DOCSLIB.ORG

TWITTERING MACHINE Brian Balmages

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TWITTERING MACHINE Brian Balmages YB FJH YOUNG BAND Grade 2.5 B1715 TWITTERING MACHINE Brian Balmages Instrumentation 1 - Conductor’s Full Score 4 - Tuba 4 - Flute 1 1 - String Bass 4 - Flute 2 1 - Piano 2 - Oboe 1 - Timpani 2 - Bassoon 1 - Marimba 5 - B≤ Clarinet 1 2 - Chimes/Bells 5 - B≤ Clarinet 2 1 - Vibraphone 2 - B≤ Bass Clarinet 4 - Percussion 1 2 - E≤ Alto Saxophone 1 2 Tom-toms Cabasa 2 - E≤ Alto Saxophone 2 Bass Drum 2 - B Tenor Saxophone ≤ Brake Drum 2 - E≤ Baritone Saxophone Triangle 4 - B≤ Trumpet 1 4 - Percussion 2 4 - B≤ Trumpet 2 Suspended Cymbal 4 - F Horn Bar Chimes 2 - Trombone 1 Ratchet China Cymbal 2 - Trombone 2 Hi-hat 2 - Baritone / Temple Blocks Euphonium Tambourine 2 - Baritone T.C. Crash Cymbals Preview SplashOnly Cymbal Extra Conductor Score: $0.00 Extra Parts: $0.00 FJH is now using a high-speed sorting system for parts. As a result, all single page parts are collated before multiple page parts. Reproduction Prohibited 2525 Davie Road, Suite 360 Fort Lauderdale, Florida 33317-7424 www.fjhmusic.com 2 The Composer Brian Balmages (b. 1975) is an award-winning composer, conductor, producer, and performer. The music he has written for winds, brass, and orchestra has been performed throughout the world with commissions ranging from elementary schools to professional orchestras. World premieres include prestigious venues such as Carnegie Hall, the Kennedy Center, and Meyerhoff Symphony Hall. His music was also performed as part of the 2013 Presidential Inaugural Prayer Service, which was attended by both President Obama and Vice President Biden. He received his bachelor’s degree in music from James Madison University and his master’s degree from the University of Miami in Florida. He is a recipient of the prestigious A. Austin Harding Award from the American School Band Directors Association and in 2016 was awarded the James Madison University Distinguished Alumni Award from the School of Visual and Performing Arts (the first year the award was given). In the same year, he was commissioned by his other alma mater, the University of Miami, to compose music for the inauguration of the institution’s 6th president, Dr. Julio Frenk. As a conductor, Mr. Balmages enjoys regular engagements with all-state and region bands and orchestras, as well as university and professional ensembles throughout the world. Notable guest conducting appearances have included the Midwest Clinic, Western International Band Clinic, College Band Directors Conference, American School Band Directors Association National Conference and others. Additional conducting appearances have included the Kennedy Center and Meyerhoff