J2P and P2J Ver 1

Total Page:16

File Type:pdf, Size:1020Kb

J2P and P2J Ver 1 28 Rodio-TV Programming Automation Out At Williams' Music Wins Award At S.F.'s KYUU -FM Sci -Fi Academy LOS ANGELES- NBC -owned Names of DJs being considered LOS ANGELES -Composer -FM in San Francisco will KYUU for the FM- station are not firmed John Williams received a special add live personalities to -its formerly yet, he adds, "but I guarantee there award for best music from the Acad- automated MOR music format bc- will be some you will recognize." emy of Science Fiction, Fantasy & fore the end of spring, according to Billboard has learned that Clark Horror Films in the first telecast of Allan Hoden, program director. But Race, veteran air personality, will do the academy's annual "Science Fic- he insists the move does not repre- the morning show on the FM sta- tion Film Awards," taped here Jan. sent a format change. tion. 14 at the Cocoanut Grove and aired "Our music concept and target Race will be live five days a week the week of Monday (23), through audience will remain the same," he and tape the remaining two. He Sunday (29) nationwide in 80 says. "It will merely give us the abil- formerly did a night show at KMPC markets. ity to be more relevant, to identify in Los Angeles. Prior to that, he was was his the music and give time checks." a Top 40 air personality for more SITTIN' IN -Isaac Hayes, right, raps with program director Yadan Khabir of Williams honored for Hotlen points out that the shift, than 12 years at KDKA in Pitts- WNJR, Newark, N.J. Hayes also visited WBLS in New York and WOL in Wash- original scores to both "Star Wars" hopefully, will enable KYUU "to burgh. ington, D.C., on a January East Coast tour. and "Close Encounters Of The play more music instead of less, be- Third Kind." cause we plan to be able to reduce However. the force definitely re- the commercial load.' TELEVISION REVIEW mained with "Star Wars," which KYUU also plans to wind up with picked up eight of the 13 awards in- a musical concept which is unique, cluding best science fiction film, best he adds. "And I don't mean that in special effects and best screenplay. the hairsplitting terms of program NBC -TV Wins Country Gamble The show was produced by the directors." Robert Wold Company in associ- Hotlen claims the change is the "50 Years Of Country Music," Kitty Wells. Another Hall of Famer, final salute went to Hank Williams, with L.A. Wil- NBC-TV. Three hours. Joseph Cates, Gene Autry, was forced to cancel an with Campbell, Clark and Parton ation KTLA -TV in next logical step in the evolution of liam Shatner and Karen Black co- executive producer, Chet Hagan, appearance because of illness. combining talents fora show -closing the station's format, which he says is hosted. responsible for "a doubling of our producer; Walter C. Miller, director; It also featured seven winners of medley of some of the top Williams audience within the past year." Bill Siegler, associate producer; Bill the CMA's entertainer of the year hits. Walker, music director; Don Shirley, award: Campbell, Cash, Clark, Lo- On such a show one wonders why art director. retta Lynn, Merle Haggard, Charlie there was no salute to, or mention, of Airs Dylan Stanza NASHVILLE -Bringing three Rich and Mel Tillis. Jim Reeves. And no appearance of consecutive hours of country music Ray Charles, who has made gi- Ronnie Milsap, the reigning CMA NEW YORK -WYNY, NBC's New Format into the homes of America is a gutsy gantic contributions in the pop and entertainer of the year or country soft rocking FM outlet here, pro- decision, but it paid off for NBC - soul acceptance of country music, veteran Hank Snow. grammed an hour called "Dylan For Series TV. added a refreshing appearance, But such omissions border on And His Friends" Friday (27) fea- LOS ANGELES -The syndicated NBC -TV's "Big Event" special singing "I Can't Stop Loving You" quibbling -something that this mas- turing music written by Bob Dylan and "Words 'N Music" weekly radio sent a half century of country music joining Campbell in a duet on sive and successful enterprise and featuring the Byrds, Hollies, into "Bye Bye series has changed its format, drop- countless 21 -inch and 25 -inch Love." doesn't deserve. The show was Turtles, Joan Baez. Johnny Cash, ping host Dave Prince from the su- stages across the country Sunday The artists and their musical selec- crafted with sensitivity, balance and George Harrison and Dylan himself. perstar interview show in favor of (22). Beaming three hours of a spe- tions focused on the evolution of scope rarely seen in network presen- Station has been programming such custom scripting for local DJs. cialized music, the potential for country music