DOCSLIB.ORG

The Aroostook Times, August 11, 1909

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Aroostook Times, August 11, 1909 Vol 49. Houlton, Maine, Wednesday, August 1909. No. 32 glad he had conquered, although the settled and the first frost <-io>, d them graceful nmvemems and attempting, more than I ever needed you before. pain was still sharp. He felt a better lluwn. with his free and ea-y insolenep, to I can’t go to father, lie wouldn’t un­ man for it, and. wrapped in this com­ She took the nous quietly, but with make friendly advances, but, seeing derstand, or else he would understand placent optimism, lie passed close by shining eves, though her pleasure was that, she refused to imt ire him, he be­ too much and spoil It all. his temper is THE the front of the trader's' store, where no greater or more genuine than Bo came piqued and grew bolder. so quick. Hon’t think I’m unwomanly, X’ccia find crept to be alone with her icon’s, who grasped hot h lmr hands in “Look Imre. Xecia; you're a mighty Poleon, for I’in not. 1 may be foolish misery. his and shouted gleet ally: pretty girl. I’ve had my eye on you and faithful aud too trusting, lmt; I’m X' Burrell had almost, parsed her when 1 “Bien' I'm glad! Yen'll be rieln* ever sitin' I lauded, and the more I see not --immaidenly. You see, I’ve never b a r r i e r lie was startled by the sound of his gal for sum now an' wear plaintee tine of you the lmt tor J lik e yi eg" boon like other girls, and he was so name breathed softly; then, to his dress lak I fetch yon. ,1ns' t'ink, you “It isn’t necessary to tell me that,” fine, so different, v he made me love ^ a r y Library amazement, he saw her come forth till’ gob on your pkwe more queeeker she replied. “The price of sugar will him. It’s part of a soldier’s training, like a spirit Into the silver sheen. (Ian your fader, an' he's good miner lm just tin* same.” too. 11 a! Hat's bully!” I suppose. It was so sweet to be near ‘•X'ccia,” ho cried, “what are you do­ “Yes. and yoii’r ■ bright, too,” he de­ ! him and to hear him tell of himself ing here at this hour'.” She looked up “Oli, well, they will find it on your REX BEACH clared. "That’s what 1 like in a wo­ ! and all the world he knows. I just let at him sadly. lie saw that her cheeks claims vei*v soon/' sin* replied. man good looks and brains. I believe He sh 00k Ills head. “\ oil better myself drift. I’m afraid - I’m afraid I C0PYRWHT.1908.BY HARPER & BROTHERS were wet. and something inside him in strong methods and straight talk, I listened too well and my ears heard snapped and broke. Without a word [ knock wood w’on you say dat. Mebbe too none of this serenading and moon- (Continued from last week) I draw di> blank again. X'oHidv can’t i more than he said. My head is so full he took her in his arms, meeting lu*r tight mush for me. When I see a girl of txioks, you .know.” lips In a long kiss, while she, trem­ tell. I’ve do de sain’ t'ing before, an’ 1 like 1 go and get her. That's me. I “Why didn’t you shoot?’ growled to strangle expostulation for a mo­ dnso men w’at been workin’ my groun' ] "He should have know’ dat, too,” Stark angrily, at which the negro half ment till he saw the soldier actually bling witli the joy of his strong em­ mala* love like a man ought to.” | said Poleon. brace, drew* closer and closer and rest­ dey’ro gettin’ purtv blue.” The girl laughed derisively In his bearing off his quarry. "Yes,” she flared up. “He knew I. arose and broke Into excited denials “When you do become a Flambeau face. of his guilt. Runnlon kicked him sav­ “Stop that!” he bellowed. “To h—1 ed her body wearily against his. ; was only an Indian girl.” “Little girl, little girl!” ho whispered king.” she continued, “what will you "Now. don't get sore. I mean busi- agely, while the crowd murmured ap­ with your law! We’re goin’ accordin'* do with yourself? Surely you won’t The only color In Doret’s face lay proval. to our own!” An ominous ecno arose, >ver and over, his tone conveying every Hess. 1'm im soft talking southerner | now in his cheeks, where the sun had I rhude of sympathy, love and under­ continue that search for vour far coun­ wit h gold buttbuttons oils .and highfalutin "Le’ me see him,” said Lee, elbow­ and in the midst of it the miner in his try. It could never be so beautiful as j put it. but lie smiled at her—his warm, ing his way through the others. Fix­ blind fury, forgetting this exalted posi­ standing she had craved. lie knew way? I don’t cure if you are a squaw. engaging smile and laid Ills great what had made* her sad, and she knew this.” She pointed to tin* river that I'll take you.” ing his one eye upon the wretch, he tion, took a step too near the edge of never changed and yet was never the j brown hand upon her shoulder softly. the bar and fell off into the body of that he knew. There' was no need for “Hon't talk to me!” she cried in dis­ *Tve look’ in bees eye an’ I’m al- spoke impressively. velds. Tim anguish of this long day same and to the forests, slightly tingl'd gust, her voice hot with anger and re­ the meeting. With him fell the dig­ w ith ttie signs of the coming season, j ways t’ink lie’s good man.