DOCSLIB.ORG

Adelaide & Metropolitan Malayalee Association (AMMA)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Adelaide & Metropolitan Malayalee Association (AMMA) 13 April 2013 Her Majesty's Theatre 58 Grote Street, Adelaide ADVERTISEMENT ADELAIDE KALAMELA PROGRAM DIRECTOR: BOBBY ALEX KOSHY JOSE GEORGE, PRESIDENT ADELAIDE AND METROPOLITAN MALAYALEE ASSOCIATION HIEU VAN LE AO, LIENTENANT GOVERNER OF SOUTH AUSTRALIA CHAIRMAN SOUTH AUSTRALIAN MULTICULTURAL AND ETHINIC AFFAIRS COMMISSION THE HONOURABLE JENNIFER RANKINE MP MINISTER FOR MULTICULTURAL AFFAIRS Adelaide and Metropolitan Malayalee Association Management Committee From Left Prasanth Sobinathan (Sports), George Jacob (Treasurer), Suresh Thankamala (Secretary), Asha Thomas (Publications), Jose George Joseph (President), Biju Attel (Vice President), Suresh Kumar Vasudavan (Arts), Sajeesh Mullassery (Website and Social Learning) PROGRAMS Keralothsavam A spectacular show of various performing art forms from Kerala. The art forms showcased are; Thirvathirakali This is a dance form performed by women on the day of Thiruvathira to the accompaniment of Thiruvathira paattu that are folk songs telling tales of lovesick Parvati, her longing and penance for Lord Shiva's affection, Shiva's might and power. Co-ordiantor: Lekha Suresh Participants: Binu Jayakrishnan, Bincy Dasil, Lekha Suresh, Latha Anoop, Melna Shaji, Priya Johnson, Sreelekshmi Ratheesh, Sai Saraswathy Ratheesh, Shanthhala Jayakrishnan and Urumila Krishnadas. Kerala Natanam Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama. Male–female pair dancing is a distinct style in Kerala Natanam. Choreographer: Akhila Sasidhar. Performers : Alina Jacob, Catherine Jacob, Shreya Dcruz, Vinaya Cheriyan, Anjaly Alex, Breeze Mathew, Sandra Tom and Apoorva Rajan Kathakali Kathakali is a highly stylized classical Indian dance-drama noted for the attractive make-up of characters, elabo- rate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. Choreographed and performed by Akhila Sasidhar Kalaripayattu Kalaripayattu or "Payattu" is an Indian martial art from the southern state of Kerala. One of the oldest fighting systems in existence, it was originally practiced in northern and central parts of Kerala and the Tulunadu region of Karnataka.Taught by: Akhila Sasidhar. Presented by: Charles Saji, Cyril Saji, Christy Saji Mohiniyattam Mohiniyattam, is a classical dance form from Kerala, India, believed to have originated in 16th century. It is con- sidered a very graceful form of dance meant to be performed as solo recitals by women. Choreographer: Priya Premkumar Participants: Pranita Panicker, Nimisha Kottarapat, Abhipriya Kottarapat, Sanjana Satheesh, Shrishti Nambiar, Anjana Sreekumar, Jeswin Varghese and Manjira Ramdas Margamkali The original Margam Kali describes the arrival of St. Thomas in Malabar, the miracles he performed, the friend- ship as well as the hostility of the people among whom he worked, the persecution he suffered, the churches and crosses he put up in various places, etc. Choreographer: Maicy Alex. Participants: Maicy Alex, Ashitha Jose, Arunima Jose, Bindhu Biju, Lija Stanly, Minnu Sara James Oppana Oppana is a popular form of social entertainment which was originated on the occasion of make of Muslim brides among the Mappila (Kerala Muslim's) community of Kerala, South India. Co-ordiantor: Bindu Shaji. Parti- ciapnts :Bindhu Shaji, Bindu Benny, Christina Jaison, Sheeba Shijo, Seena Roy, Sticksy Biju and Sheena Roy Kolkali Kolkali is a folk art performed in North Malabar region of Kerala State in South India. Co-ordiantor: Hijas Pun- nathil; Participants: Hijas Punnathil, Naveen Vinod, Anil Antony, Sajeev Abraham, Jerin Joseph, Jerin James, Sajin Abraham and Christo Saji. Nadodi Dance The nadodi dance that is showcased today it a harvest dance usually performed during the time of rice harvest in which is in the month of Chingam. Choreographer: Anitha Naveen Participants: Christine, Bhavya, Rebecca, Ce- lestine, Hitha, Brennett, Nainika and Saga Dravidians- Indo western live band An indo-western instrumental fusion music, a blend of folk, swing style, karnatic, semi classical and temple mu- sic. We have the corner stone of the band Mathew on bass, Our Saxophone specialist Kim, Classical Violin and morphine master Ashokan, Manoj on drums and chenda, Santhosh on edakka, together with the melodic voices of Kavya and Jeswin. Swaying on keyboard and rolling on the wave drum, the master mind behind this performance, Deva. We present to you The DRAVIDIANS!!! Modern Folk - CWalk A vibrant modern Indian folk dance choreographed and performed by Naveen & his vibrant group CWALK Participants: Naveen, Hemambika,Vikram,Kiran, Aakash, Steve, Rahul, Vishnu and Austin LATINO GROOVES Salsa & Ladies Styling Fast paced, dynamic partnered Salsa routine which includes lots of lifts and tricks, turns and fast footwork. And then all-female routine which combines several Latin styles – Salsa, Merengue, Latin Hip Hop and Brazilian Samba. Co-ordianted by Julia Gonzalez Budo kan- Japanese Martial Arts Budo Kan of Australia is a family owned and operated martial arts club based in Adelaide South Australia. The martial arts they teach provide an all-round self defense system that can be used in situations that learning any one style will not cover. Coordinator- Carl Rare pulse- A rhythmic union Indian classical music is based on ragas (colours) which are scales and melodies that provide the foundation for a performance. Here we are trying to unify (jugalbandi) the Hindustani and Karnatic music with a touch of prayer for women who are suffering all over the world. Directed by- Rajesh George. Musicians :Sitar - Alan Possett, Tabla - Jay Dabgar, Flute – Murali Dharan Ramakrishnan, Mridhagam – Asokan Shankar,Vocals - Sharada Mu- ralidharan,Madhuvanthi Muralidharan,Dancer- Reshma Franklin Just for fun – Jazz dance JFF was found in February 1994 and was designed to meet the growing demand within the entertainment indus- try to provide trained performers and cheerleaders for sporting events and functions. Now entering its 20th year, JFF continues the established tradition of developing dance lessons around the central focus of having fun and being passionate about dance. Appearing in the Kalamela for the second year. JFF is excited to present an upbeat Jazz Dance routine titled ‘Bom Bom’. Wedding Special by Desi Beats – Bollywood dance Indian weddings are filled with ritual and celebration that continue for several days. We are showcasing a colour- ful and joyful pre-wedding ceremony where the bride and the groom’s families are brought together socially. This emphasises both the families coming closer as the married couple. Choreographers: Nimisha Kottarapat, Pranita Panicker & Gayathri Mahesh. Participants: Sanjana Satheesh, Abhipriya Kottarapat, Shrishti Nambiar, Anunita Jayprakash, Shruti Nambiar, Nimisha Kottarapat,Pranita Panicker, Gayathri Mahesh, Jesvin Varghese, Susmin Mathew, Minto Kuruvilla and Clare Biju .
Recommended publications
  • A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30Th Anniversary

