London Musicals 1935-1939.Pub
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WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO Jul to Aug Atlantic Thr. Co., Wolfville, Nova Scotia Jun to Aug Purple Rose Thr., Chelsea, Mich. Sep to Oct Utah (more information to follow...) Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. “Cocktails and Sept.-Oct Pacific Repertory Thr., Carmel, CA IN THIS ISSUE Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Laughter...” Page 1 - Steve Ross at Pizza- Tel: (212) 362-2560 STEVE ROSS You are invited to a Very Special On-The-Park Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario Page 2 Ten Chimneys - The Evening on Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Sequel st Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Saturday 31 Page 3 A Magical Day At Ten Private Lives 4 to 21 Febr Tribal Productions Inc. Thornhill, Ontario Chimneys 21 to 30 Aug Weston Playhouse in Weston, Vermont January, 2004. Page 5 Home Movies 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON Page 6 Mary Ellis - The Sep to Nov Globe Thr., Regina, Saskatchewan., Canada, ; Missing Bits of the Obits. -
Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Gay's the Word
Press Information Full casting and extra performances announced! The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Evergreen Theatrical Productions Ltd in association with Neil McPherson for the Finborough Theatre presents Ivor Novello’s GAY’S THE WORD The Happiest Musical of the Year! Book and Music by Ivor Novello Lyrics by Alan Melville Book Adapted by Richard Stirling by special permission of Samuel French Ltd on behalf of the Ivor Novello Trustees Directed and Choreographed by Stewart Nicholls Music Direction by Ben Stock with Frank Barrie, James Bentham, Helena Blackman, Anna Brook-Mitchell, Daniel Cane, Valerie Cutko, Sophie-Louise Dann, Amy Hamlen, Doreen Hermitage, James Irving, Josh Little, Lindsey Nicholls, Eileen Page, Jonny Purchase, Myra Sands, Elizabeth Seal, Sophie Simms, Paul Slack, Sebastian Smith The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series follows its sell-out success Perchance to Dream with Ivor Novello’s last and wittiest musical. Gay’s the Word opens a strictly limited run of seven Sunday and Monday performances on Sunday, 5 February 2012 (Press Night: Monday, 6 February 2012 at 7.30pm). This is the first professional revival of the 1951 smash hit, which starred Dame Cicely Courtneidge. Novello sends up his own Ruritanian extravagances in this backstage musical comedy. Former stage star Gay Daventry opens a drama school and finds that what is needed to get her back on top is, to name the show's hit song, Vitality! Other numbers include If Only He'd Looked My Way (subsequently recorded by Frank Sinatra), Bees Are Buzzin’ and the enchanting On Such A Night As This, all combining Novello’s melodic talent with Alan Melville’s sharp wit. -
PERCHANCE to DREAM 'A Musical Romance' Devised, Written and Composed by Ivor Novello
Press Information The Finborough Theatre is now FULLY AIR CONDITIONED Part of the Finborough Theatre's Celebrating British Music Theatre series Blue Shale Theatre in association with Neil McPherson for the Finborough Theatre by arrangement with Samuel French Limited presents PERCHANCE TO DREAM 'A Musical Romance' Devised, Written and Composed by Ivor Novello. Directed by Max Pappenheim. Musical Direction by Ross Leadbeater. Designed by Gregor Donnelly. Sound by Edward Lewis. Lighting by Elliot Griggs. Cast: Michael Burgen. Clare Louise Connolly. Laura Hanna. Amanda Hootman. Natalie Langston. Annabel Leventon. James Marchant. Rachael McCormick. Natalie Langston. Martin Milnes. Kelly Price. Claire Redcliffe. Robert Rees. James Russell. Gemma Sandzer. Katy Treharne. The Finborough Theatre's acclaimed 'Celebrating British Music Theatre' series continues with Ivor Novello’s most romantic musical, Perchance to Dream, opening at the Finborough Theatre for a limited run of eight Sunday and Monday performances on Sunday, 4 September 2011 (Press Night: Monday, 5 September 2011 at 7.30pm). This rediscovery is the first professional London production in more than 25 years, and also commemorates the 60th anniversary of the death of composer Ivor Novello. Spanning the Regency, Victorian and post-war eras, and featuring a score filled with some of Novello’s most ravishing songs including Love is My Reason, When I Curtsied to the King, A Woman’s Heart and the classic We’ll Gather Lilacs, Perchance to Dream is a classic Novello musical - an escapist 'musical romance' whose original 1945 run in the West End played for 1,022 performances. In 1818, Sir Graham Rodney, an impoverished womaniser, is the owner of Huntersmoon, a magnificent old country house, but seeks relief from his life of leisure by masquerading as the dread highwayman “Frenchy”. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Talking Machine Review 36
