2012–13 College Catalog
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
Primitivism" In2 0 T H Century
TH THE MUSEUM OF MODERN ART PRIMITIVISM" IN 20 CENTURY ART 11 WEST 53 STREET NEW YORK, NY 10019 Affinity of the Tribal and the Modern (212) 708-940U FOR IMMEDIATE RELEASE August, 1984 No. 17 NEW EXHIBITION OPENING SEPTEMBER 27 AT MUSEUM OF MODERN ART EXAMINES "PRIMITIVISM" IN 20TH CENTURY ART Few if any external influences on the work of modern painters and sculptors have been more critical than that of the tribal arts of Africa, Oceania and North America. Since the turn of the century when Gauguin, Picasso, Matisse, and others first acquainted themselves with masks and sculptures from these areas, modern artists have continued to display strong interest in the art and culture of tribal societies. The term "primitivism" is used to describe the Western response to tribal cultures as revealed in the work and thought of modern artists. Recognizing the importance of this issue in modern art history--and the relative lack of serious research devoted to it--The Museum of Modern Art in New York this fall presents a groundbreaking exhibition that underscores the parallelisms that exist between the two arts. Entitled "PRIMITIVISM" IN 20TH CENTURY ART: Affinity of the Tribal and the Modern, the exhibition, which opens on September 27 and runs through January 15, 1985, is the first ever to juxtapose modern and tribal objects in the light of informed art history. William Rubin, head of the Museum's Department of Painting and Sculpture and director of the landmark 1980 Pablo Picasso: A Retrospective, has organized the show in collaboration with Professor Kirk Varnedoe of New York University's more/ The exhibition and its national tour are sponsored by Philip Morris Incorporated. -
OAC Members Page 1 Name Profile Address Location Country School
OAC Members Name Profile Address Location Country School/Organization/Current anthropological attachment Website Erik Cohen http://openanthcoop.ning.com/xn/detail/u_0q3436294e00n Bangkok Thailand Hebrew University of Jerusalem Israel (Emeritus) - Liviu Chelcea http://openanthcoop.ning.com/xn/detail/u_13fm1mp3j3ec0 Romania economic anth, kinship - Fiza Ishaq http://openanthcoop.ning.com/xn/detail/u_257csvwenh01d Bangalore, Karnataka India -- -- Budi Puspa Priadi http://openanthcoop.ning.com/xn/detail/u_2chvjykjv4cz8 Yogyakarta Indonesia Gadjah Mada University ---- E. Paul Durrenberger http://openanthcoop.ning.com/xn/detail/u_3l4ha53wqxfjt United States Penn State //www.personal.psu.edu/faculty/e/p/epd2/ Joe Long http://openanthcoop.ning.com/xn/detail/u_0b6vedfu8to4e Aberdeen United Kingdom University of Aberdeen /www.abdn.ac.uk/anthropology/postgrad/details.php?id=anp037 Louise de la Gorgendiere http://openanthcoop.ning.com/xn/detail/u_1w9frbg5i32ep Ottawa Canada Carleton University, Ottawa, Canada /www.carleton.ca/socanth/faculty/gorgendiere.html Sebnem Ugural http://openanthcoop.ning.com/xn/detail/u_0h8qc5txfeu01 london United Kingdom University of Essex /www.seb-nem.com/ millo mamung http://openanthcoop.ning.com/xn/detail/u_0cs1x9hd3jmlk arunachal pradesh India rajiv gandhi university @yahoo.com Mangi Lal Purohit http://openanthcoop.ning.com/xn/detail/u_0r5sad7imypae Rajasthan India Aakar Trust aakartrust.org Hakan Ergül http://openanthcoop.ning.com/xn/detail/u_2o9ookbjyxvcv Turkey Anadolu University academy.anadolu.edu.tr/xdisplayx.asp?kod=0&acc=hkergul -
Arts in the Margins of World Encounters
Arts in the Margins of World Encounters Edited by Willemijn de Jong University of Zurich, Switzerland Eriko Aoki Ryukoku University, Japan John Clammer O.P. Jindal Global University, India Curating and Interpreting Culture Copyright © 2021 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Curating and Interpreting Culture Library of Congress Control Number: 2021933073 ISBN: 978-1-62273-602-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover photo by Eriko Aoki, 2015: “Clay works by Masami Yamagiwa in the Atelier Yamanami.” Table of Contents List of figures v Prologue Arts, world encounters, markets and marginality: a decolonising perspective vii Willemijn de Jong University of Zurich, Switzerland Eriko Aoki Ryukoku University, Japan John Clammer O.P. -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
Expedition Evan M
Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-16-2014 Expedition Evan M. Crankshaw Washington University in St Louis, [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Crankshaw, Evan M., "Expedition" (2014). Graduate School of Art Theses. ETD 19. https://doi.org/10.7936/K7MS3QN3. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Expedition by EVan Crankshaw 1 Contents Abstract.........................................................................................................3 Part One: Exotic.......................................................................................4 1. “Exotic”......................................................................................................5 2. The Exot.....................................................................................................6 3. Time and the Primitive..................................................................................9 4. A New Exot...............................................................................................13 Part Two: Exotica...................................................................................15 -
Kansas City, Missouri
Forty-Fourth Annual Conference Hosted by University of Missouri-Kansas City InterContinental Kansas City at the Plaza 28 February–4 March 2018 Kansas City, Missouri Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
Concrete Poetry : the Influence of Design and Marketing on Aesthetics
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1985 Concrete poetry : the influence of design and marketing on aesthetics Tineke Bierma Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the German Literature Commons, and the Poetry Commons Let us know how access to this document benefits ou.y Recommended Citation Bierma, Tineke, "Concrete poetry : the influence of design and marketing on aesthetics" (1985). Dissertations and Theses. Paper 3438. https://doi.org/10.15760/etd.5321 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Tineke Bierma for the Master of Arts in German presented November 21, 1985. Title: Concrete Poetry: The Influence of Design and Marketing on Aesthetics. APPROVED BY MEMBERS OF THE THESIS COMMITTEE: Linda B. Parshall Thomas Buell This thesis exp lores the past and present of concrete poetry with the purpose of finding out whether concrete poetry is stm being produced in its original form, or whether it has changed. Concrete poets were not the first ones to create picture poems and similar texts. In chapter I an overview of earlier picture poetry is given. It and other precursors of concrete poetry are discussed and their possible contributions evaluated. Chapters 11 and 111 dea1 with the definition of concrete poetry of the mid-fifties and sixties ( pure, classic c.p.). -
Anthropology of Art 070:153 (1.5 Credits) Spring 2017 – **Starts 3/9** Thursday 2:15Pm – 5:15Pm RAB 104
Anthropology of Art 070:153 (1.5 credits) Spring 2017 – **Starts 3/9** Thursday 2:15pm – 5:15pm RAB 104 Pilar K. Rau – [email protected] Office: RAB 3rd Floor Office hours: Mon, Thurs 2:00-3:00pm or by appointment COURSE DESCRIPTION Do all societies have “art”? Why is the visual and expressive culture of some groups characterized as artifact, craft, primitive art, ethnic art, kitsch, or commodity? What is at stake in applying the word “art” to a people for whom such a concept is foreign? Or in excluding an object from the category of “art”? This introduction to the Anthropology of Art looks at anthropological issues of cultural relativism, emic/etic description, ethnocentrism, symbolism, ritual, and the politics of representing “Other” people, through the lens of “art” and it considers the visual and material culture of diverse societies (including Western fine art) through anthropological frameworks. It tackles the historical legacies of Primitivism and teleological thinking as well as how the categories of “art” and “culture” are currently deployed to objectify group identity in service of nationalisms, local culturalisms, and social movements. http://anthro.rutgers.edu/undergrad-program/department-learning-goals DEPARTMENT LEARNING GOALS CA1) Students gain knowledge that will allow them to identify, explain, and historically contextualize the primary objectives, fundamental concepts, modes of analysis, and central questions in their major field and demonstrate proficiency in their use of this knowledge CA2) Students are -
A Group Psychoeducational/Art
ATHABASCA UNIVERSITY UNIVERSITY OF CALGARY UNIVERSITY OF LETHBRIDGE THE ART OF BEING SPIRITED: A GROUP PSYCHOEDUCATIONAL/ART THERAPY GUIDE FOR USE WITH ADOLESCENTS WITH EATING DISORDERS BY ELIZABETH MAY YOUNG MCKENNA A Final Project submitted to the Campus Alberta Applied Psychology: Counseling Initiative in partial fulfillment of the requirements for the degree of MASTER OF COUNSELING Alberta (November) (2005) All rights reserved. This work may not be reproduced in whole or part by photocopy or other means without permission of the author. ii iii ABSTRACT This project is a guide that combines spiritual, cognitive, creative, expressive and experiential elements into a group process to help health care professionals support adolescents with an eating disorder. The process embraces a holistic approach towards therapeutic interventions that incorporates Eastern and Western philosophies towards healing and art history with cross cultural links to develop the critical being through mindfulness practice, consciousness raising and communal experiential processes. Literature reviews on spirituality, eating disorders, art therapy, creativity, critical thinking, self and group process identify themes, topics and strategies which form the foundation for interventions. Theoretical underpinnings, ethic of care, suggested topics, format for sessions, psychoeducational material for facilitators and participants, and ways to evaluate the product, process and facilitator are included. iv DEDICATION To my husband for his love, fidelity, acerbic wit, sense of humour and unwavering support and encouragement. To my children Nairn, Noel and Kirsty who have taught me the most of what I know about adolescents, and forced me to embrace change. To my siblings for providing a good model for what it means to be a family. -
M O MA Highligh Ts M O MA Highligh Ts
MoMA Highlights MoMA Highlights MoMA This revised and redesigned edition of MoMA Highlights: 350 Works from The Museum of Modern Art presents a new selection from the Museum’s unparalleled collection of modern and contemporary art. Each work receives a vibrant image and an informative text, and 115 works make their first appearance in Highlights, many of them recent acquisitions reflecting the Museum’s commitment to the art of our time. 350 Works from The Museum of Modern Art New York MoMA Highlights 350 Works from The Museum of Modern Art, New York The Museum of Modern Art, New York 2 3 Introduction Generous support for this publication is Produced by the Department of Publications What is The Museum of Modern Art? 53rd Street, from a single curatorial The Museum of Modern Art, New York provided by the Research and Scholarly At first glance, this seems like a rela- department to seven (including the Publications Program of The Museum of Edited by Harriet Schoenholz Bee, Cassandra Heliczer, tively straightforward question. But the most recently established one, Media Modern Art, which was initiated with the sup- and Sarah McFadden Designed by Katy Homans answer is neither simple nor straight- and Performance Art, founded in port of a grant from The Andrew W. Mellon Production by Matthew Pimm forward, and any attempt to answer it 2006), and from a program without a Foundation. Publication is made possible Color separations by Evergreen Colour Separation permanent collection to a collection of by an endowment fund established by The (International) Co., Ltd., Hong Kong almost immediately reveals a complex Printed in China by OGI/1010 Printing International Ltd. -
An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960S-1980S Abney Louis Henderson University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-10-2014 Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s Abney Louis Henderson University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Race, Ethnicity and Post-Colonial Studies Commons Scholar Commons Citation Henderson, Abney Louis, "Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5236 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Four Women: An Analysis of the Artistry and Activism of Black Women in the Black Arts Movement, 1960’s–1980’s by Abney L. Henderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts with a concentration in Africana Studies Department of Africana Studies College of Art and Sciences University of South Florida Major Professor: Cheryl Rodriquez, Ph.D. Kersuze Simeon-Jones, Ph.D. Navita Cummings James, Ph.D. Date of Approval: July 10, 2014 Keywords: Black Revolution, Cultural Identity, Creative Expression, Black Female Aesthetics Copyright © 2014, Abney L. Henderson DEDICATION “Listen to yourself and in that quietude you might hear the voice of God.” -Dr. Maya Angelou April 4,1928-May 28, 2014 For my mother, Germaine L.