Visit Venice Fall 2013

Total Page:16

File Type:pdf, Size:1020Kb

Visit Venice Fall 2013 www.venezia.net Events 1 Visit Venice Fall 2013 on cover RUDOLF STINGEL by 2 Indice: ART / EXHIBITIONS Pag. 3 MUSIC, DANCE, THEATRE Pag. 14 SPORT AND FOLKLORE Pag. 16 3 Events: ART / EXHIBITIONS staggering 52 drawings by Leonardo Da Vinci which is on show from 29 August --- 2013 at the Gallerie dell’Accademia in LEONARDO DA VINCI. Venice. THE UNIVERSAL MAN Thanks to the exhibition LEONARDO Until December 1st, 2013 DA VINCI. THE UNIVERSAL MAN, the Gallerie dell’Accademia first of its kind for thirty years, the last was back in 1980, the public at the Gal- lerie dell’Accademia in Venice will have the chance to admire an entire collec- tion of exceptionally rare works by the Master which have been preserved in the Cabinet of Drawings at the Gallerie dell’Accademia since 1822, consisting of 25 graphic works which are not usu- ally shown to the public. These will be exhibited alongside another 27 prestig- ious works on loan from Italian muse- ums such as the Royal Library of Turin, the Uffizi in Florence and the National Gallery of Parma, as well as from im- portant European collections: the Royal Collection Trust Windsor Castle, the British Museum in London, the Louvre and the Ashmolean Museum in Oxford. This is a unique opportunity not to be missed. The drawings must remain A unique chance to see Leonardo’s stored in special air-conditioned cel- drawings at the Gallerie dell’Accademia lars for a long time before and after ex- in Venice posure to the public. This is a rule that must be adhered to in order to preserve This extraordinary exhibition includes a such precious and fragile masterpieces. www.venezia.net Events 4 The works on display include the Vit- works between New York and Merano, ruvian Man, Dancing Women, the Por- where he was born. His work has been trait of a Woman in Profile in Windsor, at the centre of one-man exhibitions in Sketches for The Battle of Anghiari, many international institutions. Studies on Weaponry and preparatory sketches for great masterpieces like the The project is part of a programme of Last Supper, the Nativity and Christ Car- monographs of great contemporary rying the Cross. artists, opened in April 2012 with Urs Fischer (“Madame Fisscher”), and pre- --- sented in alternative and addition to the Rudolf Stingel thematic exhibitions of the François Pin- From 7th April to 31st December ault Foundation collection. 2013 Palazzo Grassi – François Pinault The “Rudolf Stingel” exhibition will stay Foundation open in Palazzo Grassi until 31st De- cember 2013, for the duration of the 55th Biennial of Contemporary Art: for the occasion, there will also be a new exhibition in Punta della Dogana from 31st May 2013. --- ROY LICHTESTEIN SCULPTOR Until November 23th, 2013 Vedova Founation Open until 23 November 2013, at the Magazzini del Sale (Salt Warehouses) in Organised by the artist himself - with Zattere in Venice, home of the Vedova the coordination of Elena Geuna - the Foundation, is the exhibition Roy Li- exhibition dedicated to Rudolf Stin- chtenstein – Sculptor. For the first time gel, opening 5th April 2013, will extend in Italy over 45 pieces from one of the throughout the building’s entire exhibi- geniuses of American Pop Art, including tive area, involving entrance hall and drawings, collages, maquettes, models the first and second floors. It will be the and sculptures in bronze. first time that the entire museum area is dedicated to a single artist. Characteristic of Lichtenstein‘s work is its rendering as “two-dimensional” like a Rudolf Stingel, born in 1956, lives and painting, to flatten the volume as would www.venezia.net Events 5 happen in a collage. From this come the This famous woodblock print by Hoku- ceramic figures which, starting from a sai known as the GREAT WAVE will be two-dimensional source, paper, are or- shown for the first time in Venice at the ganised into three-dimensions to form a Ca’ Pesaro Museum of Oriental Art from head or a stack of cups or an explosion. 