Symphony Hall as well as engagements in Australia, Canada and Italy. Currently, he is Director of Instrumental Publications for The FJH Music Company and Assistant Director of Bands and Orchestras at Towson University. Program Notes XXX- Preview Only Brian Balmages Reproduction Prohibited B1715 Duration: 4:20 commissioned by the Patrick Marsh Middle School Band Sun Prairie, Wisconsin; Chris Gleason, conductor TWITTERING MACHINE BRIAN BALMAGES (ASCAP) Steady (Œ = 108) 1 Flutes b 2 & b b ∑ ∑ ∑ ∑ ∑ ∑ Oboe b & b b 4 ∑ ∑ ∑ ∑ ∑ ∑ Bassoon ? bbb 4 ∑ ∑ ∑ ∑ ∑ ∑ 1 & b ∑ ∑ ∑ ∑ ∑ ∑ B≤ Clarinets 2 & b ∑ ∑ ∑ ∑ ∑ ∑ B≤ Bass Clarinet & b ∑ ∑ ∑ ∑ ∑ ∑ E≤ Alto 1 Saxophones 2 & 4 ∑ ∑ ∑ ∑ ∑ ∑ B≤ Tenor Saxophone & b 4 ∑ ∑ ∑ ∑ ∑ ∑ E≤ Baritone Saxophone & ∑ ∑ ∑ ∑ ∑ ∑ Steady (Œ = 108) 1 & b ∑ ∑ ∑ ∑ ∑ ∑ B≤ Trumpets 2 & b 4 ∑ ∑ ∑ ∑ ∑ ∑ F Horn b & b 4 ∑ ∑ ∑ ∑ ∑ ∑ 1 Trombones ? 2 bbb ∑ ∑ ∑ ∑ ∑ ∑ Baritone / Euphonium ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Tuba String Bass ? bbb ∑ ∑ ∑ ∑ ∑ ∑ b & b b 4 ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ Piano p w w w w w w ? bbb 4 ° Preview Only Timpani ? b ∑ ∑ ∑ ∑ ∑ ∑ b b (F, G, C) soft yarn mallets Marimba b & b b pœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Bells Chimes bb ∑ ∑ ∑ ∑ ∑ ∑ & b 4 medium yarn mallets Vibraphone b & b b 4Reproduction∑ ∑ ∑ Prohibited∑ œ nœ œ œ œ nœ œ œ p Tom-tom rim Percussion 1 (2 Tom-toms, Cabasa, Bass Drum, ÷ ∑ ∑ ∑ ∑ ¿ ¿ ¿ Ó ∑ Brake Drum, Triangle) Bar. Ch. p Percussion 2 (Suspended Cymbal, w Bar Chimes, Ratchet, ÷ ∑ ∑ ∑ ∑ China Cymbal, Hi-hat, Temple Blocks, Tambourine, 2 3 p 4 5 6 Crash Cymbals, Splash Cymbal) Copyright © 2017 The FJH Music Company Inc. (ASCAP). International Copyright Secured. Made in U.S.A. All Rights Reserved. Hear and download this WARNING! The music, text, design, and graphics in this publication are protected by copyright law. piece at www.fjhmusic.com Any duplication is an infringement of U.S. copyright law. B1715 4 9 1 Fls. b 2 & b b ∑ ∑ ∑ ∑ ∑ ∑ Ob. b & b b ∑ ∑ ∑ ∑ ∑ ∑ Bsn. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Ÿ~~~~~~~~~~~~~~~~~~~~~ 1 b ∑ ∑ ∑ ∑ & w w Cls. π 2 & b ∑ ∑ ∑ ∑ ∑ ∑ B. Cl. & b ∑ ∑ ∑ ∑ ∑ ∑ 1 A. Saxes 2 & ∑ ∑ ∑ ∑ ∑ ∑ T. Sax. & b ∑ ∑ ∑ ∑ ∑ ∑ B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑ 9 1 & b ∑ ∑ ∑ ∑ ∑ ∑ Tpts. 2 & b ∑ ∑ ∑ ∑ ∑ ∑ Hn. b & b ∑ ∑ ∑ ∑ ∑ ∑ 1 Tbns. ? 2 bbb ∑ ∑ ∑ ∑ ∑ ∑ Bar. / Euph. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Tuba St. Bass ? bbb ∑ ∑ ∑ ∑ ∑ ∑ b & b b ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ Pno. w Previeww w w Onlyw w ? bbb Timp. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Mrb. bb & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Bellsœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ medium plastic mallets nœ nœ nœ nœ Bls. b œ œ œ œ Chms. & b b Reproduction∑ ∑ œ œ Prohibitedœ œ œ œ œ œ p Vib. b & b b œ nœœ œ œœ œ nœœ œ œœ œ nœ œ œ œ nœ œ œ œ nœœ œ œœ œ nœœ œ œœ Perc. 1 Ó ∑ Ó ∑ ÷ ¿ ¿ ¿ Ó ∑ ¿ ¿ ¿ ¿ ¿ ¿ Ó Cabasa œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ p Perc. 2 ÷ ∑ ∑ ∑ ∑ ∑ ∑ 7 8 10 11 12 B1715 5 17 1. 1 Fls. b œ œ œ œ œ œ œ œ 2 & b b ∑ ∑ ∑ ∑ nœ œ P Ob. b & b b ∑ ∑ ∑ ∑ ∑ ∑ Bsn. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ 1 b ∑ ∑ bœ œ œ œ bœ œ œ ∑ ∑ & œ. œ. œ. œ. œ. œ. œ. œ. Cls. P p 2 & b ∑ ∑ œ œ œ œ œ œ œ ∑ ∑ œ. œ. œ. œ. œ. œ. œ. œ. P p B. Cl. & b ∑ ∑ ∑ ∑ ∑ ∑ 1 Ÿ A. Saxes 2 & ∑ ∑ ∑ w ∑ ∑ p T. Sax. & b ∑ ∑ ∑ ∑ ∑ ∑ Euph. B. Sax. ∑ ∑ ∑ ∑ & ˙ ˙ ˙ ˙ ˙ ˙ w ∑ ∑ p st. mute 17 1 & b Œ #œ œ. œ œ. #œ œ. œ œ. #œ œ. œ œ. #œ œ. œ ∑ ∑ Tpts. pst. mute P p 2 b Œ ∑ ∑ & œ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ œ. œ p. P . p. Hn. b & b ∑ ∑ ∑ ∑ ∑ ∑ 1 Tbns. ? ˙ ˙ ˙ ˙ ˙ ˙ w 2 bbb ˙ ˙ ˙ ˙ ˙ ˙ w ∑ ∑ p Bar. / Euph. ? b ∑ ∑ b b ˙ ˙ ˙ ˙ ˙ ˙ w p Tuba St. Bass ? bb ∑ ∑ b ˙ ˙ w p˙ ˙ ˙ ˙ b & b b ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ˙ n˙˙ ∑ ∑ Pno. Preview Only ? w w w w bbb ∑ ∑ * Timp. ? bb ˙ ˙ Ó ˙ ˙ ˙ ∑ ∑ ∑ b p Mrb. b & b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ nœ nœ nœ nœ Bls. b œ œ œ œ Chms. & b b œ Reproductionœ œ œ œ œ Prohibitedœ œ ∑ ∑ Vib. b & b b œ nœ œ œ œ nœ œ œ œ nœœ œ œœ œ nœœ œ œœ œ nœ œ œ œ nœ œ œ Ó Ó Ó Perc. 1 ÷ ¿ ¿ ¿ ∑ ¿ ¿ ¿ ∑ ¿ ¿ ¿ ∑ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Temple Blocks (3rd and 4th highest) Perc. 2 ÷ ∑ Ó ‰ œ œ ∑ Ó ‰ œ œ ∑ Ó ‰ œ œ J œ J œ J œ 13 14 p 15 16 18 B1715 6 1 œ œ Fls. b œ#œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ œ nœ œ œ œ œ 2 & b b nœ nœ œ ˙ Ob. b & b b ∑ ∑ ∑ ∑ ∑ ∑ œ œ œ Bsn. ? bbb ∑ ∑ ∑ ∑ ∑ Ó P 1 b ∑ ∑ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ Cls. P #œ 2 & b ∑ ∑ ∑ ∑ ∑ ∑ B. Cl. & b ∑ ∑ ∑ ∑ ∑ ∑ 1 A. Saxes 2 & ∑ ∑ ∑ ∑ ∑ ∑ T. Sax. œ œ œ & b ∑ ∑ ∑ ∑ ∑ Ó P B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑ 1 & b ∑ ∑ ∑ ∑ ∑ ∑ Tpts. 2 & b ∑ ∑ ∑ ∑ ∑ ∑ Hn. b & b ∑ ∑ ∑ ∑ ∑ ∑ 1 Tbns. ? 2 bbb ∑ ∑ ∑ ∑ ∑ ∑ Bar. / Euph. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Tuba St. Bass ? bbb ∑ ∑ ∑ ∑ ∑ ∑ b & b b ∑ ∑ ∑ ∑ ∑ ∑ Pno. Preview Only ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Timp. ? bbb ∑ ∑ ∑ ∑ ∑ ∑ Mrb. b & b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ nœ bœ Bls. b ˙ ˙ ˙ nœ bœ ˙ Chms. & b b Reproduction∑ ∑ ˙Prohibited P Vib. b & b b œ nœœ œ œœ œ nœœ œ œœ œ nœ œ œ œ nœ œ œ œ nœœ œ œœ œ nœœ œ œ Ó Ó Ó Perc. 1 ÷ ¿ ¿ ¿ ∑ ¿ ¿ ¿ ∑ ¿ ¿ ¿ ∑ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Ó œ œ Œ Perc. 2 ÷ ∑ Ó ‰ ∑ Ó ‰ ∑ Ó ‰ œ œ œ œ œ œ œ œ œ 19 20 J 21 22 J 23 24 J B1715 7 25 +2. 1 . œ. Fls. b œ#œ œ œ œ œ œ œ œ #œ œ œ œ œ œ nœ 2 & b b ∑ ∑ ∑ ∑ P Ob. b & b b ∑ ∑ ∑ ∑ œ#œ œ œ œ œ œ œ œ #œ œ œ œ œ œ œ.
