THE SPIRITUAL INFLUENCE of WESTERN WRITERS on the FIRST GENERATION of ARAB-AMERICAN IMMIGRANT WRITERS a Thesis Presented To

Total Page:16

File Type:pdf, Size:1020Kb

THE SPIRITUAL INFLUENCE of WESTERN WRITERS on the FIRST GENERATION of ARAB-AMERICAN IMMIGRANT WRITERS a Thesis Presented To THE SPIRITUAL INFLUENCE OF WESTERN WRITERS ON THE FIRST GENERATION OF ARAB-AMERICAN IMMIGRANT WRITERS A Thesis Presented to The Graduate Faculty at the University of Akron In Partial Fulfillment for the Requirements for the Degree Master of English Rawan Alshareif May, 2018 THE SPIRITUAL INFLUENCE OF WESTERN WRITERS ON THE FIRST GENERATION OF ARAB-AMERICAN IMMIGRANT WRITERS Rawan Alshareif Thesis Approved: Accepted: Advisor Dean of the Collage Dr. Hillary Nunn Dr. John Green Faculty Reader Dr. Joseph Ceccio Dean of Graduate School Dr. Chand Midha Faculty Reader Date Dr. Heather Bruan ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION .......................................................................................................... 4 II. RALPH WALDO EMERSON’S INFLUENCE ON AMEEN RIHANI’S THE BOOK OF KHALID (1911) .............................................................................................. 10 Transcendentalism ......................................................................................................... 11 Rihani's life as Shaping force for Khalid ………………………………………,,,,,,….14 III. THE INFLUENCE OF WILLIAM BLAKE’S ON GIBRAN KHALIL GIBRAN IN THE PROPHET (1923)...................................................................................................... 32 Defining Romanticism .................................................................................................. 34 Blake and Gibran ........................................................................................................... 35 Gibran Khalil Gibran… ................................................................................................. 36 IV. RUSSIAN LITERATURE AND LEO TOLSTOY'S INFLUENCE ON MIKHAIL NAIMY IN THE BOOK OF MIRDAD (1948) ................................................................. 48 Literature and Morality for Tolstoy and Naimy ............................................................ 50 The influence of Tolstoy in The Book of Mirdad .......................................................... 55 V. CONCLUSION .......................................................................................................... 64 REFERENCES ................................................................................................................ 68 iii INTRODUCTION This thesis focuses on the influence of elements of Western literature as exemplified by specific writers on Arabic immigrants who came to the United States between 1911 and 1950. In 1920 in New York City, a small group of Arab-American writers formed a literary society under the name of the Pen League, also called "al- Mahjar” which aimed to create a literary bridge between the East and the West (Kayyali 126). Its members decided to write their own works in English as well as translate significant examples of Arabic literature (Kayyali 126). Salma Jayyusi describes how these early Arab-American writers came to the United States as immigrants with the desire for change and thus to break away from the traditions of Arabic writing (131). At that time the Turkish military ruled most of the Arabic speaking world and thus wielded a tremendous amount of power which impeded free expression. This prevented Arabic literature from developing (Al Maleh 314). However, these writers who had formed the Pen League were able to write freely once they arrived in the United States, and subsequently their literature made a great impact both inside and outside of the United States. Most of the Pen League writers, predominantly Christians, had immigrated from Lebanon and Syria (O’Connor 98). It is important to point out that the members of the Pen League considered writing in the United State to be an opportunity, because here they could express their thoughts freely in contrast to their home countries (Kayyali 126). 4 Ameen Rihani, Gibran Khalil Gibran, and Mikhail Naimy are the Pen League writers on whom I focus, whose work clearly demonstrates this reflection of Western literature whether they wrote in Arabic or English (Al Maleh 314). These three writers likewise have in common the influence of Western religious philosophy and its writers. The Book of Khalid (1911) by Rihani, The Prophet (1923) by Gibran, and The Book of Mirdad by Naimy all reflect the influence of Western religious writers in many aspects. For example, either directly or indirectly, each presents his protagonist as a prophet. Additionally, these characters deliver enlightening wisdom to their people, just as the prophets had done, about morality, and thus offer readers a better understanding of life, as well as advice about