Olivier Borde the BarbicanCentre principal funderof is thefounder and Corporation The Cityof London

Part of Barbican Presents 2019–20 Siegrid Petit-Imbert Olivier Fredj Adrien LaMarca Clément Dazin Anas Séguin Samuel Hasselhorn Christian Immler Vladimir Baykov Chiara Skerath Johanni van Oostrum Stanislas deBarbeyrac Act 2andAct 3 There willbeoneinterval of 20minutes between Weber Monday 4November 2019 7.00pm, Hall Insula Freischütz Der Weber’s advertising by Cabbell(tel 02036037930) Programme produced by HarrietSmith; hearing aidto Tsettingonentering thehall. Please useourinductionloop–justswitch your Use ahearingaid? the performance. Take photos ormake recordings during Please don’t... the performance. Turn off watch alarmsandphonesduring Please do... Laurence Equilbey Insula orchestra accentus Thorsten Grümbel DerFreischütz (concertperformance)

Kilian spatial installation Ännchen

Samiel

Hermit/Voice of Samiel soloviola Kaspar

conductor Kuno Ottokar costumes Agathe

Max

2 on awell-known masterpiece, andthe Equilbey aimsto offer afresh perspective next year they’re setto record it.Asever, Freischütz This ispartof anextended tour of by Laurence Equilbey. accentus andInsulaorchestra, conducted A wonderful solocastjoinsthechoir opera. earliest trueexample of GermanRomantic original opera of Weber’s groundbreaking andbrilliantly A warm welcome to tonight’s performance Welcome given by themusiciansand Der Freischütz – to somethe Der Der Huw Humphreys, Head of Music,Barbican I hopeyou enjoy it. It promises to beawonderful evening. Johanni van Oostrum. evening by Stanislas deBarbeyrac and Max andhisbeloved Agathe, sungthis just aspotent istheinteraction between colours –even foreshadowing Wagner – conjures themostextraordinarily dark Wolf’s Glenscene,inwhichthecomposer that may bemostevident in thefamous in tonight’s concertperformance. Andwhile masterpiece isvery much to thefore, even supernatural, magical elementof Weber’s

Max arrives, shocked by visionsof hisdead can find someone to take hisplace. Aterrified will bereprieved for another three years ifhe summons upSamielintheWolf’s Glen.Kaspar As midnightstrikes inthedistance Kaspar Wolf’s Glen(Trio: ‘Wie? Was? Entsetzen!’). that hemustcollectadead stag from near the by Max’s arrival butanxiouswhenhetells her mir derSchlummer…Leise,leise’).Sheischeered Hermit Agathe isinapensive mood(‘Wienahte fest!’). After anearlymorningvisitto thelocal Ännchen isrehanging it(Duet:‘Schelm,halt’ the wall andinjured Agathe. Hercompanion of oneof Kuno’s ancestors hasfallen from Just asMax hasfired themagic bullet,apicture Act 2 coming damnation(‘Schweig, schweig’). As Max leaves, Kaspar relishes theyoung man’s instead of himselfasavictimto theevil Samiel. cast seven more bullets.Hisplanisto offer Max him attheWolf’s Glenatmidnight they can distance. Kaspar suggeststhatifMax willjoin Max shoots abird from theskyatanimpossible one of Kaspar’s magic bullets(eine Kaspar to drinkwithhim.Having beenhanded Max pondershisbad luckbutispersuaded by and ahuntingchorusthevillagers depart. Head Forester. After atrio(‘Oh,dieseSonne’) daughter Agathe and,intime,of becoming day hewillforfeit hischanceof marryingKuno’s that ifhefails intheshooting competitionthenext powers Kuno reproves himandreminds Max gun iscursedandheneedshelpfrom thedark Samiel, the‘Black Huntsman’)suggeststhatMax’s jealous colleague, whohassoldhissoulto by Kuno, thehead forester. WhenKaspar (Max’s two menalmostcometo blows butare separated mock thefailure of assistant forester Max. The peasant Kilianinashooting competitionand The villagers hailthesuccessof thewell-heeled Act 1 Synopsis synopsis Freischütz: Der cast thebulletswhile allround themthere is mother and Agathe. HeandKaspar beginto Freikugel ), ), new chapletisquicklymade from roses given she hasbrought they find afuneral wreath. A wall again andwhenÄnnchenopensabox The ancestor’s picture hasfallen from the song (‘WirwindendirdenJungfernkranz’). and herbridesmaidsarrive andsingafolk Ännchen triesto comfort her(‘Einstträumte’) a bleedingblack bird whenitfell atherfeet. dove shot by Max whichtransformed itselfinto recounts anightmare inwhichshewas awhite trust inabenignGod(‘UndobdieWolke’). She Agathe isinherwedding dress. Sheputsher Samiel andwhichisdestinedfor hisvictim. bullet left.Itisthe a trueprofessional. Hehasjustonemagic the arrival of Max whohasbeenshooting like A shortentr’acte withhunting-horncallsheralds Act 3 interval as theclockstrikes oneandcalmreturns. shrieking andhowling. They fall unconscious thunder andlightningsupernatural horrors with everyone celebrating God’s mercy. of Max andAgathe. Theopera concludes Ottokar himselfwillofficiate atthewedding is commuted to aprobationary year after which However, theHermitintercedes andhissentence has happenedandthePrincebanishes him. curses heaven andhell.Max now confesses what appears to collecthisreward asthedyingman unhurt butKaspar ismortally wounded. Samiel Agathe andKaspar fall to theground. Agathe is hiding. Max shoots. ItisSamiel’sbulletandboth the dove away to another tree where Kaspar is in, demandingthathestop. TheHermitchases as thetarget. AsMax takes aimAgathe runs arrives. AndthePrincechoosesawhite dove that itshouldtake place before hisdaughter to watch theshooting contest. Kuno insists Prince Ottokar andhisfollowers are ready chorus crashes in(‘Was gleichwohl aufErden’). to Agathe by theHermit Thenthehuntsmen’s 20minutes Freikugel that belongs to thatbelongsto