and the impressive tations of country music. hourly features for the past few within The move has resulted in addition boredom and monotony had to be a variety the musical form. The GERRY WOOD months. frightening spector. But the show also starred Davis & of 17 new markets, raising the total produc- Danny ers avoided it by mixing mu- the Nashville Brass, Larry to 103 stations now airing the series. country Gadin, The new stations are WCAO, Bal- sic styles, personalities and eras. Crystal Gayle, Doug Kershaw, the timore: WGAR, Cleveland; It turned out to be what a good Oak Ridge Boys, Bill Monroe and New Radio Academy WRMZ, Columbus; WGL, Ft. special should be: tight, fast -mov- the Bluegrass Boys, Johnny Rodri- Wayne; WZYQ, Frederick, Md.; ing. varied, smooth. balanced and guez. the Earl Scruggs Revue. the KBEQ Kansas City; WFMK, Lan- musically and historically accurate. Statler Brothets, the Stony Moun- Being Founded By sing; WMPS, Memphis; WIOD, It thankfully avoided the fre- tain Cloggers, Tammy Wynette and Miami; WQUE, New Orleans; quently used syndrome of "Oh, my Bob Wills' Texas Playboys. KRIZ, Phoenix. God, we're doing a special on coun- A talent highlight came with the Moorhead & Others try music, so let's get Johnny Cash to national unveiling of a bright new emcee it." Cash is a fine talent and singer, Carlene Carter -daughter of LOS ANGELES -The National Burns. president, Burns Media Con- an able representative of country June Carter Cash. She carries the Academy Of Radio Arts And Scien- sultants, Los Angeles; L. David 2 Radio Arts Shows music, but somehow he has become traditions of the Carter family into ces is being launched by a group of Moorhead, and Claude Hall, former a token and stereotyped country em- the modern country arena. She the nation's outstanding radio exec- radio -tv editor of Billboard Mag- azine. Pick Up New Stations cee. proved herself a talent to be reck- utives. Cash appeared in this musical an- oned with in the future, singing "If L. David Moorhead, who will Others will be announced in the LOS ANGELES -Radio Arts thology, as well he should, but the You're Ever In Nashville." serve as head of the steering com- next few weeks. Membership rolls Inc., a radio programming syndica- emcee chores fell to Dolly Parton, Loretta Lynn, who sings nothing mittee to organize the Academy. ini- will be opened soon and a slate of of- tion firm here headed by Larry Van - Nashville's answer to Bette Midler, better than a Patsy Cline song, effec- tiated legal proceedings to formalize ficers and directors presented. derveen, has signed several more Roy Clark and Glen Campbell. tively contributed a salute to Cline the group. The founders group and The purpose of the Academy is to stations. The odd trio kept the show mov- with a four -song medley. Merle trustees will include. besides Moor- serve the sante goals for the radio Carrying the adult MOR format, ing with its emcee and performing Haggard joined the Bob Wills Texas head, general manager and vice field as does the current National "The Entertainers," are KRML in talents. Each handled a one -hour Playboys in a tribute to the laic president of KMLI in Los Angeles; Academy Of Recording Arts And Monterey, Calif.; WIZZ in Streator, segment. The audience at Nash- Wills. King of Western Swing, with a Jack G. Thayer. president of NBC Sciences. "The purpose of the organ - Ill.; WVNA in Tuscumbia. Ala.; and ville's Grand Ole Opry House re- spicy medic's. Radio, New York; air personality ization is to benefit workers of the WDDC -FM in Portage, Wis. Carry- sponded with enthusiasm and vigor Once again Parton showed her Gary Owens, KMPC, Los Angeles: radio industry by assisting in their ing "Easy Country," the country above and beyond the call of cue singing and writing talents with sev- Phillip D. Richardson, sales man- career growth and education. by im- music programming service are cards and applause signs. eral songs including the heart- catch- ager, WSB, Atlanta; air personality proving the public image with solid KTRB in Modesto. Calif.; WLAX in The prime time show included ing "I Will Always Love You." Robert L. Collins, WGN, Chicago: public relations, by providing sup- Streator, 111.; and WCKC in Milton, seven members of the Country Mu- Jimmie Rodgers received a salute Michael Hunter. program director. port and services for workers in Fla. "Easy Country" is a creation of sic Hall of Fame -Roy Acuff, Chet from Ernest Tubb with three songs, KOME, San Jose, Calif. Also: attor- small markets which they now lack. Sammy Jackson, air personality at Atkins, the Carter Family, Bill Mon- including the mournful Rodgers ney Fred Kuperberg of Kuperberg and by a computerized job bank to KLAC in Los Angeles.
