DOCSLIB.ORG

Dhwani 2020 Final Rules Ans and Regulations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dhwani 2020 Final Rules Ans and Regulations DHWANI 2020( ONLINE INTER DEPARTMENTAL CULTURAL FEST) ST.THOMAS' COLLEGE.(AUTONOMOUS) THRISSUR Rules and Regulation SL Sub Email ID to which No Category Category RULES & the performance Event Name Name Name Event Type REGULATIONS shoulD be shared (A) Category 1 LITERARY 1)Maximum time OFF SINGLE cat1dhwani@gmail. 1 Speech English STAGE allotted for the com LITERARY item is 5 MIN Speech OFF SINGLE cat1dhwani@gmail. Topic will be 2 Malayalam STAGE given 10min com LITERARY OFF SINGLE before starting cat1dhwani@gmail. 3 Speech Hindi STAGE the competitions com OFF SINGLE 2)You are cat1dhwani@gmail. 4 Speech Tamil STAGE LITERARY allotted ONE com SINGLE HOUR + HALF AN cat1dhwani@gmail. HOUR grace time ,to taKe the video com of your presentation and to share it with respective program Coordinators 3)Videos should be UNEDITED and in a SINGLE TAKE Every 4)participants must wear their OFF chest cards while 5 Speech Arabic STAGE LITERARY performing. MUSIC SINGLE cat1dhwani@gmail. EVENT 1)Maximum time com allotted for the item is 5 MIN Pre recorded, UNEDITED, SINGLE TAKE Videos 2)Every Recitation participants must Malayalam/ wear their chest Kavithaparayan ON cards while 6 am STAGE performing. SL Sub Email ID to which No Category Category RULES & the performance Event Name Name Name Event Type REGULATIONS shoulD be shared (B) Category 2 FINEARTS SINGLE dhwani2020finearts+ OFF 1) All events pencildrawing@gmail 7 Pencil drawing STAGE will be .com FINEARTS SINGLE conducted dhwani2020finearts+ OFF [email protected] live through 8 Watercolor STAGE om google meet. FINEARTS SINGLE dhwani2020finearts+ OFF 2) Participants acrylicpainting@gmail 9 Acrylic painting STAGE must join the .com FINEARTS SINGLE meet dhwani2020finearts+ OFF through the [email protected] 10 Oil painting STAGE linK provided m FINEARTS SINGLE by the committee 3) Participants must utilise the given time limit to complete their work and 10 minutes will be given to send the image of the same to the provided gmail account’s drive. 4) Minimum of 5 participants are required for the item OFF to be dhwani2020finearts+c 11 Cartoon STAGE conducted [email protected] FINEARTS SINGLE 5)Watercolor, dhwani2020finearts+c OFF Acrylic, Pencil, Oil ollagemaking@gmail. 12 Collage making STAGE painting, collage com FINEARTS SINGLE making,and poster dhwani2020finearts+ Poster OFF designing needs posterdesigning@gm 13 designing STAGE A3 sized medium. ail.com FINEARTS SINGLE 6) For face dhwani2020finearts+f OFF painting, mehandi [email protected] 14 Face painting STAGE om and hand painting, dhwani2020finearts+ FINEARTS SINGLE a person from the OFF handpainting@gmail. home can 15 Hand painting STAGE com accompany to OFF FINEARTS SINGLE dhwani2020finearts+ 16 Mehandi STAGE provide them with [email protected] the respective mediums. SL Sub Email ID to which No Category Category RULES & the performance Event Name Name Name Event Type REGULATIONS shoulD be shared (C) Category 3 FINEARTS SINGLE Note 1 dhwanidigitalphotogra [email protected] , OFF dhwanimobilephotogr 17 Photography STAGE [email protected] FINEARTS SINGLE Note 2 dhwanivideochalleng OFF [email protected] 18 Videography STAGE Note 1: 1) Participants can submit up to two entries. 2) Global adjustments, Cropping, Split toning, Colour grading are allowed. But the original image must be submitted with the edited ones. 3) Advanced manipulations(Deception, Removing significant objects, Photo-stacking, Adding other elements) are prohibited. 4) Use of “Stock images” leads to immediate disqualification. 5) The participants should mention their Name, Department, Semester, Roll no. 6) No watermarks are allowed. 