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VOCAL 78 Rpm Discs LINA PAGLIUGHI [S] 2192

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VOCAL 78 rpm Discs LINA PAGLIUGHI [s] 2192. 12” Green Cetra 25093 [2.70628/2.70629]. IL RE: O Colombello sposarti (Gior- dano) / FALSTAFF: Sul fil d’un soffio (Verdi). Side one particularly lovely music beautifully sung. Just about 1-2. $12.00. LUELLA PAIKIN [s]. 1896-New York City, 1969. Collectors will hopefully have read Michael Bott’s recent valuable research on Miss Paikin (Mrs. Joseph Bernham) in The Record Collector magazine. It was Mr. Bott who, through much effort, managed to find a death date for Miss Paikin. She was a pupil of Marie Brema in England and is described in one article dating from 1925 as a protégée of Luisa Tetrazzini. A popular artist in England during the 1920s and ‘30s both in concert and opera, Paikin recorded acoustically for Aeolian-Vocalion and electrically for HMV, her records all quite uncommon. She emigrated to the U.S. prior to W.W. II, but a career here failed to take hold. 2102. 12” PW Red HMV DB 1057 [Cc8588-V/Cc10847-III]. ABDUCTION FROM THE SERAGLIO: Ah, I Loved Him (Mozart) / AIR AND VARIATIONS (Mozart). In English/Italian. Couple rubs, one small LSS, cons. 2. $12.00. JOSÉ PALET [t] 2918. 10” Red acous. Victrola 927. LUCREZIA BORGIA: Di pescatore ignobile (Donizetti) / LA DOLORES: Di que es verdad (Bretón). Cons. 2. $10.00. 1705. 12” Red acous. Victrola 6384. LA DOLORES: Jota (Bretón) / MARINA: Duo de Marina Jorge (Arrieta). With MERCEDES FARRY [s]. Valencian soprano Farry had a notable career in Spain in major zarzuela and operatic roles (such as Ophelia in Thomas’ Hamlet). She made her U.S. debut in 1922 in concert at Aeolian Hall, NYC. One critic indicated that the coloratura arias were “exceedingly well sung” and that “Mme. Farry exhibited coloratura abilities of a high order. Her scales were sung with admirable clarity”. Scarce. As new Just about 1-2. $15.00. IMRE PALLÓ [b] 2247. 12” Plum PW Czech HMV AN 453 [CV757- II/CV758-I]. BALLO IN MASCHERA: Eri tu (Verdi) / FAUST: Avant de quitter (Gounod). In Hungarian. Just about 1-2. $15.00. ROLANDO PANERAI [ms] 2760. 12” Parlo.-Odeon R.30033 [2-21276/ 2-21277]. SAMSON ET DALILA: Act II Duet (Saint-Saëns). Two sides. With LUISA RIBACCHI [ms]. In Italian. Orch. dir. Arturo Basile. Just about 1-2. $12.00. CHARLES PANZÉRA [b] 3535. 10” Blk. elec. Disque Gram. P-723 [BFR65-I/BRF80-II]. CHANSON TRISTE (Duparc)/ NOËL DES ENFANTS QUI N’ONT PLUS DE MAISON (Debussy). Orch. dir. Piero Coppola. Just about 1- 2. $12.00. 1612. 10” Blk. elec. Disque Gram. P-724 [BFR- 110-I/115-II]. CHANSON POUR LE PE- TIT CHEVAL (de Sévérac)/LES BER- CEAUX (Fauré). Piano acc. Mme. Panzéra-Baillot. Excellent later ‘30s IMRE PALLÓ in his creator role of Háry János laminated pressing. MGT side one, (Kódaly) otherwise just about 1-2. $12.00. 3739. 10” Red Disque Gram. DA-4913 [OLA-1446-2/OLA-1449-1]. EXTASE / AURORE (both Fauré). Piano acc. Mme. Panzéra-Baillot. Just about 1-2. $12.00. 3459. 12” Blk. acous. Disque Gram. W-652 [CL41-II/CL42-II]. ORFEO: Plaintes d’Orfeo (Monteverdi) / AMADIS: Bois épais (Lully). Side one 2. Side two 2-3. $10.00. 2217. 12” Blk. elec. Disque Gram. W-990 [CT4023-II/CTR3150-I]. KADDISH / CHANSON HÉBRAÏQUE (both Ravel). Piano acc. Side one 2. Tiny rim flake side two far from grooves, IMs, lt. rubs, 2-3. $12.00. 175 VOCAL 78 rpm Discs 1013. 12” Red PW Disque Gram. DB 5009 [2LA1332-1/2LA1333-1]. L’HORIZON CHIMÉR- IQUE (Faure). Piano acc. Mme Panzéra-Baillot. Few light rubs, cons. 2. $12.00. ANTONIO PAOLI [t]. 1871-Ponce, PR- 1946. Judging from remarks by colleagues who heard him (as quoted in the 1972 article on Paoli by Jesus M. López in The Record Collector, Vol. XXII, Nos. 1-2), Paoli must have been the great dramatic tenor of his era: “Paoli was one of the greatest dramatic tenors in the world of his time – and of this time, too” (Lazaro). “Paoli was one of the greatest singing actors I have ever seen in my life” (Piccaluga). [After “O Paradiso” in l’Africana] “sounded the most stupendous ovation I have heard in my fifty years [as a chorister] at La Scala” [Enrico Neni]. “I sang with Paoli several times. His high notes … sounded so loud that to sing with him you had to know the music well, as otherwise you had no chance to hear the orchestra” [Manfredo Polverosi]. “Let me tell you that during my long life I have not heard a better Otello than his and believe me I have heard a lot of Otellos” (Elvira de Hidalgo). 3347. 10” Red SR HMV 54340 [10519b]. TROVATORE: Di geloso amor (Verdi). With CLARA JOANNA [s], FRANCESCO CIGADA [b]. Tiny lbl. stkr. Just about 1-2. $20.00. 3575. 10” Red Vinyl Victor press. of Gram. 2-52811 [1302ah]. OTELLO: Tu? Indietro: Fuggi! (Verdi). Just about 1-2. $30.00. 3221. 10” Mauve HMV AGSA 22 ANTONIO PAOLI 1180ah]/ 12521b]. DÉJANIRE: Viens, o toi/ SAMSON ET DALILA: Figli miei (both Saint-Saëns). Just about 1-2. $15.00. 1933. 12” Red PW HMV DB 469 [1210c/1211½c]. PAGLIACCI: Vesti la giubba / PAGLIAC- CI: No, pagliaccio non son (Leoncavallo). From the complete 1907 series supervised by the composer, side one was never issued on Victor. Just about 1-2. $35.00. 2283. 12” White lbl. Victrola 92032 [1182c]. TROVATORE: Di quella pira (Verdi). With La Scala Chorus. Excellent pressing. Couple small mks., cons. 2. $15.00. 1174. 12” Red ’12 Pats. Victrola 92035. CARMEN: Mia tu sei (Bizet). With GIUSEPPINA HUGUET [s], INES SALVADOR [ms], FRANCESCO CIGADA [b]. Inez Salvador (Barcelona, 1878-London, 1910) was first heard at the Milan Teatro Lirico in 1902. Her career included a number of Italian houses, as well as South America and Eng- land, where her sudden death occurred at the age of 32. Just about 1-2. $15.00. 2404. 12” Red ’12 Pats. “A” plate Victrola 92048 [1186c]. WILLIAM TELL: Che finger tanto (Rossini). With FRANCESCO CIGADA [b]. IMs and lt. NR on lbl. Cons. 2. $12.00. 1652. 12” Red vinyl While lbl. Victrola 92050 [1257c]. CARMEN: Final Scene (Bizet). With MARIA PASSARI [ms]. RCAVr Bk. Just about 1-2. $15.00. ISABELLA PAOLI [s]. Firenze, 1863?–Bologna, 1903. Paoli began her career in 1878 in operetta. Blessed with both beauty and vocal talent, she quickly became a great success. She subsequently appeared in opera, an early performance having been in Valencia, 1889, as Elsa in Lohengrin. Heard in a number of Italian theaters, including the Politeama in Genoa, the Dal Verme in Milano, and the Mercadante in Naples, Paoli gained considerable attention, both for her on stage performances and her prima donna behavior with related scandals and eccentricities. She died as a result of complications following surgery while engaged to sing Gioconda at the Duse Theater in Bologna. Judging from her records, she was one of the great dramatic sopranos of her era. Her four extremely rare records (four Zonophones) were recorded the year of her death. How fascinating it is that we are able to recall through records a voice stilled for over 100 years! 176 1425. 10” Blk. Disco Zonofono X-1842 (take 2]. GIOCONDA: Suicidio! (Ponchielli). Clicks from very lt. scr. disappear in from about an 8th of an inch (following her first “Suicidio!”), otherwise a remarkable. 2. $2500.00. VOCAL 78 rpm Discs GRAZIELLA PARETO [s]. Barcelona, 1889-Rome, 1973. Making her debut at the age of sixteen in Barcelona as Micaela in Carmen, Pareto gained quick success. In 1908 she appeared at the Teatro Regio, Parma, as Amina in Bellini’s Sonnambula and also made her first recordings. Heard in other Italian houses, she subsequently appeared in Buenos Aires and Havana. Her La Scala debut was in 1914 and she first sang at Covent Garden in 1920, in both instances as Gilda in Rigoletto. New venues in the 1920s included the Chicago Opera and Monte Carlo. She was married to composer Gabriele Sibella. The five 10” very late (1926) Spanish acoustical recordings below, all excellent Spanish pressings, were Pareto’s personal copies. Each has a white semi-label over the trademark area rubber stamped “no vendible”. 1885. 10” Red Dog Gram. Con. 53522 [11100b]. SONNAMBULA: Ah non giunge (Bellini). Slightest gilt fade on label. Surface without problems. Just about 1-2. $35.00. 1886. 10” Red Dog Gram. Con. 53521 [11099b]. SONNAMBULA: Sovra il sen (Bellini). Slightest gilt fade on label. Surface without problems. Just about 1-2. $35.00. 1458. 10” acous. VdeSA DA 772 [BS2252-I/BS2260-I]. MI NIÑA (Guetaris) / ESTRELLITA (Ponce). Piano acc. Federico Longás. Few lightest mks., cons. 2. $150.00. GRAZIELLA PARETO 1459. 10” acous. VdeSA DA 773 [BS2243-I/BS2259-I]. DOLOR DE AMAS (Gabironco-Longás) / LA PIEL DE MI AMADA (Mata-Longás). Piano acc. Federico Longás. Few lightest mks., cons. 2. $150.00. 1460. 10” acous. VdeSA DA 774 [BS2244-II/BS2258-I]. LA GUINDA (Mata-Longás) / MUÑEQUITA (Zaragoza-Longás). Piano acc. Federico Longás. Few lightest mks., cons. 2. $150.00. 1461. 10” acous. VdeSA DA 775 [BS2241-1/BS2242-1]. CANÇO DE BRESSOL (Arús- Longás) / PENSANT AMB TU (Vendrell-Longás). Piano acc. Federico Longás. Lt. NS last ½” side one, few lt. mks., cons. 2. $150.00. 1462. 10” acous. VdeSA DA 781 [BS2250-II/BS2251-I]. LA PAS- TORATA [Canço de Nada] / L’HEREU RIERA; BON CAS- SADOR (Canciones catalanas). Piano acc. Federico Longás. Few lt. mks., cons.
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    Lim Antiqua s.a.s - Studio bibliografico Via della Chiesa IX, 44 Loc. Monte San Quirico 55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 333 2551758 www.limantiqua.com/it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. Compositori p. 2 Direttori d’orchestra p. 26 Strumentisti e pianisti p. 38 Cantanti d’opera p. 43 5. Pierre Boulez Compositori 1. Franco Alfano (Napoli 1875 – Sanremo 1954) Lettera autografa firmata del compositore napoletano noto per aver completato Turandot di Puccini, indirizzata al giornalista Giorgio Pillon. Dat. 12 gennaio 1946: “Chiarissimo Professore, la notizia della morte di Romualdo Pantini, mio vecchio caro amico, mi è giunta di sorpresa …Io devo a Pantini innumerevoli consigli se non altrettante reali collaborazioni. “Eliana” datosi al Teatro Reale di Roma, dopo l’estero, due anni fa, appartiene a queste ultime. Anche per “Sakuntala” egli mi è stato largo di suggerimenti”. Franco Alfano rivestì prestigiosi incarichi tra i quali ricordiamo l'insegnamento al Liceo di Bologna, nel 1918 la direzione del Conservatorio di Bologna e dal 1923 la direzione del conservatorio "Giuseppe Verdi" di Torino che mantenne sino al 1939.
