Toccata Classics TOCC 0106 Notes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
CUARTETO LATINOAMERICANO, Cuarteto De Cuerdas (México)
RECORRIDOS POR LA MÚSICA DE CÁMARA CUARTETO Sergio Yazbe Foto: LATINOAMERICANO, cuarteto de cuerdas (México) Miércoles 13 de mayo de 2015 • 7:30 p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango Jueves 14 de mayo de 2015 • 6:30 p.m. Valledupar, Auditorio Biblioteca Rafael Carrillo Lúquez Martes 19 de mayo de 2015 • 7:00 p.m. Armenia, Salón Oruma, Hotel Mokawa El regreso de un amigo El catálogo de grabaciones del Cuarteto Latinoamericano es un perfecto retrato de la identidad artística y de la misión que el ensamble se ha trazado desde sus comienzos. Entre los compositores cuyas obras han interpretado y grabado están los de mayor renombre de Latinoamérica, en una lista que incluye a Ástor Piazzolla, Silvestre Revueltas, Alberto Ginastera, Mario Lavista, Gabriela Ortiz, Manuel María Ponce, Carlos Chávez, Rodolfo Halffter y Heitor Villa-Lobos. Por este compromiso tan claro con el repertorio de nuestro continente, la sala de conciertos de la Biblioteca Luis Ángel Arango invitó al cuarteto a realizar dos estrenos de obras comisionadas por el Banco de la República: en 1998, el estreno del Cuarteto No. 5, Op. 198 de Blas Emilio Atehortúa, y en 2004, el estreno del Cuarteto de cuerdas de Sergio Mesa. Ambas obras pueden escucharse en el disco Compositores de nuestro tiempo, editado por el Banco de la República. El Cuarteto Latinoamericano ha atraído la atención de artistas, sellos discográficos, presentadores y otros actores de la industria musical hacia el repertorio latinoamericano. Gracias a él, muchos creadores de nuestro continente han tenido la oportunidad de ser escuchados en diferentes partes del mundo. -
Federico Ibarra - a Case Study
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-29-2019 11:00 AM Contexts for Musical Modernism in Post-1945 Mexico: Federico Ibarra - A Case Study Francisco Eduardo Barradas Galván The University of Western Ontario Supervisor Ansari, Emily. The University of Western Ontario Co-Supervisor Wiebe, Thomas. The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Francisco Eduardo Barradas Galván 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons, and the Music Performance Commons Recommended Citation Barradas Galván, Francisco Eduardo, "Contexts for Musical Modernism in Post-1945 Mexico: Federico Ibarra - A Case Study" (2019). Electronic Thesis and Dissertation Repository. 6131. https://ir.lib.uwo.ca/etd/6131 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the musical modernist era in Mexico between 1945 and the 1970s. It aims to provide a new understanding of the eclecticism achieved by Mexican composers during this era, using three different focal points. First, I examine the cultural and musical context of this period of Mexican music history. I scrutinize the major events, personalities, and projects that precipitated Mexican composers’ move away from government-promoted musical nationalism during this period toward an embrace of international trends. I then provide a case study through which to better understand this era, examining the early life, education, and formative influences of Mexican composer Federico Ibarra (b.1946), focusing particularly on the 1960s and 1970s. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
Download Booklet
Credits works by Executive producer: Jonathan Golove. Nicandro Tamez Recording producer: Omar Tamez. Leandro Espinosa Session producers: Karl Toews (Tracks 1, 3-4, 6-8) and Omar Tamez (2,5). Mario Lavista Omar Tamez Audio engineer and editing: Chris Jacobs. Manuel de Elías Location: Lippes Concert Hall in Slee Hall, University at Buffalo, The State University of New York. Liner notes: Jonathan Golove, except where noted. Stephen Manes, piano Cover painting: Ubudo by Teresita Soto, based on Nicandro Tamez’s score of the same title. Emilio Tamez, percussion Publishers Nicandro Tamez’s Introduccíon al Duo I and Monomaquia I are available from Omar Tamez. Leandro Espinosa’s Duo “De la Obscuridad a la Luz” is available from the composer. Mario Lavista’s Cuaderno de viaje and Quotations are published by Ediciones Mexicana de Musica, A.C. Omar Tamez’s Las Voces Internas is available from the composer. Manuel de Elías’ Homérica is available from the composer. Acknowledgements This recording was made possible by the support of the University of Buffalo and the UB Department of Music. I wish to thank members of the University of Buffalo staff, Phil Rehard, concert manager, and Gary Shipe, piano technician, and UB faculty percussionist Tom Kolor, for their gracious assistance with this project. Thanks also to David Felder and the Robert and Carol Morris Center for 21st Century Music and Margarita Vargas and the UB Gender Institute for additional support, as well as to Ana R. Alonso-Minutti for her program notes and translation assistance. WWW.ALBANYRECORDS.COM TROY1235 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Download Booklet