8 September to 3 November 2013. Similar procedures bring to life his ”pro- file” sculptures from 1976 and up until Copies of this multicoloured woodblock his death in 1997, where the depth and print are in many European collections shadows of the object are put on the of Japanese art and this one, in particu- same plane, as if they were crushed and lar, among the most refined, has been compressed onto a single surface. lent by the Oriental Museum Chiossone in Genoa and will be on display for the Opening Hours first time along with a series of 36 views 10.30 am – 6 pm of Mount Fuji. Closed Tuesdays Alongside the Great Wave the exhibi- Full Ticket 12 € tion also features a plaster model of the Hokusai’s masterpiece from the Anteros --- Tactile Museum of Ancient and Modern HOKUSAI. THE GREAT WAVE Painting, Francesco Cavazza Institute Until November 3, 2013 for the Blind in Bologna, to allow for Museum of Oriental Art tactile exploration of the work by all visi- tors. This event will also be an occasion to present 24 printed books by Hokusai and his students to the public for the first time in collaboration with the Mu- seum of Oriental Art, the Department of Asian and Mediterranean African Stud- ies at the Università Ca’ Foscari, and the Art Research Center at the Ritsumeikan University of Kyoto, which led to the digi- tal and photographic cataloguing of this The famous colour print The Great Wave collection of 727 woodblock prints- for a Of Kanagawa by Hokusai is on display total of 860 images and 276 books – for a for the first time at the Museum of Ori- grand total of 12,200 images ñ which are ental Art in Venice kept in storage at the Museum of Orien- tal Art in Venice. www.venezia.net Events 7 --- cal beekeepers, hopefully in perpetuity. DENATURED HONEYBEES + MU- The experiences of the beekeepers will RANO by Judi Harvest be documented in photographs, state- Until Novembre 23, 2013 ments, and ephemera. These items are Scola dei Tiraoro e Battioro displayed as a component of the exhibi- The exhibition DENATURED: Honeybees tion. + Murano is committed to raising aware- At the core of DENATURED: Honeybees + ness of a global threat to nature and a Murano is an installation comprising 90 local threat to heritage. The intention hand-made Murano glass vessels. Each is to achieve this goal by foregrounding will be a unique form. Forty-five of the the shared beauty and utility of honey vessels will be filled with honey harvest- and glass. The exhibition will engage ed in the Veneto (and Murano, once the two locations: the exhibition site, which hives are thriving). is the Scola dei Battioro e Tiraoro in the --- VENICE BIENNALE 55th International Art Exhibition Il Palazzo Enciclopedico 1st June – 24th November 2013 This festival will take place from 1st June to 24th November 2013 in the Gar- dens and the Arsenal (preview 29th, 30th and 31st May 2013), as well as in various places around Venice. It is enti- tled “Il palazzo enciclopedico” (The En- cyclopaedic Palace), after Marino Auriti’s 1955 project that patented an imaginary museum containing all of humanity’s knowledge, bringing together the big- gest discoveries of humankind, from the center of Venice on the Grand Canal, and wheel to the satellite. the glass factories and adjacent fields in Murano. In March 2013, beehives and a As Massimiliano Gioni, new curator of bee-friendly garden will be installed in the Art Sector of the Biennial, explained, an existing field of indigenous wildflow- “today, deluged as we are by informa- ers in Murano on the grounds of the Lin- tion, the attempts to structure knowl- ea Ariana glass factory. These hives will edge into omni-comprehensive systems remain in place and be cared for by lo- seems even more necessary and even www.venezia.net Events 8 more desperate. The 55th International Richard Avedon. Art