    A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30Th Anniversary

    A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th Anniversary V. Jayarajan Folkland, International Centre for Folklore and Culture Folkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture. Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as follows: 1. An international center for folklore and culture. 2. A cultural organization with clearly defined objectives and targets for research and the promotion of folk arts. Folkland has branched out and reached far and wide into almost every nook and corner of the world. The center has been credited with organizing many a festival on folk arts or workshop on folklore, culture, linguistics, etc.
  • UUKMA-Kalamela-E-Manual-2017

    UUKMA-Kalamela-E-Manual-2017

    ഉള്ളടക്കം INTRODUCTION ....................................................................................................................................................2 AIM .......................................................................................................................................................................2 Eligibility for participation ....................................................................................................................................2 age Categories ......................................................................................................................................................2 Age proof ..............................................................................................................................................................2 List of ITEMS .........................................................................................................................................................3 Number of PARTICIPATING Items .........................................................................................................................3 Number of entries for Regional Kalamela ........................................................................................................3 Number of entries for National Kalamela: .......................................................................................................3 GENERAL GUIDE LINES ..........................................................................................................................................3
  • PONNANI PEPPER PROJECT History Ponnani Is Popularly Known As “The Mecca of Kerala”

    PONNANI PEPPER PROJECT History Ponnani Is Popularly Known As “The Mecca of Kerala”

    PONNANI PEPPER PROJECT HISTORY Ponnani is popularly known as “the Mecca of Kerala”. As an ancient harbour city, it was a major trading hub in the Malabar region, the northernmost end of the state. There are many tales that try to explain how the place got its name. According to one, the prominent Brahmin family of Azhvancherry Thambrakkal once held sway over the land. During their heydays, they offered ponnu aana [elephants made of gold] to the temples, and this gave the land the name “Ponnani”. According to another, due to trade, ponnu [gold] from the Arab lands reached India for the first time at this place, and thus caused it to be named “Ponnani”. It is believed that a place that is referred to as “Tyndis” in the Greek book titled Periplus of the Erythraean Sea is Ponnani. However historians have not been able to establish the exact location of Tyndis beyond doubt. Nor has any archaeological evidence been recovered to confirm this belief. Politically too, Ponnani had great importance in the past. The Zamorins (rulers of Calicut) considered Ponnani as their second headquarters. When Tipu Sultan invaded Kerala in 1766, Ponnani was annexed to the Mysore kingdom. Later when the British colonized the land, Ponnani came under the Bombay Province for a brief interval of time. Still later, it was annexed Malabar and was considered part of the Madras Province for one-and-a-half centuries. Until 1861, Ponnani was the headquarters of Koottanad taluk, and with the formation of the state of Kerala in 1956, it became a taluk in Palakkad district.
  • Chapter- Iv Analysis and Interpretation

    Chapter- Iv Analysis and Interpretation

    CHAPTER- IV ANALYSIS AND INTERPRETATION 1. Foreign Exchange Earnings for the year 2014 is Rupees 6398.93 crores. During 2014, the domestic tourist arrival was 116, 95,411 (an increase of 7.71%) whereas Foreign Tourist Arrival was 9, 23, 366 (an increase of 7.60%) over the previous year’s figure. 2. Kerala, the Malayalam speaking region, has made valuable contributions to the world culture and one of them, is the institution of Kalari. Tacholi Othenan, the undisputed exponent and all time great of Kalarippayattu, was born in 1584. After his death at the age of thirty-two, the people of Malabar made a cult hero of him and eventually deified and worshipped him as a demi-god. 3. Irrespective of caste, community, sex, religion and social status, the people of Kerala learnt the art of payattu. 4. Nearly half of foreign tourists visit Kalari for Rejuvenation therapy. 28.57 per cent domestic tourists visit Kalari for Martial Arts and 31.97 per cent for Rejuvenation Therapy. Rejuvenation therapy helps for longevity, memory, intellect, positive health, youth, excellent complexion and strength of sensory organs. Main aim of this therapy is to maintain the youth of the individual along with the maintaining of his long life. It is a costly affair but the enjoyment derived is maximum. It is expected by the Tourism Department that in 2021, 30 Lakhs foreign tourists and 180 Lakhs domestic tourists visit Kerala. According to Kerala Tourism statistics, Foreign tourist arrivals to Kerala in 2014 showed an increase of 7.60% compared to the previous year.
  • 33Rd Inter University South Zone Youth Festival Newsletter • Day 4 18Th to 22Nd December 2017

    33Rd Inter University South Zone Youth Festival Newsletter • Day 4 18Th to 22Nd December 2017