7) Smartphone and Digital camera entries must be uploaded separately. Judgement will be separate for the images shot on smartphones and cameras. A winner will be selected from both. 8) Theme will be given on closing of event registration through fine arts leaders of their respective classes. 9) Last date of submission of entries is 3rd December 2020. Note 2: 1) Participants can submit only one entry. 2) The video must be taken in Landscape orientation. 3) Videos can have up to a maximum resolution of 1920x1080 and 24 or 30 fps. 4) Video must have a title. No other information must be displayed. 5) Use of any “Stock Video Footages” leads to immediate disqualification. 6) Theme of the video will be provided 24 hours prior to the event. All planning, shooting and post processing should be done within the specified time. No other pre-shot footages allowed. 7) No watermarks are allowed. 8) The video must be 1 to 5 minutes long. 9) Theme will be given to the participants on December 1 , through WhatsApp group *For the event “VIDEOGRAPHY” all the Informations and updations are passing through the whatsapp group.CLICK THE LINK GIVEN BELOW TO JOIN THE GROUP. Follow this link to join WhatsApp group: https://chat.whatsapp.com/Dxf9ucTvNfv8JyS4fWV0PY SL Sub Email ID to which No Category Category RULES & the performance Event Name Name Name Event Type REGULATIONS shoulD be shared (D) Category 4 SINGLE Pre recorded single shot videos Classical MUSIC (landscape dhwani2020classical 19 Music Female ONSTAGE EVENTS mode) [email protected] SINGLE Pre recorded single shot videos Classical MUSIC (landscape dhwani2020classical 20 Music Male ONSTAGE EVENTS mode) [email protected] SINGLE Pre recorded single shot videos Light Music MUSIC (landscape dhwani2020lightmusi 21 Female ONSTAGE EVENTS mode) [email protected] SINGLE Pre recorded single shot videos Light Music MUSIC (landscape dhwani2020lightmusi 22 Male ONSTAGE EVENTS mode) [email protected] SINGLE Pre recorded single shot videos. Semi MUSIC (landscape dhwani2020semiclass 23 classical song ONSTAGE EVENTS mode) [email protected] SINGLE Pre recorded single shot Semi videos. classical karaoke Malayalam MUSIC allowed(landsc dhwani2020semiclass 24 film song ONSTAGE EVENTS ape mode) [email protected] SINGLE Pre recorded single shot videos. Vocal Accompanist Western MUSIC allowed(landsc dhwani2020vocalwest 25 Individual ONSTAGE EVENTS ape mode) [email protected] SINGLE Pre recorded Wind INSTRUME single shot Instrument NTAL videos(landsca dhwani2020windeast 26 Eastern ONSTAGE MUSIC pe mode) [email protected] SINGLE Pre recorded Wind INSTRUME single shot Instrument NTAL videos(landsca dhwani2020windwest 27 Western ONSTAGE MUSIC pe mode) [email protected] String SINGLE Pre recorded instrument INSTRUME single shot eastern (Vilon NTAL videos(landsca dhwani2020stringeast 28 , veena) ONSTAGE MUSIC pe mode) [email protected] SINGLE Pre recorded String INSTRUME single shot instument NTAL videos(landsca dhwani2020stringwes 29 western ONSTAGE MUSIC pe mode) [email protected] SINGLE Pre recorded INSTRUME single shot NTAL videos(landsca dhwani2020keyboard 30 Key board ONSTAGE MUSIC pe mode) @gmail.com Percussion SINGLE Eastern Pre recorded (Chenda INSTRUME single shot ,Edaka,Madal NTAL videos(landsca dhwani2020percussio 31 am) ONSTAGE MUSIC pe mode) [email protected] Percussion SINGLE Eastern Pre recorded (Thabala , INSTRUME single shot pakavadhyam NTAL videos(landsca dhwani2020percussio 32 ) ONSTAGE MUSIC pe mode) [email protected] SINGLE Pre recorded Percussion INSTRUME single shot Western NTAL videos(landsca dhwani2020percussio 33 (Jass) ONSTAGE MUSIC pe mode) [email protected] Percussion SINGLE Pre recorded Western INSTRUME single shot (Tripple NTAL videos(landsca dhwani2020percussio 34 drum) ONSTAGE MUSIC pe mode) [email protected] *Time Duration(mins) for all instrumental music is 10 Minutes * last date of submitting pre recorded videos : 4th December 2020 SL Sub Email ID to which No Category Category RULES & the performance Event Name Name Name Event Type REGULATIONS shoulD be shared (E) Category 5 SINGLE Pre recorded single shot BHARATANA videos TYAM (note Dance (landscape dhwaniclassicaldance 35 1) ONSTAGE Events mode) @gmail.com SINGLE Pre recorded single shot videos MOHINIYATT Dance (landscape dhwaniclassicaldance 36 AM( note 1) ONSTAGE Events mode) @gmail.com OTHER SINGLE CLASSICAL DANCES *KATHAK Pre recorded *MANIPURI * single shot ODISSI videos *KUCHIPUDI Dance (landscape dhwaniotherclassical 37 (note 1) ONSTAGE Events mode) @gmail.com SINGLE Pre recorded single shot SEMICLASSI videos CAL DANCE Dance (landscape dhwanisemiclassical 38 ( note 2) ONSTAGE Events mode) @gmail.com SINGLE Pre recorded single shot videos KERALA Dance (landscape dhwanikeralanadan 39 NATANAM ONSTAGE Events mode) [email protected] SINGLE Pre recorded single shot videos. karaoke FOLK Dance allowed(landsc dhwanifolkdance@g 40 DANCE ONSTAGE Events ape mode) mail.com SINGLE Pre recorded single shot videos. Accompanist THEATRE allowed(landsc dhwanimimicry@gma 41 MIMICRY ONSTAGE EVENTS ape mode) il.com SINGLE Pre recorded single shot THEATRE videos(landsca dhwanimonoact@gm 42 MONOACT ONSTAGE EVENTS pe mode) ail.com Note 1: BHARATANATYAM, MOHINIYATTAM, OTHER CLASSICAL DANCES (KATHAK *MANIPURI * ODISSI * KERALA NATANAM*KUCHIPUDI) *Each participant will be allowed 15 min. * Pre-recorded/unedited/single take video. * Practice saree with minimal costumes/accessories *At least need a minimal makeup * Every participant must wear their chest cards while performing. * All rules and regulations are followed With respect to all the covid protocols. Note 2: Semi Classical Dance 1) Each participant will be allowed 5 min 2) Pre-recorded/unedited/single take video. 3) Practice saree with minimal costumes/accessories. 4) At least need a minimal makeup. CRITERIA FOR JUDGEMENT 1. Rhythm 2. Technique 3. Abhinayam/facial expressions 4. Foot work 5. General expression Every participant must wear their chest card while performing. All rules and
Load more

Recommended publications
  • Education 320
    CHAPTER Education 320 Kerala State Planning Board 321 Education Education in the present day context is perhaps the single most important means for indi- viduals to improve personal endowments, build capacity levels, overcome constrain, and in the process enlarge their available set of opportunities and choices for a sustained improvement in wellbeing. It is not only a means to enhance human capital, productivity and hence, com- pensation to labour, but it is equally importance for enabling the process of acquisition, as- similation and communication of information and knowledge, all of which augments a person’s quality of life. Education is important not merely as means to other ends, but it is an attribute that is valued in itself, by most individuals. The education system has achieved the objective of providing access, but we need to take determined steps to align the overall system to the national system, requiring some structural changes. 12.2 Public spending on education has been more or less equitably distributed between the sexes and among different social groups and regions in the state. The state is making con- certed efforts in sustaining the achievements in the elementary education sector and improv- ing the quality of secondary, higher, technical education and research. Literacy 12.3 Literacy is a basic step towards education, which is a process of life learning and an entry point to the world of communication and information. Traditionally literacy has been commonly defined as the ability to read and write at an adequate level of proficiency that is necessary for communication. More recently however, literacy has taken on several meanings.
    [Show full text]
  • Kerala University Youth Festival Items and Rules
    2 UNIVERSITY OF KERALA KERALA UNIVERSITY YOUTH FESTIVAL RULES (Abstract) Rules: Kerala University Youth Festival Rules - Regarding 1. These rules may be called the “Kerala University Youth Festival Rules”. Department of Student Services 2. In these rules unless the context otherwise requires:- a. “Act” means the Kerala University Act 1974; No. DSS/19/KUYF/2000 Dated, Thiruvananthapuram, 08-02-2000 b. “College” means any educational institution maintained by or affiliated to the University of Kerala; c. “Judges” means persons appointed to pronounce a decision in a contest or competition. Read: (1) Item No. 55 of the minutes of the meeting of the Syndicate held on 1-12-1984 3. Object : The object of these rules, is to codify and co-ordinate the rules governing the conduct of the various competitions to be held in (2) Item No. 45 of the meeting of the Syndicate held on 9th November 1999. the youth festivals, at the college and University level. 4. Applicability : These rules shall be applicable to the Youth Festivals conducted at the College and University level. O R D E R 5. Competitions shall be conducted in the item mentioned in The Syndicate at its meeting held on 1-12-1984 considered the the Schedule I appended hereto in the Youth Festivals held at the College level as well as at the University level. minutes of the Standing Committee on Student Services held on 16-11-1984 and resolved that the minutes of the meeting of the Standing 6. College level Competition : College level competitions are Committee on Student Services held on 16-11-1984 be approved and to be held not later than the second week of November every year, the syndicate at its meeting held on 9-11-1999.
    [Show full text]
  • Profile of Maruhashi Hiromi, Winner - 1St NIHON KAIRALI KERALEEYAM AWARD 2019
    Profile of Maruhashi Hiromi, Winner - 1st NIHON KAIRALI KERALEEYAM AWARD 2019 • Ms. Hiromi was born in Utsunomiya, Tochigi prefecture, Japan. • Learned Mohiniyattam under the instruction of Dr. Kalamandalam Leelamma and completed a short-term course on Mohiniyattam at Kerala Kalamandalam, a public institute for art and culture. • Learned Nangiarkoothu under the instruction of late Smt. Margi Sathi. • Learned classical martial arts - Kalari Payat at CVN Kalari. • She was selected as an artist in overseas internship from the Agency for Cultural Affairs of Japan in 2001. Awards • First Cultural Award from Tennali Japan-India Association • Award for Dance Performance Merit from South Indian Art Center, Singapore • Placed in the top 4 at Soorya Dance Festival in 2008 • Special Award from Fuji Ganga Thodupuzha in 2014 for the performance of “Yamata-no-Orochi” and “Ama-no-Iwato”, episodes from Kojiki, the oldest Japanese history book. Profile of Maruhashi Hiromi, Winner - 1st NIHON KAIRALI KERALEEYAM AWARD 2019 Films “Nottam”, Malayalam film in 2006 Books • Talking Indian Dance (2018) • Fascinated with Kerala; Mohiniyattam, the Most Expressive Indian Classical Dance (2018) About Kerala Planning Ms. Hiromi established Kerala Planning in April 1999, a cultural project designed to spread performing arts of Kerala; Mohiniyattam, Koodiyattam, Nangiarkoothu, Kerala Natanam, and Kathakali, throughout Japan. Developing new style of performing arts by taking advantage of Indian classical dance techniques of Kerala. Encouraging cultural understanding
    [Show full text]
  • Tourism in Kerala
    IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Special Edition, Sep 2018, 145-154 © Impact Journals TOURISM IN KERALA Rajani. U. S1 & C. Arul Mary Thangam 2 1Research Scholar, Department of Commerce, Nanjil Catholic College of Arts and Science, Manaonmaniam Sundaranar University, Tirunelveli, Kaliyikkavila, Tamil Nadu, India 2Assistant Professor, Department of Commerce, Nanjil Catholic College of Arts and Science, Kalikkavilai, Tamil Nadu, India Received: 14 Jun 2018 Accepted: 01 Aug 2018 Published: 30 Sep 2018 ABSTRACT Tourism is one of the maximum essential monetary sports and smokeless enterprise within the world nowadays because it directly generates offerings, products, foreign money, employment, and investments. It is one of the key worldwide industries that's labor in depth and generates manifold benefits. It helps increase countrywide economies, catalysis development method, highlights and conserves cultural heritage, and acts as a bridge in worldwide harmony and peace. Tourism Development is significant to the sustainability-oriented tourism improvement initiative. Based on secondary sources, literature search and discussions with key stakeholders and interaction with the traveler, the existing tourists’ scenario and state of affairs and their role in human resource improvement were studied. The statistics gathered from different sources has been validated within the sphere of experience. The reason for this take a look at is to explore the function of tourism for selling the human aid development in Kerala State. Tourism has emerged as a critical socio- monetary pastime of the humans of Kerala having its specific geographical advantage with a mountainous topography and is a leading vacationer destination in Kerala.
    [Show full text]
  • Adelaide & Metropolitan Malayalee Association (AMMA)
    Adelaide & Metropolitan Malayalee Association (AMMA) 13 April 2013 Her Majesty's Theatre 58 Grote Street, Adelaide ADVERTISEMENT ADELAIDE KALAMELA PROGRAM DIRECTOR: BOBBY ALEX KOSHY JOSE GEORGE, PRESIDENT ADELAIDE AND METROPOLITAN MALAYALEE ASSOCIATION HIEU VAN LE AO, LIENTENANT GOVERNER OF SOUTH AUSTRALIA CHAIRMAN SOUTH AUSTRALIAN MULTICULTURAL AND ETHINIC AFFAIRS COMMISSION THE HONOURABLE JENNIFER RANKINE MP MINISTER FOR MULTICULTURAL AFFAIRS Adelaide and Metropolitan Malayalee Association Management Committee From Left Prasanth Sobinathan (Sports), George Jacob (Treasurer), Suresh Thankamala (Secretary), Asha Thomas (Publications), Jose George Joseph (President), Biju Attel (Vice President), Suresh Kumar Vasudavan (Arts), Sajeesh Mullassery (Website and Social Learning) PROGRAMS Keralothsavam A spectacular show of various performing art forms from Kerala. The art forms showcased are; Thirvathirakali This is a dance form performed by women on the day of Thiruvathira to the accompaniment of Thiruvathira paattu that are folk songs telling tales of lovesick Parvati, her longing and penance for Lord Shiva's affection, Shiva's might and power. Co-ordiantor: Lekha Suresh Participants: Binu Jayakrishnan, Bincy Dasil, Lekha Suresh, Latha Anoop, Melna Shaji, Priya Johnson, Sreelekshmi Ratheesh, Sai Saraswathy Ratheesh, Shanthhala Jayakrishnan and Urumila Krishnadas. Kerala Natanam Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama. Male–female pair dancing is a distinct style in Kerala Natanam. Choreographer: Akhila Sasidhar. Performers : Alina Jacob, Catherine Jacob, Shreya Dcruz, Vinaya Cheriyan, Anjaly Alex, Breeze Mathew, Sandra Tom and Apoorva Rajan Kathakali Kathakali is a highly stylized classical Indian dance-drama noted for the attractive make-up of characters, elabo- rate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion.
    [Show full text]
  • D.El.ED SEMESTER 3
    D.El.ED SEMESTER 3 287 Semester - 3 Paper - 301 Educational Psychology - Practical Experiences I Total Score : 10 Total Time : 5 hrs Continuous Evaluation (CE) – 10 Time per week : 1 hr Practicals – Semester 3 Unit Content Area Tools Process Product S2 – unit 2 Activity – 1 Pre-constructed tools Using the tool prepared in S2 for Activity Factors that Creativity/Memory/Intelligence/ measuring memory power it is done package influence Aptitude/Motivation Lesson planning during the internship period. learning prepared in advance Prepares the report Prepares strategies for improving memory; checks the advantages. S2 – Unit-3 Activity-2 For making learning experiences more Personality Try –out-Life skills/analysis. Package of games effective considering creativity, Report package is prepared connecting various subjects (S4 school internship tryout) Semester – 1 Games package prepared in S1 uses Unit-2 Overall development of children Worksheet those linked to various subjects. Child development Prepares report study report prepared. Study S2 – Unit Various strategies employs related to report Studies knowledge construction theory. Using a worksheet, assess their effectiveness. Study report 288 Semester – 3 Paper – 302 Inclusive Education and School Administration/Organization Total score : 10 Total time : 60 hrs CE : 10 Classroom transaction : 50 hrs TE : Workshop/Practical : 10 hrs Time per week : 5 hrs Preface Content in detail Inclusive education, school management, school organization gender Unit 1 : Inclusive education – relevance and importance equality education are all important areas of education. Teachers Unit 2 : Inclusive education – curriculum transaction and adaptation. should have the ability and perception to provide suitable education to Unit 3 : Recognizing / Identifying and assessing the differently abled : all children, taking them into the fold.
    [Show full text]
  • Guru Gopinath National Dance Museum Request For
    GURU GOPINATH NATIONAL DANCE MUSEUM REQUEST FOR PROPOSAL FOR CONTENT & CONCEPT AND ENGAGING AGENCY FOR DESIGN & ‘WALK THROUGH’ FOR GURU GOPINATH NATIONAL DANCE MUSEUM Thiruvananthapuram Guru Gopinath Natanagramam (Govt. of Kerala Undertaking) Dept. of Cultural Affairs Vattiyoorkavu Thiruvananthapuram - 695013 Tel: +91-471-2364771 E-mail: [email protected] www.gurugopinathnatanagramam.org Reference No.16.GGNG/Dt 05.02.2014 February, 2014 © GuruGopinathNatanagramam, 2014 1 Contents Summary Disclaimer PART-1: REQUESTS FOR CONCEPT AND CONTENT Objectives of the RFP Guidelines Pre-requisite Content and Format for Proposals Language of the Proposal Clarification on the Proposals Quote for preparing Proposal part-2 Submission of the Proposal Deadline for submission Extension of date Late Proposal Opening of the price quotes Modification of Proposals Ownership of the content Soliciting Part-2 Proposal Right to accept/reject/modify and cancel Evaluation of the Proposals Payment PART-2: REQUESTS FOR DESIGN AND WALKTHROUGH Pre-requisite for solicitation Responsibilities Content and Format of the Proposal Language of the Proposal Clarification on the Proposals Submission of the Proposal Deadline for submission Extension of the date Late Proposals Modification of Proposals Ownership of the content Right to accept/reject/modify and cancel Communication requesting presentation Presentation to the Committee Evaluation of the Proposals Payment List of materials and resources Prequalification PART-3: INFORMATION TO PROPOSERS/BIDDERS INTRODUCTION About
    [Show full text]
  • Tribal Art Forms of Kerala Gazette
    Tribal Art Forms Of Kerala Tarrant desquamated straightway if boyish Octavius marshalling or enrolling. Justificatory and agricultural Hugo backspaced squeakingly and adverts his installments endwise and blamefully. Dubious Wilhelm splices, his geyser touse fugles wearifully. Fingertips on hand, tribal art of kerala nadanam emphasizes on cloth stretched over the best. Recurrent images that this art forms of kerala, sandhya keli performed as a folk and saints. Painting is a popular art forms kerala dance with other states in these art, beating of these paintings are also known in a purely dedicated to more. Being performed during the kerala natanam performance and pooram songs are made with swords and is one of kerala where the blessings. Drum is to art forms kerala have separate regions including their local women have always remained beyond the customs and legends of the bhadrakalipaattu, people from the steps. Suicide or marar and forms kerala art form, a culture of the bihar. Search window or in art forms in which has a browser that objected to traditional hindu goddess. Muscle control the tribal art forms of the bride during kolkali by castes and some bamboo and happiness. Keralite folk songs in tribal art forms kerala where the performance. Pressure from the tempo of kerala with the creation. User is only a tribal forms play of tools. Develop their life and forms of india has a welcome gesture to gods and the play. Information on ramayana, tribal art forms often go into forms. Watched them evolve and tribal of bamboo dipped in the theyyam has every year to get vigorous with singing in bengal.
    [Show full text]
  • NRITYANCHAL a DANCE VILLAGE by Sanjana Islam 09308015
    NRITYANCHAL A DANCE VILLAGE BY Sanjana Islam 09308015 Seminar II Submitted in partial submission of the requirements for the degree of bachelor of architecture Department of architecture BRAC University August 2014 INTRODUCTION To create a space for dancers which will function as their hub, studio, interaction space; it was necessary to study and understand the feel of dancing and the space needed to feel and dance, along with the site and its climate representing nature as a whole. Dance is a type of art that generally involves movement of the body, often rhythmic and to music. It is performed in many cultures as a form of emotional expression, social interaction, or exercise, in a spiritual or performance setting, and is sometimes used to express ideas or tell a story. And Bangladesh has inherited a living dance tradition which reflects the evolution of South Asian dance through the ages, from classical times down to the present day. Concept of the project was to create transparency between dance and nature. Nature creates artists as recreators and the dwellings become a mesh of inter-relation. Seasons change rapidly in this region (i.esavar) which displays a platter of various shades of different colors. This creates a symphony and drama of colors in turn. Thus merging the two aspects and creating transparency between dance and nature, encouraging the enjoyment of light nd the externally framed views of landscape. Wide courtyards allow the skylights help to make the most of the daylight. Table of contents Chapter no. Chapter title
    [Show full text]
  • Shri. Pinarayi Vijayan (Honourable Chief Minister of Kerala) Grand Procession on 16Th September Vellayambalam to East Fort
    DEPARTMENT OF TOURISM, GOVERNMENT OF KERALA PRESENTS 1 2 Onam Festival 2019 State Level Inauguration on 10th September 2019, 6 PM At Nishagandhi Auditorium Shri. Pinarayi Vijayan (Honourable Chief Minister of Kerala) Grand Procession on 16th September Vellayambalam to East Fort 3 VENUES 1. Nishagandhi Auditorium (Various Programmes) 14. Museum Compound (Drama - Amateur) 2. Central Stadium (Mega Show - TV Channel & Print Media) 15. St. Joseph School (Athapookkalam Competition) 3. Poojappura Ground (Ganamela) 16. Vyloppilly Samskrithi Bhavan (Classical Dance) 4. Shankumugham (Programmes by Women and Children) 17. Bharat Bhavan, Thycaud (Classical Dance) 5. Thiruvarangu, Kanakakkunnu (Folk Arts) 18. Bapuji Library, Peroorkada (Various Programmes) 6. Sopanam Kanakakkunnu (Folk Arts) 19. Public Office Compound (Ganamela) 7. Sangeethika, Kanakakkunnu Palace Auditorium (Classical Music) 20. Sreevaraham (Various Programmes) 8. Theerthapada Mandapam (Kathakali, Aksharaslokam, 21. Sree Chithira Thirunal Smaraka Park, Kottaikkakam (Various Programmes) Kooth, Koodiyattam) 22. Veli Tourist Village (Various Programmes) 8a Pothencode (Kathakali) 23. Aakkulam (Various Programmes) 9. Sooryakanthi Stage, Kanakakkunnu (Ganamela) 24. Vellayani (Various Programmes) 10. Gandhi Park (Storytelling) 25. Nedumangad (Various Programmes) 11. Ayyankali Hall (V.J.T. Hall) (Play - Professional, Story Session, 26. Mudavoorpara Boat Club Compound, Pallichal (Various Programmes) Poetry Session) 27. Greenfield Stadium, Kazhakkoottam (Various Programmes) 12. Kanakakkunnu Gate (Vadhyamelangal) 28. Municipal Compound, Attingal (Various Programmes) 13. Museum Compound (Yoga, Kalaripayattu) 29. Neyyattinkara (Various Programmes) 4 Nishagandhi Auditorium (Various Programmes) 10.09.2019 5.15 - 6.00 PM Ilanjithara Pandimelam (Melakalaratnam Kalamandalam Sivadas & Party) 6.00 - 7.00 PM Inauguration Ceremony 7.15 - 10.00 PM Ganamela: K.S. Chithra (Presented by Kairali TV & Red FM) 11.09.2019 6.00 - 7.00 PM Ghazal (Manu G.S.
    [Show full text]
  • A Walk in Nature - Coloures and Movements in South India Villages
    A Walk in Nature - Coloures and Movements in South India Villages By Radja Perumal CCRT/JF-3/87/2015 N0.4, Kumaran Street Arumbarthapuram Post Pondicherry-605110 Mobile: 9944273930 Email: [email protected] Report Submitted for Junior Fellowship in the field of Visual Art – Painting (2013-2014) under the “Scheme of Award of Fellowship to Outstanding Person in the Field of Culture” Ministry of Culture, India 1 Declaration I declare that the A Walk in Nature - Coloures and Movements in South India Villages is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. Radja Perumal 2018 2 Acknowledgement My sincere thanks to my family member’s for their wonderful support. I also would like to thank Ministry of Art and Culture Department, Govt of India for giving me opportunity to do this project. I wish also to express my grateful adoration and the gratitude to Dr. Gopal, I Art Research Foundation and his family members who supported me in the project. 3 Dedication This Project is dedicated to My Mother who have supported for my study without any limitations. All the credits go to her feet. 4 Table of Content Declaration 2 Acknowledgement 3 Dedication 4 Introduction 6 The Beauty of Nature 7 Village and its Beauty 7 Village Life in India 9 Village Life Vs. City Life 11 The Importance of Village 11 Advantages of Village Life 13 Disadvantages of Village Life 14 South India Village 14 Historical Background of South India 15 Flora and Fauna in South India 16 Festival
    [Show full text]