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To Sammy Davis, Jr. the Martin Luther King, Jr. Papers Project
20 Dec will have God’s guidance as she sets out on this sacred and serious responsibility 1960 of calling a pastor. Sincerely yours, Martin Luther King, Jr. MLK. m TLc. MLKP-MBU: Box 69. The Martin Luther King, Jr. Papers Project To Sammy Davis, Jr. 20 December 1960 [Atlanta, Ga.] King thanks Davis for his “wonabful support” of the upcoming 2 7January 1961 Carnegie Hall “Tribute to Martin Luther King, Jr.”’ King also praises aspiring playwright Oscar Brown’s musical Kicks & Go. for its portrayal of “the conjliGt of soul, the moral choices that confront our people, both Negro and white.” Mr. Sammy Davis, Jr. Sherry-Netherland Hotel 5th Avenue at 59th Street New York 2 2, New York Dear Sammy: I have been meaning to write you for quite some time. A sojourn in jail and a trip to Nigeria among other tasks have kept be behind. When I solicited your help for our struggle almost two months ago, I did not ex- pect so creative and fulsome a response. All of us are inspired by your wondei-ful support and the Committee is busily engaged in the preparations forJanuary 27th. I hope I can convey our appreciation to you with the warmth which we feel it. In the midst of one of my usual crowded sojourns in New York, I had the op- portunity to hear the play, “Kicks and Co.” by Oscar Brown at the invitation of the Nemiroffs, at whose home I have previously been a guest.2 I learned of your in- terest in it and I am deeply pleased. -
FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Sinatra & Basie & Amos & Andy
e-misférica 5.2: Race and its Others (December 2008) www.hemisferica.org “You Make Me Feel So Young”: Sinatra & Basie & Amos & Andy by Eric Lott | University of Virginia In 1965, Frank Sinatra turned 50. In a Las Vegas engagement early the next year at the Sands Hotel, he made much of this fact, turning the entire performance—captured in the classic recording Sinatra at the Sands (1966)—into a meditation on aging, artistry, and maturity, punctuated by such key songs as “You Make Me Feel So Young,” “The September of My Years,” and “It Was a Very Good Year” (Sinatra 1966). Not only have few commentators noticed this, they also haven’t noticed that Sinatra’s way of negotiating the reality of age depended on a series of masks—blackface mostly, but also street Italianness and other guises. Though the Count Basie band backed him on these dates, Sinatra deployed Amos ‘n’ Andy shtick (lots of it) to vivify his persona; mocking Sammy Davis Jr. even as he adopted the speech patterns and vocal mannerisms of blacking up, he maneuvered around the threat of decrepitude and remasculinized himself in recognizably Rat-Pack ways. Sinatra’s Italian accents depended on an imagined blackness both mocked and ghosted in the exemplary performances of Sinatra at the Sands. Sinatra sings superbly all across the record, rooting his performance in an aura of affection and intimacy from his very first words (“How did all these people get in my room?”). “Good evening, ladies and gentlemen, welcome to Jilly’s West,” he says, playing with a persona (habitué of the famous 52nd Street New York bar Jilly’s Saloon) that by 1965 had nearly run its course. -
Download Full Book
Vegas at Odds Kraft, James P. Published by Johns Hopkins University Press Kraft, James P. Vegas at Odds: Labor Conflict in a Leisure Economy, 1960–1985. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.3451. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3451 [ Access provided at 25 Sep 2021 14:41 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Vegas at Odds studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library Vegas at Odds Labor Confl ict in a Leisure Economy, 1960– 1985 JAMES P. KRAFT The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data Kraft, James P. Vegas at odds : labor confl ict in a leisure economy, 1960– 1985 / James P. Kraft. p. cm.—(Studies in industry and society) Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9357- 5 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9357- 7 (hardcover : alk. paper) 1. Labor movement— Nevada—Las Vegas— History—20th century. 2. Labor— Nevada—Las Vegas— History—20th century. 3. Las Vegas (Nev.)— Economic conditions— 20th century. I. Title. HD8085.L373K73 2009 331.7'6179509793135—dc22 2009007043 A cata log record for this book is available from the British Library. -
ÙØ±Ø§Ù†Ùƒ سùšù†Ø§Øªø±Ø§ ألبوù… قائم Ø