Jaipur to Cairo 1 Jaunpuri (Morning Song) (Kevin Bishop) 11:36 Love Songs (Reza Vali) 6:46 2 No. 1 Armenian Love Song 1:35 3 No. 2 In Memory of a Lost Beloved 3:21 4 No. 3 Love Drunk 1:49 Afghan Suite No. 2 (Kevin Bishop) 11:09 5 I. Arghawan 3:28 6 II. Merawi Keja Keja Yaraman 3:31 7 III. Sabzina Rang 4:08 Calligraphies (Reza Vali) 12:07 8 No. 1 “Hazin” 4:36 9 No. 2 “Zánd” 3:42 10 No. 3 “Aksak” 3:47 11 The Oldest Song in the World (Sadie Harrison) 6:10 12 Ten Variations for Oboe, Piano and Strings (Gilad Cohen) 14:25 13 Rhapsody for Piano and Strings (Mohamed-Aly Farag) 9:55 Total duration: 72:37 Cuatro Puntos Resident Musicians: Kevin Bishop (viola/zerbaghali) | Aaron Packard (violin) | Annie Trépanier (violin) Steve Larson (viola) | Allan Ballinger (cello) | Andrew O’Connor (contrabass) Charles Huang (oboe) | Mohamed Shams (piano) The Music 1 Jaunpuri (Morning Song) for string quartet Kevin Bishop Jaunpuri (Morning Song) is an originally-composed work that largely follows the rules, style, and mood associated with Raag Jaunpuri, one of the hundreds of ragas from the Hindustani (North Indian) classical music tradition. Hindustani classical music is based entirely around melodic interaction with rhythm. Each raag provides a specific set of notes and rules for how they may be used. By following the given rules a performer, or in this case a composer, may create an original piece while still preserving the mood of the raag. Raag Jaunpuri conveys a contemplative mood, and is meant to be performed in the late morning hours. -
JULY 2013 Here’S What’S from the Editor Welcome to the July 2013 Edition of the AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association JULY 2013 Here’s What’s From the Editor Welcome to the July 2013 edition of the AAA Newsletter. Happening at The excitement builds as we rapidly approach the AAA’s Gala 75th Anniver- AAA in 2013 sary, a milestone for any organization and an event not to be missed! As we prepare to join together in New York next month for our Anniversary JULY 26-28, 2013 Festival, we take a moment to reflect on the sad loss of several of our AAA friends Master Class and Concert who we have recently lost. The AAA lost two of our outstanding officers within Series - The Seminars days of each other, Carmen Carrozza and Dr. Carmelo Pino. Unbelievably, we The Accordion is 3D then lost two long time AAA supporters August Arruda and Robert Paolo, also Tenri Cultural Institute within a very short time. We will miss them all greatly, but know they would 43A W.13th Street, NYC wish us well, as we celebrate our milestone 75th Anniversary event. We offer Moderator/Curator our sincerest condolences to all their families and friends, and we will always cherish the many happy William Schimmel memories of sharing their friendship through the accordion. Once again my sincere thanks to the AAA President Linda Reed and Board of Director Rita David- AUGUST 14-18, 2013 son for their kind assistance with the AAA Newsletter. Items for the September Newsletter can be AAA 75th Anniversary The New Yorker Hotel sent to me at [email protected] or to the official AAA e-mail address at: 8th Ave. -
Manuel Barrueco While in the Auditorium Sunday, November 20, 4:00 Pm
, urns Fall 2011 Season 133rd Annual Season General Information Event Program Book Wednesday, November 9 through Sunday, November 20, 201 1 On-site ticket offices at performance venues open 90 minutes before each performance. AnDa Union 5 Children of all ages are welcome at Wednesday, November 9, 7:30 pm UMS Family and Youth Performances. Michigan Theater Children under the age of three will not be admitted to regular, full-length UMS performances. All children must be able A Night in Treme: The Musical Majesty of New Orleans 13 to sit quietly in their own seats without Friday, November 1 1, 8:00 pm disturbing other patrons. Children Hill Auditorium unable to do so, along with the adult accompanying them, will be asked by an usher to leave the auditorium. Please St. Lawrence String Quartet 17 use discretion in choosing to bring a Saturday, November 12, 8:00 pm child. Rackham Auditorium Remember, everyone must have a ticket, regardless of age. Beijing Guitar Duo with 23 Manuel Barrueco While in the Auditorium Sunday, November 20, 4:00 pm Starting Time Every attempt is made to Rackham Auditorium begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program- Cameras and recording equipment are prohibited in the auditorium. If you have a question, ask your usher. They are here to help. Please turn off your cellular phones and other digital devices so that everyone may enjoy this UMS event disturbance- free. In the interests of saving both dollars and the environment, please either retain this program book and return with it when you attend other UMS performances included in this edition or return it to your usher when leaving the venue. -
The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
CMS Fifty-Ninth National Conference October 27–29, 2016 Santa Fe, New Mexico
CMS Fifty-Ninth National Conference October 27–29, 2016 Santa Fe, New Mexico PRESENTER & COMPOSER BIOS updated September 12, 2016 Alberti, Alexander Alex Alberti is the current director of instrumental music at Longleaf School of the Arts in Raleigh, North Carolina. He also works with the Middle Creek High School marching band, instructing front ensemble and percussion. Alberti formerly taught at Southern Lee High School in Sanford, where he directed band, orchestra, and chorus, as well as an extracurricular a cappella program. Alberti is an active researcher in the field of music theory pedagogy and music education, presenting his findings at NAfME, CMS National, and NCUR. Alberti currently holds a Bachelor of Music Education degree from Appalachian State University with a minor in Psychology. At Appalachian State, he participated in the wind ensemble, concert band, men’s glee club, symphonic band, and orchestra, while serving as a music theory tutor for the entire sequence of theory and aural skills courses. In his spare time, Alberti composes both choral and instrumental works, judges for the International Competition for Collegiate A Cappella, and participates in the Durham Chorale. Alhadeff, Peter Peter Alhadeff is a Professor and a founding faculty member of the Music Business/Management Department at Berklee. He is a distinguished Oxford economist and historian who has a made his own unique and successful career in the US music business. Alhadeff has published and been engaged by the National Academy of Recording Arts and Sciences, the Harvard Berkman Center, the Latin Grammy, the Interamerican Bank at the Di Tella Institute in Buenos Aires, and the Business and Economics Society International, for which he delivered the keynote address on the state of the music trade in Athens, Greece. -
Guía Docente
GUÍA DOCENTE ASIGNATURA DIDÁCTICA DE LA MÚSICA DE CÁMARA DEPARTAMENTO MÚSICA DE CÁMARA Y AGRUPACIONES SINFÓNICAS CONSERVATORIO SUPERIOR DE MÚSICA “MANUEL MASSOTTI LITTEL” MURCIA Curso Académico 2020-2021 Murcia, septiembre de 2020 GUÍA DOCENTE. DIDÁCTICA DE LA MÚSICA DE CÁMARA. CURSO 2020 2021 ÍNDICE I. IDENTIFICACIÓN DE LA ASIGNATURA ................................................................................... 3 II. PRESENTACIÓN ..................................................................................................................... 4 III. MARCO NORMATIVO ........................................................................................................ 5 IV. COMPETENCIAS Y PERFIL PROFESIONAL .......................................................................... 5 IV.a. Competencias Transversales ........................................................................................ 6 IV.b. Competencias Generales .............................................................................................. 7 IV.c. Competencias Específicas ............................................................................................. 8 V. CONTENIDOS ...................................................................................................................... 12 V.a. Descriptores ................................................................................................................ 12 V.b. Temario de la asignatura ...........................................................................................