- I don’ “You’re the first downright thief I had whetted the edge' of their desire, sell) nmnt. ever seen. Was you hungry?” nity of the assemblage. Some one - “It’s very tine,” agreed the Canadian. i never t’ink he’ll mak’ fun of poor little and they we're too deeply, too utterly But he continued, unheeding; “Xow, "No; he’s got plenty,” answered one laughed, another took it up, the nerv­ “I don’ see w’y anybody would care : gal.” t in the ecstasy of meeting to care cut out these airs and get down to of the tenderfeet. “He’s got a bigger ous tension broke, and a man cried; for livin’ on dein cities w’eti dere’s so I “But he has, Poleon. That’s just t r spewed. ’ cases. I mean what 1 say. I know “The soldier is right! You can’t much nice place outside.” ‘ what he has done.” She came near to outfit than I have.” I “Your lips eding so that I can't get i you've been easting sheep's eyes at Bur­ "Then I reckon It’s a divine manifes­ blame a diuge for stealing!” And an­ “Yes,” said Xerla, “I’ve no doubt one breaking down and finished pathetical- j free." sigheel the girl at last. rell, lmt. Lord, he wouldn’t have you, tation,” said “No Creek” Lee tearfully. other: “Sure! Hogs and chickens are Would got tired of it soon and long fm- I ly, "They’re telling the story on the “ Y e m never shall.” lie whispe'red. im mutter how rich you get! Of course "This black party Is goin’ to furnish legitimate prey!” mmething to do and something mally street, so Kunnion says." gut whe'ii si »' smiled up at him pite­ ywi acted careless In going off atone an example, as will elevate the moral Lee was helped back to liis stand worth while, lmt I should like, to try "Hat’s easy t’ing for feex,” he said. ously, lies- e'.ves swimming, and said, “I ; with him. but I don’t mind what tone of our community for a year.” and called for order, but the crowd (t cnee, and I shall as soon as I’m rich , “Kunnion sin* don* spread no more [mist,” !m wrenched himself away and j they're saying around camp, for I’ve "What y’all aim to do?” whined the poked fun at him and began moving Hiough. Won’t you come along’/’ i story lak* dat.” I made little slljxs like that myself, and thief. about restlessly till some one shouted let her go. “I don’ know,” he said thoughtfully. j ”1 don't care what they say. I want a motion to adjourn and there arose a j We’d get along.” i the truth. 1 want to know what he "We’re goin’ to try you,” announced (TTU’TFR XI. “Mebbe so 1 stay hem, mebbe so 1 talc' chorus of seconders. ! “Bit have you kitted!” she hissed i means, what his intentions are. He the one eyed miner, “and if you’re WUKKi: Tint PATH !.lt!>. my ramie an’ go away. For long tain’ As Poleon and Gale walked home the Through fier clinched teeth, while her swears he lows me, and yet he has found guilty, as yon certainly ore goin' I t'ink dis Flambeau she’s de pm/nis’ whole body vibrated with passion. Frenchman said, “Dat was nervy t ing XT) now began a new era for never asked i ie to marry him.
Load more

Recommended publications
  • CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
    CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13.
    [Show full text]
  • Abstract Music Is an Essential Part of Our Lives. the World Wouldn't Be The
    Abstract Music is an essential part of our lives. The world wouldn’t be the same without it. Everyone is so enthralled by music that whether they are bored or they are working, music is often times the thing that they want to have playing in the background of their life. A. The wide range of genres allows people to choose the type of music they want to listen to. The music can range from soothing and light forms to the heavy metal instrumentals and vocals. Many singers and artists are working in the music industry, and many of them have served a lot to this industry. Best sellers of the artists are appreciated in the whole world. It is known know, music knows no boundaries are when a singer does a fantastic job; they become famous all across the globe. Sadly, as time goes on musicians pass away however, their legacy remains very much alive have passed, but their names are still alive. The world still listens to their music and appreciates their work. One such singer is Michael Jackson. His album Thriller broke the records and was the best seller. No one can be neat the files of the king of pop. Similarly, Pink Floyd made records by their album The Dark Side of the Moon. It was an enormous economic and critical success. Many teens are still obsessed by the songs of Pink Floyd. AC/DC gave an album called Back in Black. This was also one of the major hits of that era. All these records are still alive.
    [Show full text]
  • "Collateral Damage" for the Media
    24 KAS INTERNATIONAL REPORTS 11|2011 “COLLATERAL DAMAGE” FOR THE MEDIA THE “NEWS OF THE WORLD AFFAIR” AND THE STRUGGLE FOR PRESS FREEDOM IN ASIA Paul Linnarz is Head Paul Linnarz of the Konrad-Ade- nauer-Stiftung Media Programme Asia based in Singapore. In July, an unprecedented phone hacking scandal resulted in the abrupt demise of the British daily paper News of the World. The media mogul Rupert Murdoch, whose News Corporation group the tabloid was a part of, had to appear in front of a British parliamentary committee to answer questions about his role in the scandal, and Prime Minis- ter David Cameron came under massive political pressure. The phone hacking practices of the newspaper evoked out- rage around the world. The countries that keep an iron grip on their own media were especially vociferous. None more so than China, which sees its own stance on freedom of the press vindicated and accuses the Western media of hypoc- risy. Yet, calls for more regulation are not going down well in Asian online media and blogs. END OF “THE WORLD’S GREATEST NEWSPAPER” The media industry finds a name for each year: 2009 was the ‘Year of the Great Newspaper Meltdown’ during the global financial crisis. Thanks to the huge proliferation of the iPad from Apple, 2010 was named ‘Year of the Tablet’. And 2011 will probably be christened ‘Year of Hackgate’ in retrospect. The awkward neologism is derived from ‘Watergate’ and represents the scandal centring on the News of the World. Employees of the paper are supposed to have ‘hacked’ into the phones and voicemails of several thousand people for years.
    [Show full text]
  • Finchley Society Archive Main Index Page 1 of 14 17/02/2021 Location
    MAIN Finchley Society Archive Main Index Page 1 of 14 17/02/2021 Location Content Sub List A1-F0 F S Meetings 1971 - 1974 A1-F1 F S Meetings 1975 - Jul 1982 A1-F2 F S Meetings Aug 1982-1989 A1-F3 F S Executive Committee Minutes 1990-2006 A1-F4 F S Executive Committee Minutes 2007- A1-F6 F S Admin Committee Minutes March 1988-Nov 2005 A1-F7 F S Admin Committee Minutes 2006 - A1-F8 F S Planning and Environment Committee 1987-1990 A1-F9 F S Environment & Transport Committee 1991-2011 A1-F10 F S Environment & Transport Committee 2012 - A1-F11 F S Environment & Transport Committee subject file A1-F12 F S Public Relations Committee 2009 - A2-B1 Planning Committee 1991-2009 A2-B2 Planning Committee 2000 - A2-B3 FinSoc A G M minutes 1972 - A2-B4 Chairman's Reports 1972 - 2009/10 A2-B5 Chairman's Reports 20010/11 - A2-F6 F S Local History Group A2-F7 AHEM payments, FinSoc Balance sheets 19707,8; 1980,1,2,5; 1991-2006; 2018 A2-F8 Plaques and Information Boards (documents) A2-F9 Plaques Applications A2-F10 Finchley Society Meetings overflow A2-F11 Finchley Society corrspondence, misc meeting reports A3-B1 F.S Executive Committee Minutes duplicates A3-B2 Ins file inc F Coll Farm 1978-87; Policy 1987, 88, 89; Avenue House Fire claim 1989; FS Insurance 1990-96 inc. Friends Coll Farm, Grounds Ave House; Insurance: Wagonette Claim 1991;Loss of cash from Stall claim 1994; A4-X1 Spike's shows, public meetings, statue fund minutes accounts correspondence, SPIKEM Spike letters, press reports, Spike tapes & cassettes A5-W1 Archive Room A5-W1a Archive Management
    [Show full text]
  • College Voice Vol.14 No.20
    Connecticut College Digital Commons @ Connecticut College 1990-1991 Student Newspapers 3-5-1991 College Voice Vol.14 No.20 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1990_1991 Recommended Citation Connecticut College, "College Voice Vol.14 No.20" (1991). 1990-1991. 