Who Made, Who Marr'd, and Who Has Ransom'd Man: Worldview and The
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Romanticism and Evangelical Christianity in William Cowper's the at Sk Carol V
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Romanticism and Evangelical Christianity in William Cowper's The aT sk Carol V. Johnson Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Johnson, Carol V., "Romanticism and Evangelical Christianity in William Cowper's The askT " (1976). Masters Theses. 3394. https://thekeep.eiu.edu/theses/3394 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. ROMANTICISM AND EVANGELICAL CHRISTIANITY I N WILLIAM COWPER'S THE TASK (TITLE) BY CAROL V. JOHNSON B. A., Eastern I llinois University, 1975 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE DATE PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have wr i tten formal theses. SUBJECT: Permission to reproduce theses. • The University Library is receiving a number of requests from other institutions asking permission to repr oduc e dissertations for inclusion in their library hold ings . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a. -
“Times Are A' Changing”
“Times are a’ changing” The Folk Mass Movement of the 1960s in the United States Kinga Povedák is a research fellow at the Research Group for the Study of Religious Culture (Hungarian Academy of Sciences-University of Szeged). She studied European Ethnology and American Studies. Her PhD thesis was on the debated popular Christian music among Catholics,focusing on and analyzing the peculiarities of vernacular religiosity during the socialist times through the study of the origins of the movement in Hungary. Her main fields of interest include popular religiosity of the postmodern times, modernism and Catholicism, and most recently the musical worlds of Pentecostal Romani communities. The cultural revolution of the 1960s resulted most outstandingly in the musical paradigm, having the most explicit capability articulating the feelings of the beat generation and their desire to rebel against their parents’ conformist, authoritarian and conservative middle class values. As János Sebők notes stressing the important role of rock, the rising generation did not only mean music, but a lifestyle, a way of life and rebellion. It was the aesthetic means and sound of dissociation and detachment, it was a creed, a form of behavior and a world view.1 The rebellion, however, did not only add up to atheism but resulted in a spiritual awakening, an opening towards so far obscure – and, therefore, even more appealing - exotic eastern philosophies and religions. The hippie movement was captivated by Rousseau’s back to nature philosophy as a quasi-religious new ideology/way of life, utopian and egalitarian communes and the rejection of consumer society. -
Ecologies of Contemplation in British Romantic Poetry
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry Sean M. Nolan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE LODGE IN THE WILDERNESS: ECOLOGIES OF CONTEMPLATION IN BRITISH ROMANTIC POETRY by SEAN NOLAN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 © 2020 Sean Nolan All Rights Reserved ii The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________ ____________________________________ Date Nancy Yousef Chair of Examining Committee _______________________ ____________________________________ Date Kandice Chuh Executive Officer Supervisory Committee Alexander Schlutz Alan Vardy Nancy Yousef THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan Advisor: Nancy Yousef This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. -
Rockin' the Church: Vernacular Catholic Musical Practices
Journal of Global Catholicism Volume 4 Issue 1 Hungarian Catholicism: Living Faith Article 4 across Diverse Social and Intellectual Contexts March 2020 Rockin' the Church: Vernacular Catholic Musical Practices Kinga Povedak Hungarian Academy of Sciences, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/jgc Part of the Aesthetics Commons, Catholic Studies Commons, Christian Denominations and Sects Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Cultural History Commons, Eastern European Studies Commons, European History Commons, European Languages and Societies Commons, History of Christianity Commons, History of Religion Commons, Intellectual History Commons, Liturgy and Worship Commons, Other Anthropology Commons, Other International and Area Studies Commons, Politics and Social Change Commons, Regional Sociology Commons, Religious Thought, Theology and Philosophy of Religion Commons, Slavic Languages and Societies Commons, Social and Cultural Anthropology Commons, Social History Commons, Sociology of Culture Commons, and the Sociology of Religion Commons Recommended Citation Povedak, Kinga (2020) "Rockin' the Church: Vernacular Catholic Musical Practices," Journal of Global Catholicism: Vol. 4: Iss. 1, Article 4. p.42-63. DOI: 10.32436/2475-6423.1066 Available at: https://crossworks.holycross.edu/jgc/vol4/iss1/4 This Article is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in Journal of Global Catholicism by an authorized -
Calling William Cowper: a Visit to the Cowper and Newton Museum