spirituality, religion, and God. Rihani's novel The Book of Khalid tells Khalid's story, the struggles that he faces when he emigrates to the United States, while trying to understand his identity. As a result of the identity struggle, Khalid undergoes a personal and spiritual change. Then, Khalid decides to go back to his home country, Lebanon, to rescue it from the rule of the Ottoman Empire, which he attempts to do by giving political speeches that encourage the people to rebel. The story ends with Khalid’s disappearance as the Ottoman Empire had pressured him to stop his political activities. Gibran’s The Prophet presents a character who will rescue the people through his wisdom in life. The book starts with a farewell; a prophet wants to leave, but a group of people encourage him to stay longer to give them advice about different topics. The prophet agrees and talks about many different aspects of life, 5 such as love, marriage, joy, and sorrow. Mirdad in Naimy's The Book of Mirdad, gives speeches that inspire his group members. All three of these works use the same method to deliver the writers’ thoughts through their protagonists, advising the people with moral lessons about matters which pertain to life, as well as thoughts about religion and God. The first chapter discusses the influence of the Transcendentalist writer Ralph Waldo Emerson on Ameen Rihani, as shown in The Book of Khalid. In this chapter, I first identify and define Transcendentalism and its relationship to Ralph Waldo Emerson. Then, I analyze the novel to show how Ameen Rihani made use of this influence. Both of these writers are linked in that they share similar philosophical perspectives about life, such as understanding the relationship between oneself and God and how nature is the source of spirituality (Funk & Sitka 56). For both Rihani and Emerson, seeing nature as central to spirituality will result in making the individual trust his intuition as a primary source to develop society and understand the value of individualism and its importance for spiritual growth, as presented in the character of the protagonist Khalid. Khalid is a Lebanese man who emigrates to the United States to work. Khalid goes through a spiritual awakening that results in changing his prospective about life. These changes happen when Khalid travels to the United States and occur due to the influence of the Western philosophers that he starts to read. Emerson is one of these writers that the character Khalid reads. Khalid’s character reflects Emerson’s influence; not only does the book mention Khalid's reading of Emerson but also depicts Khalid quoting Emerson. Through the inspiration of Emerson, Khalid starts to connect with nature, and he sees God in nature (Al M Maleh 318). Then, Khalid comes to understand the importance of one's own intention and its link to the individual’s growth. All these inner changes that 6 Khalid goes through make him turn against social norms, and he starts to criticize both the United States and his home country (Funk& Sitka 55). Presented as a prophet, Khalid wants to change and enlighten his society. In the novel, Rihani wanted to send a message to the readers, which is saying that in order to create a better world the East and the West should cooperate. He blends his views with those of the transcendentalist Emerson. Thus, it can be said that Rihani was influenced by Transcendentalism and by Emerson, and that is revealed in his novel The Book of Khalid through the character of Khalid. The second chapter is about the influence of Romanticism, especially Blake, on Gibran's The Prophet. Gibran's book is a collection of poems and prose poems. These poems and prose poems give advice about many different elements of life as told by a prophet. Gibran was influenced by most of the writers from the Romantic era (Jayyusi 362), but he is especially influenced by Blake (Imangulieva 10). There are similarities that can be seen between Blake's and Gibran's poetry, which occur in two aspects: both use an ideal hero who narrates their poems, and both emphasize the importance of the individual and freedom to achieve self-growth. Additionally, Blake and Gibran wrote about similar matters, such as the concept of love, its relation to truth and the concept of good and evil, and how both are essential to balance life. Also, both borrowed imagery from nature in their poems (Imangulieva 11). In this chapter, I refer to Aida Imangulieva in several points, because she describes most of the similarities between Blake and Gibran in terms of the concept of good and evil and nature imagery. What I add to her research is the concept of the hero -- in other words, the ideal hero who narrates the poems of both Blake and Gibran. To build this chapter further, I used different poems of 7 Blake and compare them to Gibran's book The Prophet. Gibran reflects Blake's writing as can be clearly seen in The Prophet.