Recommended publications
  • Tvdvdreviews.Com -- All You Need Is Love DVD Review
    tvdvdreviews.com -- All You Need is Love DVD Review http://www.tvdvdreviews.com/allyouneed.html Television. One DVD at a Time. Home Reviews: •Alphabetical •By Category •50 Most Recent “Pop music is the classical music of now.” – Paul McCartney New Releases Essentials All You Need Is Love: The Story of Popular Music DVD Review TV Bookshelf Press Releases By Jonathan Boudreaux Search If you are a music buff, put down those CDs, iPods, and old 78s and pick up All You Need Is Love: The Story of Popular Music . This jaunty romp through the origins and future (well, “future” Shopping meaning post-1980, since this British documentary series was produced from 1976-1980) will leave you both humming along and begging for more. Links Contact Us Each episode explores a different facet of popular music’s roots. The first episode provides an introduction that previews the sixteen episodes to come: its beginnings in Africa, ragtime, jazz, blues, vaudeville/music hall, Tin Pan Alley, musicals, swing, rhythm and blues, country, songs of war and protest, rock and roll, The Beatles, “sour” rock, glitter rock, and new directions. Each episode is filled with rare footage, great performances, and interviews with experts. The series is best when it perfectly pairs commentators and subjects. Eubie Blake is a joy to watch as he explains ragtime and syncopation. Liberace taking on vaudeville, music hall, and Vegas is a campy treat. Stephen Sondheim telling us about the development of the musical? That’s a no-brainer. A few of the commentators are...well...acquired tastes. Poet/playwright/lightning rod Amiri Baraka might be an expert on jazz, but his more inflammatory comments are a bit hard to swallow.
    [Show full text]
  • Wavelength (January 1985)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ......................
    [Show full text]
  • WDAM Radio Presents the Rest of the Story
    WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree"
    [Show full text]
  • Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home
    [Show full text]
  • Past Performers by Year
    Fort Loramie, Ohio www.countryconcert.com 1981 LOUISE MANDRELL R.C. BANNON JOHNNY RUSSELL THE BLUE RIDGE & MARK FOUR JIM PRENGER HOME BREW COUNTRY GRASS RUSSEL BRAMLAGE as ELVIS 1982 T.G. SHEPPARD (REPLACED RONNIE MILSAP DUE TO ILLNESS) SONNY JAMES SYLVIA KENNY PRICE JIM PRENGER KEVIN MABRY & LIBERTY STREET HOME BREW DIXIE RIDERS 1983 BOXCAR WILLIE MOE BANDY DAVID FRIZZELL TOM T. HALL MCGUFFY LANE REBA MCENTIRE JIMMY C. NEWMAN SHELLY WEST JIM & CONNIE PRENGER KUHN SISTERS JOE STAMPLEY BRANDED 1984 TAMMY WYNETTE LEE GREENWOOD MOE BANDY EARL THOMAS CONLEY LITTLE JIMMY DICKENS MCGUFFY LANE RONNIE MCDOWELL SANDI POWELL JIM & CONNIE PRENGER JOHN ARNOLD BAND THE HARVEST TRIO 1985 JERRY REED CHARLEY PRIDE ATLANTA MOE BANDY HELEN CORNELIUS BILLY CRASH CRADDOCK TOM T. HALL GRANDPA JONES SANDI POWELL JIM & CONNIE PRENGER THE HARVEST TRIO THE WHITES 1986 CONWAY TWITTY MEL TILLIS LOUISE MANDRELL EXILE MEL MCDANIEL BELLAMY BROTHERS DAN SEALS FORESTER SISTERS KENDALLS LEON EVERETTE SANDI POWELL THE HARVEST TRIO JIM & CONNIE PRENGER 1987 LORETTA LYNN JOHN SCHNEIDER GEORGE JONES TANYA TUCKER NITTY GRITTY DIRT BAND ATLANTA BOBBY BARE LEON EVERETTE GIRLS NEXT DOOR PORTER WAGONER STEVE WARINER 1988 THE JUDDS EDDIE RABBITT TAMMY WYNETTE RICKY SKAGGS JOHN ANDERSON BELLAMY BROTHERS T. GRAHAM BROWN JOHN CONLEE HIGHWAY 101 KATHY MATTEA BILLY JOE ROYAL RICKY VAN SHELTON FARON YOUNG 1989 RANDY TRAVIS CHARLIE DANIELS BAND JANIE FRICKIE MICKEY GILLEY PATTY LOVELESS SAWYER BROWN BAILLIE & THE BOYS BILLY CRASH CRADDOCK JETT WILLIAMS & DRIFTING COWBOYS DESERT ROSE BAND HOLLY DUNN (Replaced Keith Whitly) JESS KING’S GOSPEL EDDIE RAVEN SHENANDOAH JOE STAMPLEY GENE WATSON TOM WOPAT 1990 WILLIE NELSON & FAMILY EDDIE RABBIT LEE GREENWOOD GARTH BROOKS EARL THOMAS CONLEY CHUBBY CHECKER VERN GOSDIN JESS KINGS GOSPEL DOUG KERSHAW LORRIE MORGAN NITTY GRITTY DIRT BAND BILLY JOE ROYAL RESTLESS HEART SAWYER BROWN TANYA TUCKER WILD ROSE JASON D.