Exhibition will explore these flights of imagination in an exhibition that – as No Seconds Comfort Food and Photog- Auriti’s Palazzo Enciclopedico –com- raphy is an unexpected exhibition jour- bines works of contemporary art and ney that begins with the “Deep Fried historical findings, discovered objects Gadgets” series to culminate, through “ and artefacts.” Band Riders” and the choices of the pop stars, in a reflection on food and impris- --- onment with “ No Seconds”, famous Henry Hargreaves - No Seconds shots dedicated to the last supper of the Comfort food and Photography American sentenced to Death. Until November 24th, 2013 San Servolo Island Free Entry At the Museum of Madness of San Ser- How to arrive to San Servolo: The island volo Island in the Venice Lagoon is open is easily reached with the public trans- until November 24th, 2013, the first port system of ACTV using line 20 from San Zaccaria, monument stop (it may takes 10 minutes). --- Venini - Martinuzzi 1925/1931 Until Decembre 1st, 2013 Cini Foundation In Venice the second exhibition dedicat- ed to the history of the Venini glassware at Cini Foundation European solo exhibit of the New Zea- lander photographer, famous for his re- search on photography and food Henry Hargreaves. He has since established himself as a full time photographer known for fun, creative, provocative and memorable images. Henry found himself modeling for the world’s most prestigious fashion houses and work- ing with such photography icons as Ste- phen Meisel, Mario Testino, and the late www.venezia.net Events 9 --- The exhibition Napoleone Martinuzzi. SEGUSO. Art Glass 1031 - 1973 Venini 1925-1931, curated by Marino From May 18th to September Barovier, will open to the public on the 29th 2013 island of San Giorgio Maggiore in Venice Glass Museum, Murano on September 8th, 2013.
Recommended publications
  • DIASPORE ITALIANE - ITALY in MOVEMENT a Symposium on Three Continents: Australia • United States • Italy
    BETWEEN IMMIGRATION AND HISTORICAL AMNESIA June 27–29,2019 MUMA ISTITUZIONE MUSEI DEL MARE E DELLE MIGRAZIONI, GENOVA DIASPORE ITALIANE - ITALY IN MOVEMENT A Symposium on Three Continents: Australia • United States • Italy Between Immigration and Historical Amnesia, Genova, June 27–29, 2019 Transnationalism and Questions of Identity, NewYork,November 1–3,2018 Living Transcultural Spaces, Melbourne, April 4–8,2018 PRESENTED BY Comitato Assistenza Italiani (Melbourne) John D. Calandra Italian American Institute, Queens College, CUNY (New York) Comune di Genova, Mu.MA Istituzione Musei del Mare e delle Migrazioni (Genova) With the patronage of the Italian Ministry for Cultural Heritage and Activities and Tourism Locations: The conference will take place at Galata Museo del Mare - Calata de Mari, 1 - Genova Museo della Commenda, Via Prè – Genova (Friday 17:45-19:00 pom) Conferences & meetings at Galata Museo del Mare: Room 1: Auditorium, ground floor Room 2: Sala delle esposizioni, second floor Room 3: Sala Clerici, fourth floor Room 4: Sala dell’Orologio, fourth floor Coffee station: ground floor, Room 0 – Affresco Renzo Piano Welcome Cocktail: Sala Clerici Sala Clerici, fourth floor All the location are at Galata Museo del Mare, unless otherways stated. The Conference Comittee reserves the right to make changes to the program after the printing of this publication. Il comitato organizzatore del convegno si riserva la facoltà di apportare modifiche al programma dopo la stampa della presente pubblicazione. The texts are printed in a way they have been delivered to the publisher. I testi sono stampati nel modo in cui sono stati consegnati alla redazione. THURSDAY, June 27, 2019 Galata Museo del Mare 8:30–09:30 am Registration and welcome coffee and focaccia 09:30–10:30 - Auditorium Opening Remarks Pierangelo Campodonico - Director of Mu.MA – Istituzione Musei del Mare e delle Migrazioni Mauro Sandrin - President of Co.As.It Anthony Tamburri - John D.
    [Show full text]
  • SUGGESTIONS for POSSIBLE SHORT TRIPS to Get An
    SUGGESTIONS FOR POSSIBLE SHORT TRIPS To get an introduction about the area near the conference: Why You Really Should Visit Italy's Outstanding Barolo Wine Region https://www.forbes.com/sites/catherinesabino/2018/10/28/why-you-really-should-visit-italys- outstanding-barolo-wine-region/#7bd3de632f89 Note that the Langa district is best visited by car. Because of its territory, the district is not accessible by train (except for Alba, which is connected to the railway system). However, driving in the Langa district should not be a problem since it is in the countryside and not in a big city. For reference, Bra and Alba have ~30,000 people each. Some of the villages referenced below are much smaller: Pollenzo (a subdivision of Bra) and Barolo have only ~700 people. Furthermore, besides the picturesque hills and the historic castles and buildings, this area is also about food and wine. So you can pair some of the suggestions below with the restaurant suggestions also available on the conference website. There are also several wine tours that are normally organized in the area and, besides the suggestions below, you can just search online for what suits your interest. 1) Tour of the Barolo Langa district: Barolo, La Morra, and Verduno Note: Requires a car. Also, distances are short and so one can break these itineraries into smaller ones as desired. Barolo (https://en.wikipedia.org/wiki/Barolo,_Piedmont) is the town in the middle of the vineyards of nebbiolo grapes that produce the famous wine of the same name. It is a medieval village developed at the foot of the castle.
    [Show full text]
  • Lvi 2021 Leonardo Da Vinci Nel V Centenario Della Morte
    DIRETTORE Eugenio Scandale [email protected] VICEDIRETTORE Luigi Piacente [email protected] COMITATO SCIENTIFICO Immacolata AULISA (Università di Bari); Allen BATEMAN PINZON (Universitat Politecnica de Catalunya); Lazzaro Rino CAPUTO (Università di Roma “Tor Vergata”); Pietro DE PALMA (Politecnico di Bari); Cristiano FERRARIS (Museum National d’Histoire Naturelle, Paris); Gianvito GIANNELLI (Università di Bari); Raul GONZALEZ SALINERO (UNED, Madrid); Massimo INGUSCIO (Università Campus Biomedico, Roma); Marcella LEOPIZZI (Università del Salento); Fabrizio NESTOLA (Università di Padova); Tito ORLANDI (Universität Hamburg); Giuseppe PARDINI (Università del Molise); Ugo PATRONI GRIFFI (Università di Bari); Corrado PETROCELLI (Università di San Marino); François ROUDAUT (Université de Montpellier); Gabriele SCARASCIA MUGNOZZA (Università di Roma “La Sapienza”); Francesco SDAO (Università della Basilicata); Agostino SEVI (Università di Foggia); Ake SIVERTUN (Research Institutes of Sweden); Gjinushi SKENDER (Science Academy of Albania, Tirana); Aurelia SOLE (Università della Basilicata); Mario SPAGNOLETTI (Accademia Pugliese delle Scienze); Sergej TITKOV (Russian Academy of Science, Moscow); Antonio URICCHIO (Università di Bari); Angelo VACCA (Università di Bari); Ludovico VALLI (Università del Salento); Giuliano VOLPE (Università di Bari); Nelu ZUGRAVU (Universitatea din Iaşi, Romania) COMITATO EDITORIALE Giovanna AGROSÌ (Università di Bari); Filomena CANORA (Università della Basilicata); Antonio DELL’OSSO (Università
    [Show full text]
  • Biblioteca Reale