Recommended publications
  • The Clash of Thoughts Within the Arab Discourse
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2009 The Clash Of Thoughts Within The Arab Discourse Chadia Louai University of Central Florida Part of the Political Science Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Louai, Chadia, "The Clash Of Thoughts Within The Arab Discourse" (2009). Electronic Theses and Dissertations, 2004-2019. 4114. https://stars.library.ucf.edu/etd/4114 CLASH OF THOUGHTS WITHIN THE CONTEMPORARY ARAB DISCOURSE By CHADIA LOUAI L.D. University Hassan II, 1992 A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts In the department of Political Science In the College of Sciences At the University of Central Florida Orlando, Florida Fall Term 2009 Major Professor: Houman A. Sadri ©2009 Chadia Louai ii ABSTRACT The Clash of Civilization thesis by Samuel Huntington and the claims of other scholars such as Bernard Lewis reinforced the impression in the West that the Arab world is a homogeneous and rigid entity ready to clash with other civilizations. In fact, some in the West argue that world civilizations have religious characteristics, for that reason the fundamental source of conflict in this new world will be primarily cultural and religious. However, other scholars argue that there is no single Islamic culture but rather multiple types of political Islam and different perception of it.
    [Show full text]
  • Understanding the Concept of Islamic Sufism
    Journal of Education & Social Policy Vol. 1 No. 1; June 2014 Understanding the Concept of Islamic Sufism Shahida Bilqies Research Scholar, Shah-i-Hamadan Institute of Islamic Studies University of Kashmir, Srinagar-190006 Jammu and Kashmir, India. Sufism, being the marrow of the bone or the inner dimension of the Islamic revelation, is the means par excellence whereby Tawhid is achieved. All Muslims believe in Unity as expressed in the most Universal sense possible by the Shahadah, la ilaha ill’Allah. The Sufi has realized the mysteries of Tawhid, who knows what this assertion means. It is only he who sees God everywhere.1 Sufism can also be explained from the perspective of the three basic religious attitudes mentioned in the Qur’an. These are the attitudes of Islam, Iman and Ihsan.There is a Hadith of the Prophet (saw) which describes the three attitudes separately as components of Din (religion), while several other traditions in the Kitab-ul-Iman of Sahih Bukhari discuss Islam and Iman as distinct attitudes varying in religious significance. These are also mentioned as having various degrees of intensity and varieties in themselves. The attitude of Islam, which has given its name to the Islamic religion, means Submission to the Will of Allah. This is the minimum qualification for being a Muslim. Technically, it implies an acceptance, even if only formal, of the teachings contained in the Qur’an and the Traditions of the Prophet (saw). Iman is a more advanced stage in the field of religion than Islam. It designates a further penetration into the heart of religion and a firm faith in its teachings.
    [Show full text]
  • British Poetry of the Long Nineteenth Century
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries.
    [Show full text]
  • The Prophet (Discussion Questions)
    The Prophet (Discussion Questions) 1. Is Lebanese or Arab patriotism discernable? What is Gibran's view of America? Is there a political dimension to his work? 2. Can you identify with any of the characters? Does Gibran want you to identify with them? Do you think somebody in Lebanon would feel closer or less close to them? Why? 3. What is the prophet's message? What is his vision of human relationships in society? 4. How, overall, does Almustafa rate his ministry to Orphalese? 5. Can Gibran's writing be classified as immigration literature or are there more universal themes at work here? Could it just be romantic idealism? 6. How does Almitra figure in The Prophet? 7. How does Almustafa view nudity? 8. How does Almustafa relate to cities? 9. What is the function of human labor? 10. What is God's function in The Prophet? Is God a creator, provider, or savior, or does God serve some other function? 11. Does Almustafa's enigmatic promise to return through reincarnation fit in with his teachings on human nature? https://www.grpl.org/wp-content/uploads/2017/05/The-Prophet.pdf The Prophet (About the Author) Kahlil Gibran, known in Arabic as Gibran Khalil Gibran, was born January 6, 1883, in Bsharri, Lebanon, which at the time was part of Syria and part of the Ottoman Empire. In 1885 Gibran emigrated with his mother and siblings to the United States, where they settled in the large Syrian and Lebanese community in Boston, Massachusetts. In 1904 Gibran began publishing articles in an Arabic-language newspaper and also had his first public exhibit of his drawings, which were championed by the Boston photographer Fred Holland Day.
    [Show full text]
  • Exhibition Guide
    A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting.