457 4 58 We are honoured to show you three pictures of a very rare tinfoil phonograph which will be auctioned by Messrs. Sotheby ( s on 2id December. While your Editor does not claim to know the maker he does notice that it is similar to tinfoil phonographs designed by Augustus Stroh circa 1880. It is weight-driven. Sotheby’s Belgravia Sale by auction Tuesday, 2nd December, 1975 at 10.30 am Mechanical Music including the item illustrated, a collection of 7 inch Berliner records, the H.H. Annand Collection of Phonographs, Cylinders and Discs, Part I, an Operaphone gramophone, an H.M.V. Lumiere gramophone, E.M.G. Mark IX gramophone, an E.M. Ginn Expert Senior gramophone a 1902 Columbia A.J. disc graphophone a hne Edison Ambarola iA phonograph, an Orchestral push-up piano player, an Amorette No. 16F Organette, a John Hicks barrel pianoforte, No. 437, a J.H. Zimmermann ‘Adler’ disc musical box, a key-wound Nichole Freres cylinder musical box, No. 25876 a Nichole Freres Overture cylinder musical box, No. 24239, a Mojon Manger and Co. Grand Format cylinder musical box, a Flute Voix Celestes cylinder musical box, an interchangeable cylinder musical box on stand, a rare Piece a Oiseau cylinder musical box and over one hundred other lots of Mechanical Music f . N\\\\v!v An extremely rare weight-driven Tinfoil phonograph , c . / 880 Viewing three days prior to sale, including Saturday 29th November, 9.30 am - 4 pm Illustrated Catalogue: £1 Sotheby’s Belgravia, 19 Motcomb Street, London SWiX 8LB Telephone: 01-235 4311 Telex: London 24454 Telegrams: Gavel, London 1 461 RECORD REVIEW JOHN WANT = "DREAM OF GERONTIUS" by ELGAR. -
Basil Hartley and Novello House (2 Ladywood Road) © by Hilary Dyson
From Oak Leaves, Part 6, Autumn 2006 - published by Oakwood and District Historical Society [ODHS] Basil Hartley and Novello House (2 Ladywood Road) © by Hilary Dyson Novello House Novello House, 2 Ladywood Road, is a very substantial Victorian looking house standing in its own grounds. There is a large garden, and a garage which was formerly a coach house. Most of the houses adjoining this property were developed at the end of the 19th century on land that was originally part of a huge estate that included Roundhay Park. This estate that had belonged to the Duke of Norfolk in the dim and distant past was eventually purchased by two affluent Quaker businessmen. In broad terms, the South side of Wetherby road was acquired by Samuel Elam and the North of the road by Thomas Nicholson. At that time Wetherby Road was very much a country road. The house which was possibly built by the Fenton Brothers, of Woodlands, was perfect for Victorian families but after many years fulfilling this purpose it was purchased in 1976 by Basil Hartley who turned it into a theatrical boarding house though it still kept its aura of a family house. Basil had successfully combined two careers, one as host of a theatrical boarding house and his second career as a window display artist at Gladys Vollans curtain shop on Vicar Lane. In his youth he was the youngest window display manager in Yorkshire and won many prizes in competitions for which he was very proud. His professional and easy manner contributed a great deal to the popularity of his boarding houses together with the cooking provided by his mother. -
Home Chat August Booklet
WHAT’S ON? ACROSS THE GLOBE ... America & Canada Hay Fever 24 Jun to 31 Aug Utah Shakespeare Festival in Cedar City, Utah, USA. More info: www.bard.org. AUGUST 31 Jul to 24 Nov The Shaw Festival Niagara-on-the-Lake, Ontario Canada 2002 www.shawfest.sympatico.ca Directed by Christopher Newton Blithe Spirit 16 Jul to 4 Aug Bay Street Theatre’s Cast includes: Twiggy, Dana Ivey, Patricia Kalember, Angela Thornton, Herb Foster, Daniel Gerroll & Kerrie Blaisdell. THE BI-MONTHLY NEWSLETTER OF THE NOEL COWARD SOCIETY Bay Street Theatre, Sag Harbor, NY 1 to 2 Nov Daysland Little Theatre Company, PO Box 325, Daysland Alberta, T0B 1A0 18 Oct to 2 Nov Binbrook little Theatre inc. PO Box 74, Binbrook Ontario, L0R 1C0 20 Sep to 