3 Synopsis 4 King, noless,had declared thathishorse to rival theSaxon taste for Italian works. (The he had beenhired to create Germanopera of Max andAgathe in1819 inDresden where Weber beganwork inearnestonthe history country was devastated by foreign incursions. the Germanpeopleinwhichsomuchof the of theThirtyYears War, thatearlierdisaster for accident that of theoldEuropean autocracies. Itisno with hisexile to St Helena andtherestoration experiments withtheirterritories had ended maturity intheyears after Bonaparte’s political concerns of aGermangeneration whocameto crystallises thecultural, politicalandphilosophical all GermanRomantic operas andawork that Der Freischütz way. Weber never needsto leanonWagner. With through theGermancultural telescope thewrong the Bayreuth sorcerer. However, thatisto look the Baptistfigure heralding theachievements of the earliercomposerhasbeencastasaJohn Wagner’s debtto Weber isclear, buttoo often Kaspar andMax’s nightintheWolf’s Glen. The at thebottom of theRhineatbeginningof that, Alberich’stheftof thegoldfrom itshome the ill-gotten gainsof theNibelung.More than from thecave in on to forge themagic bulletsisjustastep away And surely theWolf’s Glenwhere Max isegged He understood thepower of musicalleitmotifs. production allblendedharmoniouslyinto one. music, poetry, danceandthevisualstyleof a subscribed to theideal short life to create Germanoperas. Hetoo after himWeber worked tirelessly through his No Weber, noWagner? Perhaps. Like Wagner Freischütz Der von Maria WeberCarl

Ring isjustasmuchasinagainst nature as Der Freischütz hecreates oneof thegreatest of Siegfried Gesamtkunstwerk where Fafner guards is set in the period issetintheperiod (1817–20) in which inwhich Johann FriedrichKindwere already atwork onit. when hediscovered thatWeber andhislibrettist Spohr onlyrelinquished hisplansfor anopera occasions andWeber’s closecontemporary Louis into astage work withmusiconthree previous been extracted from thecollectionandturned 1811 and1815. Apel andFriedrichLaunpublishedbetween stories collected andrewritten by JohannAugust Gespensterbuch Weber andhiscontemporaries had read itinthe would have beenfamiliar to many Germans. the woman heloves inashooting competition bullets thatwillallow himto winthehandof himself to demonicforces to make themagic This story of theyoung ranger whoallies the deeplyconservative Kingdomof Saxony. more interested innew cultural opportunitiesthan Schauspielhaus, andfor acitythatwas much Berlin for performance inthenewly rebuilt was not commissionedby Saxony butby prima donna!)Unsurprisinglythen,theopera could singabetter ariathanaGerman dark world embodiedby theWolf’s Glen.Indeed has soldhissoulto thesatanic Samielandthe emphasis back onMax andalsoonKaspar, who The revised title, huntsmen presided over by abenignPrince. ordered rural communitywithitspeasantsand important thanthedarkforces thatthreaten her Bride At thisstage thepiecewas called opera. Godbepraised andto himall honour.’ to went. Andon13 May 1820 hewrote: ‘Overture score, makingchangesto Kind’slibretto ashe It took Weber justover 10 weeks to complete his

Die Jägersbraut , whichsuggeststhatAgathe was more (1786–1826) Der Freischütz , five volumes of oldGermanfolk Der Freischütz finished andwithitthewhole had already , throws the The Hunter’s

the natural. Soattheendof which was rooted in Nature andtheideaof and sostood inoppositionto trueculture, German thinkers was manmade andartificial itself astheacme of civilisation,whichfor many of theGermanstates. France proposed by theconflict between Napoleon’sFrance and The politicsof thisNature worship were nurtured setting of Richard Dehmel’s above Weimar to ’s exquisite composed –we are told –onthewooded hills for hishero, andfrom Goethe’slyricpoems ‘s forests in the landscapesof CasparDavid Friedrichto over somuchGerman19th-century art,from those woods andforests thatcastashadow but inthefields andmeadows and,above all, found intheprincelings’palaces andcastles of liberty. True nationalidentitywas not to be political system whichhad stifled theirhopes meaning asthey struggledagainst theautocratic For GermanRomantics Nature heldaspecial pastorales somersaultafter each other.’ funeral marches androndos andfuriosos is gradually unrolled before my eyes, how the produce it…Butgoodheavens whenNature whole, withoutdwelling onthedetails which of apieceof music.Ifeel theeffect of the of alandscapeisto metheperformance living, breathing Nature. ‘Thecontemplation Weber shared Wordsworth’s ideasabouta That Ibeheld,respired withinward meaning.’ mass/Lay beddedinaquickening soul,andall/ feel,/Or linked themto somefeeling: thegreat cover thehighway,/I gave amoral life. Isaw them rock, fruitorflower,/Even theloosestones that growth of my own mind’:‘To every natural form, Prelude Wordsworth wrote inhislongnarrative poem prospect butamoral presence inourlives. As up inoppositionto Nature, whichisnot adistant from grace istheconsequenceof settingitself that central Romantic conceitthatMankind’sfall opera turns,dramatically andmusically. Here is that scenebecomesthepivot onwhichthewhole thrown into theWolf’s GlenandMax, thanks perverting nature withhismagic bulletsisto be the corpseof theevil Kaspar whohasbeen , which he described as ‘the poem on the , whichhedescribedas‘thepoemonthe Waldseligkeit Siegfried Der Freischütz , a school , aschool .

The The the songcompetitionandgetgirl. become a‘bürgerlich’ resident ifhe’sto win lives andaknight,Walther von Stolzing, must such place where thecitizensruletheirown in criss-crossed Germany. Wagner’s Nuremberg medieval towns thatwere supposedto have This identityisexemplified by life inthesmall all intended to present alostGermanidentity. Gespensterbuch and ClemensBrentano andApelLaun’s traditional poemsgathered by Achim von Arnim und Hausmärchen tales andpoetry:theBrothers Grimm’s German history of thekindto befound infolk passion for celebrating anolderpopular dukedoms andfree cities.There was anew and subdividedinto somany kingdoms,states, Holy Roman Empire, withGermany divided political geography of whatremained of the identity thatmighttranscend thehaphazard to weave anew nationalpoliticalandcultural such asWeber was justonethread inanattempt The celebration of Nature by GermanRomantics a terrible moment,appearsto have beenshot. Agathe (thegirlMax hopesto marry)who,for last act isapure white dove thatisidentified with for theshooting contest atthebeginningof the has been:thetarget chosenby PrinceOttokar we shouldremember whataclose-runthingit restored to astate of grace withinnature. But community’s collective goodnessthatcauses And whenitisthreatened by Kaspar itisthe everyone knows andaccepts theirposition. skills. Here is asimplesocialhierarchy where competition thatwilldemonstrate theforesters’ Prince Ottokar presiding over arural shooting head forester Kuno. Andinthefinal act we have to joinwhenhemarriesthedaughter of the the forest rangers, whoseranks Max aspires living inharmony withthoserural aristocrats version of Germanidentity. We have peasants Der Freischütz lost Germanidentity, thecountryside. Weber’s real, thesameistrueof thatother site of a If thesetowns are often imaginary rather than that traditional operatic in partto thetimelyappearance of aHermit– Die Meistersinger von Nürnberg isaparadigm of thisidealised , thesource of theopera, are , Des KnabenWunderhorn deus ex machina is one isone Kinder- – is –is

5 Programme note 6 is Agathe’s great aria‘Leise,leise’,withits important thancivilisation.Mosttelling of all of anidealGermany inwhichculture ismore Chorus place theopera firmly withinthecontext example, orthevillage march, ortheHuntsmen’s refrain of theBridesmaids’ChorusinAct 3,for folk songsthatrunthrough Equally significant are theechoesof traditional gnaw itsway into theheartof theopera. appears intheOverture andthenseemsto chilling diminishedseventh chord whichfirst closest thingto afullydeveloped leitmotif, a deep into thescore. Asfor Samiel,hehasthe was attheheartof hisopera iscomposed between goodandevil thatWeber told afriend C minorfor Kaspar andhisdevilry. Sotheduality normative Cmajorandthedarker andanxious an oppositionbetween homelycomforting it’s allthere inthescore. Atitsheartthere is Weber knew exactly whathewas doingand he too hashisrole inthisordered society. as aprofessional outsiderlivinginthewoods – withalittlehelpfrom theHermit.Butthen his undoingandthusrestores traditional values Der Freischütz : the : the Synopsis &programme note ©Christopher Cook regrettable disease:shecan’tholdherink.’ had thelastword abouther:‘Thislady hasa continued to carp.ButthenWeber had already carped. Notably Therese ausdemWinkel knew whathehad achieved, even iftraditionalists composer’s more thoughtfulcontemporaries dialogue alternated withmusicalnumbers.The the Rhine, andwhichcertainly moves away from extent French aces for thoselivingEastof the opera –onewhichtrumpsItalian andto an Weber’s darkness.’ Itisgoodnessthattriumphs,not love! light again …[infact] halftheopera plays in ‘a curve downwards into darknessandupinto of theopera is,asonecommentator hasnoted, good andevil thatinterests Weber: thejourney for Max andAgathe, butitistheconflict between We may besurprisedthatthere isnolove duet enters, to becompleted by aheartfelt prayer. but whichrisesto unalloyed joy whenMax sense of reflection underpinnedby anxiety haunting introduction from theflute andquiet Singspiel Der Freischütz tradition where spoken German is agreat German

Olivier Borde About the performers an derWien,Ludwigsburger Schlossfestspiele, Théâtre deProvence, LaSeineMusicale, Theater Schöpfung She hasrecently conducted Haydn’s programme for the1,150-seater Auditorium. to , andisincharge of selectingpartof the venue, LaSeineMusicale,ontheÎleSeguin,close The orchestra isin residence inanew artistic to theClassicalandearlyRomantic repertoire. instrument Insulaorchestra, anensembledevoted des Hauts-de-Seine,shefounded theperiod- In 2012, withsupportfrom theDépartement Mozarteumorchester Salzburg, amongothers. Scottish ChamberOrchestra and the Concerto Köln,Camerata Salzburg, of Wales, Akademie füralte MusikBerlin, Zimmermann, BBC NationalOrchestra Philharmonic, HesseRadio Orchestra, Café Bucharest, LiègeandLeipzig,theBrussels She hasconducted theorchestras of Lyon, yet open-mindedapproach to herart. and isacknowledged for herdemanding director of Insulaorchestra andaccentus Laurence Equilbey isconductor andmusical Laurence Equilbey Laurence Equilbey staged by LaFura delsBaus (Grand conductor Die Die creation too. SheisalsoArtisticDirector and Music. Laurence Equilbey supportscontemporary Salzburg andtheAustrian Ensemblefor New Sofia GubaidulinainSalzburg withCamerata a programme of musicby Pascal Dusapinand periods. InJuly2019 sheandaccentus presented productions andfrom Baroque to contemporary ranging from accentus interprets great vocal repertoire, Under Laurence Equilbey’s artisticdirection, relationship withtheParis Philharmonie. Provence inAix-en-Provence andhasaclose an associate artistof theGrand Théâtre de Mozart collaboration withCie14:20. Sheis la Mort ‘Pastoral’, Cocteau’s ballet based around Beethoven’s Symphony No 6, June 2019 andthisseasonpresents new stagings Requiem inastaging by Yoann Bourgeois in des Champs-Élysées). Shedirected Mozart’s Théâtre deLuxembourg andtheThéâtre an derWien,Ludwigsburg Festival, Grand de Provence, BOZAR inBrussels,Theater by Cie14:20 (Théâtre deCaen, Grand Théâtre Comique); and Gounod’s Elbphilharmonie andtheLincolnCenter); Ham, ColinMetters andJormaPanula. ,EricEricson,Denise andLondon, with Laurence Equilbey studiedmusicinParis, and adiscdedicated to Mozart’soperas. Laurence Equilbey willrecord Natalie CleinandDavid Kadouch. Next year Bertrand Chamayou, Alexandra Conunova, Nicholas Angelich,thesecondonewithaccentus, released two discsof Beethoven, thefirst featuring Laurence Equilbey andInsulaorchestra recently Young SingersattheParis Conservatoire. Director of Education attheDepartmentfor withMarie-Agnès Gillot andanother La nonnesanglante a cappella Der Freischütz works to fullystaged Le jeune homme et Le jeunehommeet in astaging by Der Freischütz (Opéra

7 About the performers 8 Yann Piriou Stanislas deBarbeyrac In earlierseasonshemade significant debuts with theLondonSymphony Orchestra. National deLyon andRavel’s Bach’s Flute Dutch NationalOpera asTamino ( ( as Alfredo ( also made hisdebutattheSemperoper Dresden performed inMunich,Paris andOrange. He ( at theMetropolitan Opera asDonOttavio Highlights of lastseasonincludehisdebut National Opera andGeneva’s Grand Théâtre. Staatsoper Berlin,Bayerische Staatsoper, Dutch House, Covent Garden, Opéra NationaldeParis, operatic venues, includingtheRoyal Opera having already performed to acclaim atleading exciting tenors to emerge inrecent seasons, Stanislas deBarbeyrac isoneof themost Stanislas deBarbeyrac at theOpéra NationaldeParis. Opera andmade anumberof appearances sang Renaud ( San Francisco Opera. Thatseasonhealso the 2016–17 season,singingDonOttavio for He made hisNorthAmericandebutduring Le Chevalier ( ( Bénédict Mozart andGluckviaBénédict( Festival. Hisrepertoire ranges from operas by Teatro ComunaleandtheAix-en-Provence Opéra NationaldeBordeaux, ’s in ,Opéra NationaldeParis and at theZurichOpera House,LaMonnaie Salome La Périchole ). On the concert platform he sang in ). Ontheconcertplatform hesangin St Matthew Passion ), Pelléas ( ) andMacduff ( La traviata ) inBordeaux andreturned to Dialogues desCarmélites Armide ), arole whichhesubsequently Pelléas et Mélisande ) for the ViennaState ), sang his first Piquillo ), sanghisfirst Piquillo Max Macbeth with theOrchestre L’heure espagnole Béatrice et Béatrice et ) to Narraboth The Magic ) and ) and )

Sajinthe de Vries Johanni van Oostrum French competitionVictoires delaMusique. ‘Révélation Artiste Lyrique’intheprestigious in Brussels2011. In2014 hewas named Queen ElisabethInternational Competition France andwas alsoaprizewinner atthe numerous prestigious vocal competitionsin vocal mentor LionelSarazzin. Hehaswon where hefirst studiedwithhiscurrent education attheBordeaux Conservatoire, Stanislas deBarbeyrac completed hismusical and Berlioz’s Mozart’s Requiem, Puccini’s Mendelssohn’s innumerous works, including ( ( Other roles inhisrepertoire includeCassio at OperGraz, Marietta ( Komische OperBerlinastheMarschallin Schlossfestspiele. She also returned to the Theater an derWienandtheLudwigsburger de Caen, Aix-en-Provence, BOZAR inBrussels, tonight –Agathe ( Opéra deLimoges,andtherole shereprises the title-role inanew production of Last seasonfeatured three majorrole debuts: Florentine KlepperandVera Nemirova. Harry Kupfer, BarrieKosky, Tobias Kratzer, de Vriend,andworked withdirectors suchas Solyom, GianlucaMarciano andJanWillem Bolton, MassimoZanetti,HenrikNánási,Stefan conductors suchasSirSimonRattle, Ivor Richard Strauss. Shehasperformed under in operas by Mozart,Wagner, Janácˇ ekand is indemandasinterpreter of leading roles South Africansoprano Johannivan Oostrum Johanni van Oostrum Tannhäuser Otello ) andWalther von derVogelweide ). Hehasalsoperformed with L’enfance duChrist Elijah Der Freischütz , Haydn’s Agathe Die tote Stadt tote Die Messa diGloria Die Schöpfung ) –atThéâtre and Salome ) with ) with

, , . Beethoven’s Symphony No 9,Bach’s As aconcertartistsheregularly appearsin Flute in performances astheFirstLady in Gilbert, andattheFestspielhaus Baden-Baden Opera astheMarschallinconducted by Alan of Bern, singingthetitle-role inanew production season withherhousedebutsatKonzert Theater in anew production of Braunschweig inherrole debutasChrysothemis du CapTheatre Award, andwithStaatstheater Flying Dutchman Opera asSenta inanew production of Bonn. Shemade herdebutwithCapeTown Figaro signature roles, theCountess ( debut withtheMinnesota Opera inoneof her The 2017–18 seasonsaw herNorthAmerican Chrysothemis ( ( Recital HallatCarnegiein2009. the Oratorio Societyof New York atWeill 2005 andtheRuthLopinNashAward from Spoorenberg Dutch Vocal Competitionin of theBlack TieOpera. Shewon theErna training from MimiCoertseandwas amember University of . Shereceived vocal Johanni van Oostrumisagraduate of the Bayreuth underthebaton of Martin Hoff. at theAlBustan Festival inBeirut, aswell asin Last Songs Weimar. Shealsoperformed Strauss’s the baton of Stefan Solyom withtheStaatskapelle Strauss’s birth,shesangorchestral songsunder To markthe150th anniversary of Richard Handel’s of MozartandVerdi, Haydn’s Requiem St Matthew Passions Der Rosenkavalier Katya Kabanova underthebaton of Yannick Nézet-Séguin. ), whichshealsoperformed atTheater , Pergolesi’s , conducted by GianlucaMarciano, Elektra , for whichshewon aFleur andMendelssohn’s ) andto Theater Bonnas , attheRoyal Swedish , Brahms’s Stabat mater ) andElsa( Elektra The Marriage of . She concluded the . Sheconcludedthe Die Schöpfung Ein deutsches Ein deutsches Lohengrin , theRequiems The Magic St John Four Four Elijah The The ). . and and ,

Capucine de Chocqueuse She hasbuiltastrong Mozartianrepertoire, Culture Scholarshipinboth 2011 and2012. Prize in2012. Shealsoreceived theMigros Boulanger CompetitionandtheEmmerichSmola atthe2013 International Nadia &Lili Competition; theGrand PrixdeDuoChant- at the2014 QueenElisabethInternational competitions, includingtheAudience Prize She hashad successatseveral international productions attheOpéra NationaldeParis. de Nantes, aswell asappearinginmultiple title-role of Mélisande acclaimed debutsasMélisande( technique andvelvety timbre, andrecently made been praised for hercombinationof effortless Swiss-Belgian lyricsoprano Chiara Skerath has Chiara Skerath and ElizaDoolittle ( Fledermaus Norina ( ( performances asEurydiceandAmour Her eclecticrepertoire alsoincludesacclaimed de Wallonie andOperklosterneuburg. ( Saint-Étienne; andBarbarinaSusanna Paris; Pamina ( Opéra deVersailles andthePhilharmonie de Cinna ( finta semplice di Tito and Stadttheater Bern;Servilia( Despina ( de Versailles andtheDrottningholm Festival; including Zerlina( Chiara Skerath Orphée et Eurydice ) attheOpéra duRhin;Ninetta ( Lucio Don Pasquale Così fan tutte ) attheOpéra deBordeaux andinthe L’incoronazione diPoppea ), theItalian Singer( ) at the Queen Elizabeth Hall; ) attheQueenElizabethHall; Ännchen ) atTheater anderWien, Don Giovanni My FairLady ), Adina ( ), Rosalinde ( ) atOperFrankfurt ) attheOpéra Royal L’elisir d’amore ) atOpéra de Capriccio La clemenza La clemenza ) atOpéra ). ). Pelléas et Die Die atOpéra La La ) ), ),

9 About the performers 10 Vladimir Baykov was borninMoscow andinitially Vladimir Baykov tour asÄnnchenwiththeInsulaorchestra. de Paris, aswell asthecurrent European Clorinda ( include FirstLady ( Chiara Skerath’s current andfuture projects now works regularly withAnnickMassis. Conservatoire inGlennChambers’sclassand Pallac. Shecontinuesto studyattheParis recitals across Europe withpianistAntoine Fondation Royaumont; sheregularly gives which shestudiedwithRubenLifschitzatthe of GermanLiederandFrench She isalsoindemandfor herperformances Ingo Metzmacher andLaurence Equilbey. , SirJohnEliot Gardiner, eminent conductors asChristian Thielemann, She hasperformed underthebatons of such of Spades letzten Dinge Lisbon andattheSpoleto Festival, Spohr’s at LaMonnaieinBrussels,Handel’s Internationally, heappeared in Mozart andTchaikovsky. in Moscow, inworks by Mussorgsky, His earliestoperatic appearances were in OsloandQueenElisabethBrussels. Belvedere inVienna,aswell asQueenSonja Stimmen inGütersloh, MariaCallasinAthens, in Moscow, MirjamHelin inHelsinki,Neue several competitions,includingtheBellaVoce Moscow Conservatoire. Hehaswon prizesat studied chemistrybefore pursuingsingingatthe Vladimir Baykov inTurin and La Cenerentola inCologne, Kaspar The Magic Flute ) atOpéra National Salome mélodies Boris Godunov inMalmö. and ) and ) and The Queen The Queen , Die Die in in

Marco Borggreve Soltesz andGennady Rozhdestvensky. Woldemar Nelsson,Kazushi Ono,Stefan Allemandi, AlanCurtis,Gianandrea Noseda, with whomhehasworked includeAntonello under EnochzuGuttenberg. Otherconductors and Verdi’s Requiem inBerlinandFrankfurt andBerlinunderJustusFrantz; Beethoven’s Symphony No 9inMunich, Recent concertengagements have included the latter role andVodnik ( in Hamburg; Wotan ( Rheingold ( Troyens The FlyingDutchman Other recent highlightsincludethetitle-role in ( ( RAI Orchestra inLuganoandTurin; Mephisto Segerstam; Salieri( the ConcertgebouwunderLeif the role of Ruprecht ( of Spades St Gallen; and Mtsensk District in Mannheim; Tampere; He hasalsosungHaydn’s Haydn, Mozart andMahler, butequally central He isrenowned for hisinterpretations of Handel, & LiliBoulangerCompetition inParis in2001. launched whenhewon theInternational Nadia Drama with Rudolf Piernay. Hisadult career was then studiedattheGuildhallSchool of Music& career asaboy alto intheTölzBoys’ Choirand German baritone ChristianImmlerbeganhis Christian Immler Christian Immler Boris Godunov Faust Der Freischütz ) inWarsaw; andPimenVarlaam ), PrinceIgor, Gessler( and Die Meistersinger von Nürnberg and ), Klingsor( The Lady Macbeth of the Sorochinsky Fair Faust Die Walküre ) atTurin’s Teatro Regio. , Hermit/Voice of Samiel Mozart andSalieri in Bonn. He has sung inBonn.Hehassung The FieryAngel inMagdeburg; Narbal( Die Walküre and Parsifal Rusalka Die Schöpfung ) andMephisto ( Don Giovanni , The Queen The Queen ), Wotan ( ) inErl;andboth ) in Leipzig. ) inLeipzig. ) at ) at ) with the ) withthe ), Kaspar

in in Das Das in in Faust Les Les ) Dodo/Frog Footman/Mock Turtle inUnsukChin’s ( Poppea d’Ulisse inpatria recent roles have includedAntinoo( in recital withKristianBezuidenhout). Hisother Paris Philharmonie(where hehasalsoappeared Christophe Rousset inDijon, Limogesandatthe Festival, andalsowithLesTalens Lyriquesunder Speaker ( continued to flourish. Recent projects includethe Christian Immler’soperatic career hasalso including a2016 Grammy nomination. recordings have received multipleawards, the prestigious Times with pianistHelmutDeutsch.TheirCD York andtheSalzburg Mozarteum, thelatter Royal Festival Hall,theFrickCollectioninNew leading recital venues, suchastheWigmore Hall, repertoire by Schubert,SchumannandWolf – in presented theirworks – aswell ascore Lieder Korngold, Eisler, Schreker andGál.Hehas century émigré composerssuchasZemlinsky, As arecitalist hehasaparticularinterest in20th- in CwiththeSydney Symphony Orchestra. Chamber Orchestra, andBeethoven’s Mass Orchestra, Mozart’sRequiem withtheScottish Spanish NationalOrchestra andtheGulbenkian Orchestra, the Center, Washington withtheNationalSymphony Ensemble Pygmalion, Bach cantatas andthe recordings attheBoston EarlyMusicFestival, Other recent projects includeconcertsand acclaimed recording of Mozart’sCminorMass. appearing asbasssoloistonthegroup’s critically Passion the LeipzigGewandhaus andthe Collegium Japan,mostrecently singing works regularly withMasaaki SuzukiandBach (Bach Masses,BWV233 and236).Healso Music for Weddings Diapason d’Or Reuss, Leonardo García Alarcón (receiving a Michel Corboz,Josvan Veldhoven, Daniel with PhilippeHerreweghe, DanielHarding, du Louvre, hehassinceperformed theseworks Passions B minor Massandthe is themusicof J SBach. Having first sungthe Wiener Kammeroper, Ubalde ( the Forester ( Alice inWonderland Niobe was awarded the ) for the Boston EarlyMusicFestival; and inTokyo andSingapore, aswell as ), Consalvo (Handel’s with Marc Minkowski andLesMusiciens The Magic Flute The CunningLittle Vixen St Matthew Passion for theirdiscof Bach andBöhm, Diapason Découverte ), Seneca( ) and Ensemble Pygmalion ) andEnsemblePygmalion inGeneva. Hehasalso sung Messiah St John St JohnPassion Diamant d’Opéra ) attheAix-en-Provence L’incoronazione di and attheKennedy Armide St Matthew with the withthe St Matthew Il ritorno ) andTiresia ) for the . Hisother Modern Modern ) for Israeli with with Elijah and and at at

