Willa Cather Pioneer Memorial Issue Newsletter VOLUME Xxxli, No

Total Page:16

File Type:pdf, Size:1020Kb

Willa Cather Pioneer Memorial Issue Newsletter VOLUME Xxxli, No Copyright © 1988 by the Willa Cather Pioneer Memorial and Educational Foundation ISSN 0197-663X Fall, 1988 Special Literary Willa Cather Pioneer Memorial Issue Newsletter VOLUME XXXlI, No. 3 Guest Editor, Jean Tsien, Beijing, China RED CLOUD, NEBRASKA Willa Cather’s Reputation in China was very popular as was George By JEAN TSIEN Bernard Shaw. Little American literature had yet been trans- Cather was first read in China acquainted with her name and lated for American literature had much earlier than most of us was later led to read her works. not yet entered the curriculum would think. Though there were Most likely he was her first anywhere I not even in the virtually no translations of her translator in China, having trans- United States. It was not until work into Chinese during her lated "Paul’s Case" for the liter- after the twenties of this century lifetime, we have reason to be- ary journal Time and Tide in that critics in Britain and Amer- lieve they were being read in the 1943. ica began to acknowledge that original in the 1920s and 1930s It was also around this time the U.S. was producing a distinc- by a small number of Chinese tive literature worthy of a posi- readers, mainly college students that Chang Lochi, then a Shang- hai college student, discovered tion in world literature. In China, and intellectuals. Here are a few the first American writers to examples to show this. Cather’s works in the original in the library. After reading them, have an important influence on On February 18, 1927, Yu she became so enthusiastic Chinese writers were Walt Whit- Dafu, a well-known Chinese about Cather that she wrote her man and Eugene O’Neill. Two writer and one of the founders of B.A. paper on her.2 famous Chinese writers Guo modern Chinese literature, Moruo, a poet and dramatist, wrote the following entry in his However, Cather did not really and Cao Yu, a dramatist, were in- diary after reading O Pioneers!: gain a foothold in China till the fluenced by their style. 1980s. The most important Read about sixty to seventy reason for this was that hardly In general, however, the pres- pages of Cather’s novel O any of her works had been trans- ence of American culture did not Pioneers!. Miss Cather lated into Chinese and for this make itself really felt in China writes about the life of the reason, she could not reach a until the forties, when the U.S. immigrants on the prairies wider audience. The twenties and China became allies against of America. Her writing is and thirties were a flourishing fascism. No doubt the showing very sure, her style rather period for the translation of of films based on works by Hem- similar to that of the Rus- Western literature. Chinese stu- ingway and Steinbeck helped to sian writer, Turgenev. dents had only gone abroad to enhance the popularity of these While we read her novel, study in Britain and the United writers in China. The works of a scenes of the life of Swed- States on a large scale after the number of earlier writers whose ish immigrants unfold viv- 1910s and had just discovered canon had risen such as Irving, idly before our eyes. The the treasure-trove of literature Hawthorne and Poe were also character of the woman there. As the period after World translated and a number of their protagonist, Alexandra, as War I was one of social turmoil stories were used in the original well as those of several and political awareness, Chi- as high school English texts. other characters, is well nese intellectuals, who com- Hardly anything of Cather’s was portrayed though not as prised a very small group, translated, though. She was still well as those of the Rus- tended in their translations to living but neither popular enough sian writer. Her description focus on writers who were to be read widely nor to be re- is natural and excellent, socially conscious. The most garded as a serious writer whose comparing favorably with works would be enduring. that in the early works of popular at the time were Rus- Turgenev. ’ sian (Tolstoy, Turgenev, Do- After 1949 and in particular stoevsky, Chekhov, Gogol, during the Cultural Revolution In 1935, as Sun Jiaxin notes in Gorkey and Pushkin were great- most works of Western litera- his essay, Cather was men. ly admired) and French (Zola, ture, particularly American liter- tioned in a review by Zhao Jiabi. Balzac and Maupassant were ature, were regarded with suspi- That was how Sun became among the favorites). Ibsen, too, cion and dismissed as "bour- Page 11 geois" or "apolitical" because the other three in collections of into the cities to find jobs in in- of the policy that literature short stories. This story alone dustry. Mass production had should serve the workers, peas- would reach hundreds of thou- brought material abundance ants and soldiers. A rigid inter- sands of Chinese readers scat- along with greater comforts and pretation and adherence to this tered over the country. conveniences, which Cather to- meant that only works calling on What is the reason for Ca- gether with others had come to revolution or exposing the cor- ther’s appeal to Chinese audi- appreciate. But at the same ruption of bourgeois society or ences in recent years? The time, it promoted commercial- the poverty of the poor could be essays in this issue, all written ization and standardization and translated into Chinese or by her translators in China, give thus the decline of individuality. taught in the classroom. Ob- some idea of why Chinese