    [Show full text]
  • Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder
    Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- Box 1 1 General information about Robert Gentry 2 Interview of Horace Logan at home in Seadrift, TX (4 tapes & transcription) 3 Johnny Horton song book (copy) 4 Claude King information 5 German Battleship Bismark information 6 Skyline Club 7 Johnny Horton album covers 8 Charlie “Cat” Canfield 9 Interview with Billy Walker 10 Researched list of Hank Williams show dates 11 Country Song Roundup magazine – March 1976 12 Johnnie & Jack booklet from CD album 13 Screen shots from Johnny Horton Johnny Reb promotion video 14 Photos of Hank Williams posters and list of Hank Williams publications 15 Photos of Hank Williams items on display at the Tennessee Performing Arts Center 16 Photo of Robert Gentry, Glen Sutton and Merle Kilgore at Tillman Franks book signing 17 Photos (copies) of Johnny Horton fishing trip in Florida 18 Photo of Jay Chevallier speaking at Long seminar 19 Photos of a group that toured Municipal Auditorium 1 Collection 674 Robert & Laurie Gentry Collection Inventory Box Folder Description ----------------------------------------------------------------------------------------------------------------------- 20 Photos of Tillman Franks book signing 21 Photos of Johnny Horton Ed Sullivan ad, album covers, Austin Skyline Club memento, Cormac record, red vinyl record (CD) 22 Photocopy of How to Write & Sell Songs by Hank Williams
    [Show full text]
  • Everly Brothers Collaborations Discography
    CHRONOLOGY (APROX) OF DON & PHIL EVERLY'S COLLABORATIONS - 1954 TO DATE THIS LIST DOES NOT INCLUDE 'COVERS' BY OTHER ARTISTS OF TRACKS PREVIOUSLY RELEASED BY DON AND/OR PHIL UNLESS ALSO INCLUDES VOCAL OR OTHER SIGNIFICANT INPUT (the list would be too long!) BUT FOCUSES ON UNUSUAL OR RARE ASSOCIATIONS WITH OTHER ARTISTS & SPECIAL FILM TRACKS. OMITTED ARE THE VERY NUMEROUS TIMES THAT DON AND/OR PHIL 'DUETTED' THEIR HITS WITH OTHER ARTISTS UNLESS VERY SIGNIFICANT AND ISSUED ON RECORD OR IN SOME CASES VIDEO/DVD. ALL RECORDINGS LISTED ARE OR HAVE BEEN AVAILABLE AS OFFICIAL SNGLE, LP OR CD RELEASES OR AS BOOTLEGS. SHOWS RECORDING DATE (UK STYLE), MASTER NUMBER, FIRST 45 SINGLE, FIRST VINYL ALBUM (VA) & PRINCIPLE CD RELEASES. VINYL RECORD NUMBERS ARE ONES I KNOW OF, US OR UK. DATES, A CLOSE APROXIMATION TO RECORDING AND/OR RELEASE. WHERE POSSIBLE I HAVE INDICATED THE MOST RECENT AND/OR AVAILABLE CD. SOME ARE COMPILATIONS THAT INCLUDE TRACKS FROM EARLIER VINYL ALBUMS (VA) OR CDS. MANY RARE TRACKS NOW ALSO AVAILABLE AS DOWNLOADS. KEY: BLUE: DON; PURPLE: PHIL; GREEN: JOINT; C: COMPOSER(S); V: VOCAL; I: INSTRUMENTAL; P: PRODUCER(S) SCROLL DOWN TO SEE NOTES/ACKNOWELDGEMENTS. REC/REL. MASTER TRACK TITLE/ARTIST DON'S/PHIL'S ROLE 1st 78/45 rpm 1st VA CDs DATE No. (VINYLALBUM (VA)/CD TITLE - if applicable) No. No. ▼1954▼ 1954 THOU SHALT NOT STEAL/Kitty Wells C Decca 9-29313 (VA: KITTY WELLS; CD: THE COLLECTION Vocalion VL 73786 Spectrum 1132112 (a (very fine) re-recording) - and others) ▼1955▼ 1955 F2WW2218 HERE WE ARE AGAIN/Anita Carter C RCA 47-6228 (CD: APPALACHIAN ANGEL) Bear Fm.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • From the Director