    e %LEOLRWHFD5HDOH Postazioni multimediali Visite guidate La Biblioteca Reale, istituita dal re Carlo Alberto di Savoia-Carignano (1798-1849), ubicata al piano terreno dell'ala di levante del Palazzo Reale, è inserita nel raffinato ambiente ideato nel 1837 dall'architetto di corte Pelagio Palagi e raccoglie oltre 200.000 volumi, tra cui spiccano opere di storia degli Stati sabaudi, di scienze storiche e di arte militare; l'Istituto conserva inoltre preziosi codici miniati medievali - di cui sono pregevole testimonianza lussuosi messali come quello del duca Amedeo VIII, eleganti portolani, rari incunaboli, splendidi album scenografici disegnati da Giovanni Tommaso Borgonio, atlanti naturalistici seicenteschi - esemplari unici per contenuto e qualità - appartenuti al duca Carlo Emanuele I. Conserva inoltre una rarissima edizione del Theatrum Sabaudiae, edito ad Amsterdam nel 1682, che testimonia la volontà dei duchi di Savoia di affidare alla stampa la divulgazione della magnificenza della capitale, delle residenze e del loro territorio rappresentato in tavole colorate e di forte impatto visivo. Di eccezionale valore la collezione grafica della Biblioteca, costituita da innumerevoli incisioni e disegni di grandi maestri italiani e stranieri, e resa straordinaria dalla presenza di numerosi autografidi Leonardo da Vinci. Dal 1998 nella Sala Leonardo, realizzata con il contributo della Consulta per la Valorizzazione dei Beni Artistici e Culturali di Torino, viene esposto a rotazione prezioso materiale bibliografico e storico-artistico secondo una precisa politica di valorizzazione del patrimonio posseduto. Luogo | Indirizzo Località: Torino Indirizzo: Piazza Castello, 191 Cap: 10122 Comune: Torino Provincia: Torino (TO) Regione: Piemonte Telefono: 011543855 (centralino); 011545305 (direzione) Fax: 0115178259 Email: [email protected] Sito web: www.bibliotecareale.beniculturali.it ADArte | Sintesi di accessibilità Informazioni raccolte con sopralluogo terminato il 12 Ottobre 2011.
    [Show full text]
  • FPT INDUSTRIAL CELEBRATES the GENIUS of LEONARDO DA VINCI for the 500TH ANNIVERSARY of HIS DEATH Turin, April 16, 2019 from Veni
    FPT INDUSTRIAL CELEBRATES THE GENIUS OF LEONARDO DA VINCI FOR THE 500TH ANNIVERSARY OF HIS DEATH Turin, April 16, 2019 From Venice to Turin, FPT Industrial confirms its commitment to culture and announces its partnership as the main sponsor of the “Disegnare il futuro” (Drawing the future) and “L’uomo è modello del mondo” (Man is the model of the world) exhibitions. Both of these events will celebrate the 500th anniversary of Leonardo da Vinci’s death and will illustrate how much his works and thinking have influenced science and art over the past five centuries. The "Disegnare il futuro" exhibition in Turin, Italy will be held from April 15th to July 14th, and the luxurious rooms of the Musei Reali will play host to the renowned Self Portrait as well as the Codex on the Flight of Birds, Nude studies for the Battle of Anghiari, and Studies of the front and back legs of a horse. The 13 drawings by da Vinci housed at the Royal Library of Turin, now part of the Musei Reali, were once owned by Giovanni Volpato, and later purchased by Charles Albert of Savoy in 1840. The works cover almost the entire lifespan of the genius, documenting da Vinci's activity from his youth through to adulthood. The Self Portrait, which comes out of the Royal Library of Turin’s vault for the 2019 celebrations, is considered to be the most famous work by the Florentine master. It dates back to 1515, a time when da Vinci was working for the court of Francis I in France, and portrays a much older man.
    [Show full text]
  • Italian Islamic Heritage
    TIEF@TORINO DESIGN OF THE CITY 2017 ITALIAN ISLAMIC HERITAGE: TWELVE CENTURIES OF CONNECTIONS Saturday, 14th October 2017, 9.00 – 13.00 Torino Incontra, sala Giolitti, via Nino Costa, 8 ITALIAN ISLAMIC HERITAGE: TWELVE CENTURIES OF CONNECTIONS A journey through the Islamic historical-artistic- architectural heritage existing in Italy, to tell the intertwined stories linking Christianity and Islam, the West and the East, through a series of engaging iconographies. Today, the valorisation of cultural heritage is a privileged asset for sustainable development, tourism and innovation of any country. The ‘design for heritage’, together with restoration and conservation activities and the implementation of good practices of participation and inclusion, can offer the means to network and make this yet unknown heritage available to the public. The conference is implemented by the Turin Islamic Economic Forum (TIEF), the ongoing project shared by the City of Torino, the Torino Chamber of Commerce, the Torino University and ASSAIF. TIEF activities aim to promote effective initiatives on Islamic Finance for social inclusion and economic development of the Torino territory. On the cover: Pisa, Museo dell’Opera del Duomo: Grifo, getto di fontana. Bronzo fuso e inciso. Inizi XI secolo. Al-Andalus o Egitto fatimide, possibile spoglia del sacco pisano di Palermo del 1063. By Memorato (Own work) [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www. gnu.org/copyleft/fdl.html)], via Wikimedia Commons. PROGRAMME 9.00 – 9.30 Registration
    [Show full text]
  • Leonardo. the Genius, the Myth
    EXHIBITION OVERVIEW and INFORMATION Leonardo. The Genius, the Myth From an Italian genius to a universal myth. The famous Self-Portrait on display for the first time in a great exhibition with works by artists who took inspiration from the genius of Leonardo over the centuries. From November 17, 2011 to January 29, 2012 Juvarra Stables of the Reggia di Venaria Under the High Patronage of the President of the Italian Republic A WORLD-CLASS EVENT AT THE REGGIA DI VENARIA. The greatest Italian of all times is the protagonist of an outstanding exhibition at the Reggia in the Juvarra Stables . An unprecedented, unique and exceptional event: the famous Self-Portrait by Leonardo will be on show in this major exhibition that marks the end of the celebrations for the 150th anniversary of Italy’s Unification, a tribute to the brightest example of the Italian creative genius. For Information and Reservations: tel. +39 011 4992333 www.leonardoallavenariareale.it Created by The exhibition, promoted by Comitato Italia 150, is organised by the Italian Ministry for the Cultural Heritage and Cultural Activities - General Directorate for Libraries, Cultural Institutions and Copyright - Regional Department for Cultural Heritage and Landscape of Piedmont and the Royal Library of Turin, and by Consorzio La Venaria Reale. General Coordination Mario Turetta, Regional Director for the Cultural and Landscape Heritage of Piedmont Alberto Vanelli, Director of the Consortium for the Cultural Promotion of La Venaria Reale and Executive Vice-President of Comitato Italia 150 Curators Section I: Leonardo: il genio e il suo volto Carlo Pedretti, A. Hammer Center for Leonardo Studies, Los Angeles Paola Salvi, Accademia di Belle Arti di Brera, Milan Clara Vitulo, Royal Library, Turin Section II: Il volto di Leonardo tra realtà e mito Pietro C.
    [Show full text]
  • Finance for Fine Arts
    Rivelazioni Finance for Fine Arts Musei Reali di Torino Proposte di restauro Proposals for restoration Borsa Italiana Borsa Italiana è da sempre attenta Borsa Italiana has always actively “Borsa Italiana è da sempre a valorizzare le eccellenze italiane. nurtured Italian excellences. The largest La maggior concentrazione dei siti concentration of UNESCO World Heritage Patrimonio dell’Unesco si trovano sites is located in our country, whose roots attenta a valorizzare nel nostro paese, patria che fonda le are founded on the culture of beauty. sue radici nella cultura del bello. The masterpieces of our heritage show how I capolavori del nostro patrimonio mostrano artists have been innovators, early adopters come gli artisti siano stati innovatori, and accelerators, creative geniuses who le eccellenze italiane. anticipatori ed acceleratori, genio have bestowed upon us an unparalleled creativo che ci ha regalato un patrimonio heritage. Our entrepreneurial excellences senza eguali. Così le nostre eccellenze retain the markings of success which are imprenditoriali rappresentano le tracce di deeply-rooted: “the art of know-how”, which Borsa Italiana has always un successo che ha radici lontane: l’arte sets us apart from the rest of the world. del saper fare che ci distingue in tutto il Artistic creations as a challenge that looks mondo. La creazione artistica come sfida to our past to give value to our future. actively nurtured Italian che guarda al nostro passato per dare un This is the reason behind Finance for Fine valore al nostro futuro. Per questo nasce Arts, a project developed by Borsa Italiana Finance for Fine Arts, un progetto di Borsa to sustain the Italian artistic heritage excellences.” Italiana volto a valorizzare il patrimonio through “Rivelazioni”, an integrated model artistico italiano attraverso “Rivelazioni”, of art patronage to gather resources to modello integrato di mecenatismo per la support the restoration and digitalization raccolta di risorse destinate al restauro in high-definition of art works.
