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Press Book from 01.10.2014 to 31.10.2014
Press Book from 01.10.2014 to 31.10.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 29/10/2014 Irish Examiner: €33.8m royalties bonanza for artists............................................................................................ 3 16/10/2014 Tralee Outlook: DEADLINE LOOMS TO ENTER 2014 CHRISTIE HENNESSY SONG CONTEST..................................... 4 18/10/2014 Nenagh Guardian: DEADLINE LOOMS TO ENTER CHRISTIE HENNESSY SONG CONTEST..............................................5 11/10/2014 Limerick Leader Saturday County-Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................6 11/10/2014 Limerick Leader Sat City-Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................8 11/10/2014 Limerick Leader West Edition - Leader 2: Dolan's book the dream ticket to mark 20 year celebrations.........................................................9 29/10/2014 Irish Independent Tabloid: IMRO artists' royalties bonanza tops €33.8m..............................................................................10 09/10/2014 Athlone Advertiser: IMRO launches new awards........................................................................................................ 11 02/10/2014 Westmeath Topic: 'MULUNGAR'S CAVERN CLUB' TO CLOSE..................................................................................... -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Press Book from 01.07.2014 to 31.07.2014
Press Book from 01.07.2014 to 31.07.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 16/07/2014 The Herald - National Edition: BONO'S PAL CELEBRATES ACCOLADE............................................................................................ 3 27/06/2014 Mullingar Advertiser: Building a Career in Country Music - IMRO music seminar............................................................ 4 08/07/2014 Irish Examiner: Club owner avoids jail...................................................................................................................5 01/08/2014 Irish Music Magazine: ENDA REILLY................................................................................................................................ 6 20/07/2014 Sunday Independent: Fair air play for Irish musicians.................................................................................................... 7 12/07/2014 Westmeath Examiner: Free seminar on 'Building a Career in Country Music'....................................................................8 30/07/2014 Irish Times - Business & Commercial Property: IMRO claims Radio Nova failed to pay €47,000 in musical royalties............................................ 10 08/07/2014 The Star: Jail order avoided....................................................................................................................... 11 29/07/2014 Evening Echo: -
Sense the Music
SENSE THE MUSIC Maclay Heriot & Ruth Medjber 23 June - 15 August 2020 ABOUT THE EXHIBITION Each year the ACP facilitates an opportunity for two artists - an Australian and an international artist – to discuss their creative practice, experiences and inspirations. In early February 2020, Sydney-based photographer Maclay Heriot began corresponding with Ruth Medjber in Dublin, Ireland. Their initial conversations focussed on how to communicate the energy of live music events visually. As professional photographers they had been commissioned to tour with bands, such as Portugal. The Man and Arcade Fire, as well as shoot on stage at the world’s largest music festivals, like Coachella (USA) and Glastonbury (UK). CONNECT WITH US By March, the Covid-19 pandemic had spread across the world and Facebook @acp.photo one by one countries were going into lockdown. Overnight the live Instagram @acp.photo entertainment industry went into hibernation with the possibility of no #acpexhibitions | acp.org.au global music tours for several years. Faced with this uncertain future, Ruth and Maclay were confronted with reinventing their careers. There was also a deepening of their conversations. Supporting each other, they shared a greater appreciation for their ‘music families’. For both, the works selected for Sense the music are powerful mnemonics, or memory triggers. From images of musicians in amongst their fans, to candid shots behind the scenes and studio portraits – each frame reveals the intensity of a moment and music’s capacity to connect us. EXHIBITION PARTNER This exhibition was kindly supported by the Government of Ireland through the Consulate General of Ireland in New South Wales. -
Press Book from 01.12.2013 to 31.12.2013
Press Book from 01.12.2013 to 31.12.2013 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 29/11/2013 Galway City Tribune: ■ Pub staff bare all to aid charity fundraising................................................................................ 3 19/12/2013 News Letter: 10th Nashville Songwiters Festival to feature 50 events and 100 artists...................................... 5 15/12/2013 The Sunday Times-Eire: Artists alarmed at copyright proposals......................................................................................... 6 13/12/2013 Irish Independent-Day and Night: Artists Spot the difference............................................................................................................ 7 03/12/2013 New Ross Echo: Arts Centre to host music business course....................................................................................8 17/12/2013 The Star: Coronas have view to a Kil'........................................................................................................... 9 21/12/2013 Limerick Post: Court bid to stop the music at Limerick bar.................................................................................10 31/12/2013 Irish Examiner: Irish musicians share €32.4m royalties bonanza........................................................................ 11 31/12/2013 The Herald - National Edition: Irish stars share €32.4m bonanza...............................................................................................12 -
