Development of a Dedicated Laser-Polarization Beamline for ISOLDE-CERN
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Annual Review Are Intended Director on His fi Rst Visit to the Gallery
THE April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March – Contents Introduction 5 In June , Dr Nicholas Penny announced During Nicholas Penny’s directorship, overall Director’s Foreword 8 his intention to retire as Director of the National visitor numbers have grown steadily, year on year; Gallery. The handover to his successor, Dr Gabriele in , they stood at some . million while in Acquisitions 10 Finaldi, will take place in August . The Board they reached over . million. Furthermore, Loans 17 looks forward to welcoming Dr Finaldi back to this remarkable increase has taken place during a Conservation 24 the Gallery, where he worked as a curator from period when our resource Grant in Aid has been Framing 28 to . falling. One of the key objectives of the Gallery Exhibitions 32 This, however, is the moment at which to over the last few years has been to improve the Displays 44 refl ect on the directorship of Nicholas Penny, experience for this growing group of visitors, Education 48 the eminent scholar who has led the Gallery so and to engage them more closely with the Scientifi c Research 52 successfully since February . As Director, Gallery and its collection. This year saw both Research and Publications 55 his fi rst priority has been the security, preservation the introduction of Wi-Fi and the relaxation Public and Private Support of the Gallery 60 and enhanced display of the Gallery’s pre-eminent of restrictions on photography, changes which Trustees and Committees of the National Gallery Board 66 collection of Old Master paintings for the benefi t of have been widely welcomed by our visitors. -
French and Hessian Impressions: Foreign Soldiers' Views of America During the Revolution
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2003 French and Hessian Impressions: Foreign Soldiers' Views of America during the Revolution Cosby Williams Hall College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Military History Commons, and the United States History Commons Recommended Citation Hall, Cosby Williams, "French and Hessian Impressions: Foreign Soldiers' Views of America during the Revolution" (2003). Dissertations, Theses, and Masters Projects. Paper 1539626414. https://dx.doi.org/doi:10.21220/s2-a7k2-6k04 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FRENCH AND HESSIAN IMPRESSIONS: FOREIGN SOLDIERS’ VIEWS OF AMERICA DURING THE REVOLUTION A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Cosby Hall 2003 a p p r o v a l s h e e t This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts CosbyHall Approved, September 2003 _____________AicUM James Axtell i Ronald Hoffman^ •h im m > Ronald S chechter TABLE OF CONTENTS Page Acknowledgements iv Abstract V Introduction 2 Chapter 1: Hessian Impressions 4 Chapter 2: French Sentiments 41 Conclusion 113 Bibliography 116 Vita 121 iii ACKNOWLEDGEMENTS The writer wishes to express his sincere appreciation to Professor James Axtell, under whose guidance this paper was written, for his advice, editing, and wisdom during this project. -
Welly Walking Trivia
Cumbria County Council Active travel to school Wonderful Welly Trivia So what exactly are wellies? • Wellies are also known by many other names. • In Australia, South Africa and New Zealand they are known as Gumboots • In Ireland they are often referred to as Topboots • In Russia they are known as Rubberboots. Where did the idea for wellies come from? Wellies were first worn by Arthur Wellesley, 1st Duke of Wellington, and were based upon the Hessian boot. The Duke of Wellington had instructed his shoemaker to re-design the Hessian boot to make it more hard wearing and give extra comfort. This was the birth of the good old welly as we know it, before long everyone referred to the Duke’s new boots as ‘the Wellington.’ The Duke of Wellington’s style caught on quickly and many other British gentlemen copied the style. The Wellington was considered very fashionable during the 1840’s but at this stage was only made in leather. When wellies met rubber In 1852 two gentlemen by the names of Hiram Hutchinson and Charles Goodyear came together. Charles Goodyear had recently developed a process to cure rubber, called Vulcanization, and both individuals benefited from this new process. Charles Goodyear took his research into the tyre manufacturing market, whilst Hiram Hutchinson went into footwear. Hutchinson launched his footwear idea in France with a company called Aigle (meaning Eagle) His rubber footwear became a huge success here, with farmers very grateful to have their feet clean and dry for once. It sure beat the clogs they had been wearing! Rubber comes from the sap of the Havea Tree and is actually a natural product, contrary to the beliefs of many. -
Camp Sequassen
2019 CAMP SEQUASSEN SCOUTS BSA LEADER’S GUIDE P:\Camping\Summer Camps\Resident Camp - Scouts BSA\2019 SRC\Leader's Guide SRC 2019.doc CONNECTICUT YANKEE COUNCIL, BSA 60 Wellington Road P.O. Box 32 Milford, CT 06460-0032 203.876.6868 www.ctyankee.org P:\Camping\Summer Camps\Resident Camp - Scouts BSA\2019 SRC\Leader's Guide SRC 2019.doc 1 Sequassen Loyalty Song We may be far beyond the mountains Upon the sea or in the air But we will never forget Sequassen We’ll take her spirit everywhere Chorus: Oh Camp Sequassen, our Camp Sequassen We’ll love you still where ‘ere we roam And guard your honor with pride and courage Loyal to our camping home The years may roll until with sorrow Our heads are bent with grief and care But we will sing for our Camp Sequassen And take her spirit everywhere And when the day comes that we are leaving We’ll smile and cheer and sing our song For we’ll return to our Camp Sequassen It’s the place good Scouts belong And now we sing for those who have passed on We met them here in years gone by They lived and worked here, they touched our hearts here May their spirits never die P:\Camping\Summer Camps\Resident Camp - Scouts BSA\2019 SRC\Leader's Guide SRC 2019.doc 2 TABLE OF CONTENTS GENERAL INFORMATION Pages 4 - 21 PROGRAM INFORMATION Pages 22 - 24 MERIT BADGE SCHEDULES Pages 25 - 38 ACTIVITIES AND AWARDS Pages 39 - 53 ADULT PROGRAMS AND TRAINING OPPORTUNITIES Pages 54 - 59 UNIT RESOURCES AND CAMP FORMS SEE SEPARATE APPENDIX Mission Statement: It is the mission of the Boy Scouts of America to serve others by helping to instill values in young people and, in other ways, to prepare them to make ethical choices during their lifetime in achieving their full potential. -
Annual Report 2012-2013
Sisters of St. Joseph of Carondelet St. Paul Province Ministries Foundation Annual Report 2012-2013 Make a bold move for real change. Sisters of St. Joseph of Carondelet, St. Paul Province Ministries Foundation Education Spirituality Dear Friends, Since arriving in Minnesota in 1851, the Sisters of St. Joseph of Carondelet have initiated countless bold moves with thousands of unnamed collaborators Health Care to serve the unmet needs of our neighbors. We are grateful that you are our collaborators today. Without each of you who so generously share your Leadership resources – physical, financial, and spiritual – the ministries that our neighbors need so much today could not continue. The Sisters’ bold moves continue today with the support of the Safety&Support2012-2013 Ministries Foundation Sisters of St. Joseph of Carondelet Ministries Foundation, which leverages the contributions of Sisters — in-kind human services as Board of Directors well as direct cash and donated space and equipment — to attract Kevin Berg Patrick Kindler Paul Donovan Mary Pat McManus private and public support. The social services network nurtured Michael Flood Steve Melcher by the Foundation — and funded through your generous donations — Sharon Gondek, CSJ Mary Louise Menikheim Patricia Gries Al Michael, M.D. includes free health clinics, education centers, housing and support Althea Johns, CSJ Alexandra Naughton for immigrant women escaping torture, and leadership development Mary Beth Johnson Michael O’Connor for young women. Kathleen Judge, CSJ Susan Oeffling, CSJ Mary Clare Korb, CSJ Chuck Percival We encourage you will visit our website, www.csjministriesfoundation.org, Ex Officio: and join our facebook, twitter, and LinkedIn pages as well as our Patrick Croke Vice President, Administration YouTube video channel (instructions are printed on the back cover) to keep up with the ministries of the Sisters of St. -
The Small Museums Cataloguing Manual
The Small Museums Cataloguing Manual A guide to cataloguing object and image collections The Small Museums Cataloguing Manual A guide to cataloguing object and image collections 44thth EEDITIONDITION mmuseumsu s e u m s aaustraliau s t r a l i a victoria Published by Museums Australia (Victoria), 2009 Text © Museums Australia (Victoria), 2009 Images © as indicated Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional freecall 1800 680 082 www.mavic.asn.au First published 1983 2nd edition c. 1990 3rd edition 1996 4th edition 2009 ISBN: 978 0 9806707 0 7 Editors: Hilary Ericksen and Ingrid Unger Designer: Janet Boschen Cover images: Ben Healley (ferret box, postcard, album, coffee cup and carpet bowls) Michelle McFarlane (Magpie eggs) Predrag Cancar (pram carriage) John Broomfi eld (keyboard) mmuseumsu s e u m s aaustraliau s t r a l i a victoria Contents Acknowledgements 5 Introduction 7 Why Catalogue Collections 11 Enriching cultural value 12 Enhancing administration 14 Essentials 17 Policy documents 18 Introducing worksheets 19 Cataloguing tools 20 Handling objects 23 Managing digital fi les 26 The Register 29 Registering objects 30 Numbering objects 35 The Catalogue 43 Cataloguing objects 45 Appendices 65 1. Cataloguing worksheet 66 2. Sample cataloguing worksheets 68 3. Glossary of descriptive terms 78 4. Glossary of production methods 81 5. Glossary of materials 85 6. Useful resources 94 Margaret Fullwood, Evelyn Wright and Val Lawrence look over Captain John Hepburn’s fl ag, Creswick Museum. Photograph: Julie Millowick. Source: Department of Planning and Community Development 4 Acknowledgements This fourth edition of The Small Museums Cataloguing Manual would not be possible without the generous funding support of Heritage Victoria and Arts Victoria. -
Courses Scheme & Syllabus
COURSES SCHEME & SYLLABUS B.E. (COMPUTER ENGINEERING) SEMESTER-I S.N CODE TITLE L T P CR O. 1 UMA003 MATHEMATICS-I 3 1 0 3.5 2. UTA007 COMPUTER PROGRAMMING-I 3 0 2 4.0 3. UCB008 APPLIED CHEMISTRY 3 1 2 4.5 4. UEC001 ELECTRONIC ENGINEERING 3 1 2 4.5 5. UES009 MECHANICS 2 1 2* 2.5 6. UEN002 ENERGY AND ENVIRONMENT 3 0 0 3.0 TOTAL 17 4 6 22.0 MECHANICS (2*): 2HOURS LAB ONCE IN SEMESTER SEMESTER-II S.N CODE TITLE L T P CR O. 1. UMA004 MATHEMATICS-II 3 1 0 3.5 2. UTA009 COMPUTER PROGRAMMING-II 3 0 2 4.0 3. UPH004 APPLIED PHYSICS 3 1 2 4.5 4. UEE001 ELECTRICAL ENGINEERING 3 1 2 4.5 5. UHU003 PROFESSIONAL COMMUNICATION 2 0 2 3.0 6. UTA008 ENGINEERING DESIGN-I 2 4 0 4.0 TOTAL 16 7 8 23.5 SEMESTER-III S.N CODE TITLE L T P CR O. 1. UMA007 NUMERICAL ANALYSIS 3 1 2 4.5 2. UES012 ENGINEERING MATERIALS 3 1 2 4.5 3. UTA010 ENGINEERING DESIGN-II (6 SELF EFFORT 1 0 2 5.0 HOURS) 4. UCS405 DISCRETE MATHEMATICAL STRUCTURES 3 1 0 3.5 5. UCS303 OPERATING SYSTEMS 3 0 2 4.0 6. UCS520 COMPUTER NETWORKS 3 0 2 4.0 7. UCS310 DATABASE MANAGEMENT SYSTEM 3 0 2 4.0 TOTAL 19 3 12 29.5 SEMESTER-IV S.N CODE TITLE L T P CR O. 1. UMA031 OPTIMIZATION TECHNIQUES 3 1 0 3.5 2. -
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'quinn, Daniel
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770–1790. Johns Hopkins University Press, 2011. Project MUSE. doi:10.1353/book.1868. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/1868 [ Access provided at 3 Oct 2021 03:51 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Entertaining Crisis in the Atlantic Imperium 1770– 1790 This page intentionally left blank Entertaining Crisis in the Atlantic Imperium 1770– 1790 daniel o’quinn The Johns Hopkins University Press Baltimore © 2011 The Johns Hopkins University Press All rights reserved. Published 2011 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data O’Quinn, Daniel, 1962– Entertaining crisis in the Atlantic imperium, 1770– 1790 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9931- 7 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9931- 1 (hardcover : alk. paper) 1. En glish drama— 18th century— History and criticism. 2. Mascu- linity in literature. 3. Politics and literature— Great Britain— History—18th century. 4. Theater— England—London—History— 18th century. 5. Theater— Political aspects— England—London. 6. Press and politics— Great Britain— History—18th century. 7. United States— History—Revolution, 1775– 1783—Infl uence. -