    [Show full text]
  • Exhibitions 2015 Gauguin Is Drawn Towards a Rawness in His Artistic Expression Which for Him Is Synonymous with Authenticity and Truth: the Primitive
    Exhibitions 2015 Gauguin is drawn towards a rawness in his artistic expression which for him is synonymous with authenticity and truth: the primitive. This fascination runs like a thread of scarlet through all of Gauguin’s work from around 1885 until his death. GAUGUIN With Gauguin the primitive does not start with the sojourn in Tahiti but grows from an intense desire to expand art’s possibilities of expression beyond TALES FROM PARADISE Impressionism. He makes quite conscious use of a number of sources and blends together widely differing cultures and epochs in his attempt to reach his objective Curated by Flemming Friborg and Line Clausen Pedersen long before he travels to the South Seas. From the dark folklore of Brittany and in collaboration with Ny Carlsberg Glyptotek, Copenhagen the Romanesque art of the Middle Ages, by way of Javanese statues and ancient Danish tombs - that is the breadth of Gauguin’s first attempt to isolate the fundamental expression of the primitive and find a register which is sufficiently capacious to contain his project: the ultimate renewal of figurative art. Brittany, Southern France and Denmark all come to play roles in the formation of the primitive as an artistic driving force in Gauguin’s work - long before Polynesia. Also the World fairs, with their effects and their contents, were a source for the artist. Myth, fiction, dream and reality merge in Gauguin’s work from the early years to his death. This part of the exhibition explores the intersections between the various ‘phases’ of his work and traces some key elements in Gauguin’s artistic credo across time and place, across radical nature and radical art, finding a new and radical way of making art - an art closer to life, free from the constraints of European civilization, and independent of ‘First-world’ thinking and visual codexes.
    [Show full text]
  • Da Vinci's Workshop
    PRESS RELEASE Da Vinci’s Workshop Codices, Machines and Drawings A world-class exhibition unveils new discoveries Milan, 16 September 2009. Thanks to a collaboration between the Leonardo3 research center, the Municipality of Vigevano, the Province of Pavia, the Banca del Monte di Lombardia Foundation and the Vigevano Regional Development Agency, the enchanting location of the Second Stables inside Vigevano Castle, just a half hour from Milan, is finally being showcased by an event of international significance beginning 12 September 2009. Leonardo’s Workshop: Codices, Machines and Drawings is an important traveling exhibition featuring world premieres and discoveries resulting from unprecedented studies on the work of Leonardo da Vinci. Extensive use of avant-garde, world-class technologies based on three-dimensional, high-definition graphics and animations makes the show interactive, educational and entertaining for everyone. For the very first time, the public is invited to turn page after page of Leonardo’s most important codices: the Codex on Flight, Manuscript B and the Codex Atlanticus. Indeed, their digitization at an extremely high resolution and the integration of their pages into interactive books gives the public unprecedented and direct access to these codices via mega-screens. Best of all, Leonardo’s drawings are brought to life by extraordinary interactive and three- dimensional interpretations that make A view of the exhibition hosted inside them easy for anyone to understand. enchanting Vigevano Castle In a review of the Virtual Codex Atlanticus, which contains various drawings for machines designed by the Da Vinci genius, the New York Times called the technology “…one of the smartest, most elegant interfaces for exploring complex material ever seen”.