List of Providers of Production Music*
LIST OF PROVIDERS OF PRODUCTION MUSIC* *Providers of mood music having concluded a contract with SUISA enabling it to act as a one-stop shop. Users can apply directly and exclusively to SUISA for the authorisation to use the music. Provider Label Acoris Editions T. 022 796 15 33 Moodmusicprovider by Acoris 12, rue du Grand Bay acoris@mangrove- productions.com 1220 Les Avanchets www.mangrove-productions.com Allround Music T. 041 410 22 04 Allround Music The Music library Hazy Music Swiss F. 041 410 18 04 Funtastik Music Tonework Records Zinggertorstrasse 8 G-B-W Music Unity Production Music Lib. 6006 Luzern Le Red Publishing MST Publishing Powerhouse Arcadia MSI T. 075 233 11 80 Arcadia Hollywood Music-Service-International F. 075 233 13 37 Arcadia Films Jazz line Postfach 444 [email protected] Arcadia Jingle Bank Less-is-More FL-9494 Schaan www.arcadiamusic.com ARCADIA NATIONAL Lifestyle Cinematic Loop Academy Classical Media Music Mastertrax Cosmos Library Max Music Cosmos Special Select Media music Deluxe Minimal Drones Muvico EnVogue Shorts Esovision Spot leitmotiv Galaxy Star music inc. Global Authentic Therapy Viva BMG Production Music (Germany) GmbH 1 Revolution Music Klanglobby Charlottenstraße 59 101 Dark Orchid Music Kool Kat 10117 Berlin [email protected] Absolute Music L. A. Edition Music Library GERMANY T: 0039 030 - 300 133 277 Adrenalin L.a. Riot Adrenalin Vocals Lab Hits Altitude Music Lalela Music Altitude Underscore Latin Music Collective Altitude X Faber Lemoncake Amped Library Of The Human Soul Amplitude Liquid -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Sony Group Statement on U.K. Modern Slavery Act
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide and global basis during the financial year ending March 31, 2020 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Not all Sony Group1 companies (“Sony”) are subject to the Act. However, all Sony companies throughout the world are required to comply with applicable Sony policies, so we discuss the actions we have taken group-wide at a global level in this Statement. This Statement covers all Sony companies operating in the United Kingdom who are required by the Act to publish a statement, including but not limited to, Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation (collectively referred to as “Sony reporting entities”, “we” or “us”). The list of Sony reporting entities covered by this Statement as of March 31, 2020 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help identify and address risks of human rights violations related to our business operations and supply chains throughout the world. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
2019 Sony Group Statement on UK Modern Slavery
Sony Group Statement on U.K. Modern Slavery Act We make this Statement pursuant to Section 54 of the United Kingdom (UK) Modern Slavery Act 2015 (the “Act”) to identify actions we have taken on a Sony Group-wide basis during the financial year ending March 31, 2019 to prevent slavery and human trafficking from occurring in our business operations and supply chains. Although not all Sony Group1 companies are subject to the Act, we have undertaken a Group-wide approach to our human rights commitment, and make this Statement on behalf of all Sony Group companies (sometimes collectively referred to as “Sony”). As such, this Statement covers all Sony Group companies operating in the United Kingdom, who are required by the Act to publish a statement, including but not limited to Sony Europe B.V., Sony Interactive Entertainment Europe Ltd., Sony Music Entertainment UK Ltd., Columbia Pictures Corporation Limited, Sony DADC Europe Limited and other subsidiaries of Sony Corporation. The list of Sony Group companies covered by this Statement as of March 31, 2019 is available in the Annex. Our Human Rights Commitment Slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking, and related forms of workplace abuse. In this Statement, we use the terms “slavery and human trafficking” to include all forms of slavery, servitude and forced or compulsory labor, and human trafficking. Sony is committed to maintaining and improving systems and processes to help ensure that there are no human rights violations related to our business operations or supply chains. -
Production Music Rate Card 2016
AUDIO VISUAL ADVERTISING GAMING & MOBILE APPS MUSIC ON HOLD AUDIO AUSTRALIA PRODUCTION TV PER MUSIC RATE EPISODE TV & RADIO CARD 2016 PROGRAMMES FILMS TRAILERS Production Music Enquiries APRA AMCOS Head Office +61 2 9935 7751 16 Mountain St [email protected] Ultimo NSW 2007 www.apraamcos.com.au/pm Locked Bag 5000 Strawberry Hills NSW 2012 ADVERTISING AUDIO VISUAL AUDIO TV PER EPISODE TV & RADIO PROGRAMMES GAMING & MOBILE APPS MUSIC ON HOLD FILMS TRAILERS ADVERTISING CLICK HERE TO CALCULATE All rates are per 30 seconds (unit) unless otherwise specified. YOUR PM COSTS Includes reproduction for online and digital platforms. LICENCE REGIONAL METROPOLITAN NATIONAL LICENCE CATEGORY CODE UNIT RATE UNIT RATE UNIT RATE RATES AVAILABLE FOR: • Combined territories (e.g. AU + NZ) Free to Air Television Transmission ATF $112.20 $347.60 $601.70 • International broadcast territories (e.g. USA, Europe, Asia, etc) Pay Television Transmission ATP $99.00 $309.10 $540.10 TELEVISION • In-flight & infomercials • Community Service Announcements All Television Transmission ATA $167.20 $526.90 $916.30 (Free to Air and Pay) Free to Air Radio ARF $51.70 $161.70 $281.60 RADIO Digital Streaming Services (e.g. Spotify, ARD $33.00 $113.30 $196.90 RDIO, Pandora, etc.) DID YOU KNOW? Outdoor (e.g. played at a football stadium) AOPE $104.50 $324.50 $563.20 There are up to 1,000,000 production music PUBLIC LOCATION tracks available across all styles & genres. Indoor (e.g. played on an in-store display) AOPI $51.70 $161.70 $281.60 Please see page 8 for our suppliers list. -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors.