The Daily Gamecock, Monday, September 12, 2016
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Appelons Un Chart, Un Chart - Semaine 39, 2016
Appelons un chart, un chart - Semaine 39, 2016 Charts Français (SNEP) Classement Artiste Album Date de sortie Tendance actuel 8 Bruce Springsteen Chapter & Verse 23/09/2016 Entrée 15 Airbourne Breakin’ Outta Hell 23/09/2016 Entrée 18 Marillion F.E.A.R. 23/09/2016 Entrée 37 La Femme Mystère 16/09/2016 -16 Nick Cave & The 39 Skeleton Tree 09/09/2016 -19 Bad Seeds Red Hot Chili 64 The Getaway 16/06/2016 -4 Peppers Live At The Greek 65 Joe Bonamassa 23/09/2016 Entrée Theatre Acoustic Recordings - 76 Jack White 09/09/2016 -24 1998 - 2016 86 Radiohead A Moon Shaped Pool 08/05/2016 -12 91 The Clash London Calling 14/12/1979 Retour 102 Ghost Popestar (EP) 16/09/2016 -62 111 Ghost Meliora 21/08/2015 +16 Young As The 113 Passenger Morning Old As 23/09/2016 Entrée The Sea 128 Warpaint Heads Up 23/09/2016 Entrée Nevermind The 134 Sex Pistols Bollocks, Here’s The 27/10/1977 Retour Sex Pistols 138 Kansas The Prelude Implicit 23/09/2016 Entrée Ben Harper & The 149 Call It What It Is 08/04/2016 -14 Innocent Criminals 164 Michael Kiwanuka Love & Hate 15/07/2016 -17 167 Jeff Buckley Grace 23/08/1994 Retour 176 Insomnium Winter's Gate 23/09/2016 Entrée 184 Muse Drones 08/06/2015 -25 Ici Le Jour (A Tout 185 Feu Chatterton! 16/11/2015 -17 Ensevli) Charts Anglais (Official Charts) Classement Artiste Album Date de sortie Tendance actuel Young As The 1 Passenger Morning Old As 23/09/2016 Entrée The Sea 2 Bruce Springsteen Chapter & Verse 23/09/2016 Entrée 4 Marillion F.E.A.R. -
19 July – 5 August 2018
AUCKLAND 19 JULY – 5 AUGUST 2018 PLUS ANIMATION NOW! 10 – 12 AUGUST BOOK AT NZIFF.CO.NZ BOOK AT NZIFF.CO.NZ FOOD / SOCIETY / ARTS / POLITICS / SATIRE / BOOKS / URBAN DESIGN Top DINNERS Restaurant Best Schools favourites that won’t break in Auckland the bank CHOOSE THE RIGHT SCHOOL Unique rankings plus expert advice — TE REO LESSONS Desperately seeking teachers — WELCOME TO HIS DRUG NIGHTMARE When Bob Harvey took ayahuasca — DON’T MISS... Our picks of the fi lm festival NEW ISSUE ON SALE NOW MT2018_NZIFF ad.indd 1 12/06/2018 5:13:12 p.m. 50th Auckland International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 19 JULY – 5 AUGUST 2018 CIVIC THEATRE ANIMATION NOW! ASB WATERFRONT THEATRE ACADEMY CINEMA 10 – 12 AUGUST 2018 RIALTO CINEMAS NEWMARKET EVENT CINEMAS QUEEN ST EVENT CINEMAS WESTGATE HOLLYWOOD AVONDALE PROUDLY SUPPORTED BY Director: Bill Gosden General Manager: Sharon Byrne Communications Manager: Rebecca McMillan Assistant to the General Manager: Lisa Bomash Auckland Festival Manager: Megan Andrews Auckland Admin/Ticketing Manager: Karen Cartwright Publicist: Sally Woodfield Auckland Communications Assistant: Camila Araos Elevancini Programmer: Sandra Reid Programme Manager: Michael McDonnell Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Programme Consultant: Chris Matthews Online Content Manager: Kailey Carruthers Content -
A Day to Remember Common Courtesy Full Album Tracklist
A day to remember common courtesy full album tracklist "Sometimes You're the Hammer, Sometimes You're the Nail" was the last song written for the album, the band wasn't pleased with the Music and lyrics · Release · Critical reception · Track listing. Sometimes You're The Hammer, Sometimes You're The Nail 4. Dead & Buried 5. Best of Me 1. This is all the songs off of A Day to Remember's album "Common Courtesy", this includes the three new bonus tracks as well. Subscribe, like A Day to Remember- Best Of Me (Lyrics). by Jessie A Day to Remember- I Surrender (Lyrics) A Day to Remember- The Document Speaks For Itself (Lyrics). Listen to songs from the album Common Courtesy, including "City of Ocala", "Sometimes You're the Hammer, Sometimes You're the Nail", and many more. A Day to Remember to self-release their fifth full-length, Common. Life @ 11 I surrender Life lessons learned the Hard way End of me The Document speaks for itself I remember Find album reviews, stream songs, credits and award information for Common Courtesy - A Day to Remember on AllMusic - been left on tracks, giving fans a window into a creative process that sounds fun and relaxed. A Day To Remember are finally releasing Common Courtesy tomorrow. Check out the track listing and album length via AbsolutePunk below. A Day To Remember's 5th studio album, and 4th fourth under the label that put them through months of album-delays, Victory. Released on October 8th, A Day To Remember lyrics - 84 song lyrics sorted by album, including "If It Means A Lot To You", "All I Want", "You Be Tails, I'll Be Sonic". -