    [Show full text]
  • The Symbol of Christ in the Poetry of William Blake
    The symbol of Christ in the poetry of William Blake Item Type text; Thesis-Reproduction (electronic) Authors Nemanic, Gerald, 1941- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 18:11:13 Link to Item http://hdl.handle.net/10150/317898 THE SYMBOL OF CHRIST IN THE POETRY OF WILLIAM BLAKE Gerald Carl Neman!e A Thesis Submitted to the Faculty of the 3 DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1965 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the. Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. APPROVAL. BY THESIS DIRECTOR This thesis has been approved on the date shown below: TABLE OF COITENTS INTRODUCTION.
    [Show full text]
  • The Mystical Element in Mikhall Lku6aymah's Litesary Works and Its Affinity to Islamic Mysticism
    The Mystical Element in Mikhall lKu6aymah's Litesary Works and Its Affinity to Islamic Mysticism BY Yeni Ratna Yuuingsib, A thesis submitted to the Facul* of Graduate Studies and Research in partial ialflllment of the requirements for the degree of Master of Arts Institute of Islamic Studies MCGLU University Montreal June 1999 National Library Bibliothèque nationale 1*1 ofCanada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Strmt 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, ABSTRACT Author : Yeni Ratna Yuningsih Title : The Mystical Element in MikhaU Nucaymah's Literary Works and Its AfEmity to Islamic Mysticism Department : Institute of Islamic Studies Degree : Master of Arts This thesis investigates the mystical elements in MikhS'ïl Nu'ayrnah's literary works and their affiity to Islamic mysticisrn, elaborating in particular on the notions of oneness of being and the transmigration of soul.
    [Show full text]
  • Former Ottomans in the Ranks: Pro-Entente Military Recruitment Among Syrians in the Americas, 1916–18*
    Journal of Global History (2016), 11,pp.88–112 © Cambridge University Press 2016 doi:10.1017/S1740022815000364 Former Ottomans in the ranks: pro-Entente military recruitment among Syrians in the Americas, 1916–18* Stacy D. Fahrenthold Center for Middle Eastern Studies, University of California, Berkeley, California, USA E-mail: [email protected] Abstract For half a million ‘Syrian’ Ottoman subjects living outside the empire, the First World War initiated a massive political rift with Istanbul. Beginning in 1916, Syrian and Lebanese emigrants from both North and South America sought to enlist, recruit, and conscript immigrant men into the militaries of the Entente. Employing press items, correspondence, and memoirs written by émigré recruiters during the war, this article reconstructs the transnational networks that facilitated the voluntary enlistment of an estimated 10,000 Syrian emigrants into the armies of the Entente, particularly the United States Army after 1917. As Ottoman nationals, many Syrian recruits used this as a practical means of obtaining American citizen- ship and shedding their legal ties to Istanbul. Émigré recruiters folded their military service into broader goals for ‘Syrian’ and ‘Lebanese’ national liberation under the auspices of American political support. Keywords First World War, Lebanon, mobilization, Syria, transnationalism Is it often said that the First World War was a time of unprecedented military mobilization. Between 1914 and 1918, empires around the world imposed powers of conscription on their
    [Show full text]
  • Ameen Rihani: the English Manuscripts and Universalism
    Ameen F. Rihani: The English Manuscripts and Universalism In 1998 the Albert Ferris Rihani family donated to the Library of Congress facsimiles of the manuscripts of all of the English works and correspondence of pioneer Arab-American author Ameen F. Rihani (1876- 1940). The originals of these documents remain in the family museum in Freike, Lebanon. Since most scholars could not travel there to conduct research, an exception was made in Library policy that allowed the acquisition of copies while originals are extant. In the 1998 negotiations, Ramzi Rihani represented the family for this Gift to the Nation. Ameen Rihani’s papers are important to the nation’s memory. He was the first American of Arab heritage to devote himself to writing literature, to publish a novel in English, and the first Arab author to write English essays, poetry, novels, short stories, art critiques and travel chronicles. He is now the author of 32 books in English, published from 1911 to 2002, his publishing life being extended already by 62 years due to the editorial efforts of the Rihani family. His writings in English mark the beginning of a body of literature that is Arab in its concern, culture and characteristic, English in language, and American in spirit and platform. He published in the United States during the first three decades of this century in many major magazines and newspapers. According to University of Pennsylvania Professor of Arabic Roger Allen, Rihani and his fellow Arab immigrants were leaders in "the literary movement that was so crucial to the life and development of certain communities in the United States (especially Brooklyn, Cincinnati and Detroit) and also to the development of cultural and literary ties to the Middle East region."1 Rihani is recognized as the founder of Arab-American literature and the forerunner of ethnic American literature written by popular Middle Eastern writers.
