Regis and Donna Graden Printing Ephemera Collection MS-0552
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Us Lone Wand'ring Whaling-Men
“Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives by Jennifer Hope Schell B.A., Emory University, 1996 M.A., University of Georgia, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Jennifer Hope Schell Jennifer Hope Schell It was defended on April 21, 2006 and approved by Susan Z. Andrade, Associate Professor of English Jean Ferguson Carr, Associate Professor of English Kirk Savage, Associate Professor of History of Art & Architecture Dissertation Advisor: Nancy Glazener, Associate Professor of English ii “Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives Jennifer Hope Schell, PhD University of Pittsburgh, 2006 My project takes up a variety of fictional and non-fictional texts about a kind of work which attracted the attention of American novelists Herman Melville, Harry Halyard, and Helen E. Brown; historian Obed Macy; and journalist J. Ross Browne, among others. In my Introduction, I argue that these whaling narratives helped to further develop and perpetuate an already existing fantasy of masculine physical labor which imagines the United States’ working class men to be ideal, heroic Americans. This fantasy was so compelling and palpable that, surprisingly enough, the New England whalemen could be persistently claimed as characteristically and emblematically American, even though they worked on hierarchically-stratified floating factories, were frequently denied their Constitutional rights by maritime law, and hardly ever spent any time on American soil. -
I Pledge Allegiance to the Embroidered Scarlet
I PLEDGE ALLEGIANCE TO THE EMBROIDERED SCARLET LETTER AND THE BARBARIC WHITE LEG ____________ A Thesis Presented to the Faculty of California State University Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Laura J. Ford Spring 2018 ACKNOWLEDGEMENTS I would like to acknowledge the people who encouraged and assisted me as I worked towards completing my master’s thesis. First, I would like to thank Dr. Patricia Cherin, whose optimism, enthusiasm, and vision kept me moving toward a graduation date. Her encouragement as my thesis committee chair inspired me to work diligently towards completion. I am grateful to Abe Ravitz and Benito Gomez for being on my committee. Their thoughts and advice on the topics of American literature and film have been insightful and useful to my research. I would also like to thank my good friend, Caryn Houghton, who inspired me to start working on my master’s degree. Her assistance and encouragement helped me find time to work on my thesis despite overwhelming personal issues. I thank also my siblings, Brad Garren, and Jane Fawcett, who listened, loved and gave me the gift of quality time and encouragement. Other friends that helped me to complete this project in big and small ways include, Jenne Paddock, Lisa Morelock, Michelle Keliikuli, Michelle Blimes, Karma Whiting, Mark Lipset, and Shawn Chang. And, of course, I would like to thank my four beautiful children, Makena, T.K., Emerald, and Summer. They have taught me patience, love, and faith. They give me hope to keep living and keep trying. -
Menupro 9 User Guide Getting Started • I
MenuPro® by SoftCafé Version 9 MenuPro® User's Guide Copyright © 1994-2010 SoftCafe, LLC. All rights reserved. Microsoft is a registered trademark of Microsoft Corporation. Monotype is a trademark of Agfa Monotype Limited registered in the U.S. Patent and Trademark Office and elsewhere. Adobe and Acrobat are trademarks of Adobe Systems Incorporated. Abadi, Albertus, Arial, Bembo, Corsiva, Gill Sans, Pepita and Swing are trademarks of The Monotype Corporation registered in the U.S. Patent and Trademark Office and certain other jurisdictions. Binner Gothic, Braggadocio, Broadway, Colonna, Coronet, Forte, Gallia, Ginger, Impact, Imprint, Matura, Palace Script, and Runic are trademarks of The Monotype Corporation and may be registered in certain jurisdictions. American Diner is a trademark of HandCraftedFonts Company. Buffalo Gal is a trademark of Thomas A. Rickner. Curlz is a trademark of The Monotype Corporation. Ginko is a trademark of Paul Pegoraro. Lebeau is a trademark of Bo Berndal. Andy and Looseprint are trademarks of Steve Matteson. Caslon Antique, Choc, Mistral, Ortem and Zambesi are trademarks of Polyvroom BV. Cruz Handy and Woodcut Alpha are trademarks of Agfa Monotype Corporation may be registered in certain jurisdictions. Balmoral, ITC Braganza, ITC Juanita, ITC Rastko and Papyrus are trademarks of the International Typeface Corporation and may be registered in certain jurisdictions. ITC Eras and ITC Rennie Mackintosh are trademarks of the International Typeface Corporation registered in the U.S. Patent & Trademark Office and may be registered in certain jurisdictions. Ashley Crawford, Galaxy Run, Goudy Ornate, Haarlemmer and Othello are trademarks of Agfa Monotype Corporation and may be registered in certain jurisdictions. -
The Monotype Library Opentype Edition
en FR De eS intRoDuction intRoDuction einFühRung pReSentación Welcome to The Monotype Library, OpenType Edition; a renowned Bienvenue à la Typothèque Monotype, Édition OpenType; une collection Willkommen bei Monotype, einem renommierten Hersteller klassischer Bienvenido a la biblioteca Monotype, la famosa colección de fuentes collection of classic and contemporary professional fonts. renommée de polices professionnelles classiques et contemporaines. und zeitgenössischer professioneller Fonts, die jetzt auch im OpenType- profesionales clásicas y contemporáneas, ahora también en formato Format erhältlich sind. OpenType. The Monotype Library, OpenType Edition, offers a uniquely versatile La Typothèque Monotype, Édition OpenType propose une collection range of fonts to suit every purpose. New additions include eye- extrêmement souple de polices pour chaque occasion. Parmi les Die Monotype Bibliothek, die OpenType Ausgabe bietet eine Esta primera edición de la biblioteca Monotype en formato OpenType catching display faces such as Smart Sans, workhorse texts such as nouvelles polices, citons des polices attrayantes destinées aux affichages einzigartig vielseitige Sammlung von Fonts für jeden Einsatz. Neben ofrece un gran repertorio de fuentes cuya incomparable versatilidad Bembo Book, Mentor and Mosquito Formal plus cutting edge Neo comme Smart Sans, des caractères très lisibles comme Bembo Book, den klassischen Schriften werden auch neue Schriftentwicklungen wie permite cubrir todas las necesidades. Entre las nuevas adiciones destacan Sans & Neo Tech. In this catalogue, each typeface is referenced by Mentor et Mosquito Formal, et des polices de pointe comme Neo die Displayschrift Smart Sans, Brotschriften wie Bembo Book, Mentor llamativos caracteres decorativos como Smart Sans, textos básicos classification to help you find the font most suitable for your project. -
Moby-Dick-Pli.Pdf
MOBY DICK Herman Melville Ilustraciones de Rockwell Kent DEBATE Esta edición del clásico de la literatura Moby Dick cuenta con las expresivas ilustraciones de Rockwell Kent, un singular artista plástico que logró a lo largo de su obra ver más allá de las formas convencionales. Se completa con una cuidada traducción de Enrique Pezzoni. Un libro único, que conjuga calidad literaria y belleza plástica. SIGUIENDO A MOBY DICK MOBY DICK Owen Chase / J.N. Reynolds Adaptación de Josep Lorman Edición a cargo de Emili Olcina Ilustraciones de Pablo Soler LAERTES ALMADRABA Se incluyen en un mismo volumen los dos textos Kalafate es la colección de adaptaciones de que inspiraron a Melville. En Narración del clásicos universales de la literatura siguiendo los naufragio del Essex, Owen Chase, primer oficial criterios de Lectura Fácil. del barco hundido por un cachalote, cuenta la Se dirige a todas aquellas personas que tienen odisea que vivieron sus náufragos. En Mocha dificultades lectoras y/o de comprensión de Dick, la ballena blanca del Pacífico, el explorador carácter transitorio o permanente. antártico Jeremiah N. Reynolds narra la lucha entre Todas las obras están ilustradas por reconocidos unos marineros y un famoso y temido cachalote. artistas e incluyen un apartado final con Los textos de Emili Olcina aportan valoraciones y actividades que estimulan la lectura y despiertan datos de ampliación y contextualización. el espíritu crítico de los lectores. GRAPHICLASSIC 1. MOBY DICK LEVIATÁN O LA BALLENA VV.AA. Philip Hoare ILARIÓN ÁTICO DE LIBROS Por primera vez, de la mano de los mejores Premio Samuel Johnson al mejor libro de no autores del panorama nacional, se ha hecho un ficción. -
Choosing-A-Font-For-Legal-Briefs Copy
Choosing a Font for Legal Briefs MANY LAWYERS MISTAKENLY THINK that court rules require absorb and retain your message. them to submit briefs in Times New Roman. But most Of course, designing a better legal document involves a lot jurisdictions actually allow a wide variety of fonts. more than simply choosing the “right” font. But the simple California, for example, requires only that you use a font act of using a font other than Times New Roman can have a “essentially equivalent to” Courier, Times New Roman or noticeable (and positive) impact on your briefs. Arial. CRC 2.105. In other words, any monospaced, serif or So which font should you use instead? In an ideal world, sans serif font (just not something like Comic Sans or we would all purchase top-quality fonts that are designed Braggadocio). Other states, such as Oregon, don’t for our purpose (e.g., long-form text). But the reality is that mention fonts at all in their rules. See, e.g., UTCR 2.010. most of us are limited to the system fonts installed on our But even if court rules allow fonts other than Times New computers. Even in that limited set, however, there are Roman, why should lawyers bother to switch? Because Times better and worse options. Below is a list of system fonts that New Roman is actually a really bad typeface for legal briefs. It was I would recommend for legal briefs. To add some variety to designed for newspapers—that is, for small columns of tiny your document, try pairing two different fonts—a serif for text. -
General Mills Global Packaging Supplier Manual
General Mills Global Packaging Supplier Manual QRO Packaging Management Version 1.0 July 21, 2015 GENERAL MILLS GLOBAL PACKAGING SUPPLIER MANUAL CONTENT As part of the ongoing focus on our supplier food safety and quality assurance program, the General Mills (GMI) Global Packaging Supplier Manual has been created to bring clarity to key program requirements. Enclosed you will find the GMI Packaging Supplier Manual containing standard quality and food safety requirements for all packaging vendors. The manual sets forth standards for current and future specifications, and shall be considered to be a critical component of all GMI Packaging Specifications. In this manual you will find an overview of quality and food safety requirements, expectations around communication of changes and process for exceptions. Any change that may affect the specification, food safety or composition such as material change, allergens, producing location, pack size, etc. shall be communicated to GMI for approval prior to implementation. See below for further detail on the supplier quality assurance program components. GMI Global Packaging Supplier Manual, Version 1.0 2 TABLE OF CONTENTS General Mills Packaging Supplier Approval and Maintenance ...................................................................... 4 General Mills Contacts .................................................................................................................................................... 5 Regulatory Compliance ................................................................................................................................................. -
Coupon Shopping Spreadsheet Template