ÙØ ±Ø§Ù†Ùƒ سيناترا ألبوم قائم Ø© (الألبومات & الجدول الزم ني) Robin and the 7 Hoods – Original Score https://ar.listvote.com/lists/music/albums/robin-and-the-7-hoods-%E2%80%93- From The Motion Picture Musical Comedy original-score-from-the-motion-picture-musical-comedy-7352898/songs https://ar.listvote.com/lists/music/albums/songs-for-swingin%27-lovers%21- Songs for Swingin' Lovers! 1041548/songs 12 Songs of Christmas https://ar.listvote.com/lists/music/albums/12-songs-of-christmas-4548728/songs L.A. Is My Lady https://ar.listvote.com/lists/music/albums/l.a.-is-my-lady-2897354/songs I Remember Tommy https://ar.listvote.com/lists/music/albums/i-remember-tommy-2897925/songs Nice 'n' Easy https://ar.listvote.com/lists/music/albums/nice-%27n%27-easy-2897970/songs Sinatra & Company https://ar.listvote.com/lists/music/albums/sinatra-%26-company-1747713/songs https://ar.listvote.com/lists/music/albums/trilogy%3A-past-present-future- Trilogy: Past Present Future 614317/songs https://ar.listvote.com/lists/music/albums/ol%27-blue-eyes-is-back- Ol' Blue Eyes Is Back 3881424/songs https://ar.listvote.com/lists/music/albums/a-swingin%27-affair%21- A Swingin' Affair! 1419881/songs The Sinatra Family Wish You a Merry https://ar.listvote.com/lists/music/albums/the-sinatra-family-wish-you-a-merry- Christmas christmas-2898718/songs Young at Heart https://ar.listvote.com/lists/music/albums/young-at-heart-8058542/songs Sings Days of Wine and Roses, Moon River https://ar.listvote.com/lists/music/albums/sings-days-of-wine-and-roses%2C- -
Domingo 23 Junio, 2013 HORIZONTE
Page 1 ******************************************************************************** Domingo 23 Junio, 2013 HORIZONTE 1AM ******************************************************************************** TITULO: Be Bop INTER: ARTURO SANDOVAL ALBUM: DEAR DIZ (EVERY DAY I THINK NOTA: DUR:8:17 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: I've got my love to keep me warm INTER: BILLIE HOLIDAY ALBUM: CHEEK TO CHEEK NOTA:THE IRVING BERLIN SONGBOOK DUR:3:57 TITULO: Fable of faubus INTER: CHARLES MINGUS ALBUM: AH UM NOTA: DUR:8:14 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: Steppin' out with my baby INTER: TONY BENNETT ALBUM: VIVA DUETS NOTA:CON CHRISTINA AGUILERA DUR:2:01 TITULO: Undun INTER: KURT ELLING ALBUM: NIGHTMOVES NOTA: DUR:4:59 ******************************************************************************** CORTE ******************************************************************************** TITULO: Totem Pole INTER: LEE MORGAN ALBUM: THE SIDEWINDER NOTA: DUR:10:10 ******************************************************************************** LOCUTOR ******************************************************************************** TITULO: I got rhythm INTER: BOBBY DARIN ALBUM: THE ESSENTIAL NOTA: DUR:1:52 TITULO: Now hear my meaning INTER: RAY BROWN ALBUM: MUCH IN COMMON -
Late Night Jazz Reprise – Eine Liebesgeschichte in 30 Songs
Late Night Jazz Reprise – Eine Liebesgeschichte in 30 Songs Samstag, 29. September 2018 22.05 – 24.00 (Erstsendung: 11.02.2017) SRF 2 Kultur Bald ist Valentinstag, der Tag der Liebenden (und der Blumenhändlerinnen). Wir erzählen in „Late Night Jazz“ eine Liebesgeschichte von zarten Anfängen bis zum bitteren Ende. Eine Geschichte in 30 Songs aus dem Great American Songbook und darüber hinaus, von „For Every Man There’s A Woman“, was natürlich auch umgekehrt gilt, bis zu „Que reste-t-il de nos amours“, dem melancholischen Blick zurück auf die gemeinsame Geschichte, die so hoffnungsvoll begonnen hatte. Zwei Stunden für glücklich und unglücklich Liebende… Redaktion: Beat Blaser Moderation: Annina Salis André Previn – Alone: Ballads for Solo Piano (2007) Label: Emarcy Track 05: What Is This Thing Called Love? Sarah Vaughan - It's A Man's World (1967) Label: Verve Music Track 05: For Every Man There's A Woman Ella Fitzgerald - Ella Swings Brightly with Nelson (1961) Label: Verve Track 14: Somebody Loves Me Nicole Herzog/Stewy von Wattenwyl Group - I Loves You Billie (2016) Label: Brambus Track 02: Lover Man Chet Baker - Young Chet (1954) Label: Pacific Track 02: But Not for Me Renee Olstead - Skylark (2008) Label: Reprise Track 05: When I Fall in Love Tony Bennett/Bill Evans - The Tony Bennett/Bill Evans Album (1975) Label: Fantasy Track 06: My Foolish Heart Shirley Horn - Close Enough for Love (1989) Label: Verve Track 01: Beautiful Friendship Clifford Brown with Strings (1955) Label: West Wind Track 11: Blue Moon Tony Bennett - The Art of Romance (2004) Label: Columbia Track 01: Close Enough for Love Johnny Hartman - The Voice That Is! (1964) Label: Impulse! Track 01: The More I See You Jamie Cullum - Twenty Something (2003) Label: Universal Track 08: I Get A Kick Out of You Frank Sinatra - Sinatra At the Sands with Count Basie (1966) Label: Reprise Track 02: I've Got A Crush on You Sammy Davis Jr. -