Max Brunnert Thorsten Grümbel Thorsten Grümbel Belgium, Austria andhere attheBarbican. run of performances astheHermitinFrance, Oratorio of Mozart’sRequiem andBach’s Current andfuture projects includeperformances Kandaules William Christie)andPharnaces (Zemlinsky’s Opera, Achis ( of DeutscheOperamRheinin2012. Opera Househejoinedtheensemble (Deutsche OperamRhein)andFrankfurt Following engagements inDüsseldorf and attheMusikhochschuleLübeck. at theHochschulefürMusikDetmold The GermanbassThorsten Grümbelstudied Zaccaria ( Merry Wives of Windsor Narbal ( ( Figaro dem Serail d’Ulisse inpatria His repertoire includesAntinoo( Montreux, Strasbourg andSavonlinna. and to opera festivals includingMézières, Theater Basel,Grand Théâtre deGenève , Barcelona, Royal Opera of Stockholm, Paris (Bastille),OpernhausZurich,Teatro del Komische OperBerlin,Opéra Nationalde and Munich,theSemperoper Dresden, houses of Wiesbaden, Nuremberg, Hanover Taipei NationalTheatre, thestate opera Cologne, Frankfurt, Prague NationalOpera, Dortmund, Essen,Freiburg, Kiel,Leipzig, Guest performances have taken himto Don Giovanni and Les Troyens with Bach CollegiumJapananda Nabucco ), thetitle-roles in ) attheAmsterdam . Don Pasquale David et Jonathas ), Sarastro ( ), Osmin( ), CountWalter ( ), SirJohnFalstaff ( Kuno ), Banco( , theCommendatore The Magic Flute Die Entführung aus Die Entführungaus The Marriage of Il ritorno , conducted by Macbeth Christmas Christmas Luisa Luisa The The ), ), ), ), King King

11 About the performers 12 Nikolaj Lund Waldner ( Pommersfelden ( bohème York and FirstPrizeatthe2013 International Concert ArtistsInternational Auditions inNew in Heidelberg, FirstPrize atthe2015 Young 2017 Das LiedInternational Song Competition the 2018 EmmerichSmolaPrize,FirstPrize atthe 2018 QueenElisabethInternational Competition, many significant prizes, includingFirstPrizeatthe German baritone SamuelHasselhornhaswon Samuel Hasselhorn Mendelssohn’s Requiem, Beethoven’s NinthSymphony, Die Schöpfung Messiah Köln. Hisrepertoire inconcertincludes Berlin andtheWDRSinfonieorchester Orchestra, DeutschesSymphonie-Orchester performed withtheNew York Philharmonic In theconcerthallThorsten Grümbelhas Belgium, Austria andhere attheBarbican. orchestra; andtherole of Kuno inFrance, with theBelgrade PhilharmonicandInsula der Wien;Hunding(FirstAct of of Weber’s Antwerp; MartinSchmollinaconcertversion Heinrich ( Recent andcurrent highlightsincludeKing Onegin Isolde Fafner ( Fasolt ( Hermann ( Egypt ( ( Miller Samuel Hasselhorn ), Fiesco( ), Gurnemanz( Aida Das Rheingold ), Water Goblin( Siegfried , Bach’s ), Peneios ( ), Philippe II( Lohengrin Tannhäuser Peter Schmoll ), Daland( , Mozart’s Masses and , Mozart’sMassesand Simon Boccanegra Elijah Christmas Oratorio ), KingMarke ( Mathis derMaler ) andOchs( ) atVlaamse Opera, Ottokar Parsifal andVerdi’s Requiem. ), Hunding( The FlyingDutchman ), Heinrich( Rusalka at the Theater an attheTheater an ), LaRoche ( ), Gremin ( Rosenkavalier Tristan und Die Walküre ), Colline( Die Walküre ),the King of ),the Kingof Lohengrin ), Sparafucile ), Count ), Count , Haydn’s , Haydn’s Eugene Eugene Capriccio La La ), ), ) ) ). ), ), ), ), and attheParis Conservatoire withMalcolm of Music,Drama andMediawithMarinaSandel Samuel HasselhornstudiedatHanover University with pianistBorisKusnezow. Reimann andSchumann’s songs by Schubert,Pfitzner andAribert His discography includesarecital discof and withtheBuffalo ChamberMusicSociety. the IsabellaStewart Gardner Museum inBoston debuts inWashington DCandNew York City, at Marlboro Festival, theyear healsomade recital Samuel Hasselhornwas afellow atthe2017 Grand Hallof theMoscow Conservatoire. de MúsicaMadrid, ZurichTonhalle andthe Vilabertran inBarcelona, theAuditorio Nacional Hessischen Rundfunk,theSchubertiade Munich Philharmonie,Wigmore Hall,Frankfurt’s Previous highlightshave includeddebutsat Martineau, Graham JohnsonandJustusZeyen. Cambridge. Partners includepianistsMalcolm and intheCamerata Musicaconcertseriesin Theater anderWien,DeSingelinAntwerp, in Brussels,theLuxembourg Philharmonie, highlights includeappearances atBOZAR of theViennaState Opera. Otherrecent At thestart of lastseasonhejoinedtheensemble Nadia &LiliBoulangerCompetition inParis. Competition, HugoWolf Competitionandthe also aprizewinner attheWigmore HallSong Schubert CompetitioninDortmund.Hewas regularly withhisteacher Patricia McCaffrey. Chair of Young ConcertArtistsinNYC andworks Brauss. Hecurrently holdstheLindemannVocal Jan-Philip Schulze,AnneLeBozecandMartin Helen Donath,,SusanManoff, Te Kanawa, Kevin Murphy, ThomasQuasthoff, Walker. Healsoattended masterclasses withKiri Dichterliebe