    TABLE OF CONTENTS From the Director Symbol and Existence ............................1 Dear Reader, Walker Percy†; K.L. Ketner, et al., eds. Portrait of an American Businessman ...2 When my sons were growing up, I must have read them hundreds Carl Ware with Sibley Fleming of books. Being nine years apart, they each had their own favorites. Buzzer Beaters and Memorial Magic .....3 One son loved the Goosebumps Series while the other one preferred Barry Goheen the Redwall Series. I loved them all. One book they both loved— The Road Goes on Forever ....................4 and asked for over and over again—was Maurice Sendak’s Where the Michael Buffalo Smith Wild Things Are. That book is definitely a wild book appealing to The Ragin’ Cajun ....................................5 wild readers of all ages. Doug Kershaw with Cathie Pelletier Mercer’s Moment ...................................6 On November 16, 1850, Henry David Thoreau wrote the following Daniel Shirley entry in his journal: The Girl with Kaleidoscope Eyes ...........7 William Rawlings In literature it is only the wild that attracts us. Dullness is only Down by the Eno, Down by the Haw ...8 another name for tameness. It is the untamed, uncivilized, Thorpe Moeckel free, and wild thinking in Hamlet, in the Iliad, and in all the Bartram’s Living Legacy ..........................9 scriptures and mythologies that delights us,—not learned William Bartram†; (returning in paper) Dorinda G. Dallmeyer, ed. in the schools, not refined and polished by art. A truly good book is something as wildly natural and primitive, While There Were Still Wild Birds ..........9 Richard E. Rankin, Jr.
    [Show full text]
  • David Briggs Kenny Buttrey
    DYLAN CASH & THE NASHVILLE CATS: A NEW MUSIC CITY WHO WERE THE NASHVILLE CATS? David Briggs b. Killen, Alabama, March 16, 1943 “David Briggs could play any style, and he had that soul influence coming from Muscle Shoals.” – Mac Gayden, Member of The Nashville Cats David Briggs began playing piano on R&B, pop, and country hits in Muscle Shoals, Alabama, in his teens. After a brief stint as a pop singer, Briggs moved to Nashville in 1964 to focus on a career as a studio musician. The following year, Briggs backed Elvis Presley in the studio, an association that continued until Presley’s death. Briggs juggled instruments and genres through the decades, playing piano and organ on country hits by Charley Pride and Jerry Reed, by Alabama and Reba McEntire, and by Kenny Chesney and Shania Twain. On the rock side, Briggs recording with by Eric Andersen, Joan Baez, Beau Brummels, J.J. Cale, the Monkees, and Bob Seger. The keyboardist was a member of the acclaimed band Area Code 615, made up of Nashville studio pros. In 1969, Briggs and bassist-producer Norbert Putnam opened Quadrafonic Sound Studios in Nashville, and the studio became a favorite of visitors from New York, Los Angeles, and other music centers. Briggs also has been an arranger, producer, a songwriter, and a music publisher (including the Academy Award-winning song “Up Where We Belong” and the Steve Winwood hit “Higher Love.”) Kenny Buttrey b. Nashville, Tennessee, April 1, 1945; d. September 12, 2004 “He is a finesse player with a masters touch on any song he plays … Kenny is a complete original who I was lucky to know and play with.” – Neil Young on Kenny Buttrey Kenny Buttrey wasn’t just a first-call Nashville session player; he was the preferred drummer for artists across America, building a lasting legacy with his work in R&B and rock.