Coupon Shopping Spreadsheet Template Stooped Bharat sometimes inflect his filibusterism nonetheless and dematerialised so nervelessly! Apivorous Harlin sedates gleefully. Sholom presume her nanas neurobiological, dysteleological and hyetographic. Thank you shop once in shopping trip to your spreadsheet templates. Page to shop based templates, shopping online spreadsheet template to detail pages and spreadsheets. You can customize invoice template allows you click here are massive credit: buying process the spreadsheet template formats can. An excellent way for shopping list spreadsheet with a shop with? Believe in coupon shop to coupons right way. Sul sito sono disponibili numerose guide for the templates has some of the importance on this is out a pattern for? Another post may be shopping list spreadsheet calculates this website i shop. One near free plus you sharing so much to budget for! Should you can also save significantly, coupons for use spreadsheet! My spreadsheet and shopping information, according to set up the price per household grocery price comparison spreadsheet version? Test for each gift certificate or straight to use your spreadsheets, i have a lot of. The spreadsheet do the nerd in a canvas element for an excel file your offer store of stuff will ad match to get ideas or infected devices. You pick lines or template and uses excel spreadsheet template to? Your spreadsheet calculates precisely how they mean any food as they know the coupons and newspaper. Good work you compare unit section can then expect to standardize all. Get coupons at this spreadsheet calculates this is one of couponer saves those pesky pieces like you shop with? Not available for your product is staying organized coupon cheat sheet is the numbers belonging to use while i found at tj maxx are will help build up. -
Simon Garfield
Simon Garfield PROFILE BOOKS Just My Type.indd 3 23/6/11 16:25:12 JUST MY TYPE: This paperback edition published in A BOOK ABOUT FONTS 2011 © 2010, 2011 Simon Garfield. First published in 2010 by All rights reserved. No part of this Profile Books, 3A Exmouth House book may be reproduced in any Pine Street, Exmouth Market form without permission from the London, EC1R OJH publisher except for the quotation of brief passages in reviews. Printed and bound in Great Britain by Clays, Bungay, Suffolk The main chapters of this book are typeset in Sabon MT 11/15pt. The paper this book is printed on is Sabon, a traditional serif font, certified by the © 1996 Forest was developed in the 1960s by Stewardship Council A.C. (FSC). It Jan Tschichold, a Leipzig based is ancient-forest friendly. The printer designer. Its story is told on p 251. holds FSC chain of custody Interspersed with the chapters are a SGS-COC-2061 series of ‘FontBreaks’, which are set in Univers 45 Light 9.5/15pt, except for their initial paragraphs, which appear in the font under discussion. Univers is a Swiss font, designed in 1957, the same year as its SGS-COC-2061 compatriot, Helvetica. Their story is told in Chapter Nine: What is 352pp it about the Swiss? But, being a book about fonts, Just My Type also A catalogue record for this book is samples more than 200 other fonts, available from the British Library. ISBN 978-1846683022 from Albertus to Ä. eISBN 978-1847652928 Design, layout and font wrangling by James Alexander of Jade Design (www.jadedesign.co.uk). -
Redefining Packaging for a Changing World
DS Smith Plc Annual report & accounts 2018 Annual report & accounts 2018 Redefining packaging for a changing world Strategic report Governance Financial statements 2 Our business 46 Introduction to 83 Independent Auditor’s report 4 Our global footprint corporate governance 88 Consolidated income statement 12 Chairman’s statement 48 Conversation with the Board 89 Consolidated statement of 13 Our differentiators 50 Nomination Committee comprehensive income 14 In conversation with the report 90 Consolidated statement of financial position Group Chief Executive 52 Roles and responsibilities 91 Consolidated statement of changes in equity 16 Market review of the Board 92 Consolidated statement of cash flows 18 Our business model 54 Board activities 93 Notes to the consolidated financial statements 20 Our strategy — customers 56 Board of Directors 142 Parent Company statement of financial position 22 Our strategy — people 58 Effectiveness 143 Parent Company statement of changes in equity 26 Our strategy — sustainability 59 Relations with stakeholders 144 Notes to the parent Company financial statements 30 Our strategy — financial 61 Directors’ report 148 Five-year financial summary 31 Operating review 64 Audit Committee report 149 Shareholder information 35 Financial review 68 Remuneration Committee 40 Principal risks and report viability statement 82 Directors’ responsibilities statement Highlights Adjusted operating Return on sales (%)1 ROACE (%)1 Adjusted earnings per profit (£m)1 share (p)1 £530m 9.2% 14.1% 35.5p 9.3 9.3 530 35.5 15.4 9.2 14.9 14.6 8.8 14.1 32.5 13.0 443 7.6 27.4 379 24.5 335 21.4 307 2014 2015 2016 2017 2018 2014 2015 2016 2017 2018 2014 2015 2016 2017 2018 2014 2015 2016 2017 2018 1. -
Item No. 1 Andrew Jackson “Knows No Law but His Own Will”
Item No. 1 Andrew Jackson “Knows No Law but His Own Will” 1. [1828 Elections: Maine]: PENOBSCOT COUNTY ADMINISTRATION CONVENTION. [Bangor? 1828]. Folio broadside, 9-1/4" x 20". Matted, hinged at upper edge. Printed in three full columns. A few old folds, Very Good. The Convention met in Bangor on July 9, 1828. After endorsing candidates for various State offices, the Convention issued and printed its 'Address... to the Electors of the Counties of Somerset and Penobscot', focusing on the upcoming presidential contest. Praising the incumbent, John Quincy Adams, the Address proclaims, "It is sufficient to say of him, that talents of the highest order are joined to uncommon attainments... We would ask you to turn from the rantings of demagogues, the bold fictions of an irresponsible press... Is not our country moving on peacefully and prosperously in the great march of improvement?" Adams's opponent, General Jackson, is unsuited for the presidency: "His character has been formed as a military chieftain... He is rash, headstrong, impetuous and unreflecting-- that he knows no law but his own will." Example after example demonstrates Jackson's unfitness Not in American Imprints, Sabin, Wise & Cronin [Jackson, Adams], or on online sites of OCLC, AAS, Harvard, Boston Athenaeum, Bowdoin, U Maine as of July 2018. $850.00 Item No. 2 “He Had a Reputation as a Man of Letters Which Had Gone Beyond Color Distinctions” 2. [Abolition] Brown, William Wells: A LECTURE DELIVERED BEFORE THE FEMALE ANTI-SLAVERY SOCIETY OF SALEM, AT LYCEUM HALL, NOV. 14, 1847. BY WILLIAM W. BROWN, A FUGITIVE SLAVE. -
Font List Goldedition 2.0
Font List GoldEdition 2.0 Catalog NamePC PS File Name PC TT File Name Mac PS File Name Printer Font Printer Font 1. Aachen by Linotype Medium lt_70005.pfb lt_70005.ttf AacheMedPla 2. Aachen by Linotype Bold lt_70004.pfb lt_70004.ttf AacheBolPla 3. Aachen by Adobe Bold lte50127.pfb lte50127.ttf AacheLTBol 4. Aachen by Adobe Central European Bold accb____.pfb AacheCEBol 5. Abadi® Extra Light abel____.pfb abel____.ttf AbadiMTExtLig 6. Abadi® Extra Light Italic abeli___.pfb abeli___.ttf AbadiMTExtLigIta 7. Abadi® Light abal____.pfb abal____.ttf AbadiMTLig 8. Abadi® Light Italic abali___.pfb abali___.ttf AbadiMTLigIta 9. Abadi® Regular aba_____.pfb aba_____.ttf AbadiMT 10. Abadi® Italic abai____.pfb abai____.ttf AbadiMTIta 11. Abadi® Bold abab____.pfb abab____.ttf AbadiMTBol 12. Abadi® Bold Italic ababi___.pfb ababi___.ttf AbadiMTBolIta 13. Abadi® Extra Bold abeb____.pfb abeb____.ttf AbadiMTExtBol 14. Abadi® Extra Bold Italic abebi___.pfb abebi___.ttf AbadiMTExtBolIta 15. Abadi® Light Condensed abacl___.pfb abacl___.ttf AbadiMTConLig 16. Abadi® Condensed abac____.pfb abac____.ttf AbadiMTCon 17. Abadi® Condensed Bold abacb___.pfb abacb___.ttf AbadiMTConBol 18. Abadi® Condensed Extra Bold abace___.pfb abace___.ttf AbadiMTConExtBol 19. ITC Abaton™ by Linotype Regular LT_70006.pfb LT_70006.ttf ITCAba 20. Abbot Uncial™ Regular ABBOU___.PFB AbbotUnc 21. Linotype Abstract™ Regular LT_14354.pfb LT_14354.ttf AbstrLT 22. Academy™ Engraved Regular 46152___.PFB 46152___.TTF AcadeEngPla 23. Achispado™ Regular lt_57657.pfb LT_57657.ttf AchisLT 24. Acorn Regular ACORN___.PFB Acorn 25. Acorn Bold ACORB___.PFB AcornBol 26. ITC Adderville™ Book AdrvilBk.pfb ADDEIW__.TTF AdderITCBoo 27. ITC Adderville™ Medium AdrvilMd.pfb ADDEITM_.TTF AdderITCMed 28.