5. https://digitalcommons.conncoll.edu/ccnews_1990_1991/5 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1990-1991 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE COL EVOICE Volume XIV, Number 20 Ad Fontes March 5 , 1991 Preliminary Budget Reflects Strategic Plan Agenda administrators and Priorities, Plan- many of our nation's campuses." by Sarah HunDey ning and Budget Committee are Several factors continue to put News EdJtor working to balance institutional pressure on the cost of education at The Board of Trustees voted this goals with current economic con- the college, most notably financial weekend on a preliminary budget, straints. aid and health care. The I99l-Im which for the first time uses the Claire Gaudiani, '66, president of budget may require a $900,000 in- college's Strategic Plan as a tool to the college, said, "Like all colleges, crease in financial aid allocations. identify institutional priorities and we face the challenge of pursuing The college remains committed to allocate resources. the highest quality education for providing financial assistance to all The vote reflects initial figures our students while keeping costs students who demonstrate need and only.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • Rumors Taunya Lyn Page Central Washington University
    Central Washington University ScholarWorks@CWU Graduate Student Projects Graduate Student Projects 2005 Direction of the Play: Rumors Taunya Lyn Page Central Washington University Follow this and additional works at: http://digitalcommons.cwu.edu/thesis_projects Part of the Theatre and Performance Studies Commons Recommended Citation Page, Taunya Lyn, "Direction of the Play: Rumors" (2005). Graduate Student Projects. Paper 41. This Graduate Project is brought to you for free and open access by the Graduate Student Projects at ScholarWorks@CWU. It has been accepted for inclusion in Graduate Student Projects by an authorized administrator of ScholarWorks@CWU. Direction of the Play Rumors by Neil Simon A Project Report Presented to The Graduate Faculty Central Washington University In Partial Fulfillment Of the Requirements for the Degree Master of Arts Theatre Production By Taunya Lyn Page July2005 ABSTRACT PROJECT REPORT Rumors MOUNTAIN HOME HIGH SCHOOL Directed by Taunya Lyn Page April 2005 Rumors was selected for production and directed. The script was analyzed; background research was conducted; the costumes and set were designed and constructed; casting and auditions took place; rehearsals were scheduled and completed. Post-production elements were analyzed and supported the original concept statement. Documentation includes analysis of the script and the production at Mountain Home High School. iii CENTRAL WASHINGTON UNIVERSITY Graduate Studies Final Examination of Taunya Lyn Page B.A., Boise State University, 1999 for the Degree of Master of Arts Theatre Production Committee in Charge Mr. George Bellah Dr. Wesley Van Tassel Mr. Scott Robinson McConnell Hall Room 117 Date of Oral Interview 7:30 p.m. IV I Taunya Lyn Page Courses presented for the Master's degree Quarter Course No.
    [Show full text]
  • Versing the Ghetto: African American Writers and the Urban Crisis By
    Versing the Ghetto: African American Writers and the Urban Crisis By Malcolm Tariq A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2018 Doctoral Committee: Professor Michael Awkward, Co-Chair Associate Professor Megan Sweeney, Co-Chair Associate Professor Matthew Countryman Professor Susan Scotti Parrish Malcolm Tariq [email protected] ORCID iD: 0000-0001-8908-544X © Malcolm Tariq 2018 This dissertation is dedicated to my grandmother —Marilyn T. Furman— who brought us up at the end of a street. ii Acknowledgements I could not have completed graduate school or this dissertation without the light of my family and friends. I’m most thankful for my parents for giving me the tools to conquer all and the rest of my family whose love and support continue to drive me forward. I wouldn’t have survived the University of Michigan or Ann Arbor were it not for the House (Gabriel Sarpy, Michael Pascual, Faithe Day, Cassius Adair, and Meryem Kamil). I will forever remember house parties and sleepovers and potlucks and Taco Bell and Popeyes and running the town into complete chaos. Ann Arbor didn’t know what to do with us. Thank you for inspiring my crazy and feeding my soul those dark Midwestern years. I am, as always, profoundly indebted to the Goon Squad (Marissa, Jayme, Tyler, Ish, Hanna, Shriya, Bianca, Amaad, Nikki, Ankita, and Rahul), to whom I owe too much. You have taught me lightyears beyond what the classrooms of Emory University gave us.