The Rolling Stones at West Viewpark, 1964
The Rolling Stones at West View Park, 1964 Brian A.Butko and Paul Roberts, Pittsburgh History been about a year since the Rolling Stones Pittsburgh group spawned by Beatlemania," said last played in the area. Just as interest was Goodrich. In fact, the Stones got a lukewarm IT'Sstarting to wane, who—steps forward but Paula reception in a town proud ofits home-grown R- Cline ofDormont, Pa., with her photos of the and-B. Goodrich remembers that the Stones had to Stones in their first Pittsburgh gig, on their first push their way —through the audience from the U.S. tour, in 1964. dressing room no police clearing a path in those On the evening ofJune 17, a Wednesday, the days. The crowd, raised on Porky Chedwick and Stones capped a six-act show at West View Park's Pittsburgh's own "underground" music, stood with Danceland. About— 400 people showed up at the their arms crossed— and watched the eight- song, old dance hall Danceland burned in1973 and half-hour set no screaming, no stage rushing. 3 the rest of the amusement— park north ofPittsburgh Often called dirty and long-haired, the Stones closed in 1977 to see Bobby Comstock and the were mostly well dressed, in jackets and ties.4 Mick Counts, the Fenways, Patty and the Emblems, the Jagger played maracas and sang. Drummer Charlie Pixies Three, Bobby Goldsboro, and the Rolling Watts was interviewed by Chuck Brinkman on KQV Stones. KQVradio, neck-and-neck withKDKAas later that night. the city's pop music voice of the day, sponsored the The Rolling Stones returned four times: the show. -
Sinatra's Little Brown Book
SINATRA’S LITTLE BROWN BOOK An address book said to have been Frank Sinatra’s reveals the extent of his influence and connections—and why his first attempted retirement was so short-lived. BY WILL FRIEDWALD PHOTOGRAPHY BY HENRY LEUTWYLER HINK OF THE MOST legendary, exclusive parties of the the doldrums.” Once he started performing again, he was primarily past century: Truman Capote’s Black and White Ball or a stage artist and, following a trend started by top rock acts, played Vanity Fair’s Oscar party. Imagine the guest list. Now sports stadiums and other huge venues with a combination of classic think of the man comedian Alan King once described songs and newer material. as an event unto himself. The only thing Frank Sinatra Sinatra’s little book, dating from several years into his comeback, had to do to set a room buzzing was walk into it. What illustrates how his return seems almost inevitable in hindsight. Tdid his guest list look like? We no longer have to wonder. Photographer Midway through, four incongruous names sum up the eclectic range of Henry Leutwyler has documented a personal phone book said to be his social circle: Tony Mottola, Sinatra’s preferred guitarist for most Sinatra’s—every entry from his personal assistant to two U.S. presi- of this period; Ed McMahon, Johnny Carson’s Tonight Show sidekick; dents—in a collection of still-life images to be published as Hi There!, a Wayne Newton, a Vegas mainstay; and, notably, “Nixon, Pres.” Sinatra monograph out in June from Steidl. -
Nat King Cole
Nat King Cole Background information Birth name Nathaniel Adams Coles Also known as Nat Cole Born March 17, 1919 Montgomery, Alabama, U.S. Died February 15, 1965 (aged 45) Santa Monica, California, U.S. Genres Vocal jazz, swing, traditional pop Occupation(s) Vocalist, pianist Instruments Piano, vocals, organ Years active 1935–1965 Labels Capitol Associated acts Natalie Cole, Frank Sinatra, Dean Martin Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer who first came to prominence as a leading jazz pianist. He was widely noted for his soft, baritone voice, which he used to perform in big band and jazz genres and which he used to become a major force in popular music for 3 decades producing many hit songs for Cole. Cole was one of the first African Americans to host a national television variety show, The Nat King Cole Show, and has maintained worldwide popularity since his death from lung cancer in February 1965. Early life Nathaniel Adams Coles was born in Montgomery, Alabama, on March 17, 1919. Cole had three brothers: Eddie, Ike, and Freddy, and a half-sister, Joyce Coles. Ike and Freddy would later pursue careers in music as well. When Cole was four years old, he and his family moved to Chicago, Illinois, where his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance was of "Yes! We Have No Bananas" at age four. He began formal lessons at 12, eventually learning not only jazz and gospel music, but also Western classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff".