BORIS VIAN: (Non) CONFORMIST the Translation of Two Collections of Short Stories in a Theoretical Context PART a Peter John Hodg
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Speeches Given Elsewhere Mike Mansfield 1903-2001
University of Montana ScholarWorks at University of Montana Mike Mansfield Speeches Mike Mansfield Papers 1967 Speeches Given Elsewhere Mike Mansfield 1903-2001 Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/mansfield_speeches Recommended Citation Mansfield, Mike 1903-2001, "Speeches Given Elsewhere" (1967). Mike Mansfield Speeches. 1357. https://scholarworks.umt.edu/mansfield_speeches/1357 This Speech is brought to you for free and open access by the Mike Mansfield Papers at ScholarWorks at University of Montana. It has been accepted for inclusion in Mike Mansfield Speeches by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. 1967 cc g p )f Juzy 20, STA'mMniT OF SENA'IDR MIKE MAMSP'IELD (D., l«lt'l'ABA) It is ley' privilege at this tt.me to have the honor to introduce Dr. Michael E. DeBakey, vho 1n turn v1ll introduce h1s colleagues for briet remarks. Dr. DeBakey is--as we all know--one of the nation's outstanding surgeons and because ot h1s work in research of the heart, he has achieved a brilliant and well earned reputation. Dr. DeBakey tollowa in the great trad1tion of John Hunter who is considered by medical historians u the real father of surgery. A graduate of Tulane University, Dr. DeBakey has not been one to sit on his haunches, so to speak, but has );iungecl ahead 1n new areas, deVeloped new technlquea, and in reality practices what he preaches. He bas given ot h1s time and his energy to advance medical knovle4ge to appear before Congressional camrd. -
Art and Performing Arts Recommended Reading List
Read Around the Subject Art and Performing Arts Recommended Reading List The Poet X by Elizabeth Acevedo – Performing and Poetry A young girl in Harlem discovers slam poetry as a way to understand her mother's religion and her own relationship to the world. Debut novel of renowned slam poet Elizabeth Acevedo. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers, especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So, when she is invited to join her school' s slam poetry club, she doesn't know how she could ever attend without her mami finding out, much less speak her words out loud. But still, she can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent Slog's Dad by David Almond - Art Do you believe there's life after death? Slog does. He reckons that the scruffy bloke sitting outside the pork shop is his dad who has come back to visit him for one last time. -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
Disco Gu”Rin Internet
ISCOGRAPHIE de ROGER GUÉRIN D Par Michel Laplace et Guy Reynard ● 45 tours ● 78 tours ● LP ❚■● CD ■●● Cassette AP Autre prise Janvier 1949, Paris 3. Flèche d’Or ● ou 78 Voix de son Maitre 5 février 1954, Paris Claude Bolling (p), Rex Stewart (tp), 4. Troublant Boléro FFLP1031 Jacques Diéval et son orchestre et sex- 5. Nuits de St-Germain-des-Prés ● ou 78 Voix de son Maitre Gérard Bayol (tp), Roger Guérin (cnt), ● tette : Roger Guérin (tp), Christian Benny Vasseur (tb), Roland Evans (cl, Score/Musidisc SCO 9017 FFLP10222-3 Bellest (tp), Fred Gérard (tp), Fernard as), George Kennedy (as), Armand MU/209 ● ou 78 Voix de son Maitre Verstraete (tp), Christian Kellens (tb), FFLP10154 Conrad (ts, bs), Robert Escuras (g), Début 1953, Paris, Alhambra « Jazz André Paquinet (tb), Benny Vasseur Guy de Fatto (b), Robert Péguet (dm) Parade » (tb), Charles Verstraete (tb), Maurice 8 mai 1953, Paris 1. Without a Song Sidney Bechet avec Tony Proteau et son Meunier (cl, ts), Jean-Claude Fats Sadi’s Combo : Fats Sadi (vib), 2. Morning Glory Orchestre : Roger Guérin (tp1), Forhenbach (ts), André Ross (ts), Geo ● Roger Guérin (tp), Nat Peck (tb), Jean Pacific (F) 2285 Bernard Hulin (tp), Jean Liesse (tp), Daly (vib), Emmanuel Soudieux (b), Aldegon (bcl), Bobby Jaspar (ts), Fernand Verstraete (tp), Nat Peck (tb), Pierre Lemarchand (dm), Jean Paris, 1949 Maurice Vander (p), Jean-Marie Guy Paquinet (tb), André Paquinet Bouchéty (arr) Claude Bolling (p), Gérard Bayol (tp), (tb), Sidney Bechet (ss) Jacques Ary Ingrand (b), Jean-Louis Viale (dm), 1. April in Paris Roger Guérin (cnt), Benny Vasseur (as), Robert Guinet (as), Daniel Francy Boland (arr) 2. -
Through Romany Songland. [With Musical Notes.]
BkhhP 1 rais mMBit mm THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. THROUGH ROMANY SONGLAND Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/throughromanysonOOsmit THROUGH ROMANY SONGLAND BY LAURA ALEXANDRINE SMITH Authoress 0/""The Music of the Waters." " Only in the Land of Dreams is Freedom, Only blooms the beautiful in Song." "In ancient Germany there was a town known by the name of Sing-one, and referred to by Ptolemy ; it is believed that in all probability our English word "sing," in Dutch "zingen," and its various forms in other languages, were derived from the habit of singing of the gypsies." —Henry Kilgour. DAVID STOTT, 370, OXFORD STREET, W. 1! : LONDON HENDERSON & SPALDING, GENERAL PRINTERS 3 & 5, MARYLEBONE LANE, W. Deoicateb by special permission MR WILSON BARRETT CONTENTS. PAGE Gypsy Song .. ... i x Introduction xi Magyar or Hungarian Gypsy Songs ; or, Songs of the Tzigani I Songs of the Gitanos or Spanish Gypsies 47 Russian Romany Songs ; or, Songs of the Tziggani 89 Anglo- Romany Songs ... - 107 Scotch Gypsy or Tinkler Songs ... 157 Songs of the Bohemiens; or, French Gypsy Songs 1S1 The Zigeuner or Gypsies of the Vaterland ... 205 Indian Gypsy Songs and Dance Tjnes 211 Finale 225 : You ask, what is the gypsy life ? Hark, then, and I will tell GYPSY SONG. gg^iSgg± Tra la la la.Tra la la la, A gj'p-sy gay and free, Tra liiliiiillll^ la la la, Tra la la la, A rov-inglife for me— Tra -J£=ZJK=WZ^^^^^^m. -
100 Titres Sur Le JAZZ — JUILLET 2007 SOMMAIRE
100 TITRES SUR LE JAZZ À plusieurs époques la France, par sa curiosité et son ouverture à l’Autre, en l’occurrence les hommes et les musiques de l’Afro-Amérique, a pu être considérée, hors des États-Unis, comme une « fille aînée » du juillet 2007 / jazz. Après une phase de sensibilisation à des « musiques nègres » °10 constituant une préhistoire du jazz (minstrels, Cake-walk pour Debussy, débarquement d’orchestres militaires américains en 1918, puis tour- Hors série n nées et bientôt immigration de musiciens afro-américains…), de jeunes pionniers, suivis et encouragés par une certaine avant-garde intellectuelle et artistique (Jean Cocteau, Jean Wiener…), entrepren- / Vient de paraître / nent, dans les années 1920, avec plus de passion que d’originalité, d’imiter et adapter le « message » d’outre-Atlantique. Si les traces phonographiques de leur enthousiasme, parfois talentueux, sont qua- CULTURESFRANCE siment inexistantes, on ne saurait oublier les désormais légendaires Léon Vauchant, tromboniste et arrangeur, dont les promesses musica- les allaient finalement se diluer dans les studios américains, et les chefs d’orchestre Ray Ventura, (qui, dès 1924, réunissait une formation de « Collégiens ») et Gregor (Krikor Kelekian), à qui l’on doit d’avoir Philippe Carles Journaliste professionnel depuis 1965, rédacteur en chef de Jazz Magazine (puis directeur de la rédaction à partir de 2006) et producteur radio (pour France Musique) depuis 1971, Philippe Carles, né le 2 mars 1941 à Alger (où il a commencé en 1958 des études de médecine, interrompues à Paris en 1964), est co-auteur avec Jean-Louis Comolli de Free Jazz/Black Power (Champ Libre, 1971, rééd. -
1 Django Reinardt De Paul Paviot
(c) Transcription CH2/2013 © Paul Paviot - 1957 www.chrismarker.ch Django Reinardt de Paul Paviot (1957 – 25’06) Remarque : cette transcription est destinée à aider à la compréhension et l’étude de l’œuvre de Chris Marker. Elle ne peut être éditée sans le consentement de l’auteur du film. De plus, elle comporte un certain nombre de fautes de grammaire ou d’orthographe, mais aussi d’identification de lieux ou de personnes, que le lecteur aura soin de corriger par lui-même. "Django mort, c'est un de ces doux fauves qui meurent en cage. Il a vécu comme on rêve de vivre: en roulotte. Et même lorsque ce n'était plus une roulotte de romanichel, c'était encore une roulotte. Son âme était ambulante, et sainte. Et ses rythmes lui étaient propres à l'exemple des rayures du tigre et de sa phosphorescence. Elles habitaient sa peau. Elles le rendaient royal et invisible aux chasseurs. Mais les chasseurs finissent toujours par abattre les doux fauves qui ne veulent de mal à personne. Et parmi les chasseurs il y a la fatigue, cet ogre parisien qui nous dévore. Django se dépensait pour tous avec la générosité gitane, il jetait son or par la fenêtre et cet or n'était autre que lui." Jean Cocteau (1957) de l’Académie Française Voix off (Yves Montand) Jusqu’à minuit, la musique est un métier. Jusqu’à 4h, c’est un plaisir. Après, c’est un rite. À l’heure des premières messes, le jazz et l’insomnie cimentent de fragiles communautés que l’aube fait éclater. -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
Mémoires D'une Anne
MÉMOIRES D'UNE ANNE Anne-Marie Cazalis Mémoires d'une Anne Stock Tous droits réservés pour tous pays © 1976, Editions Stock. 1947, au Café de Flore. Derrière moi, Gréco et Marc Doelnitz. Nous découvrons avec étonnement ce que l'on écrit sur nous et sur les autres. Existentialistes ? Peut- être. Mais si peu. Le titre que je déchiffre : « L'assassin sans visage »... Photo Paris-Match Collection de l'auteu Je danse avec Boris Vian au Club du Vieux-Colombier. Boris devait mourir jeune. Comme mon ami Roger Nimier, qui danse à l'extrême-droite. Boris et Roger ne se connaissaient pas. Nous avons tous l'air un peu absent. Juliette (Gréco) Anne Marie Cazalis). ;s deux Muses de Saint- Germain-des-Prés », rousse (c'est moi) la brune est elle). Photo Georges Photo « Le Matin » ul Valéry, ternel avec moi. me conseillait : La facilité est le emier de tous les ns à condition de jamais s'en vir. » disait aussi : 1 n'y a pas bons souvenirs. » , pardon de ne pas voir écouté ! Photo Georges Damb La danse avec le poète. Le poète, c'est Jean Cocteau. J'ai eu la joie de tourner pour lui « Orphée ». Un petit rôle. A Michèle, Christian et Francis Monod. En souvenir de notre enfance. A chacun de gouverner ses pro- pres diables. ALAIN La vérité est une puissance à la- quelle rien ne résiste et la raison conjure le démon du mensonge. IBN KHALDÛN C'était, en réalité, au moment où il se trouvait en ces lieux que ses yeux les voyaient le moins. -
Dramas with Music: Tennessee Williams' a Streetcar
Edinburgh Research Explorer Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage Citation for published version: Davison, A 2011, 'Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage', American Music, vol. 29, no. 4, pp. 401-442. https://doi.org/10.5406/americanmusic.29.4.0401 Digital Object Identifier (DOI): 10.5406/americanmusic.29.4.0401 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: American Music Publisher Rights Statement: © Davison, A. (2011). Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage. American Music, 29(4), 401-442. 10.5406/americanmusic.29.4.0401 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Post-War Stage Annette Davison, University of Edinburgh The music created for theatrical productions is notoriously ephemeral. -
Patrick Stump
PATRICK STUMP BIOGRAPHY Patrick Stump is the lead vocalist, songwriter and rhythm guitarist for Grammy-nominated artist Fall Out Boy, with chart-topping albums, global hits, and credits for platinum Artists including Blink 182, Bruno Mars, Timbaland and others, as well as Film and TV Projects including Scoring, Voiceover work and Acting. FEATURE FILMS MOST LIKELY TO SUCCEED Pamela Littky, prod. Level 33 Entertainment Pamela Littky, dir. CHANGELAND Corey Moosa, prod. Stoopid Buddy Stoodios Seth Green, dir. EVERYBODY’S EVERYTHING Benjamin Soley, prod. Gunpowder & Sky Sebastian Jones, Ramez Silyan, dir. TELEVISION DEADENDIA Hamish Steele, exec prod. (single untitled musical episode) Mystery Q Ltd. *Songwriter / Producer / Composer SPIDEY AND HIS AMAZING FRIENDS Dan Buckley, Alan Fine, Marsha Friffin, Disney Junior Cort Lane, Joe Quesada, Eric Radomski, exec prods. DISCOGRAPHY LAKE EFFECT KID Fall Out Boy Writer / Producer MANIA Fall Out Boy Writer / Producer SAN DIEGO Blink-182 Writer “SOBER” Blink-182 Writer “RUN AWAY WITH ME Carly Rae Jepsen Producer REMIX” AMERICAN BEAUTY / Fall Out Boy Writer / Producer AMERICAN PSYCHO “GIBBERISH” MAX Writer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 PATRICK STUMP “10 VICTORIA’S MAX Writer SECRET MODELS” “BOTTOM OF THE Itch Writer GLASS” “HOMELESS Itch Writer ROMANTIC” “I STAND ALONE” Robert Glasper Writer “DANCING WITH THE Krewalla Writer DEVIL” SAVE ROCK AND Fall Out Boy Writer / Producer ROLL “OUTLINES” All Time Low Writer SOUL PUNK Patrick Stump (Album) Writer / Producer TRUANT WAVE Patrick Stump (EP) Writer / Producer “THE OTHER SIDE” Bruno Mars Writer “YOU’RE NOT IN ON Cobra Starship Writer THE JOKE” “OPEN HAPPINESS” The Coca Cola Company Writer *with Brendan Urie & Cee Lo Green “LITTLE THINGS” Good Charlotte Producer (REMIX) THE QUILT Gym Class Heroes Writer / Producer *Guilty as Charged", "Drnk Txt Rmeo", "Like Father Like Son", "Blinded by the Sun", "Catch Me If You Can", "Live a Little", "No Place To Run" NO INTRODUCTION Tyga Producer *”Supersize Me”, “Don’t Regret it Now”, “Woww”, “Est. -
Paris Noir: Race and Jazz in Post-War Paris
Paris Noir: Race and Jazz in Post-War Paris Essential Questions: Why was Paris a jazz capital after World War II? Why did black Americans (particularly writers and jazz musicians) live in Paris after World War II during decolonization? What were the push and pull factors of African American migration to post-World War II Paris? How did Sidney Bechet link New Orleans jazz to Paris? What influence did Paris have on bop? How are jazz and jazz people naturally transnational? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: Explain how Paris became the center of African American culture after World War II despite France’s decolonization policy. Determine the factors that transformed Jazz into a transnational and interracial music. Assess the relevancy of the post-World War II African American writers . Historical Context Based On: *Paris Noir: African Americans in the City of Light by Tyler Stovall *Jazz Diasporas: Race, Music and Migration in Post-World War II Paris by Rashida K. Bragg *France and Its Empire Since 1870 by Alice L. Conklin, Sarah Fishman, Robert Zaretsky Year Zero: A History of 1945 by Ian Burma Historical context presented by Marcie Hutchinson Paris: A New Black Community • Who- African American Writers, Artists Musicians • What- African American expatriate community • Where- Left Bank (Latin Quarter and Saint-Germain-des-Prés •