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18411 Cmp.Pdf ® GRAN TEATRE DEL LICEU Temporada 1997-98 De dia CONSORCI DEL GRAN TEATRE DEL LICEU GENERALITAT DE CATALUNVA � AJUNTAMENT DE BARCELONA MINISTERIO DE CULTURA AJORlCA DIPUTACIÓ DE BARCELONA Die Walküre Drama musical en tres actes Primera j ornada de la tetralogia Der Ring des Nibelungen Text i música de Richard Wagner En versió de concert Palau de la Música Catalana Dijous, 5 de febrer, 20 h, funció núm. 3, torn E Diumenge, 8 de febrer, 17 h, funció núm. 4, torn T Dimecres, 11 de febrer, 20 h, funció núm. 5, torn B Fem realitat el nou Liceu Fundació Set I.RELU Grup II Central Hispano � n _f' n)a c.atxa � ...... emte fAlLZBtM"NFRA ri C' 9 rrl>u.c:. BASF PHILIPS Banco MANTENIMIENTOS ESPECIALES � RUBENS, S.A. Santander BanestQ tv gasNajural e R VINSA Cambra Oficial de Comerç Autopistas C.E.SA Winterthur Indústria i Navegació de Barcelona � ... --­ ... Grupo �Dragados � Ereres I�Endesa � �U::. -=¡¡rr j\ígües de Barcelona Thyssen Boetticher S.A. S CAIXA DE CATALUNYA WAAGNEI!�OO � •••• TURISME DE BANCO BILBAO VIZCAYA BARCELONA CANAL+ # BANCA CATAlANA - ® FUNDACIÓ GRAN TEATRE DEL LICEU Generalitat de Catalunya, Ministerio de Cultura, Ajuntament de Barcelona, Diputació de Barcelona, Societat del Gran Teatre del Liceu i Consell de Mecenatge. Índex 9 Repartiment 10 Resum argmuental 26 Punt d'inflexió del pensament i el sentir wagnerians 34 El títolmés liceista? 48 Biografies 61 Emegistraments 69 Pròximes funcions 73 Textos ® Die Walküre Siegmund Jyrki Niskanen Bunding Matthias Holle Wotan Robert Hale Sieglinde Alessandra Marc Brünnhilde Hildegard Behrens Fricka Eva Randova Gerhilde Maria Uriz Ortlinde Begoña Alberdi Waltraute Linda Mirabal Schwertleite Wendy Hoffman Belmwige Eva Steinsky Siegrune Maria Angels Sarroca Grimgerde Rosa Maria Ysàs Rossweisse Barbara Heimann I Direcció musical Pinchas Steinberg ORQUESTRA SIMFÒNICA DEL GRAN TEATRE DEL LICEU Concertino Tobias Gossmann J Resum argumental Die Walküre (La valquíria) és la primera jornada de la tetralogia wagneriana Der Ring des Nibelungen (L'anell del nibelung) composta entre 1848 i 1874. L'obra se centra en l'amor apassionat i incestuós dels bessons Sieglinde i Siegmund i en el càstig imposat per Wotan, el déu, a Brünnhilde, la més estùnada de les seves valquíries, per haver desobeït les seves Faurin-Latour: Siegmund und Sieglinde ("1884). a contracor- caure ordres -dictades de fer Bichard-\Vagner-MuscLUll. Bayreuth. en combat per tal de salvar l'honor Pàgina scgiiclll: Siegmund M,L, Beckmann: Germà i Germana (1933). del marit de Sieglinde, el sinistre Hunding. Col·lecció panicular. A e T E I cabana de Hunding, marit de Sieglinde, es refugia, derrotat, un desconegut que ella reconforta. Arriba Hun­ Alading i el reconeix: es tracta de Siegmund, enemic del seu clan, el qual desafia en combat per a l'endemà. Sieglinde mostra a Siegmund l'espasa que un desconegut -en realitat Wotan, el déu- clavà en lill arbre, destinada a donar la victòria Meidling: a qui aconseguís recuperar-la. Siegmund arrenca l'espasa i fuig Siegmund II lid Sieglinde. amb Col-Iecció particular. Sieglinde. 121 Il" S U M il Il e lJ M E 1\ r x ). Enmig d'una intensa tempesta, el jove guerrer Siegmund arriba exhaust a la cabana del caçador Hunding, al bell mig d'un bosc fron­ dós. D J E IV A L K Ü RE, A I X í C O M LAR E S r AD' O B H E S Q U E r N 'I' E CHE N LA TETRALOCIA WACNEHIANA, NO CONTÉ UN PHELUDI PHOCHAMf\TIC AMB TOT. EL PASSATCE OHQUESTHAL QUE PHECEDEIX L'ENTHADA DE srECMUND CONTI� MATEHIAL TEMf\TIC EN LES TUBES (LEIT­ "La música Wagncriana / no es per MOTIV DE DONNEH. DÉU DEL gent de bon humor / pel' que es cua­ THO) O EN LES COHDES, QUE EN si superior / á la pobre rassa huma­ na, / Pero jo no m'hi embolico / y UN PASSATCE DrBUIXAT EN OBS- sens Ilxarme en la nota / perq ue no TINAT I AMB CONTINUS CANVIS hi enteng ni jota / l'estreno tant sols esplico» D'INTENSITAT DESCRIUEN EL PEP D E V E N I H DEL ATE M P E S TA. 1]es- Ln ¡'Vall�).,.i(l. lmpresions del estreno escrita.'; "/I llers en conuencional de té al bell J' català (1899) tança Hunding mig un freixe amb una espasa clava­ da al tronc. s'estira, gai­ Hans Markan: Siegmund ¡ Sieglinde Siegmund ert la cabana de Hundiug ("1872). rebé sense sentits, a la vora del Pàgin1:l següent: Museum Wiesbaden. foc. i bella esposa Franz Stassen (1869-1949). Sieglinde, jove Col-lccció particular. de Hunding, surt i observa afligida el j ove. E L S I' A S S A T C E S E NTH E - TALLATS DE LA BHEU l'HASE INTHODUCTÒHIA DE SIEGMUND I LES PAHAULES DE SIECLINDE NO DEFUCEN EL HECUHS DEL HECITATIU A C O M P A N Y AT DE TAL L C O N V E N C [O N AL. Siegmund es desperta i, assedegat, demana aigua. Sieglinde s'apressa a complaure'l i els dos joves comencen a sentir-se atrets l'un envers l'altra. WAC N E R IL· L U S­ THA AMB UN BELL MOTIU L'AMOU QUE COMENÇA A SOUGIH ENTHE SIECMUND I SIECLINDE EL TEMA, INICIAT PEL VIOLONCEL, TÉ UN PRECIOSISME PHOPEH ALS WESENDONCK LIEDEIl I A LA MORT o Î S O L o II. La noia explica aleshores a Siegmund que aquella és la i Hunding Sieglinde, cabana de Hunding, on el jove podrà hostatjar-se, almenys fins que segons Barbara Marcheineke. el seu marit torni. Sieglinde ofereix al guerrer un corn d'hidromel, que Siegmund beu amb deler. WAC N E HIL· L U S T H A E N È R G I C A M E N TEL "Está cla'l veurer la dona / allí sola ab CAHAcTEH DE SIECMUND AMB LA THOMPA I LA DOLÇOH DE SIE­ lo pelut / en Bunding ho troba brut / l'té una stona. / Mes y suspens GLINDE AMB EL CLAHINET, MENTHE EL TEMA AMOHÓS VA APA­ ella algo conmoguda / li diu: es un descraciat / l'hi trobat aquÍ ajas­ HEIXENT AL LLAHC DEL DrALEG ENTHE ELS DOS JOVES, CADA COP sat / y l'hi he dat una beguda. M É S I N T E N S A ¡VI E NT AT HE T s. Ja recuperat de la fatiga, Siegmund expli­ PEI' ca a la bella esposa de que és per un malaurat La IVal/¡JTia. lmpresions del estreno escritas Hunding perseguit enlJel�.ren català conoencional (1899) destí, Q U E WAG N E HIL· L U S T R A A M B U N M A H CAT A C o HD D I S S O N A NT, amb la gual cosa Sieglinde el convida a no abandonar la cabana, ja 14 I Il" S li �I 1\ Il G L NI I� :'i T ¡\ L que ella també se sent infeliç. Siegmund revela el seu nom: Wehwalt, això és, portador d'infortunis. Arriba Hunding. E L S E U T E M A E S T A ANUNCIAT l'EH LES THOMPES I DE SEGUIDA l'EH LES TUBES, QUE AJUDEN A FEH UN HETHAT ANTIPATIC DEL FUNEST PEHSONATGE, que confirma la seva hospitalitat a Siegmund. El caçador s'adona aviat que l'hoste s'assembla molt a la seva esposa i li pregunta qui és i de - qui i per què fugia pel bosc. A 13 A N SD· I N I C I A H S E L E S PA H A U L E S DE SIEGMUND A MODE DE HECJTATIU. EL CLABJNET BAIX EXPO­ SA EL TEMA DELS WALSUNG. LA FAMÍLIA DEL GUEHRER I DE SIE­ G L I N DE. L A S E V A G E H M A N A 13 E S S O N A . Siegmund explica que és fill del Llop, valent lluitador que va ser pare igualment de la seva ger­ mana bessona, raptada després d'haver estat assassinada la seva mare. L·AL LUSI6 AL BAPTE DE SIEGLINDE ItS HEFonçADA PEL TEMA DE H NDING. LA QUAL COSA MOSTHA QUE VAN SEH ELS SEUS pAHENTS E LS HAP T O H S D E S I E G L I N DE. Siegmund es rebateja com a Wolfing (<<Fill del Llop») orfe de pare i mare, ja que els seus enemics van perseguir sens treva el seu progenitor, a qui no va reveure més. EL TEMA DEL WALHALLA, QUE TANCAVA DAS !If-lEINGOLD, APAREIX A HAP E H HEC O H D A H Q U E WI O T A N É S E L P A H E D E S I E G ,vi U ND. El guer­ rer acaba reconeixent que l'infortuni el persegueix allí on va i que seva féu per això és sempre mal acollit arreu. La darrera gesta li guanyar nous enemics, quan protegí una jove donzella a qui els seus Marià i Forrunv: Sieglllulld Sieglinde (1929). germans feien casar amb un home no desitjat. Siegmund, valenta­ Palazzo Fortunv (Venècia). ment, lluità contra ells. Per això no pot ser portador de pau. Hunding, cruelment, li diu que Siegmund no és altre que el causant de la mort dels seus parents i que per això l'haurà de matar. Abans, però, com­ plirà amb els sagrats preceptes de l'hospitalitat. L'endemà, a trenc d'alba, Siegmund haurà de morir a mans de Hunding, que es retira a descansar. U N 13 H E U I' A S S A T G E OH Q U E S TH A L M ARC A EL C A N V I DE SITUAGI6 A PARTIR DEL MOMENT EN QUÈ HUNDING SUHT D'ESCENA.
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