Elise de Bendelac directed by Laurent Pelly; sangtheCount ( his debutattheOpéra deBordeaux asFigaro Rhorer, directed by Warner; made Champs-Élysées in Last seasonhereturned to theThéâtre des ( (Honegger andIbert’s Aleko Papageno ( On stage hisroles have included radio programme onFrance Musique. guest intheGénération JeunesInterprètes was alsoinvited to beGaëlleLeGallic’s under thedirection of Nadine Duffaut. He Avignon for theJeuneTremplin concert, by Raymond Duffaut to theOpéra Grand schöne Müllerin Ein deutschesRequiem In concerthisrepertoire includesBrahms’s 2016 andtheVoix Nouvelles competition in2018. Toulouse International SingingCompetitionin and international competitions,notably inthe been anaward winneratseveral national Music ChapelwithJosévan Dam.Hehas completing hisstudiesattheQueenElisabeth where honedhisartwithMalcolmWalker, before goingonto theParis Conservatoire, Lyrique’ in2014. HestudiedwithSophieHervé, Anas Séguinwas Adami’s ‘Révélation Artiste Anas Séguin Anas Séguin and appeared in ( in Delibes’sunfinished opera the Festival deRadio France inMontpellier and Wagner ( Figaro ( The Marriage of Figaro The Barberof Seville and , Fauré’s Requiem andSchubert’s ), Rodomonte ( The Barberof Seville TheMarriage of Figaro The Magic Flute Kilian Faust . InMarch 2016 hewas invited Rigoletto ). Hemade hisdebutat La traviata ) underMarc Minkowski, paladino , Donizetti’s L’Aiglon ) atMassy Opera at Marseilles atMarseilles ), the title-roles in ), thetitle-roles in ), Moralès ( Kassya underJérémie ), Florestan , Arlequin , Arlequin Missa di Missa di . ), ), Die Die ) Clément Dazin Circus (CNAC). There, hemetartistssuchas the following year, theNationalCentre of In 2008hejoinedtheLyon Circus Schooland, acrobatics inavariety of different settings. theatre classesandby practising jugglingand furthered hislearningwithhip-hopdanceand where hediscovered thejoy of creation. He 16 asamemberof thePoint Barcompany, toward circus, andjugglinginparticular, at starting gymnasticsattheage of 6.Heturned from anearlyage was fascinated by movement, Clément Dazinwas bornin1982 inRoubaix and Clément Dazin Toulouse, Lille,Compiègne,Reims andNice. Paris, Toulon, Montpellier, Limoges,Bordeaux, concerts of theConcours Voix Nouvelles in Opera. Healsoparticipated inthelaureate SC LaCourneuve. PNAC Normandy andHouseJuggling, Clément Dazinis supported by LaBrèche, been seenby more than8,000people. more than 20citiesinEurope, where ithas Théâtre d’Elbeuf.Ithassincetoured to which was premiered in2017 attheCirque- l’Homme. Together they created In 2016 hefounded thecompany LaMainde has now beenseenallover theworld. he created thesolo production withCNAC. Thefollowing year In 2012 hetoured aspartof the contemporary dance,hip-hopandjuggling. work. Hehassinceexplored thelinks between and BrunoDizien,allof whominfluenced his Traoré, JohanneSaunier, JulienClément Philippe Genty, Aragorn Boulanger, Fatou

Samiel Bruit decouloir This is the End This istheEnd Humanoptère , which , which

,

13 About the performers 14 Bernard Martinez Spring Festival. Auditorium duLouvre andat theAix-en-Provence Schubertiade, Amsterdam Concertgebouw, Festival, Mecklenburg-Vorpommen, Hohenens recitalist andchambermusicianattheSalzburg His first album, la VilledeParis andSalle Gaveau. Elmau, Théâtre desChamps-Élysées, Théâtre de Musikverein, Auditorium duLouvre, Schloss Concertgebouw, BerlinKonzerthaus, Vienna Philharmonie, Wigmore Hall,Amsterdam at prestigious venues, includingtheParis Victoires delaMusiqueandhassinceperformed He won theNewcomer Award atthe2014 arrangement for soloviolaandorchestra. and Prokofiev’s Viola Concerto, especiallywritten for him, the world premiere of Gwenaël MarioGrisi’s the Orchestre PhilharmoniqueRoyal deLiège, projects includeWalton’s ViolaConcerto with acclaimed. Current andforthcoming recording in Italy Viola Concerto, andatour of Berlioz’s Orchestre NationaldeFrance withWalton’s Highlights thisseasonincludeareturn to the Orchestre PhilharmoniqueRoyal deLiège. as well asbeingArtist-in-Residence withthe Toulouse Capitole Orchestra andLesSiècles, Symphony Orchestra, HongKong , de Radio-France, Polish NationalRadio National deFrance, Orchestre Philharmonique Last seasonhemade debutswiththeOrchestre an emotional connectionwithhisaudience. technical mastery, alongsideanabilityto create depth of expression, senseof individualityand Adrien LaMarca’s playing ischaracterised by a Adrien LaMarca Adrien LaMarca with Les Siècles. He appears as a with LesSiècles.Heappearsasa English Delight Romeo and Juliet viola , was critically inanew Harold accentus enjoys aclosepartnershipwiththe Élysées andtheLincolnCenter inNew York. Elbphilharmonie, theThéâtre desChamps- Ludwigsburger Schlossfestspiele, theHamburg in Versailles, Vienna’sTheater anderWien,the Provence, theRoyal Opera andRoyal Chapel the Grand Théâtre deProvence inAix-en- Mozart Week, theEssenPhilharmonie, including LaSeineMusicale,theSalzburg international concertvenues andfestivals, The choirperforms atleading French and and opera. as well asto contemporary repertoire, oratorio the performance of major director Laurence Equilbey. Itisdedicated to more than26years ago by itscurrent artistic accentus isaprofessional choirfounded accentus loan from theBOUBO MusicFoundation. Bergonzi made inCremona in1780, ongenerous Adrien LaMarca plays aviolaby Nicola awards both inFrance andinternationally. Zimmermann. Hehasbeentherecipient of many Tatjana Masurenko andinBerlinwithTabea with JeanSulem,later studying inLeipzigwith the Paris Conservatoire at16 andstudied at theage of 4inAix-en-Provence. Heentered musicians andbeganplaying pianoandviola He was borninFrance in1989 into afamily of Der Freischütz at theOpéra Comiqueandthe current tour of Festival aswell asGounod’s Adámek’s productions, includingthecreation of Ondrej inavariety of operatic participated It has and theViennaSymphony Orchestra. für Alte MusikBerlin,BerlinPhilharmonic Intercontemporain, Concerto Köln,Akademie include theOrchestre deParis, Ensemble Orchestras withwhichithasworked Young andYannick Nézet-Seguin. Sir SimonRattle, PhilippeJordan, Simone Nelsons, EricEricson,Christoph Eschenbach, prestigious conductors, includingAndris The choirregularly collaborates with conductor of theensemblesince2013. Grapperon hasbeenassociate principal attheOpéra deRouen. Christophe Philharmonie deParis andiscurrently resident Seven Stones withCie 14:20. Sigvards Klava attheAix-en-Provence a cappella La nonnesanglante works, of theprogramme for its1,150-seat Auditorium. Paris. Theorchestra isincharge of selectingpart the River Seinejustafew milesdownstream from Jean deGastinesontheÎleSeguin, anislandin Musicale, designedby architects ShigeruBanand in residence inanew artisticvenue, LaSeine the Département desHauts-de-Seineandis Equilbey withlocalgovernment supportfrom Insula orchestra was founded in2012 by Laurence Insula orchestra set inmotion by Laurence Equilbey. orchestra, supportseducationalandartisticinitiatives accio, the circle of friendsof accentus andInsula Fondation Bettencourt Schuellersupportsaccentus. support of theDépartement desHauts-de-Seine. The cultural activities intheDépartmentreceive the at theOpéra deRouen Normandie.Concertsand receives support from SACEM. accentus isinresidence City of Paris andtheÎle-de-France Region, andalso the French Ministryof Culture, issubsidisedby the Régionale desAffaires Culturelles d’Île-de-France of France –Normandiereceives aidfrom theDirection accentus –nationalcenter of artvocal Paris Île-de- and academic principlesandambitions. Normandie), whoseaimisto furtheritsartistic Vocal ArtNationalCenter (Paris Île-de-France, foundation. Lastyear saw thelaunchof its and expertise gathered sincethechoir’s singing andshare theworking documents digital content, designedto promote choral resources centre withphysical mediaand In 2017 accentus inaugurated aParis-based Victoires delamusiquein2002,2005and2008. in theclassicalsectionof France’s prestigious accentus won theEnsembleof theYear award Les Talens LyriquesandChristophe Rousset. and Equilbey and records Insula orchestra underEquilbey. Next year it the choirrecorded theChoral Fantasy with To celebrate Beethoven’s 250thanniversary, in addition to receiving a Transcriptions widespread criticalacclaim. TheCD All accentus’s recordings have received by Poulenc, Pascal DusapinandRachmaninov. recently conducted accentus in festivals. Sinceitsfoundation, ithasplayed at French andinternational venues andleading Insula orchestra alsoperforms atother major Der Freischütz was nominated for aGrammy, La Betulia liberata withInsulaorchestra Disque d’or a cappella with with in 2008. in2008. works works Beethoven’s Symphony No 6,‘Pastoral’ (Grand by Cie14:20; anew staging basedaround the resumption of The seasonisfocused onthree majorprojects: to expand theartisticimpact of any given project. communication, usingvideosandonlinecontent It alsoembraces new technology asameansof the potential of leading international musicvenues. concert versions andfullystaged opera, exploiting performance format midway between traditional dimensions of thevenue andthestage. Itpitches its dialogue between symphonic music,thespatial in new audiencesandcreating anongoing of classicalmusicwiththeaimsof drawing Seine department. initiatives across itshomebaseintheHauts-de- innovative programme of cultural and educational The orchestra hasdeveloped awide-ranging and others featuring chorusandsoloists. both purely symphonic programmes and and Weber forming acore. Itperforms Romantic eras, withMozart,Schubert Its repertoire focuses on theClassicaland The orchestra performs onperiodinstruments. Speranza ScappucciandDuncanWard. Alarcón, ChristianZacharias and,thisseason, has beenconducted by Leonardo García York. Over thepasttwo seasonstheorchestra Louvre AbuDhabiandtheLincolnCenter inNew the Opéra ComiqueinParis, BaselStadtcasino, Essen andWarsaw, Salzburg’s MozartWeek, the Philharmoniesof Paris, Hamburg, Cologne, Insula orchestra ispartof theFEVISand theSPPF. artistic initiatives set inmotion by Laurence Equilbey. and Insulaorchestra, supportseducational and Thornton. accio, thecircle of friends of accentus Partners: Fondationd’Entreprise MichelinandGrant at LaSeineMusicale.Ithastwo new Funding Département desHauts-de-Seineandisinresidence Insula orchestra receives supportfrom the next year they willrecord de Barbeyrac andFlorianSempey, and Piau, JodieDevos, LeaDesandre, Stanislas disc of opera excerpts featuring Sandrine This seasonit’stheturnof Mozart,witha orchestra released two Beethoven albums. Last seasonLaurence Equilbey andInsula Cie 14:20 (Grande SeineatLaMusicale). Hall) andanother Mozartcollaboration with Dortmund Konzerthaus andShanghaiConcert Théâtre deProvence, LaSeineMusicale, Der Freischütz