    [Show full text]
  • Toniah-Bio.Pdf
    Director Cirkus summarum 16 Cirkus Summarum 18 Tv shows Popstars DK judge/2001 Popstars DK judge/2002 Popstars UK choreographer for the show/2002 Popstars: The Rivals ITV – September to December So you think you can dance judge/choreographer/2006 So you think you can dance choreographer 2008 X-Factor DK bootcamp Judge w Soulshock X-Factor DK 2010 Choreographer for Soulshock X-Factor DK 2011 Choreographer X-Factor DK 2012 Creative director/choreographer X-Factor DK 2013 Creative director/choreographer X-Factor DK 2014 Creative director/choreographer X-Factor DK 2015 Creative director/choreographer X-Factor DK 2016 Creative director/choreographer X-Factor DK 2017 Creative director/choreographer X-Factor DK 2018 Creative director/choreographer X-Factor DK 2019 Creative director/choreographer Kim Cesarion X-Factor final/ choreographer Omi X-Factor final/ choreographer Skjulte Stjerner DR Choreographer Vild m dans(Dance w the Stars) Choreographer opening/2009 Vild m dans/Dance w the Stars Choreographer opening and final/2011 Vild m dans/Dance w the Stars Choreographer opening and final/2012 Vild m dans(Dancing w the Stars) Choreographer opening/final/Anniversary/2013 Vild m dans(Dancing w the Stars) Choreographer opening/final 2014 Vild m dans(Dancing w the Stars) Choreographer opening/final 2015 Vild m dans(Dancing w the Stars) Choreographer opening/final 2016 Vild m dans(Dancing w the Stars) Choreographer opening/final 2017 Vild m dans(Dancing w the Stars) Choreographer/ creative director 2018 Vild m dans(Dancing w the Stars) Choreographer/ creative
    [Show full text]
  • Wisconsin's Famous and Historic Trees R. Bruce Allison
    Nature/Wisconsin History Allison “Each of us from birth to death is intimately connected with trees. On Every Root their beauty and longevity we hang our memories and beliefs, trusting an Anchor trees to be symbols of our achievements and the things we hold dear.” —from the Preface Wisconsin’s Famous and Historic Trees Ever A llison y Root an Anchor In Every Root an Anchor, writer and arborist R. Bruce Allison celebrates Wisconsin’s most significant, unusual, and historic trees. More than one hundred fascinating tales introduce us to trees in every corner of the state, some remarkable for their size or age, others for their intriguing histories. From magnificent elms to beloved pines, from hanging trees to surveyors’ witness trees, from Frank Lloyd Wright’s oaks to Ben Logan’s maple, these trees are woven into our social and emotional history, contributing indelibly to our sense of place. They are anchors for time-honored family and community customs, manifestations of our ideals, and reminders of our lives’ most significant events. For this updated edition, Allison revisits the trees’ histories and tells us which of these unique landmarks are still standing. He sets forth an environmental message as well, reminding us to recognize our undeniable connectedness to trees and to manage our tree resources wisely. As early Wisconsin conservationist Increase Lapham said, tree histories increase our love of home and improve our hearts. They deserve to be told and remembered. WHS R. Bruce Allison 816 State Street, Madison, Wisconsin 53706 Foreword by Paul DeLong, Wisconsin Chief State Forester www.wisconsinhistory.org/publications Cover design by Lisa Wilber 6 5 5 6 0 7 C ( I H W , y t e i c o S l a c i r o t s i H n i s n o c s i W 7 3 8 1 .
    [Show full text]
  • Managing Misinformation in a Humanitarian Context
    Managing Misinformation in a Humanitarian Context Internews Rumour Tracking Methodology Part III: How To Guide Internews Humanitarian Information Services Learning Collection The Internews Humanitarian Information Services Learning Collection communicates key lessons, best practices, and programmatic methodologies used by Internews’ humanitarian teams around the world. Each module within the Learning Collection includes three parts: Context, Case Studies, and a How-To Guide. The Context and Case Studies are packaged separately for ease of use. Internews first developed our rumour tracking methodology in 2014 in Liberia, in order to address the deadly Ebola outbreak. Since then, we’ve implemented rumour tracking as a way to address misinformation during humanitarian crises in numerous countries and contexts, reaching hundreds of thousands of beneficiaries. This guide was authored by Viviane Lucia Fluck, PhD, and produced with financial support from the United States Agency for International Development. About Internews Internews is an international nonprofit organizations that empowers people worldwide with the trustworthy, high quality news and information they need to make informed decisions, participate in their communities, and hold power to account. This document is released under a Creative Commons Attribution-Non-Commercial-Share Alike 4.0 International License. 2019 All photos are the property of Internews except where otherwise noted. Cover photo: Aftermath of the devastating Hurricane Matthew in Haiti Credit: MINUSTAH Managing
    [Show full text]
  • Analyzing Songs Used for Lyric Analysis with Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software Ashley M. Miller University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0002-5030-0584 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.180 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Miller, Ashley M., "Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software" (2017). Theses and Dissertations--Music. 88. https://uknowledge.uky.edu/music_etds/88 This Master's Thesis is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]