Still worse, it had a corrupting viously Cather’s work did not readers love her works and effect on people in the form of a belong to these categories. So choose to translate them. As Li growing desire for more material what little there was of her Wenjun, deputy editor-in-chief possessions. Because of this, works in China lay neglected on of World Literature, a prestig- money came to be valued more the library shelves until new ious literary magazine, says in and more for its own sake, to the policies were introduced in the his article: "Chinese readers get point of tainting human relation- late seventies. an instinctive feeling of close- ships. Since then, Cather has be- ness and warmth, a shock of The change disturbed Cather come widely read in China. Be- recognition, as if they were re- greatly. Like many other Ameri- ginning from 1980, her works reading the works of a familiar cans of her own day, she was have been taught to English ma- writer," when they read Cather. coming to feel that "commer- jors and graduate students in In the remainder of this essay, I cialization and the mad desire to English at Beijing Foreign Stud- shall attempt to analyse why make money [had] blotted out ies University, Peking Univer- this is so and to pinpoint where I everything else, and as a result sity, and Beijing Languages in- think Cather’s appeal lies to we are not living, but merely stituts, in Beijing alone. In re- present-day Chinese readers. existing.’’4 It made her nostalgic cent years all her major works One very important reason for the simple and harmonious have been or are being trans- why Chinese readers find it easy relationships of an earlier agrar- lated into Chinese. More of her to identify with the protagonists, Jan order before the corrosive in- works have been translated into situations and even moods in road of pecuniary interests. She Chinese than those of Fauikner, Cather’s works, particularly in felt that life had been more Hemingway or Fitzgerald or any those dealing with the pioneer- meaningful in the past, people other of her American contem- ing era or the passing of that era, better able to appreciate beauty poraries.= Critical articles have is that China was, and still basi- and culture, values more certain. also been written about her and cally is, a predominantly agrar- And as her disgust with the pres- last year a national symposium ian society which at the present ent grew, so did her respect for was held to commemorate the time is undergoing the same the values and qualities of a by- fortieth anniversary of Cather’s transition from an agrarian gone era, embodied in the noble death, at which some sixty society to a highly industrialized figure of the pioneer;, while her scholars, translators and re- one that Cather’s American life among them as a child porters from various parts of the society underwent during her underwent a kind of transfigura- country were present. Reports own lifetime. tion and took on a special mean- of the conference were carried Cather had grown up in Ne- ing. This is most apparent in in a number of newspapers and braska at a time when the coun- such works as O Pioneers!, literary journals, including China try was predominantly agrarian, My ,~ntonia, A Lost Lady and Daily, the prestigious English when such virtues as courage, "Neighbour Rosicky" which language newspaper in circula- perseverance, thrift, industry, deal with the early struggles of tion in China. warm human relations, love of the pioneers and their noble It is no exaggeration to say labour and of land were upheld qualities with the poignancy of a that Cather’s reputation is very and admired and were in tune writer celebrating a saga that is high in China, or that her works with the times.
Recommended publications
  • Corruption of the Characters in Willa Cather's a Lost Lady
    Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.51, 2018 Corruption of the Characters in Willa Cather’s A Lost Lady Dewi Nurnani Puppetry Department, Faculty of Performing Arts, Indonesia Institute of Arts, Surakarta, Central Java, Indonesia, 57126 email: [email protected] Abstract This writing studies about corruption of the characters in the novel entitled A Lost Lady by Willa Cather. The mimetic approach is used to analyze this novel. So in creating art, an author is much influenced by the social condition of society in which he lives or creates, directly or indirectly. It can be learned that progression does not always make people happy but often it brings difficulties and even disaster in their lives. It is also found that the corruption in the new society happens because the characters are unable to endure their passionate nature as well as to adapt with the changing.To anticipate the changing, one must have a strong mentality among other things, by religion or a good education in order that he does not fall into such corruption as the characters in A Lost Lady . Keywords : corruption, ambition, passionate, new values, old values 1. Background of The Study Willa Sibert Cather, an American novelist, short story writer, essayist, journalist, and poet, was born on December 7, 1983 near Winchester, Virginia, in the fourth generation of an Anglo-Irish family. Her father, Charles F. Cather, and her mother, Mary Virginia Cather, and also their family moved to the town of red Cloud, Nebraska, when she was nine years old.
    [Show full text]
  • If You Like My Ántonia, Check These Out!
    If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience.
    [Show full text]
  • Willa Cather and American Arts Communities
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J.
    [Show full text]
  • The Perils of Allusion in Cather's Early Stories
    Colby Quarterly Volume 24 Issue 3 September Article 5 September 1988 Treacherous Texts: The Perils of Allusion in Cather's Early Stories Joan Wylie Hall Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 24, no.3, September 1988, p.142-150 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Hall: Treacherous Texts: The Perils of Allusion in Cather's Early Stori Treacherous Texts: The Perils of Allusion in Cather's Early Stories by JOAN WYLIE HALL ILLA CATHER'S recent biographer, Sharon O'Brien, suggests that the W "intrusive references to male writers" in "The Treasure of Far Island" display a female author's urge to place herself in a tradition from which she feels excluded.! Some of the same literary debts are apparent in "The Professor's Commencement," another early Cather story that also appeared in New England Magazine in 1902. 2 While she does not exag­ gerate the dominance of such allusions, O'Brien does overlook their suitability to the main characters in these particular stories and to Cather's early exploration of the theme of the artist, a theme she develops exten­ sively in The Troll Garden (1905) and The Song ofthe Lark (1915). Most of the bookish references in "The Treasure of Far Island" and "The Pro­ fessor's Commencement" are generated by a writer, Douglass Burnham, and by an English teacher, Emerson Graves.
    [Show full text]
  • UNIVERSITY of $ASKATCHEWAN This Volume Is The
    UNIVERSITY OF $ASKATCHEWAN This volume is the property of the University of Saskatchewan, and the Itt.rory rights of the author and of the University must be respected. If the reader ob­ tains any assistance from this volume, he must give proper credit in his ownworkr This Thesis by . EJi n.o r • C '.B • C j-IEJ- S0 M has been used by the following persons, whose slgnature~ attest their acc;eptance of the above restri ctions . Name and Address Date , UNIVERSITY OF SASKATCHEWAN The Faculty of Graduate Studies, University of Saskatchewan. We, the undersigned members of the Committee appointed by you to examine the Thesis submitted by Elinor C. B. Chelsom, B.A., B;Ed., in partial fulfillment of the requirements for the Degree of Master of Arts, beg to report that we consider the thesis satisfactory both in form and content. Subject of Thesis: ttWilla Cather And The Search For Identity" We also report that she has successfully passed an oral examination on the general field of the subject of the thesis. 14 April, 1966 WILLA CATHER AND THE SEARCH FOR IDENTITY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Mas ter of Arts in the Department of English University of Saskatchewan by Elinor C. B. Chelsom Saskatoon, Saskatchewan April, 1966 Copyrigh t , 1966 Elinor C. B. Chelsom IY 1 s 1986 1 gratefully acknowledge the wise and encouraging counsel of Carlyle King, B.A., M.A., Ph.D. my supervisor in the preparation of this thesis.
    [Show full text]
  • Willa Cather Review
    Copyright C 1997 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation (The Willa Cather Society) Willa Cather Pioneer Memorial New-sletter and 326 N. Webster Street VOLUME XLI, No. 2 Red Cloud, Nebraska 68970 Summer/Fall, 1997 Review Telephone (402) 746-2653 The Little House and the Big Rock: So - what happened to me when I began to try to plan my paper for today was that my two projects Wilder, Cather, and refused to remain separate in my mind, and I had to the Problem of Frontier Girls envision a picture with a place for Willa Cather and Laura Ingalls Wilder. That meant I had to think about Plenary Address, new ways to historicize both careers. And that's why Sixth International Willa Cather Seminar I was so delighted to recognize the bit of information Quebec City, June 1995 with which I began. It places Wilder and Cather - Ann Romines who almost but not quite shared a publisher in 1931 - George Washington University in the same literary and cultural landscape. Women of about the same age with Midwestern childhoods far In August 1931, Alfred A. Knopf published Willa behind them, they were writing and publishing novels Cather's tenth novel, Shadows on the Rock. The publisher numbered Cather among the ''family" of authors he was proud to publish.1 Then, in the following month, Knopf contracted to publish the first book by a contemporary of Cather's, the children's novel Little House in the Big Woods by Laura Ingalls Wilder. Be­ fore the year was out, however, Wilder learned that the exigencies of "depression economics" were closing down the children's department at Knopf.
    [Show full text]
  • Willa Cather and the Swedes
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Fall 1984 Willa Cather And The Swedes Mona Pers University College at Vasteras Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Pers, Mona, "Willa Cather And The Swedes" (1984). Great Plains Quarterly. 1756. https://digitalcommons.unl.edu/greatplainsquarterly/1756 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WILLA CATHER AND THE SWEDES MONAPERS Willa Cather's immigrant characters, almost a able exaggeration when in 1921 she maintained literary anomaly at the time she created them, that "now all Miss Cather's books have been earned her widespread critical and popular ac­ translated into the Scandinavian," the Swedish claim, not least in the Scandinavian countries, a translations of 0 Pioneers! and The Song of market she was already eager to explore at the the Lark whetted the Scandinavian appetite beginning of her literary career. Sweden, the for more Cather. As the 1920s drew to a close, first Scandinavian country to "discover" her her reputation grew slowly but steadily. Her books, issued more translations of Cather fic­ friend George Seibel was probably guilty of tion than any other European country. In considerably less exaggeration than was Eva fact, Sweden was ten years ahead of any other Mahoney when he recalled "mentioning her Scandinavian country in publishing the transla­ name in the Gyldendal Boghandel in Copen­ tion of a Cather novel (see table).
    [Show full text]
  • EMPIRICAL TESTS of COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J
    0001-0044_BUCCAFUSCO_081313_WEB (DO NOT DELETE) 8/13/2013 4:50 PM DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco† & Paul J. Heald †† ABSTRACT According to the current copyright statute, copyrighted works of music, film, and literature will begin to transition into the public domain in 2018. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Therefore, the next few years will likely witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works. These industries, and a number of prominent scholars, claim that when works enter the public domain, bad things will happen to them. They worry that works in the public domain will be underused, overused, or tarnished in ways that will undermine the works’ economic and cultural value. Although the validity of their assertions turns on empirically testable hypotheses, very little effort has been made to study them. This Article attempts to fill that gap by studying the market for audiobook recordings of bestselling novels, a multi-million dollar industry. Data from this study, which includes a novel human-subjects experiment, suggest that term-extension proponents’ claims about the public domain are suspect. Audiobooks made from public domain bestsellers (1913–22) are significantly more available than those made from copyrighted bestsellers (1923–32). In addition, the experimental evidence suggests that professionally made recordings of public domain and copyrighted books are of similar quality. Finally, while a low quality recording seems to lower a listener’s valuation of the underlying work, the data do not suggest any correlation between that valuation and the legal status of the underlying work.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K.
    [Show full text]
  • Margins, Centers and the Nebraskan Commonwealth
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Presentations, Talks, and Seminar Papers -- Department of English English, Department of March 2003 The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth Guy Reynolds University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishtalks Part of the English Language and Literature Commons Reynolds, Guy, "The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth" (2003). Presentations, Talks, and Seminar Papers -- Department of English. 1. https://digitalcommons.unl.edu/englishtalks/1 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Presentations, Talks, and Seminar Papers -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reynolds, The Politics of Cather’s Regionalism The Politics of Cather’s Regionalism: It features, of course, as this region often does in expatriate US writing: as everything you want to get away from. Here, the ‘dis‐ Margins, Centers and the Nebraskan quietingly cheerful horde’ represent a hideous uniformity, a col‐ Commonwealth lectivised national identity which seems both coarse and bland. This is, sadly, one of the main themes in the literary representa‐ tion of this particular region over the last century. In his useful Guy Reynolds study, The Middle West: Its Meaning in American Culture, Kansas geographer James Shortridge follows the rise and fall of the area’s Presented March 25, 2003, at the Plains Humanities Alliance Research & status in the national imagination.
    [Show full text]
  • Transportation and Literature
    TitleView Page metadata, - Transportation citation and and similar Literature papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Transportation through the Lens of Literature The Depiction of Transportation Systems in American Literature from 1800 to the Present in the Form of an Annotated Bibliography by Donald Ross, Stephanie Athey, and Capper Nichols University of Minnesota [email protected] You can examine this site by reading through the chapters, Chapters by decade beginning with the early 1800.htms, or you can use one of these indexes. The Early 1800.htms The 1830s Table of Contents (The entries in the order in The 1840s which they appear in the chapters) The 1850s The 1860s Indexes The 1870s The 1880s Subject index (Transportation systems The 1890s and the people involved) The 1900s Place index (States and major cities The 1910s mentioned in the entries) The 1920s Author index The 1930s The 1940s The Introduction is an essay which explains the rationale The 1950s for the project and gives an overview of some of the The 1960s general conclusion. The 1970s The 1980s How to read the chapters and entries The annotations are arranged chronologically, by the decade of the setting. 24 (Entry number) Author: Name, followed by birth and death dates Title: Name ("In" = a larger work, e.g., a short story or poem in a collection) Date: of first publication ("Written" = date is significantly different Systems: train, automobile, etc. Context: "Contemporary" with the publication date or specific dates, followed usually with a locale, and sometimes a comment on perspective The entry comes here.
    [Show full text]
  • Troll Garden and Selected Stories
    Troll Garden and Selected Stories Willa Cather The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Troll Garden and Selected Stories by Willa Cather. October, 1995 [Etext #346] The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. *****This file should be named troll10.txt or troll10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, troll11.txt. VERSIONS based on separate sources get new LETTER, troll10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet IIc flatbed scanner, and Calera Recognition Systems' M/600 Series Professional OCR software and RISC accelerator board donated by Calera Recognition Systems. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement.
    [Show full text]