    [Show full text]
  • UNDISCOVERED ITALY © Elio Pallard Choir, Culture & Cuisine March 16 – 27, 2019 with Hamilton College’S G
    UNDISCOVERED ITALY © Elio Pallard Choir, Culture & Cuisine March 16 – 27, 2019 with Hamilton College’s G. Roberts Kolb, the Marjorie and Robert W. McEwen Professor of Music & Lauralyn Kolb, Lecturer in Music (Voice) © Megan Mallen © Markus Bernet Dear Hamilton Alumni, Parents, and Friends, I invite you to discover areas “off-the-beaten” path in northern Italy on this remarkable and exclusive Hamilton Global Adventure. Those of us who sing will rehearse twice and then perform three concerts and participate in two masses. The trip also features wonderful guided excursions, including walks in historic villages with medieval houses and charming alleys, viewing magnificent art and architecture, and many exceptional culinary experiences. To top it off, our travels will take place amid spectacular landscapes, with two beautiful Italian lakes (Orta and Maggiore) and backdrops such as rolling hills of vineyards and the snow-capped Italian Alps. Our group will enjoy all excursions and included meals together, but you may choose to upgrade from comfortable, 3-star hotels to more luxurious 4-star hotels if you wish. Highlights of this unique trip are many, and include: Choir: • Two rehearsal sessions at Lake Orta; • Concerts in the parish church of Stresa, the Sanctuary of Santa Maria Assunta, and the ancient monastery of Sacra di San Michele; © R. Todd Nielsen • Mass participation in the Royal Church of San Lorenzo (Turin) and the Parish Church of Pollenzo. Culture (nine excursions with art historian guides): • Hiking in a 16th-century religious “theme park” (a UNESCO World Heritage site); • Magnificent Renaissance and Baroque art (frescoes and sculptures) and architecture (cathedrals, churches, and castles); • Turin’s Holy Shroud; • Ancient Roman ruins in Turin and Pollenzo; • Guided tour of Turin’s Egyptian Museum (the world’s second most important Egyptian collection) and Turin’s sumptuous Royal Palace© R.© ToddRufus46 (another Nielsen UNESCO World Heritage site); • Milan’s Dominican convent with Leonardo da Vinci’s Last Supper (a UNESCO World Heritage site).
    [Show full text]
  • Social Aims of Finance Rediscovering Varieties of Credit in Financial Archives
    Social Aims of Finance Rediscovering varieties of credit in financial archives Editors Anna Cantaluppi, Chloe Colchester, Lilia Costabile, Carmen Hofmann, Catherine Schenk and Matthias Weber Social Aims of Finance Social Aims of Finance Rediscovering varieties of credit in financial archives © eabh, Frankfurt am Main, 2020 All rights reserved. Cover photo: Headquarters of Istituto delle Opere Pie di San Paolo, early 20th century. Copyright: Torino, Archivio Storico della Compagnia di San Paolo. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Produced and distributed by eabh (The European Association for Banking and Financial History e.V.) in cooperation with Fondazione 1563 per l’Arte e la Cultura della Compagnia di San Paolo. Editors: Anna Cantaluppi, Chloe Colchester, Lilia Costabile, Carmen Hofmann, Catherine Schenk and Matthias Weber The papers included in this volume are a selection of those presented at a joint eabh and Fondazione 1563 conference in 2018 in Turin, Italy. The title of the conference was ‘Social Aims of Finance’. The title of the workshop was ‘Good Archives’. The conference and the workshop in Turin were organised with the support of Fondazione Compagnia di San Paolo. ISBN 978-3-9808050-7-0 ISSN 2303-9450 License CC BY NC ND Other titles in this series Clement, P., C. Hofmann, J. Kunert (eds.) (2018), ‘Inflation, Money, Output’ (Frankfurt am Main). Ikonen, V. and D. Ross (eds.) (2014), ‘The Critical Function of History in Banking and Finance’, (Frankfurt am Main).
    [Show full text]