Load more

Recommended publications
  • Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
    Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker.
    [Show full text]
  • Wind Ensemble Repertoire
    UNCG Wind Ensemble Programming April 29, 2009 Variations on "America" ‐ Charles Ives, arr. William Schuman and William Rhoads Symphonic Dances from West Side Story ­ Leonard Bernstein, arr. Paul Lavender Mark Norman, guest conductor Children's March: "Over the Hills and Far Away” ­ Percy Grainger Kiyoshi Carter, guest conductor American Guernica ­ Adolphus Hailstork Andrea Brown, guest conductor Las Vegas Raga Machine ­ Alejandro Rutty, World Premiere March from Symphonic Metamorphosis ­ Paul Hindemith, arr. Keith Wilson March 27, 2009 at College Band Directors National Association National Conference, Bates Recital Hall, University of Texas at Austin Fireworks, Opus 8 ­ Igor Stravinsky, trans. Mark Rogers It perched for Vespers nine ­ Joel Puckett Theme and Variations, Opus 43a ­ Arnold Schoenberg Shadow Dance ­ David Dzubay Commissioned by UNCG Wind Ensemble Four Factories ­ Carter Pann Commissioned by UNCG Wind Ensemble Funiculi­Funicula Rhapsody ­ Luigi Denza, arr. Yo Goto February 20, 2009 Fireworks, Op. 4 ­ Igor Stravinsky, trans. Mark Rogers O Magnum Mysterium ­ Morten Lauridsen H. Robert Reynolds, guest conductor Theme and Variations, Op. 43a ‐ Arnold Schoenberg Symphony No. 2 ­ Frank Ticheli Frank Ticheli, guest conductor December 3, 2008 Raise the Roof ‐ Michael Daugherty John R. Beck, timpani soloist Intermezzo ­ Monte Tubb Andrea Brown, guest conductor Shadow Dance ­ David Dzubay Four Factories ­ Carter Pann Funiculi­Funicula Rhapsody ­ Luigi Denza, arr. Yo Goto October 8, 2008 Fireworks, Opus 8 ‐ Igor Stravinsky, trans. Mark Rogers it perched for Vespers nine ­ Joel Puckett Theme and Variations, Op. 43a ­ Arnold Schoenberg Fantasia in G ­ J.S. Bach, arr. R. F. Goldman Equus ‐ Eric Whitacre Andrea Brown, guest conductor Entry March of the Boyars ­ Johan Halvorsen Fanfare Ritmico ‐ Jennifer Higdon May 4, 2008 Early Light ­ Carolyn Bremer Icarus and Daedalus ‐ Keith Gates Emblems ­ Aaron Copland Aegean Festival Overture ­ Andreas Makris Mark A.
    [Show full text]
  • Beyond the Machine Photo by Claudio Papapietro
    Beyond The Machine Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 19.1 InterArts Workshop March 26 and 27, 2019, 7:30pm (Juilliard community only) March 28, 2019, 7pm Conversation with the artists, hosted by William F. Baker 7:30pm Performance Rosemary and Meredith Willson Theater The Man Who Loved the World Treyden Chiaravalloti, Director Eric Swanson, Actor John-Henry Crawford, Composer On film: Jared Brown, Dancer Sean Lammer, Dancer Barry Gans, Dancer Dylan Cory, Dancer Julian Elia, Dancer Javon Jones, Dancer Nicolas Noguera, Dancer Canaries Natasha Warner, Writer, Director, and Choreographer Pablo O'Connell, Composer Esmé Boyce, Choreographer Jasminn Johnson, Actor Gwendolyn Ellis, Actor Victoria Pollack, Actor Jessica Savage, Actor Phoebe Dunn, Actor David Rosenberg, Actor Intermission (Program continues) Please make certain that all electronic devices are turned off during the performance. The taking of photographs
    [Show full text]
  • Royal Fireworks (1685-1759) Symphony No
    MUSIC EMOJIS Feelings. Connections. Life. 2018 Sponsored by: S.E. Ainsworth and Family Teachers Guide 1 Music Emojis Feelings. Connections. Life La Rejouissance George Frideric Handel from Royal Fireworks (1685-1759) Symphony No. 1 (excerpt) Gustav Mahler (1860-1911) Music from Spiderman Danny Elfman (1953- ) Galop Dmitry Kabalevsky from The Comedians (1904-1987) Cello Concerto (3rd movement) Èdouard Lalo Ifetayo Ali-Landing, cello (1823-1892) Miller’s Dance Manuel de Falla from Three-Cornered Hat (1876-1946 ) Machine Jennifer Higdon (1962- ) Flying Theme John Williams from E.T. (1932- ) 2 With the increase of texting, email and other electronic communication in the last 20 years, face-to-face conversation or a phone call is often skirted by a quick text. It can be easier and less intrusive, but without any context of feeling behind them the words in these quick communications can be misunderstood. Emojis have the ability to express feelings wordlessly and can take the edge off of any text. They were invented by Shigetaka Kurita, who is a board member at a Tokyo technology company. He was a 25-year-old employee of a Japanese mobile carrier back in 1998 when he had the idea. His challenge was the 250 character limit and the need for some sort of shorthand. “Emoji” combines the Japanese for "picture," or "e'' (pronounced "eh"), and "letters," or "moji" (moh-jee). Apple and Google have made emojis a world sensation. What started as a few digital drawings has now become a gesture to communicate every conceivable emotion. They have been displayed in an exhibit at the Museum of Modern Art in New York City, earning a place in our culture and giving value to the design that has had the power to change lives.
    [Show full text]
  • FMSO COMMISSION Or COMMISSION PARTICIPANT
    FMSO COMMISSION or COMMISSION PARTICIPANT MAJOR COLLABORATION WITH OTHER ORGANIZATION/COMMUNITY OUTREACH PROJECT HYBRID PROGRAMMING – POPS/THEMATIC/TRADITIONAL AUDIO-VISUAL ENHANCEMENT LOCAL/YOUTH EMPHASIS MASTERWORKS SERIES PROGRAMMING – 2005 – Present 2018-2019 – EXPERIENCE THE SYMPHONY CHEE-YUN & SERGEY Dvorak – Slavonic Dances No. 2 & 7 Popper – Hungarian Rhapsody – with cellist SERGEY ANTONOV Liszt – Mephisto Waltz No. 1 Saint-Saëns – Introduction & Rondo Capriccioso – with violinist CHEE-YUN Brahms – Double Concert – with CHEE-YUN & SERGEY HIGDON HARP CONCERTO – regional premiere Mozart – Concerto for Flute & Harp, mvt. 2 – with harpist YOLANDA KONDONASSIS & Deb Harris Higdon – Harp Concerto – with harpist YOLANDA KONDONASSIS Nielsen – Symphony No. 4 “The Inextinguishable” MYTHICAL HEROES & WOMEN WARRIORS - with projected images Djawadi/Peterson – Music from “Game of Thrones” Smetana – “Sarka” from Ma Vlast (My Homeland) Shore – Music from “Lord of the Rings” Sibelius – Four Legends from the “Kalevala” (Lemminkainen Suite) THE VIRTUOSO NEXT DOOR – featuring FMSO musicians as soloists Shostakovich – Festive Overture (side by side with FMAYS Sr. High Orchestra) Poulenc – Double Piano Concerto – with pianists Jay Hershberger & Tyler Wottrich Tower – Fanfares for the Uncommon Woman – featuring FMSO brass & percussion Adams – Tromba Lontana – featuring FMSO trumpets Corigliano – Chaconne from “The Red Violin” CLAUSEN WORLD PREMIERE – FMSO COMMISSION Wagner/Clausen – “Elsa’s Procession to the Cathedral” from Lohengrin Copland – Appalachian Spring Clausen – TITLE TBA – FMSO Commission 2017-2018 – JUMP IN ALTERED STATES Hermann – Music from “Psycho” Corigliano – “Three Hallucinations” from Altered States Berlioz – Symphonie Fantastique THE ILLUMINATED SOUL – A COLLABORATION WITH THE ST. JOHN’S BIBLE PROJECT Bruch – Ave Maria (with cellist Inbal Segev) Bloch – Schelomo (with cellist Inbal Segev) Strauss – Death and Transfiguration Theofanidis – Rainbow Body (with projected images from The St.
    [Show full text]
  • Performances from 1974 to 2020
    Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No.
    [Show full text]
  • NOTES on the MUSIC by Robert M. Johnstone
    NOTES ON THE MUSIC by Robert M. Johnstone “The Orchestral Palette” April 2, 2016 Machine Jennifer Higdon born in Brooklyn, New York, in 1962 first performance: Washington, D. C., in 2003 instrumentation: piccolo, flute, 2 oboes, 2 clarinets, 2 bassoons; 4 horns, 2 trumpets, 3 trombones; timpani; strings duration: 3 minutes Jennifer Higdon is about the hottest thing going in American classical music these days. Her works have been commissioned by over a dozen major orchestras. She earned a Grammy in 2009 for her Percussion Concerto, written for Colin Currie. And her Violin Concerto, premiered in 2010 by Hilary Hahn and the Indianapolis Symphony, won the Pulitzer Prize for that year. The Richmond Symphony performed her Blue Cathedral in its 2011–12 season. She began her musical life remarkably late for a professional. Though born in Brooklyn, she grew up in the south in a sort of “hippie” world of the counterculture. She taught herself the flute at the ripe old age of 15, began formal training at 18 at Bowling Green State University in Ohio, and started composing at 21. She has certainly made up for lost time, serving as Composer-in-Residence for many major orchestras. She currently holds a chair in music on the faculty of the Curtis Institute in Philadelphia. Machine was composed in 2003 on a commission from Leonard Slatkin and the National Symphony Orchestra. Giancarlo Guerrero conducted the premiere at the Kennedy Center. Ms. Higdon has written a concise and intriguing program note: “I wrote Machine as an encore tribute to composers like Mozart and Tchaikovsky, who seemed to be able to write so many notes and so much music that it seems like they were machines.” And, no, you are not likely to recognize either Mozart or Tchaikovsky! This is the first performance of Machine by the Richmond Symphony Orchestra.