  • La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica Afterscènes Da La Vie De Bohème by Henri Murger

    La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica Afterscènes Da La Vie De Bohème by Henri Murger

    ____________________ The Indiana University Opera Theater presents as its 395th production La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica AfterScènes da la vie de Bohème by Henri Murger David Effron,Conductor Tito Capobianco, Stage Director C. David Higgins, Set Designer Barry Steele, Lighting Designer Sondra Nottingham, Wig and Make-up Designer Vasiliki Tsuova, Chorus Master Lisa Yozviak, Children’s Chorus Master Christian Capocaccia, Italian Diction Coach Words for Music, Supertitle Provider Victor DeRenzi, Supertitle Translator _______________ Musical Arts Center Friday Evening, November Ninth Saturday Evening, November Tenth Friday Evening, November Sixteenth Saturday Evening, November Seventeenth Eight O’Clock Two Hundred Eighty-Fourth Program of the 2007-08 Season music.indiana.edu Cast (in order of appearance) The four Bohemians: Rodolfo, a poet. Brian Arreola, Jason Wickson Marcello, a painter . Justin Moore, Kenneth Pereira Colline, a philosopher . Max Wier, Miroslaw Witkowski Schaunard, a musician . Adonis Abuyen, Mark Davies Benoit, their landlord . .Joseph “Bill” Kloppenburg, Chaz Nailor Mimi, a seamstress . Joanna Ruzsała, Jung Nan Yoon Two delivery boys . Nick Palmer, Evan James Snipes Parpignol, a toy vendor . Hong-Teak Lim Musetta, friend of Marcello . Rebecca Fay, Laura Waters Alcindoro, a state councilor . Joseph “Bill” Kloppenburg, Chaz Nailor Customs Guard . Nathan Brown Sergeant . .Cody Medina People of the Latin Quarter Vendors . Korey Gonzalez, Olivia Hairston, Wayne Hu, Kimberly Izzo, David Johnson, Daniel Lentz, William Lockhart, Cody Medina, Abigail Peters, Lauren Pickett, Shelley Ploss, Jerome Sibulo, Kris Simmons Middle Class . Jacqueline Brecheen, Molly Fetherston, Lawrence Galera, Chris Gobles, Jonathan Hilber, Kira McGirr, Justin Merrick, Kevin Necciai, Naomi Ruiz, Jason Thomas Elegant Ladies .
  • Progrmne the DURABILITY Of

    Progrmne the DURABILITY Of

    PRoGRmnE The DURABILITY of PIANOS and the permanence of their tone quality surpass anything that has ever before been obtained, or is possible under any other conditions. This is due to the Mason & Hamlin system of manufacture, which not only carries substantial and enduring construction to its limit in every detail, but adds a new and vital principle of construc- tion— The Mason & Hamlin Tension Resonator Catalogue Mailed on Jtpplication Old Pianos Taken in Exchange MASON & HAMLIN COMPANY Establishea;i854 Opp. Institute of Technology 492 Boylston Street SYMPHONY HALL, BOSTON HUNTINGTON 6-MASSACHUSETTS AVENUES , ( Ticket Office, 1492 J Telephones_, , Back^ ^ Bay-d \ Administration Offices. 3200 \ TWENTY-NINTH SEASON, 1909-1910 MAX FIEDLER, Conductor prngramm^ of % Nineteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 18 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 19 AT 8.00 O'CLOCK COPYRIGHT, 1909, BY C. A. ELLIS PUBLISHED BY C. A.ELLIS, MANAGER 1417 Mme. TERESA CARRENO On her tour this season will use exclusively j^IANO. THE JOHN CHURCH CO. NEW YORK CINCINNATI CHICAGO REPRESENTED BY 6. L SGHIRMER & CO., 338 Boylston Street, Boston, Mass. Boston Symphony Orchestra PERSONNEL |J.M.^w^^w^»l^^^R^^^^^^^wwJ^^w^J^ll^lu^^^^wR^^;^^;^^>^^^>u^^^g,| Perfection in Piano Makinrf THE -^Mamtin Qaartcr Grand Style V, in figured Makogany, price $650 It is tut FIVE FEET LONG and in Tonal Proportions a Masterpiece of piano building^. It IS Cnickering & Sons most recent triumpLi, tke exponent of EIGHTY-SEVEN YEARS experience in artistic piano tuilding, and tlie lieir to all tne qualities tkat tke name of its makers implies.