    33rd Inter University South Zone Youth Festival Newsletter • DAY 4 18th to 22nd December 2017 A Christian Minority Institution Kalai Koodam NEWSLETTER Day 4 33rd Inter University South Zone Youth Festival 18 - 22 December 2017 ORGANIZED BY www.hindustanuniv.ac.in Hindustan Institute of Technology & Science (HITS), Padur, Chennai – 603103 in collaboration with Association of Indian Universities (AIU), New Delhi 33rd Inter University South Zone Youth Festival Newsletter • DAY 4 18th to 22nd December 2017 Folk Orchestra Art is a harmony parallel with nature - Paul Cezanne Kalai Koodam synergized talents from the South India & showcased the diversity of our regional folk music. Folk tribal Dance Thidambu Nritham, Perini, Thapetta Gullu, Dollu Kunitha, Theyyam, Oppana, Garadi, Oyilattam, Mayil Attam and lot more it’s hard for gravity to hold audience on ground. Dancers burst with verve and vitality sporting flamboyant costumes and artistic jewels, mind blowing performances, acrobatic skills, perfect synchronized movements and great expressions. The versatile dancers stole the show at Kalaikoodam and it was a glittering event that would always remain in the minds of the audience who were spellbound. www.hindustanuniv.ac.in ORGANIZED BY Hindustan Institute of Technology & Science (HITS), Padur, Chennai – 603103 in collaboration with Association of Indian Universities (AIU), New Delhi 33rd Inter University South Zone Youth Festival Newsletter • DAY 4 18th to 22nd December 2017 Music unwraps the heart, sings out the prayer, Group Song Indian dances the spirit and opens the soul – Mary Davis 16 Team Kalaikoodam Nightingales flocked together in harmony and unison. It was an explosion of talents they rendered melodious tunes and souful songs.
  • Static GK: Dances in India

    Static GK: Dances in India

    For More Study Material Static GK: Dances in India Classical Dance: Classical Dance State Mohiniyattam Kerala Bharatanatyam Tamil Nadu Kathak Uttar Pradesh Kathakali Kerala Kuchipudi Andhra Pradesh Manipuri Manipur Odissi Orissa Chhau West bengal Sattriya Assam Folk Dance: State Folk Dance Andhra Pradesh Kolattam, Gobbi Dance, Dhimsa, Dhamal Dance Assam Bihu, Jhumur Naach, Ali Ai Ligang, Bagurumba Arunachal Pradesh Bardo Chham, Lion and Peacock dance Chhattisgarh Raut Nacha, Gaur Maria Dance, Panthi Join Telegram Channel For More Study Material Gujarat Garba, Dandiya ras, Tippani Dance, Kinnauri Nati, Namgen Goa Tarangamel, Dekhni, Dhalo, Dhangar, Fugdi Haryana Jhumar Dance, Gugga dance, Saang, Teej, Loor dance, Dhamal Dance, Phag dance Himachal Pradesh Luddi dance, Munzra, Kanayala, Giddha Parhaun, Hikat Karnataka Yakshagana, Bayalata, Dollu Kunitha, Veeragaase dance Kerala Theyyam or Kaliyattam, Thullal, Thirayattam, Oppana, Mar- gamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Na- dakam Madhya pradesh Tertali, Charkula, Matki dance, Phulpati dance, Grida dance, Maanch Maharashtra Pavri Nach, Lavani Manipur Thang Ta, Dhol Cholom Mizoram Cheraw dance or Bamboo dance Nagaland Chang Lo or Sua Lua Odisha Ghumura dance, Goti Pua, Nacni, Baagh Naach or Tiger dance, Dalkhai dhap, Karma Naach, Keisabadi Punjab Bhangra, Giddha, Malwai Giddha, Jhumar, Karthi, Kikli Puducherry Garadi Sikkim Singhi Chham Rajasthan Ghoomar, Kalbelia, Bhavai, Kachchhi Ghodi Tamil Nadu Kamandi, Kummi, Kolattam, Karagattam or Karagam, Oyi- lattam, Puliyattam, Mayil Attam or Peacock dance, Pampu Attam or snake dance West Bengal Jatra, Chau, Kathi Join Telegram Channel For More Study Material Lakshadweep Lava Uttar Pradesh Nautanki, Raslila, Jhora, Chhapeli, Jaita Jammu Kashmir Rouf, Chakri Jharkhand Karma Telengana Perini Thandavam, Dappu, Lambadi Tripura Hojagiri, Goria, Lebang Boomani Uttrakhand Chholiya, Jagars, Thali-Jadda, Jhainta, Barada Nat Bihar Kajari, Jaat- Jaatin, Jhijhian, Jhumeri, Souhar- Khilouna Uttrakhand Barada Nati, Bhotiya, Chancheri, Chhapeil Join Telegram Channel .
  • Annur, a Village Which Plays Chef

    Annur, a Village Which Plays Chef

    A village which plays chef www.bekaltourism.com www.bekaltourism.com TAnnurhe vegetarian and non-vegetarian dishes of north Kerala are world famous, and among them the most sought-after are the traditionally prepared vegetarian dishes of the village of Annur in north Malabar. Annur is situated in the small town of Payyanur in Kannur district. The cooks of the region are so talented that they can send foodies to peaks of gustatory delight with their indigenous methods of preparation. www.bekaltourism.com The most mouth-watering dish on offer at Annur is green gram pudding. The main ingredients are green gram, high quality jaggery and ghee [clarified butter]. The culinary artist works his ultimate magic when he adds dry ginger powder, cardamom powder and golden, ghee-roasted cashews. Unlike other parts of Kerala, Annur village does not add raisins in this pudding. This is to prevent the sourness of raisins to upset the delicate taste of the pudding as it cools. www.bekaltourism.com Koottu kari is a sure item in any traditional feast in north Malabar. Of all the varieties prepared across Kerala, the Annur version is easily the best. It is as though yam and raw banana, the chief vegetables used in Koottu kari, yield their special flavours only to the Annur chefs. Annur village in north Malabar waits patiently for connoisseurs who wander in search of dishes that will pamper their palates. Green gram pudding and Koottu kari are not the only items that woo such gustatory nomads. There is a mind-boggling variety that has the power to send every gourmet into a virtual journey of taste-experiences.
  • Education 320

    Education 320

    CHAPTER Education 320 Kerala State Planning Board 321 Education Education in the present day context is perhaps the single most important means for indi- viduals to improve personal endowments, build capacity levels, overcome constrain, and in the process enlarge their available set of opportunities and choices for a sustained improvement in wellbeing. It is not only a means to enhance human capital, productivity and hence, com- pensation to labour, but it is equally importance for enabling the process of acquisition, as- similation and communication of information and knowledge, all of which augments a person’s quality of life. Education is important not merely as means to other ends, but it is an attribute that is valued in itself, by most individuals. The education system has achieved the objective of providing access, but we need to take determined steps to align the overall system to the national system, requiring some structural changes. 12.2 Public spending on education has been more or less equitably distributed between the sexes and among different social groups and regions in the state. The state is making con- certed efforts in sustaining the achievements in the elementary education sector and improv- ing the quality of secondary, higher, technical education and research. Literacy 12.3 Literacy is a basic step towards education, which is a process of life learning and an entry point to the world of communication and information. Traditionally literacy has been commonly defined as the ability to read and write at an adequate level of proficiency that is necessary for communication. More recently however, literacy has taken on several meanings.
  • Kerala University Youth Festival Items and Rules

    Kerala University Youth Festival Items and Rules

    2 UNIVERSITY OF KERALA KERALA UNIVERSITY YOUTH FESTIVAL RULES (Abstract) Rules: Kerala University Youth Festival Rules - Regarding 1. These rules may be called the “Kerala University Youth Festival Rules”. Department of Student Services 2. In these rules unless the context otherwise requires:- a. “Act” means the Kerala University Act 1974; No. DSS/19/KUYF/2000 Dated, Thiruvananthapuram, 08-02-2000 b. “College” means any educational institution maintained by or affiliated to the University of Kerala; c. “Judges” means persons appointed to pronounce a decision in a contest or competition. Read: (1) Item No. 55 of the minutes of the meeting of the Syndicate held on 1-12-1984 3. Object : The object of these rules, is to codify and co-ordinate the rules governing the conduct of the various competitions to be held in (2) Item No. 45 of the meeting of the Syndicate held on 9th November 1999. the youth festivals, at the college and University level. 4. Applicability : These rules shall be applicable to the Youth Festivals conducted at the College and University level. O R D E R 5. Competitions shall be conducted in the item mentioned in The Syndicate at its meeting held on 1-12-1984 considered the the Schedule I appended hereto in the Youth Festivals held at the College level as well as at the University level. minutes of the Standing Committee on Student Services held on 16-11-1984 and resolved that the minutes of the meeting of the Standing 6. College level Competition : College level competitions are Committee on Student Services held on 16-11-1984 be approved and to be held not later than the second week of November every year, the syndicate at its meeting held on 9-11-1999.
  • Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018

    Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018

    Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018 List of participants For Team Manager ( Ernakulam ) Festival: HS General School Code: 25002 School Name: Vidyadhiraja Vidya Bhavan E. M. H. S. Aluva Sl.No Item Name Reg No. Adm.No. B/G Class Cluster Stage No Date 607 - Kathakali Sangeetham Stage 18 1 ACHYUTH UNNI 4588 7046 B 10 1 06 Jan 2018 (Boys) Neelakadambu Stage 18 2 615 - Violin - Paurasthyam SAINANDAN P V 4589 7226 B 9 1 08 Jan 2018 Neelakadambu Stage 7 3 625 - Ottanthullal NIRUPAMA VENUGOPAL 4591 7353 G 8 2 08 Jan 2018 Neermaruthu Stage 10 4 656 - Aksharaslokam PRANAV S 4594 7064 B 10 1 06 Jan 2018 Manchadi Stage 23 5 663 - Parichamuttu (Boys) ARJUN O B 4610 7130 B 9 5 09 Jan 2018 Chandanam 6 663 - Parichamuttu (Boys) MOHAMMED ADHNAN 4608 7191 B 9 7 663 - Parichamuttu (Boys) ATHUL K L 4609 7249 B 9 8 663 - Parichamuttu (Boys) DEEPAK UNNIKRISHNAN 4611 8374 B 9 9 663 - Parichamuttu (Boys) ASWAL ASOKAN 4612 7966 B 9 10 663 - Parichamuttu (Boys) HARIKRISHNAN E V 4613 7159 B 9 11 663 - Parichamuttu (Boys) FAHSAN MIRZA M A 4614 8575 B 9 12 663 - Parichamuttu (Boys) PRITHVIN RAYMAND 4615 8561 B 9 Stage 16 13 664 - Poorakkali (Boys) FARIS P A 4607 8608 B 9 1 09 Jan 2018 Rajamalli 14 664 - Poorakkali (Boys) AADHIL IBRAHIM 4596 7752 B 9 15 664 - Poorakkali (Boys) VISHNU SUBHASH 4597 7163 B 9 16 664 - Poorakkali (Boys) ASWIN SURESHBABU 4598 7164 B 9 17 664 - Poorakkali (Boys) BIJAI BATIN 4599 7161 B 9 18 664 - Poorakkali (Boys) HARIKRISHNAN R 4600 7436 B 9 19 664 - Poorakkali (Boys) AROMAL VIJAYAKUMAR 4601 7312 B 9 20
  • Events: Conducted One Day Seminar& Folk Art Festival In

    Events: Conducted One Day Seminar& Folk Art Festival In

    Programmes : MA Music & PhD Departmental Activities: Music being a performing art, the Department of Music is actively engaged in various classical music programmes organized in different parts of the country. The Department has presented programmes of music over Radio and TV on many occasions. Alumni of the Department have made a mark in the field of Carnatic Music and many are well known performers. Departmental Facilities: The Dept of Music is now functioning in a portion of the Research Library and seminar hall for Swami Anandatheertha chair. Dept has necessary books, musical instruments and furniture. Research: At present 5 scholars were awarded PhD and 2 scholars have submitted their PhD thesis. Events: Conducted One day seminar& Folk Art Festival in collaboration with Indira Gandhi National Centre for the Arts, New Delhi and All India Radio, Kannur on 21 st August, 2012. Organized a National seminar on ‘The contribution of folk art forms in the development of classical music & dance’ in collaboration with South zone cultural centre, Thanjavur, Kerala folk lore academy and All India Radio, Kannur on 4 th September,2014. Dept conducted invited lecture classes of famous Carnatic music artists, teachers, critics etc List of Eminent Personalities Visited the Department during 2009-2016 Department of Music Sl. Name of Expert Year and name of Program Number 1 Dr.Malini Hariharan Concert/Lecture demonstration Retd.Professor &HOD, Dept Jan 2009 of Music,Sree Sankaracharya University for Sanskrit,Kalady 2 Pala C.K.Rmachandran Concert/Lecture demonstration Retd.Staff Artiste,All India Feb 2009 Radio,Calicut 3 Edappalli Ajithkumar Concert/Lecture demonstration Violinist Feb 2009 4 Palakkad Mahesh Kumar Concert/Lecture demonstration Mridangist Feb 2009 5 Payyannur Govindaprasad Concert/Lecture demonstration Mugharsankhu Artist Feb 2009 6 Mangad K.
  • All Results Festival : HS General - 601 ( Chithra Rachana - Pencil) Sl No Name School Rank Grade 1 MIDHUN P P 13017 - Azhikode H.S.S

    All Results Festival : HS General - 601 ( Chithra Rachana - Pencil) Sl No Name School Rank Grade 1 MIDHUN P P 13017 - Azhikode H.S.S

    Kannur District Kalolsavam 2013-14 AKASGVHSS PAYYANUR 06 Jan 2014 - 10 Jan 2014 All Results Festival : HS General - 601 ( Chithra Rachana - Pencil) Sl No Name School Rank Grade 1 MIDHUN P P 13017 - Azhikode H.S.S. Azhikode 1 A 2 YAMINI K 14002 - Sacred Heart Girls H S Thalassery 2 A ! AKHILA P 13006 - St.Teresa`S A.I.H.S.S.Kannur ! A 4 AARITHA. V.V 13099 - St.Mary`Girls High School Kokkanissery 0 A 4 VYSAKH.K 14025 - Kottayam Raja`s H S Pathiriyad 0 A 6 AMRITHKRISHNAN N 13033 - GBVHSS MADAYI 0 A & AKHIL .K 14019 - GHSS Kuthuparamba 0 A 8 AANANDHAN.M.T.K 14027 - PRM HSS PANOOR 0 A 2 SHAJAL P L 13024 - MOOTHEDATH H S TALIPARAMBA 0 6 10 ASWANTH.A 13056 - IMNS Govt.High School Mayyil 0 6 11 ANJANA K 14014 - Koodali HSS 0 6 12 KRISHNA MANISH 14030 - RAMAVILASAM HSS . CHOKLI 0 6 13 ABHIJITH V 14052 - GHSS Chavassery 0 6 14 ANSHA MATHEW 13065 - Devamatha High School Paisakkary 0 6 15 ATHULYA SUDHAKARAN 13057 - Anjarakandy Higher Secondary School 0 6 Report Generated on January 8, 2014, 08:36 pm Kannur District Kalolsavam 2013-14 AKASGVHSS PAYYANUR 06 Jan 2014 - 10 Jan 2014 All Results Festival : HS General - 602 ( Chithra Rachana - Water Colour) Sl No Name School Rank Grade 1 MOHAMMED SHAHIL PM 13110 - Thajul uloom EMHS Valapattanam 1 A 2 MIDHUN P P 13017 - Azhikode H.S.S. Azhikode 2 A ! AARITHA. V.V 13099 - St.Mary`Girls High School Kokkanissery ! A 4 AISWARYA P 14030 - RAMAVILASAM HSS .