZINES IN THE FIRST DECADE OF THE PEOPLE’S REPUBLIC By Leonard W. Lazarick Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2005 Advisory Committee: Professor James Z. Gao, Chair Professor Andrea Goldman Professor Lisa R.
    [Show full text]
  • CHINESE ARTISTS Pinyin-Wade-Giles Concordance Wade-Giles Romanization of Artist's Name Dates R Pinyin Romanization of Artist's
    CHINESE ARTISTS Pinyin-Wade-Giles Concordance Wade-Giles Romanization of Artist's name ❍ Dates ❍ Pinyin Romanization of Artist's name Artists are listed alphabetically by Wade-Giles. This list is not comprehensive; it reflects the catalogue of visual resource materials offered by AAPD. Searches are possible in either form of Romanization. To search for a specific artist, use the find mode (under Edit) from the pull-down menu. Lady Ai-lien ❍ (late 19th c.) ❍ Lady Ailian Cha Shih-piao ❍ (1615-1698) ❍ Zha Shibiao Chai Ta-K'un ❍ (d.1804) ❍ Zhai Dakun Chan Ching-feng ❍ (1520-1602) ❍ Zhan Jingfeng Chang Feng ❍ (active ca.1636-1662) ❍ Zhang Feng Chang Feng-i ❍ (1527-1613) ❍ Zhang Fengyi Chang Fu ❍ (1546-1631) ❍ Zhang Fu Chang Jui-t'u ❍ (1570-1641) ❍ Zhang Ruitu Chang Jo-ai ❍ (1713-1746) ❍ Zhang Ruoai Chang Jo-ch'eng ❍ (1722-1770) ❍ Zhang Ruocheng Chang Ning ❍ (1427-ca.1495) ❍ Zhang Ning Chang P'ei-tun ❍ (1772-1842) ❍ Zhang Peitun Chang Pi ❍ (1425-1487) ❍ Zhang Bi Chang Ta-ch'ien [Chang Dai-chien] ❍ (1899-1983) ❍ Zhang Daqian Chang Tao-wu ❍ (active late 18th c.) ❍ Zhang Daowu Chang Wu ❍ (active ca.1360) ❍ Zhang Wu Chang Yü [Chang T'ien-yu] ❍ (1283-1350, Yüan Dynasty) ❍ Zhang Yu [Zhang Tianyu] Chang Yü ❍ (1333-1385, Yüan Dynasty) ❍ Zhang Yu Chang Yu ❍ (active 15th c., Ming Dynasty) ❍ Zhang You Chang Yü-ts'ai ❍ (died 1316) ❍ Zhang Yucai Chao Chung ❍ (active 2nd half 14th c.) ❍ Zhao Zhong Chao Kuang-fu ❍ (active ca. 960-975) ❍ Zhao Guangfu Chao Ch'i ❍ (active ca.1488-1505) ❍ Zhao Qi Chao Lin ❍ (14th century) ❍ Zhao Lin Chao Ling-jang [Chao Ta-nien] ❍ (active ca.
    [Show full text]
  • Inventing Chinese Modernism: the Art and Design of Pang Xunqin
    INVENTING CHINESE MODERNISM: THE ART AND DESIGN OF PANG XUNQIN (HIUNKIN PANG), 1930s-1940s by YINXUE CHEN A THESIS Presented to the Department of the History of Art and Architecture and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2019 THESIS APPROVAL PAGE Student: Yinxue Chen Title: Inventing Chinese Modernism: The Art and Design of Pang Xunqin (Hiunkin Pang), 1930s-1940s This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of the History of Art and Architecture by: Jenny Lin Chairperson Joyce Cheng Member Akiko Walley Member and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2019 ii © 2019 Yinxue Chen This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike (United States) License. iii THESIS ABSTRACT Yinxue Chen Master of Arts Department of the History of Art and Architecture June 2019 Title: Inventing Chinese Modernism: The Art and Design of Pang Xunqin (Hiunkin Pang), 1930s-1940s As one of the first Chinese modernist artists to study painting in Paris in the 1920s, Pang Xunqin’s art and design projects were profoundly influenced by both Western European and Chinese aesthetics. From the 1930s to 1940s, his output shifted from cosmopolitan Shanghai-based paintings to Guizhou Miao ethnic paintings to traditional Chinese and Art Deco-influenced industrial designs. Integrating historical context, Pang Xunqin’s biography, and stylistic analyses, this thesis interprets how the artist’s work transformed through particular social and political upheavals, including the Second Sino- Japanese War (1937-1945) and conflicts between vying political parties in China.
    [Show full text]
  • Directory of Protected Areas in East Asia: People,Directory Organisations and Places Areas
    IUCN Programme on Protected Directory of Protected Areas in East Asia: People, Organisations and Places Directory of Protected Areas inEast Asia: People, Areas Directory of Protected Areas in East Asia IUCN – The World Conservation Union People, Organisations Founded in 1948, The World Conservation Union brings together and Places States, government agencies and a diverse range of non- governmental organizations in a unique world partnership: over 980 members in all, spread across some 140 countries. As a Union, IUCN seeks to influence, encourage and assist societies throughout the world to conserve the integrity and diversity of nature and to ensure that any use of natural Shelley Hayes and Daniel Egli resources is equitable and ecologically sustainable. The World Conservation Union builds on the strengths of its members, networks and partners to enhance their capacity and Adrian Phillips, Series Editor to support global alliances to safeguard natural resources at local, regional and global levels. IUCN Programme on Protected Areas IUCN Publications Services Unit Rue Mauverney 28 219c Huntingdon Road CH-1196 Gland, Switzerland Cambridge CB3 0DL, UK Tel: ++ 41 22 999 00 01 Tel: ++ 44 1223 277894 Fax: ++ 41 22 999 00 15 Fax: ++ 44 1223 277175 E-mail: [email protected] E-mail: [email protected] http://wcpa.iucn.org http://www.iucn.org/bookstore Directory of Protected Areas in East Asia People, Organisations and Places World Commission of Protected Areas The World Commission on Protected Areas (WCPA) is the world’s leading global network of protected area specialists. The IUCN Programme on Protected Areas (PPA) is the focal point within the IUCN Secretariat for Protected Areas and serves as the Secretariat for WCPA.
    [Show full text]
  • Jiangxi Biologic Energy Forest Demonstration Base Environmental
    Jiangxi Biologic Energy Forest Demonstration Base Construction Project Funded by European Investment Bank Environmental and Social Impact Assessment Report Evaluation Unit: Jiangxi Academy of Agricultural Science Jiangxi Agricultural University Collaboration: Jiangxi Forestry Department City and County Forestry Bureaus 1 CONTENTS 1 BACKGROUND INTRODUCTION OF THE PROJECT ······················································1 1.1 Project background·························································································1 1.1.1 Background of the project emergence··················································1 1.1.2 Project sources·····················································································1 1.1.3 Significance of the project construction···············································1 1.2 Purposes of the preparation of the report························································1 1.3 Brief introduction of the environmental impact assessment ···························2 1.3.1 Significance of the project ···································································2 1.3.2 Structure of the report··········································································3 1.4 Bases of the evaluation···················································································4 1.4.1 Relevant state laws and regulations ·····················································4 1.4.2 Requirements of World Bank ······························································6 1.4.3 Specifications
    [Show full text]
  • Chinese Communists and Rural Society, 1927-1934
    Center for Chinese Studies • CHINA RESEARCH MONOGRAPHS UNIVERSITY OF CALIFORNIA, BERKELEY NUMBER THIRTEEN CHINESE COMMUNISTS AND RURAL SOCIETY, 1927-1934 PHILIP C. C. HUANG LYNDA SCHAEFER BELL KATHY LEMONS WALKER Chinese Communists and Rural Society, 1927-1934 A publication of the Center for Chinese Studies University of California, Berkeley, California 94720 Cover Colophon by Shih-hsiang Chen Center for Chinese Studies • CHINA RESEARCH MONOGRAPHS UNIVERSITY OF CALIFORNIA, BERKELEY NUMBER THIRTEEN CHINESE COMMUNISTS AND RURAL SOCIETY, 1927-1934 PHILIP C. C. HUANG LYNDA SCHAEFER BELL KATHY LEMONS WALKER Although the Center for Chinese Studies is responsible for the selection and acceptance of monographs in this series, respon­ sibility for the opinions expressed in them and for the accuracy of statements contained in them rests with their authors. © 1978 by the Regents of the Universit y of California ISBN 0-912966-18-1 Library of Congress Catalog Number 78-620018 Printed in the United States of America $5.00 Contents INTRODUCTION ......... ........... .. .. ..... Philip C. C. Huang INTELLECTUALS, LUMPENPROLETARIANS, WORKERS AND PEASANTS IN THE COMMUNIST MOVEMENT.................. 5 Philip C. C. Huang AGRICULTURAL LABORERS AND RURAL REVOLUTION . 29 Lynda Schaefer Bell THE PARTY AND PEASANT WOMEN 57 Kathy LeMons Walker A COMMENT ON THE WESTE RN LITERATURE. 83 Philip C. C. Huang REFERENCES . 99 GLOSSARY . .. .......... ................. .. .. 117 LIST OF MAPS I. Revolutionary Base Areas and Guerilla Zones in 1934 2 II. The Central Soviet Area in 1934 . 6 III. Xingguo and Surrounding Counties......... .. 10 1 The Jiangxi Period : an Introduction Philip C. C. Huang The Chinese Communist movement in its early years was primarily urban-based.
    [Show full text]
  • The Virgin's Peculiar Breast
    Illumine The Journal of the Centre for Studies in Religion and Society Graduate Student Association Volume 1, Number 1, 2001-02 Table of Contents Introduction................................................................................................................................1 The Virgin’s Peculiar Breast: Negotiating Nudity in Devotional Paintings..............................3 by Nancy Yakimoski The Origins of the Jingzong xuehui 淨 宗 學 會, or the Pure Land Learning Center.............11 by May Ying Mary Ngai Overcoming Metaphysics: George Grant and the Good Beyond Being..................................25 by Randy ‘Peg’ Peters Coming to Our Senses: Rediscovering Rites of Passage for Contemporary Youth................33 by Patrick Amos Eastern Buddhism and Western Ethics: An Interview with Robert Florida............................48 by Steve Bentheim Dastafshani (Ecstasy): The Art of S. Mohammad Ehsaey......................................................52 by Leslie Stanick Notes on Contributors........................................................................................................58 Centre for Studies in Religion and Society, University of Victoria PO Box 1700, STN CSC, Victoria, BC V8W 2Y2 Web: http://web.uvic.ca/csrs Illumine, Vol. 1, No. 1 1 Illumine: The Journal of the Centre for Studies in Religion and Society Graduate Student Association Editorial Board, 2001-2002 Steve Bentheim Hussein Keshani Nancy Newlove Andrew Wender (Managing Editor) Subscription Information Copies of this journal can be obtained
    [Show full text]
  • HST Catalogue
    HANSHAN TANG BOOKS • L IST 179 NEW PUBLICATIONS TIBET LATEST ACQUISITIONS H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com CONTENTS N EW & R ECENT P UBLICATIONS / 3 T IBET / 17 F ROM O UR S TOCK / 28 [Our apologies in that there was no room in this catalogue for the usual subject index] T E R M S The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers’ increases. P O S TA L C H A RG E S & D I S PATC H United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB £12.00.
    [Show full text]
  • Band Brings Hope in Slums with Music
    16 | Tuesday, August 10, 2021 HONG KONG EDITION | CHINA DAILY LIFE A cup to remember Author seeks to simplify the world of Chinese ceramics for his readers by explaining the art, design and techniques involved, Yang Yang reports. n 2014, a Chenghua jigangbei, or aesthetics and craftsmanship into “chicken cup”, created in the modern life.” Ming Dynasty (1368-1644), As well as running the business, was auctioned for HK$280 Tu also learned to make ceram- Imillion ($36 million) at Sothe- ics, which helps him to better by’s in Hong Kong. In addi- understand the craftsman- tion to its high price, the ship involved. In 2016, he widely published photo published his first book, of its collector, Liu Yiqi- Zhici Biji (Notes on Por- an, sipping from the celain Making), allow- piece, the “holy grail” of ing readers to see the Chinese ceramics, got production process of people excited. porcelain items and When people see the stories behind “chicken cups” at them. museums, they cannot In 2018 and 2019, Tu help asking guides why published another two one sold for such a high books about ceramics, price or whether it was one about the history of just a “rich people’s game”. China’s porcelain develop- When the guides try to ment, and the other about explain the value of such items the 100 classic ornamental to tourists, they often emphasize examples of Chinese porcelain. the technique of doucai (literally In the new book, Guci Zhi meaning “colors that fit together”), Guang, Tu presents 77 representative which was difficult to achieve in the ancient Chinese ceramic items in 15th century.
    [Show full text]