    [Show full text]
  • Tommy White HOF Nomination Document
    Tom Bradshaw P.O. Box 931 — Concord, CA 94522 Phone: 925-798-9936 E-mail: [email protected] 7-12-08 Committee of the Hall of Fame Steel Guitar Convention Board 9535 Midland Blvd. St. Louis, MO 63114 Subject: Hall of Fame Nomination of Tommy White Tommy White’s accomplishments over the past 38 years are detailed in the headings that follow. His accumulated “musical credentials” listed herein should confirm the profound impact he has had on the advancement of the steel guitar and his influence on the players of the instrument. During those 38 years he has projected the steel guitar as a dominant sound in Country Music. Getting Started: Tommy White was born on January 9, 1960 in Louisville, Kentucky, the son of Tom White Jr., an accomplished steel guitarist. With his father teaching, Tommy quickly distinguished himself with his fast-paced proficiency, prompting some observers to view him as a child prodigy. Tommy’s musical achievements as a youth can be documented in annual increments: At age 9 he received his first pedal steel. By 10 he was playing small clubs and other venues in and about his hometown of Louisville. By 11 he was so advanced as to be recruited by Grand Ole Opry member and star, Stu Phillips. As a member of Stu’s ensemble, he toured Michigan, playing concerts in high school auditoriums and at private parties. When 13 he was performing at steel guitar shows and other events including occasional subbing for his dad with Red and Gene Stewart, Red being the writer of “Tennessee Waltz”.
    [Show full text]
  • WHO's WHO in COUNTRY RECORD PRODUCTION the Following Is a List of Producers Who Have Had at Least One Single in the Top Pop 50 Country Charts So Far This Year
    WHO'S WHO IN COUNTRY RECORD PRODUCTION The following is a list of producers who have had at least one single in the Top Pop 50 Country charts so far this year. The producer's name is followed by song titles in "quotes," accompanied by the artist's name and a slash / followed by the name(s) of any co-producer(s). ALABAMA "Born Country"- Alabama-/Josh Leo Larry Michael Lee "Take A Little JIM COTTON "Achy Breaky Heart"-Billy Ray Cyrus-/Joe Scaife "Fall"- Oak Ridge Trip"- Alabama-/Josh Leo Larry Michael Lee Boys-/Joe Scaife Oak Ridge Boys "Could've Been Me"-Billy Ray Cyrus-/Joe RICH ALVES "Till I'm Holding You Again"- Pirates Of The Mississippi-/Jim Scaife Bowen'Too Much"- Pirates Of The Mississippi-/Jim Bowen RODNEY CROWELL "Lovin1 All Nighf'-Rodney Crowell-/John Leventhal JOHN ANDERSON "Straight Tequila Night"-John Anderson-/James Stroud JERRY CRUTCHFIELD "Some Kind Of Trouble"-Tanya Tucker-/"lf Your Heart "When It Comes To You"-John Anderson-/James Stroud"Seminole Wind"-John Ain't Busy Tonighf'-Tanya Tucker-/"Whatcha Gonna Do With A Cowboy"-Chris Anderson-/James Stroud LeDoux-/Allen Reynolds PETE ANDERSON "It Only Hurts When I Cry"-Dwight Yoakam-/"The Heart That JERRY CUPIT "Come And Get Us Mama(We're In Trouble With The Law)"-Jack You Own"-Dwight Yoakam-/"Send A Message To My Heart"-Dwight Yoakam &Robertson-/Ray Pennington "Bootie Bumpin' Dancin' FooP'-Jack Robertson- Patti Loveless-/ /Ray Pennington ROGER BALL "Help, I'm White And I Can't Get Down"- Geezinslaw Brothers-/Ray DANNY DAY "Stick To Your Guns"-Hal Gibson-/ Pennington CHRISTY DINAPOLI "First Time For Everything"- Little Texas-/James Stroud BROWN BANNISTER "If I Could Bottle This Up"-Paul Overstreet-/Paul Over- Doug Grau "You And Forever And Me"-Little Texas-/James Stroud Doug Grau streefBilly Can't Read"-Paul Overstreet-/"Me And My Baby"-Paul Overstreet-TIM DUBOIS "Mama Don't Forget To Pray For Me"-Diamond Rio-/Monty Powell /Paul Overstreet "Working Woman"-Rob CrosbyVScott Hendricks "The Tips Of My Fingers"-Steve BARRY BECKETT "Hotel Whiskey"-Hank Williams, Jr.-/Hank Williams, Jr.
    [Show full text]