It alsoreconsiders theformats Der Freischütz in astaging .

15 About the performers 16 StéphaniePaulet Violin 1 Edwige Parat Céline Boucard Durand Laurence Favier Ellen Giacone Brégeon * Emilie Soprano Johannes Kegel-Dorfs German coach Marion Julien Répétiteur Nicolaï Maslenko Chief Conductor Cécile Kubik François Costa Adrien Carré Caravassilis Maximilienne Nathalie Cannistraro Pablo Gutiérrez Ruiz Violin 2 Byron Wallis Martin Reimann Louis-Jean Perreau Bénédicte Pernet Karine Gillette Cécile Garcia Carrión Roldán Bernabé Catherine Ambach Aude Caulé-Lefèvre orchestra Insula accentus leader

Luc Devanne deLarrinoa Roberto Fernández Double Bass Claire Gratton Pablo Garrido Florent Audibert deDinechin Nils Dupont Cello Laurent Gaspard Chloé Parisot Benjamin Lescoat Lika Laloum Dahlia Adamopoulos Brigitte Clément Viola Michal Piotrowski Laure Massoni Thi-Lien Truong Emmanuelle Biscara Emilie Nicot Florence Barreau Valérie Rio CirasseGeneviève * Violaine Lucas Caroline Chassany Alto Marie Serri PaulineFeracci * Charlotte Plasse VahrenkampKristina * Zulma Ramirez

Clotilde Guyon Pierre Ribémont Matthieu Chapuis Camillo Angarita Nicolas Maire Jean-François Chiama Maciej Kotlarski Thomas Barnier Maurizio Rossano Julien Drevet-Santique Mathieu Montagne Sébastien d’Oriano Tenor Emmanuel Vigneron Philippe Miqueu Ana Melo Vincenzo Casale Anne Chamussy Jean-Marc Philippe Sophie Gourlet Giulia Barbini Piccolo Morgane Eouzan Jocelyn Daubigney Flute Charlotte Testu Laurent Slaars Nicolas Rouault Pierre Corbel Bass Koen Plaetinck Timpani Cyril Bernhard Frédéric Lucchi Fabien Cyprien Emmanuel Alemany Serge Tizac Pierre Rougerie Yannick Maillet Gilbert Cami-Farras Georg Koehler Horn * Bridesmaids Sébastien Brohier Vincent Eveno Frédéric Bourreau Matthieu Heim Jacques Jean-Christophe Cyrille Gautreau Pierre Jeannot