Download Announces a Mammoth 48 Bands
** NEWS ** UNDER STRICT EMBARGO UNTIL 7:00AM GMT WEDNESDAY 01 FEBRUARY 2017 9-11 JUNE 2017 DOWNLOAD ANNOUNCES A MAMMOTH 48 BANDS STEEL PANTHER, A DAY TO REMEMBER, THE DILLINGER ESCAPE PLAN, SUICIDAL TENDENCIES, IN FLAMES, KVELERTAK, BARONESS, HACKTIVIST, CREEPER, MOOSE BLOOD AND MORE JOIN THE WORLD’S BIGGEST AND BEST ROCK AND METAL EVENT Download Festival, the world’s premier rock and metal event has made an unprecedented announcement, adding over forty of the world’s biggest bands to an unparalled bill including Steel Panther, A Day To Remember, The Dillinger Escape Plan, Suicidal Tendencies and In Flames. Download Festival takes place on 9 - 11 June 2017 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are on sale now at downloadfestival.co.uk/tickets. Download Festival’s Andy Copping said: “We’re committed to delivering the best in rock and metal year on year for the Download fans, and this year is no exception. We’re thrilled to have core acts in the likes of Steel Panther, A Day To Remember, Dillinger Escape Plan, The Cadillac Three, Suicidal Tendencies and more, along with some of the most exciting new talent in the game such as Creeper, Red Sun Rising and Hacktivist. Right through from The Dogtooth Stage, all the way to the top, fans are guaranteed to witness an incredible weekend of music from their trusted favourites, and discover new favourite bands of the future.” Download Festival’s Dave Bradley said: “We’re stoked to represent the many facets of rock in this announcement. We’ve always been invested in booking bands across every stage that have the grit and determination to step up and be headliners of the future. -
You Shook Me All Campaign Long
You Shook Me All Campaign Long You Shook Me All Campaign Long Music in the 2016 Presidential Election and Beyond EDITED BY Eric T. Kasper and Benjamin S. Schoening ©2018 University of North Texas Press All rights reserved. Printed in Canada 10 9 8 7 6 5 4 3 2 1 Permissions: University of North Texas Press 1155 Union Circle #311336 Denton, TX 76203-5017 The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, z39.48.1984. Binding materials have been chosen for durability. Library of Congress Cataloging-in-Publication Data Names: Kasper, Eric T., author, editor, writer of introduction. | Schoening, Benjamin S., 1978- editor, writer of introduction. Title: You shook me all campaign long : music in the 2016 presidential election and beyond / edited by Eric T. Kasper and Benjamin S. Schoening. Description: Denton, Texas : University of North Texas Press, [2018] | Includes index. Identifiers: LCCN 2018030231| ISBN 9781574417340 (cloth : alk. paper) | ISBN 9781574417456 (ebook) Subjects: LCSH: Music--Political aspects--United States--History--21st century. | Presidents--United States--Election--2016. | Campaign songs--United States--21st century--History and criticism. Classification: LCC ML3917.U6 Y68 2018 | DDC 781.5/990973090512--dc23 LC record available at https://na01.safelinks.protection.outlook.com/?url=https%3A %2F%2Flccn.loc.gov%2F2018030231&data=01%7C01%7Ckaren.devinney %40unt.edu%7Cbc7ee94d4ce24da8c61108d5fd2b629f %7C70de199207c6480fa318a1afcba03983%7C0&sdata=RCKaP2yvdh4Uwe1bo7RKlObBDeb %2FvX3n35WV8ddVCfo%3D&reserved=0 The electronic edition of this book was made possible by the support of the Vick Family Foundation. Table of Contents Introduction: Tippecanoe and Trump Too Eric T. -
Thesis an Indie Hype Cycle Built for Two: a Case Study
THESIS AN INDIE HYPE CYCLE BUILT FOR TWO: A CASE STUDY OF THE PITCHFORK ALBUM REVIEWS OF ARCADE FIRE AND CLAP YOUR HANDS SAY YEAH Submitted by Samuel R. Ernst Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee: Advisor: Jonathan Lupo David Scott Diffrient Deborah Thompson ABSTRACT AN INDIE HYPE CYCLE BUILT FOR TWO: A CASE STUDY OF THE PITCHFORK ALBUM REVIEWS OF ARCADE FIRE AND CLAP YOUR HANDS SAY YEAH This thesis investigates the whims of critical reception in the indie rock world and its effects upon the hype cycle. I define the indie hype cycle as a naturalized communicative process governing the flow of critical favor within the indie music community and identify its four primary phases as entrance on to the scene, hype generation, backlash, and obscurity/visibility. To understand the interaction between the hype cycle and critical reception, the project focuses on Arcade Fire and Clap Your Hands Say Yeah (CYHSY) as two bands emblematic of the critical divergence possible after initial success. It compares the reviews of the bands’ debut and sophomore albums by Pitchfork, a prominent indie music website, and identifies genre, elitism, and authenticity as key constructs in the way the site frames the bands as indie, and thus, worthy of praise. I argue that an economy of authenticity—featuring emotional, economic, and talent- based forms—affects the indie hype cycle in a variety of ways. The thesis concludes that the mechanics of indie music criticism have extensive influence upon the indie hype cycle. -
Artist A-Z, Triple J's 2016 Voting List
2016 VOTING LIST, ARTIST A-Z 360 - My Favourite Downfall {Ft. JOY.} ALTA - Unbelievable A Day To Remember - Paranoia AlunaGeorge - I'm In Control {Ft. Popcaan} A Day To Remember - Bad Vibrations AlunaGeorge - I Remember A Day To Remember - Bullfight AlunaGeorge - Mean What I Mean {Ft. Leikeli47/Dreezy} A Tribe Called Quest - We The People.... AlunaGeorge - Not Above Love A Tribe Called Quest - Whateva Will Be Alyss - Motherland A Tribe Called Quest - Solid Wall Of Sound Alyss - T S I E R A Tribe Called Quest - Dis Generation Amazons, The - Nightdriving A Tribe Called Quest - Melatonin Amber Arcades - Fading Lines A Tribe Called Quest - Black Spasmodic Amber Mark - Monsoon {Ft. Mia Mark} A Tribe Called Quest - The Space Program Amber Mark - Way Back A-Trak - Parallel Lines {Ft. Phantogram} Amber Run - Stranger A.B. Original - 2 Black 2 Strong Aminé - Caroline A.B. Original - Dead In A Minute {Ft. Caiti Baker} Amity Affliction, The - I Bring The Weather With Me A.B. Original - Firing Squad {Ft. Hau} Amity Affliction, The - This Could Be Heartbreak A.B. Original - Take Me Home {Ft. Gurrumul} Amity Affliction, The - Nightmare A.B. Original - January 26 {Ft. Dan Sultan} Amity Affliction, The - O.M.G.I.M.Y. A.B. Original - Dumb Things {Ft. Paul Kelly/Dan Sultan} Amity Affliction, The - All Fucked Up {Live A Version 2016} Amity Affliction, The - Fight My Regret A$AP Ferg - New Level {Ft. Future} Amity Affliction, The - Tearing Me Apart A$AP Ferg - Let It Bang {Ft. ScHoolboy Q} Amy Shark - Adore A$AP Mob - Crazy Brazy {Ft. -
Circulation, Sociality, and Sound in Viral Media Paula Harper
Unmute This: Circulation, Sociality, and Sound in Viral Media Paula Harper Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2019 © 2019 Paula Harper All rights reserved ABSTRACT Unmute This: Circulation, Sociality, and Sound in Viral Media Paula Harper Cats at keyboards. Dancing hamsters. Giggling babies and dancing flashmobs. A bi-colored dress. Psy’s “Gangnam Style” music video. Over the final decade of the twentieth century and the first decades of the twenty-first, these and countless other examples of digital audiovisual phenomena have been collectively adjectivally described through a biological metaphor that suggests the speed and ubiquity of their circulation—“viral.” This circulation has been facilitated by the internet, and has often been understood as a product of the web’s celebrated capacities for democratic amateur creation, its facilitation of unmediated connection and sharing practices. In this dissertation, I suggest that participation in such phenomena—the production, watching, listening to, circulation, or “sharing” of such objects—has constituted a significant site of twenty-first-century musical practice. Borrowing and adapting Christopher Small’s influential 1998 coinage, I theorize these strands of practice as viral musicking. While scholarship on viral media has tended to center on visual parameters, rendering such phenomena silent, the term “viral musicking” seeks to draw media theory metaphors of voice and listening into dialogue with musicology, precisely at the intersection of audiovisual objects which are played, heard, listened to. The project’s methodology comprises a sonically attuned media archeology, grounded in close readings of internet artifacts and practices; this sonic attunement is afforded through musicological methods, including analyses of genre, aesthetics, and style, discourse analysis, and twenty-first-century reception (micro)histories across a dynamic media assemblage. -
Renner and Hauman Run for Mayor Wild Ride
the “The eyes of the Argus are upon me, and no slip will pass unnoticed” -George Washington ArgusIllinois Wesleyan University IWU athletes protest national anthem JEFF NEUKOM STAFF WRITER In response to the recent pro- tests to the national anthem, seen both nationwide and on the Il- linois Wesleyan University cam- pus, the university scheduled a diversity talk on Sept. 21 in the Davidson Room. The talk was largely inspired by the protest of senior football players Quincy Butler and Jamal Jackson, who made local waves as they chose to kneel during the national anthem before their game on Saturday, Sept. 17. “There are issues we’ve faced our entire life, our whole time in college, issues that are constantly in the news,” Jackson said. “There aren’t many things we can do to support our cause… we noticed what Kaepernick did was some- thing we could reciprocate to put PHOTO: JEFF NEUKOM/THE ARGUS action behind what we believe Students gather to discuss patriotism in sports, racial discrimination and methods of protest. Brandon Common is seen here in.” leading the discussion. Butler and Jackson’s decision ed. Other NFL players followed called “tough” questions. One Vietnam era, and yet the backlash own research, if that moves you to follows that of NFL quarterback his example, kneeling during such question addressed the topic has been so fierce. say ‘I don’t want to stand for this, the national anthem to speak out of patriotism and what it means to At the very end of the discus- but for a better America,’ then I against perceived injustices such be a “patriotic” American. -
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Using Twitter to Predict Spotify Streams for Newly Released Music
Acknowledgements This master thesis marks the end of my studies in Business Administration and was performed internally at the University of Twente. During the past sixth months I have worked on this master thesis with great passion. On one hand it is a relief to finish such a big project, while on the other hand it is difficult to let go. However, this thesis does not mark the end of my academic studies. After graduating in Business Administration I will continue my masters in Communication studies. I would like to thank my supervisors Ton Spil and Robin Effing for always providing relevant feedback and for the useful and interesting discussions we had on the subject. It is very motivating to see your supervisors be genuinely interested and invested in your research. I would also like to thank them for giving me the freedom in choosing the subject and dimensions of this research. Throughout this research I got drawn into the world of data science. I followed many online courses in order to supplement me with the knowledge needed to analyze big data like the data used in this thesis. I really want to thank my supervisors for supporting me in trying something new. Currently, I am still following courses in data science and machine learning and cannot wait to also implement this new knowledge in my graduation thesis for Communication studies. Additionally I would like to thank my brother for implementing the database in which the tweets were originally stored. Finally, I would like to thank my family, friends and flat mates for always supporting me during these busy and sometimes difficult times. -
I the Right Kind of Music: Fundamentalist Christianity As
The Right Kind of Music: Fundamentalist Christianity as Musical and Cultural Practice by Sarah Bereza Department of Music Duke University Date:_______________________ Approved: ___________________________ Philip Rupprecht, Supervisor ___________________________ Louise Meintjes ___________________________ Jacqueline Waeber ___________________________ Jeremy Begbie Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2017 i v ABSTRACT The Right Kind of Music: Fundamentalist Christianity as Musical and Cultural Practice by Sarah Bereza Department of Music Duke University Date:_______________________ Approved: ___________________________ Philip Rupprecht, Supervisor ___________________________ Louise Meintjes ___________________________ Jacqueline Waeber ___________________________ Jeremy Begbie An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2017 i v Copyright by Sarah Bereza 2017 Abstract Fundamentalist Christians loosely affiliated with Bob Jones University (Greenville, SC) teach that music influences listeners’ faith and moral characters for both good and evil, expounding their views since the evangelical Worship Wars began in the 1960s over the use of popular music styles in church services. In their dichotomous moral view, good music reveals God’s nature, allowing born-again listeners to draw closer to God and witness their salvation to unbelievers, and bad music pulls listeners away from God by promoting immorality and false worship. Fundamentalists also prioritize mental engagement with music over emotional and physical responses to it because they believe that people more directly relate to God through their conscious minds and only indirectly with their bodies, as when fundamentalist musicians make music with their bodies, an activity that they believe glorifies God.