    [Show full text]
  • EWE 2-21-18.Indd
    Upcoming Concerts Events are free unless otherwise noted. Friday, February 23 Eastman Repertory Singers & Women’s Chorus Music of Macha, Casals, Singh, Daley, Mozart, Poulenc, Howells, Gabrieli, Vaughan Williams, Pärt, Kodály, and Hildegard of Bingen Philip Silvey, Connor Doran, and Joe Lerangis, conductors Reformation Lutheran Church • 8PM Monday, February 26 Eastman Philharmonia Music of Copland, Berlioz, and Shostakovich Garrett Wellenstein and William Le Sage, conductors Featuring Laura Sanders, soprano Kodak Hall at Eastman Theatre • 8PM Tuesday, February 27 The Eastman Wind Ensemble Eastman New Jazz Ensemble Dave Rivello, director Kilbourn Hall • 8PM Wednesday, February 28 Eastman School Symphony Orchestra Mark Davis Scatterday, Music of Ravel, Debussy, and Tchaikovsky Neil Varon, conductor conductor Kodak Hall at Eastman Theatre • 8PM Friday, March 2 Eastman Wind Orchestra Music of Welcher, Stephenson, Maslanka, and Ticheli Mark Davis Scatterday and Will Talley, conductors Featuring Tanner Jackson, bass trombone Kodak Hall at Eastman Theatre • 8PM Cameron Leach, percussion Information about upcoming Eastman concerts and events can be found at: www.esm.rochester.edu/calendar Flower City Brass Kodak Hall at Eastman Theatre fi re exits are Supporting the Eastman School of Music: located along the right and left sides, and at the We at the Eastman School of Music are grateful back of the hall on each level. In the event of for the generous contributions made by friends, an emergency, you will be notifi ed by the stage parents, and alumni, as well as local and national manager. If notifi ed, please move in a calm and foundations and corporations. Gifts and grants orderly fashion to the nearest exit.
    [Show full text]
  • An Annotated Catalog of Selected I.D.R.S. Bassoon Articles, with an Appendix of Categorized Bassoon Articles Shaye Bowman
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 An Annotated Catalog of Selected I.D.R.S. Bassoon Articles, with an Appendix of Categorized Bassoon Articles Shaye Bowman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN ANNOTATED CATALOG OF SELECTED I.D.R.S. BASSOON ARTICLES, WITH AN APPENDIX OF CATEGORIZED BASSOON ARTICLES By SHAYE BOWMAN A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2014 Shaye Bowman defended this treatise on December 10, 2013. The members of the supervisory committee were: Jeff Keesecker Professor Directing Treatise James Mathes University Representative Deborah Bish Committee Member Eric Ohlsson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I would like to thank my doctoral committee members, Professor Jeff Keesecker, Dr. Eric Ohlsson, Dr. Deborah Bish and Dr. James Mathes for their time and helpful support. I am especially grateful to Professor Jeff Keesecker for his support and guidance over the past three years. Additional thanks to Dr. Jeffrey Kite-Powell for his support and guidance over the past three years. Thanks to Dr. Shelley Martinson, Brad Behr, and Katie Phillips for their help in editing and Kyle Phillips for his help in printing articles for my research. Finally, thank you to my parents, Jim and Sue Bowman, for supporting me in my musical journey.
    [Show full text]
  • The BPO Recommends: an Orchestral Listening Guide for Symphony Scholars
    The BPO Recommends: An Orchestral Listening Guide for Symphony Scholars There are so many great works for orchestra that it is impossible to list them all. So, this guide is by no means completely comprehensive. Instead, these selections are to help you dive head first into the orchestral repertoire. Hopefully you will love some, but maybe you won’t, and that’s ok! What we can guarantee though, is that this list views every corner of the repertoire. Please also refer to the attached exploration guide. Happy Listening! Composer Repertoire Adams, John The Dharma at Big Sur Harmonium Short Ride in a Fast Machine Bach, Johann Sebastian Brandenburg Concertos (Nos. 1-6) Mass in B minor Barber, Samuel Adagio for Strings Overture to School for Scandal Violin Concerto Bartók, Béla Concerto for Orchestra Cantata Profana Miraculous Mandarin Bates, Mason Anthology of Fantastic Zoology Mothership Beach, Amy Symphony in E minor Beethoven, Ludwig van Leonore Overture No. 3 Piano Concerto No. 5, “Emperor” Symphony No. 3, “Eroica” Symphony No. 5 Symphony No. 9, “Choral Berg, Alban Violin Concerto Wozzeck Berlioz, Hector Roman Carnival Overture Symphonie Fantastique Bernstein, Leonard Chichester Psalms Three Dances fro On The Town Symphonic Dances from West Side Story Bizet, Georges Carmen Suites Borodin, Alexander Polovtsian Dances from Prince Igor The BPO Recommends: An Orchestral Listening Guide for Symphony Scholars Brahms, Johannes A German Requiem Hungarian Dances Symphony No. 1 Symphony No. 4 Britten, Benjamin Four Sea Interludes from Peter Grimes War Requiem Young Person’s Guide to the Orchestra Bruch, Max Violin Concerto No. 1 Bruckner, Anton Symphony No.