“I Wanted to Run Away” Abusive Dress Codes for Women and Girls in Indonesia WATCH
HUMAN RIGHTS “I Wanted to Run Away” Abusive Dress Codes for Women and Girls in Indonesia WATCH “I Wanted to Run Away” Abusive Dress Codes for Women and Girls in Indonesia Copyright © 2021 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-62313-895-0 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org MARCH 2021 ISBN: 978-1-62313-895-0 “I Wanted to Run Away” Abusive Dress Codes for Women and Girls in Indonesia Glossary ........................................................................................................................... i Summary ......................................................................................................................... 1 From Pancasila to “Islamic Sharia” .......................................................................................... -
An Historical Tracing of American Women"S Shoes
AN HISTORICAL TRACING OF AMERICAN WOMEN"S SHOES FROM COLONIAL DAYS WITH IDENTIFICATION CRITERIA FOR THE YEARS 1890 TO 1930 By JO ANN TAMMEN /I Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1969 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE July, 1973 OKLAHOMA STATE UNIVEISl'IY UIIAlt'r NOV 16 1973 AN HISTORICAL TRACING OF Af1ERICAN WOMEN'S SHOES FROM COLONIAL DAYS WITH IDENTIFICATION CRITERIA FOR THE YEARS 1890 TO 1930 Thesis Approved: Dean of the Graduate College ii PREFACE This study was concerned with the identification of changes in style and construction methods of American women's shoes. The primary objective was to develop an instrument for the classification of American women's shoes from 1890 to 1930. This instrument was used to classify the shoes in.the Clothing, Textiles and Merchandising Depart ment Costume Collection at Oklahoma State University, The researcher wishes to express her appreciation to her major adviser, Dr. Donice H. Kelly, for her guidance and assistance throughout this study. Appreciation is also expressed to the other committee mem bers, Dr. Grovalynn Sisler, and Miss Leevera Pepin, for their invaluable assistance in the preparation of the final manuscript, A note of thanks is given to Mrs, Dorothy C. Colpitts, Oklahoma State University Interlibrary Loan librarian, for her assistance in obtaining numerous books used in the study. Thanks are also extended to the Tulsa City-County Central Library reference personnel for their aid in mal<:ing available rare copies of the earlier edit'ions of the Sears, Roebuck and Company mail order catalog. -
Thomas Del Mar Ltd in Association with Sotheby’S Antique Arms, Armour & Militaria London Wednesday 24Th June 2009 AUCTION ENQUIRIES and INFORMATION
Thomas Del Mar Ltd In association with Sotheby’s Antique Arms, Armour & Militaria London Wednesday 24th June 2009 AUCTION ENQUIRIES AND INFORMATION Sale Number: 008 Code name: Pang Enquiries Catalogue Thomas Del Mar £15 plus postage Ian Eaves Clair Boluski George Duckett Thomas Del Mar Ltd 25 Blythe Road London W14 0PD Tel: +44 (0) 207 602 4805 Fax: +44 (0) 207 602 5973 Email: [email protected] Online Catalogue: www.thomasdelmar.com www.antiquestradegazette.com/thomasdelmar Thomas Del Mar Ltd gratefully acknowledges Peter Smith for his assistance in the preparation of this catalogue. Front cover: lot 210 Back cover: lot 368, detail Photography: Rolant Dafis Thomas Del Mar Ltd In association with ANTIQUE ARMS, ARMOUR & MILITARIA TO BE SOLD BY AUCTION AT Thomas Del Mar Ltd 25 Blythe Road London W14 0PD PUBLIC EXHIBITION Sunday 21st June 12 noon to 4pm Monday 22nd June 10am to 7pm Tuesday 23rd June 10am to 5pm DAY OF SALE Wednesday 24th June 2009 at 12 noon, precisely This auction is conducted by Thomas Del Mar Ltd in accordance with our Conditions of Business printed in the back of this catalogue. All questions and comments relating to the operation of this sale or to its contents should be addressed to Thomas Del Mar Ltd and NOT to Sotheby’s. view catalogue and contact us online at www.thomasdelmar.com www.antiquestradegazette/thomasdelmar.com i ii Important Information for Buyers All lots are offered subject to Thomas Del Mar Ltd’s Condition’s of Business and to reserves. The Conditions of Business for Buyers are published at the end of the catalogue.