    [Show full text]
  • Articles Set in Albuquerque and Wolfgang Von Goethe, Friedrich Schiller, Ludwig Tieck, Some in Rochester
    N E W S De-Faced Blake Blake/An Illustrated Quarterly, Volume 20, Issue 3, Winter 1986-87, p. 110 PAGE 110 BLAKE/AN ILLUSTRATED QUARTERLY WINTER 1986-87 CALL FOR PLAYS NEWSLETTER Actors Theatre of Louisville is now conducting a nation- wide search for unpublished translations and adapta- tions of plays for next season's (1987-88) Classics in Con- text Festival — "The Romantics," which will celebrate DE-FACED BLAKE the ideals and influence of Romanticism on the stage. Readers may have noticed a certain patchiness in the Though plays by any dramatist whose work is associated type of our fall issue, the unfortunate but unavoidable with Romanticism will be considered, plays byjohann result of having some articles set in Albuquerque and Wolfgang von Goethe, Friedrich Schiller, Ludwig Tieck, some in Rochester. The patchiness will continue until all Alexander Pushkin, and Michael Lermontov are of par- articles set in New Mexico have been published, perhaps ticular interest. New plays (either original or adapta- as late as the summer and fall issues next year. tions of novels) that deal with the people, ideas, and events connected with Romanticism will also be con- ERRATA'S ERRATA sidered. Please submit plays by 1 November 1987 to Actors Theatre of Louisville, Literary Department, 316 Our readers might like to note these corrections to "Im- West Main Street, Louisville, KY 40202. proving the Text of The Complete Poetry & Prose of William Blake' {Blake, fall 1986): Blake p. 50: ENERGY AND THE IMAGINATION p. xvii canterbury should read Canterbury Morton D. Paley would like to purchase a clean, un- *p.
    [Show full text]
  • Modern Arabic Literature Between the Nation and the World: the Bilingual Singularity of Kahlil Gibran
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online 1 Modern Arabic Literature between the Nation and the World: The Bilingual Singularity of Kahlil Gibran Ghazouane Arslane Queen Mary University of London Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy 2019 2 I, Ghazouane Arslane, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Ghazouane Arslane Date: 23/12/2019 3 Table of Contents Abstract ............................................................................................................................ 4 Note on Translation,
    [Show full text]
  • O Modelo Consociativo Para Sociedades Plurirreligiosas: Reflexões E Aprendizados Sobre a Experiência Confessional Libanesa
    UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE CIÊNCIA POLÍTICA PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIA POLÍTICA NATALIA NAHAS CARNEIRO MAIA CALFAT O modelo consociativo para sociedades plurirreligiosas: Reflexões e aprendizados sobre a experiência confessional libanesa Versão corrigida São Paulo 2017 NATALIA NAHAS CARNEIRO MAIA CALFAT O modelo consociativo para sociedades plurirreligiosas: Reflexões e aprendizados sobre a experiência confessional libanesa Versão corrigida Dissertação de mestrado apresentada ao Programa de Pós-Graduação em Ciência Política da Faculdade de Filosofia, Letras e Ciências Humanas, da Universidade de São Paulo, como parte dos requisitos para obtenção do título de mestre em Ciência Política. Orientador: Prof. Dr. Glauco Peres da Silva Coorientador: Prof. Dr. Salem Hikmat Nasser O exemplar original encontra-se na Biblioteca Florestan Fernandes (SBD/FFLCH/USP). De acordo: ______________________________ Prof. Dr. Glauco Peres da Silva São Paulo 2017 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. CALFAT, Natalia N. C. M. O modelo consociativo para sociedades plurirreligiosas: reflexões e aprendizados sobre a experiência confessional libanesa . Dissertação (Mestrado) apresentada à Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Ciência Política. Aprovado em: 26 de Janeiro de 2017 Banca
    [Show full text]