4 Oct Burlington Little Theatre, 7770, Drury Lane, Burlington, Ontario L7R 2Y2 The Backroom Girl 24 Oct to 9 Nov North Vancouver Community Players, North Vancouver, BC Private Lives to Sep 1st Broadway, with Lindsay Duncan and Alan Rickman Joan Hirst 1914 - 2002 5 to 21 Sep Domino theatre, Kingston, Ontario. Waiting In The Wings 16 Sep to 5 Oct Ottawa Little Theatre, King Edward Avenue, Ottawa, ON Joan Hirst was one of the last remaining currently running a cinema. Theatre was professional musician. In what her son, 2 to 19 Oct Nanaimo Theatre Group, Nanaimo, BC links with a now-vanished theatrical in the family blood: her grandfather Robin, would called ‘the bohemian set 15 to 19 Oct Saskatoon Gateway Players, Saskatoon, Saskatchewan world. As secretary to both Noël Coward (who instigated the Vaudeville Theatre of Dewsbury during the 1930s - if you Europe and Michael Redgrave, she was a self- in London) and her great-grandfather can believe such a thing’ - Franklin and A Song At Twilight Sep 2002 Theatre du Palais Royal Paris, Starring Line Renaud declared ‘backroom girl’, who prided were both theatrical managers, and Joan lived together as man and wife, herself on her tact and discretion. -
FY14 Annual Report View Report
Annual Report 2013–14 1 2 Introduction 4 Metropolitan Opera Board of Directors 5 2013–14 Season Repertory & Events 12 2013–14 Artist Roster 14 The Financial Results 47 Patrons 1 Introduction The Metropolitan Opera’s 2013–14 season featured an extraordinary number of artistic highlights, while the company continued to address the significant financial challenges of grand opera. The Met presented six new productions during the 2013–14 season, including the Met premiere of Nico Muhly’s Two Boys, the first new opera developed through the company’s co-commissioning program with Lincoln Center Theater. The season also saw the first Met performances in nearly 100 years of Borodin’s Prince Igor. Along with four revivals, all six new productions were presented in movie theaters around the world as part of the Met’s Live in HD series, which earned $26.2 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117 million. While enjoying great artistic successes, the company faced challenging economic hurdles, ending with a deficit after five years of break-even or close to break-even results. However, contract negotiations with the Met’s unions, still in process at the end of the fiscal year, resulted in cost reductions to help ensure a more sustainable financial model for the future. At the start of the 2013–14 season, Music Director James Levine made a highly anticipated—and enormously successful—return to the Met after two years away due to injury. His return on the second night of the season to conduct Mozart’s Così fan tutte was rapturously received, as were his performances leading Robert Carsen’s new production of Verdi’s Falstaff. -
MUSICAL THEATRE a History
MUSICAL THEATRE A History John Kenrick This book is dedicated to Mary Pinizzotto Kenrick Marotta and Frank Crosio. Neither my life nor this book would be possible without their unfailing support. CONTENTS Acknowledgments 9 Introduction “Let’s Start at the Very Beginning . .” 11 1 Ancient Times to 1850—“Playgoers, I Bid You Welcome!” 18 2 Continental Operetta (1840–1900)— “Typical of France” 35 3 American Explorations (1624–1880)— “The Music of Something Beginning” 50 4 Gilbert and Sullivan (1880–1900)— “Object All Sublime” 75 5 The Birth of Musical Comedy (1880–1899)— “It Belong’d to My Father Before I Was Born” 95 6 A New Century (1900–1913)—“Whisper of How I’m Yearning” 111 7 American Ascendance (1914–1919)—“In a Class Beyond Compare” 134 8 Al Jolson—“The World’s Greatest Entertainer” 156 9 The Jazz Age (1920–1929)—“I Want to Be Happy” 168 10 Depression Era Miracles (1930–1940)— “Trouble’s Just a Bubble” 207 11 A New Beginning (1940–1950)—“They Couldn’t Pick a Better Time” 238 8 CONTENTS 12 Broadway Takes Stage (1950–1963)— “The Street Where You Live” 265 13 Rock Rolls In (1960–1970)—“Soon It’s Gonna Rain” 298 14 New Directions (1970–1979)—“Vary My Days” 318 15 Spectacles and Boardrooms—“As If We Never Said Goodbye” 342 16 Musical Comedy Returns (The 2000s)— “Where Did We Go Right?” 370 Suggested Reading: An Annotated Bibliography 383 Recommended Web Resources 394 Index 395 ACKNOWLEDGMENTS It would be impossible for me to thank all the people who have inspired, assisted, and cajoled me in the process of creating this book, but a few curtain calls are in order.