    [Show full text]
  • Bienvenue Stéphane Mahler's Resurrection Rachmaninoff's Third
    's 8 5 6 7 CONCERTS CONCERTS CONCERTS CONCERTS FRIDAY FRIDAY SATURDAY SUNDAY Coffee A B A B C D A B SEP Bienvenue Stéphane Stéphane Denève, conductor PUTS Virelai (World Premiere) Jean-Yves Thibaudet, piano* HIGDON Blue Cathedral SEP SEP DEBUSSY La Mer 21 22 CONNESSON The Shining One RAVEL Piano Concerto in G GERSHWIN An American in Paris Mahler’s Resurrection Stéphane Denève, conductor MAHLER Symphony No. 2, “Resurrection” Joélle Harvey, soprano SEP SEP Kelley O’Connor, alto St. Louis Symphony Chorus 27 28 Amy Kaiser, director OCT Rachmaninoff’s Third Piano Concerto Edo de Waart, conductor Joyce Yang, piano OCT OCT RACHMANINOFF Piano Concerto No. 3 4 5 ELGAR Symphony No. 1 A Hero’s Life Leonard Slatkin, conductor VARIOUS Yet Another Set of Variations (on a Theme of Paganini) Jelena Dirks, oboe OCT OCT MOZART Oboe Concerto, K. 314 12 13 R. STRAUSS Ein Heldenleben (A Hero’s Life) Symphonic Dances Stéphane Denève, conductor POULENC Les biches Suite Karen Gomyo, violin OCT OCT OCT PROKOFIEV Violin Concerto No. 1 18 19 20 RACHMANINOFF Symphonic Dances NOV Saint-Saëns’ Organ Symphony Stéphane Denève, conductor BARBER Adagio for Strings James Ehnes, violin NOV NOV J. WILLIAMS Violin Concerto 2 3 SAINT-SAËNS Symphony No. 3, “Organ” Mozart’s Great Mass Masaaki Suzuki, conductor HAYDN Symphony No. 48, “Maria Theresia” Mojca Erdmann, soprano MOZART Mass in C Minor, K. 427 Joanne Lunn, soprano Zachary Wilder, tenor NOV NOV Dashon Burton, bass-baritone 9 10 St. Louis Symphony Chorus Amy Kaiser, director Brahms’ Fourth Symphony Stéphane Denève, conductor KERNIS New Work (World Premiere) Gil Shaham, violin NOV NOV BARTÓK Violin Concerto No.
    [Show full text]
  • A Study of Oboe Reeds Julia Gjebic Grand Valley State University
    Grand Valley State University ScholarWorks@GVSU Student Summer Scholars Undergraduate Research and Creative Practice 2013 A Study of Oboe Reeds Julia Gjebic Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/sss Recommended Citation Gjebic, Julia, "A Study of Oboe Reeds" (2013). Student Summer Scholars. 112. http://scholarworks.gvsu.edu/sss/112 This Open Access is brought to you for free and open access by the Undergraduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Student Summer Scholars by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. A STUDY OF OBOE REEDS 1 A Study of Oboe Reeds Julia Gjebic Faculty Mentors: Karen Gipson and Marlen Vavříková Grand Valley State University A STUDY OF OBOE REEDS 2 Abstract Professional oboists spend more time making reeds than they do playing the oboe. Therefore, a high value is placed on reed-making in the oboe community. In this study, a controlled batch of reed cane (internodes of the grass Arundo donax) was selected based on microscopic inspection of cellular composition as well as macroscopic physical characteristics. For most of the participants, the cane was then processed identically to the stage known as a blank, after which the participants finished their reeds according to their usual methods. (The few participants who made their own blanks still used the controlled cane and also a controlled staple, the metal cylinder that attaches the reed to the oboe.) The sound spectra of recordings of each participant playing on his/her respective reeds were analyzed, as was a spectrum of the crow (sound without the oboe attached) of each reed in an anechoic chamber.
    [Show full text]