Calling William Cowper: A visit to the Cowper and Newton Museum Your sea of troubles you have past, And found the peaceful shore These were the words I included in the March (Cambridgeshire) Grammar School magazine at the end of my last year there. Roman House were the champions. I was their house captain. Wonderful days! Yet it was the rest of the verse which always stuck in my mind: I tempest-toss’d and wreck’d at last, Come home to port no more. (‘To the Reverend Mr. Newton on his return from Ramsgate. October 1780’) Those words made me think more about the man himself. William Cowper, whose father, John Cowper, was chaplain to George the Third, suffered most of his life from what we know now as manic depression. The actor, Stephen Fry, has publicly shared with the media his own battle with such an affliction. When Cowper died in May, 1800, the funeral service at St. Mary Woolnoth in Lombard Street, London, was conducted by the Rev. John Newton. He said that ‘He [Cowper] could give comfort, though he could not receive any himself.’(The Life of John Newton by Richard Cecil). John Newton, author of the hymn ‘Amazing Grace’, was the curate of the church of St Peter and St Paul in Olney from 1764 to 1779. He was Cowper’s firm friend and mentor. They collaborated to write the Olney Hymns. I wanted to see for myself where Cowper lived, where he wrote his poems and letters, and what he did with his time. -
The Tradition of Theriophily in Cowper, Crabbe, and Burns
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The rT adition of Theriophily in Cowper, Crabbe, and Burns. Rosemary Moody Canfield Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Canfield, Rosemary Moody, "The rT adition of Theriophily in Cowper, Crabbe, and Burns." (1971). LSU Historical Dissertations and Theses. 2034. https://digitalcommons.lsu.edu/gradschool_disstheses/2034 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-3470 CANFIELD, Rosemary Moody, 1927- THE TRADITION OF THERIOPHILY IN COWPER, CRABBE, AND BURNS. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, general University Microfilms, A \ERQX Company , Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED The Tradition of Theriophily in Cowper, Crabbe, and Burns A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Rosemary Moody Canfield B.A., University of Minnesota, 1949 M.A., University of Minnesota, 1952 August, 1971 PLEASE NOTE: Some Pages have indistinct print. Filmed as received. UNIVERSITY MICROFILMS TABLE OF CONTENTS PAGE TITLE P A G E .............................................. i ACKNOWLEDGEMENT........................................ ii ABSTRACT ............................................... iv I. INTRODUCTION....................................... 1 II. THERIOPHILY IN THE WORK OFWILLIAM COWPER . -
The Second Edition of Cowper's Homer
Widmer, M. (2019) The second edition of Cowper's Homer. Translation and Literature, 28(2-3), pp. 151-199. (doi:10.3366/tal.2019.0384) There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/199006/ Deposited on: 28 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 1 The Second Edition of Cowper’s Homer Matthias Widmer William Cowper’s 1791 translation of the Iliad and Odyssey is rarely read today even among academics. While it adds to the advances in the medium of blank verse that the poet had made with The Task, its literary significance pales by comparison with that of the monumental Pope translation it sought to replace, and as an attempt at rendering Homer it is marred by the unwholesome influence of Milton – or so the general consensus seems to be. As early as 1905, one editor pronounced the translation ‘dead’.1 Cowper’s efforts to revise the text, which continued until the end of his life, are even less well known; the second edition, published posthumously in 1802 by his kinsman John Johnson, has received almost no attention at all. When critics do discuss Cowper’s Homer, it is to the first edition that they refer. Matthew Arnold, although aware of the 1802 edition and Cowper’s dissatisfaction with his earlier work expressed in the preface to that volume, nevertheless quotes the original 1791 version to illustrate what he perceives as the translator’s ‘elaborate Miltonic manner, entirely alien to the flowing rapidity of Homer’:2 So num’rous seem’d those fires the bank between Of Xanthus, blazing, and the fleet of Greece, In prospect all of Troy3 In Arnold’s opinion, ‘the inversion and pregnant conciseness of Milton’ that Cowper imitates in this passage ‘are the very opposites of the directness and flowingness of Homer’ (p. -
George Herbert, William Cowper, and the Discourse of Dis/Ability1
‘Upon the Rack’: George Herbert, William Cowper, and the Discourse of Dis/ability1 In 1876, George Herbert and William Cowper were jointly memorialized on a window in St. George’s Chapel in Westminster Abbey2. This placement of the portraits of ‘Herbert at Bemerton, and Cowper at Olney’ side by side seems natural given their shared history as students at Westminster school and Cowper’s high regard for Herbert’s spiritual vision3. It is true that Cowper describes Herbert’s poetic style as ‘gothic and uncouth’ in his spiritual autobiography, Adelphi, echoing the late Augustan view of Herbert’s poems as outmoded and unpolished4. However, here and elsewhere, Cowper is adamant that Herbert’s poetry is therapeutic for those on the ‘Brink’ of ‘Ruin’5. Although Cowper shares the emotional volatility of John Donne – from whom his mother, Ann Donne, claimed descent – it is in the poems of Herbert that he finds a restorative agent for the suffering body and spirit6. During one of Cowper’s earliest depressive episodes, he describes suffering ‘day and night […] upon the rack, lying down in horrors and rising in despair’, finding a measure of relief only in the poems of Herbert. Immersing himself in them ‘all day long’, he finds ‘delight’ in their ‘strain of piety’7. Though Cowper admits that the poems do not completely cure his ailment, in the act of reading them, his dis/abled mind is ‘much alleviated’8. Cowper returns to Herbert’s poetry later in life when he finds his brother John near death and possibly damnation9. When John is so ill that ‘his case is clearly out of the Reach of Medicine’, Cowper again succumbs to a psychological panic that only Herbert can assuage. -
Any Way You Look at It, the Poet William Cowper Had a Difficult Life
Lessons from the Friends of William Cowper adopted as a member of their family. He moved from his solitary, lonely By Susan Verstraete household into their bustling home as a boarder. Cowper said, “For solitude, however some may rave, seeming a sanctuary, proves a grave. A sepulcher in Any way you look at it, the poet William Cowper (pronounced “Cooper”) had a which the living lie, where all good qualities come to die.”2 Mary Unwin was to difficult life. His mother and five siblings died by the time William was six be a surrogate mother to Cowper for the rest of her life, and was able to reason years old. He was sent to a boarding school where an older student abused him. with him when delusion convinced him he could trust no one else. As an adult he battled delusions and depression. And although he never recorded a single doubt about the character of God or the We learn to encourage our friends to serve others. While living with the effectiveness of Christ’s sacrifice on the cross as Unwins, Cowper met John Newton, the former slave ship captain turned pastor, propitiation of sin, he spent years wavering in the and author of the hymn, “Amazing Grace.” They were to remain close friends assurance of his own salvation. for the rest of Cowper’s life. Newton encouraged Cowper to travel along as he walked to outlying churches to minister the gospel. He also asked Cowper to But Cowper was blessed with friends. From childhood help him write rhymes to help illiterate church members memorize biblical truth. -
2019 SMI Agenda
Name: Room Number: Sacred Music Institute Materials: Table of Contents Welcome, brothers and sisters, to a week of musical challenges and inspiration! In this binder are the handouts you will need for our general sessions, along with instructions for inserting the five colored tabs within them. You will receive more handouts at breakout sessions. All materials are available online from http://ww1.antiochian.org/2019-smi-handouts. Introductory Material • Table of Contents / Welcome Letter (this page) • Course Descriptions / Presenter Biographies (4 sheets) 1) YELLOW Tab goes here, before page titled “Confession Handout” • Wednesday General Session (4 sheets): Confession • Thursday General Session (2 sheets): Unction • Thursday Service (22 sheets): Unction Service 2) RED Tab goes here, before page titled “Rejouce, O Virgin Theotokos’” • Thursday General Session (20 sheets): Wedding / Ordination • Friday General Session (11 sheets): Baptism / Chrismation 3) WHITE Tab goes here, before page titled “Taking the Stress out of ‘Master, Bless!’” • Friday General Session (2 sheets): Chanting with a Hierarch • Friday evening Daily Vespers (5 sheets) • Sunday morning Orthros (17 sheets) 4) GREEN Tab goes here, before page titled “The Great Litany” • Friday and Sunday Divine Liturgies (27 sheets) 5) PINK Tab goes here, for use with breakout sessions If you brought a small binder or folder, you may simply transfer the music for each service from your main binder to the smaller one. Your shoulders will be thanking you by Sunday! Sacred Music Institute July 10-14, 2019 Dearest brothers and sisters in Christ: On Holy Pentecost, as we celebrate the coming of the Holy Spirit, the Synaxarion boldly refutes the popular idea that Pentecost is the birthday of the Church. -
'Hope', Lines 75-110 WB Hutchings the Set of Eight Moral Satires That
William Cowper, ‘Hope’, lines 75-110 W. B. Hutchings To rise at noon, sit slipshod and undressed, To read the news or fiddle as seems best, Till half the world comes rattling at his door, To fill the dull vacuity till four, And just when evening turns the blue vault grey, To spend two hours in dressing for the day, 80 To make the sun a bauble without use, Save for the fruits his heavenly beams produce, Quite to forget, or deem it worth no thought, Who bids him shine, or if he shine or not, Through mere necessity to close his eyes 85 Just when the larks and when the shepherds rise, Is such a life, so tediously the same, So void of all utility or aim, That poor Jonquil, with almost every breath Sighs for his exit, vulgarly called death: 90 For he, with all his follies, has a mind Not yet so blank, or fashionably blind, But now and then perhaps a feeble ray Of distant wisdom shoots across his way, By which he reads, that life without a plan, 95 As useless as the moment it began, Serves merely as a soil for discontent To thrive in, an incumbrance, ere half spent. Oh weariness beyond what asses feel, That tread the circuit of the cistern wheel, 100 A dull rotation never at a stay, Yesterday’s face twin image of to-day, While conversation, an exhausted stock, Grows drowsy as the clicking of a clock. No need, he cries, of gravity stuffed out 105 With academic dignity devout, To read wise lectures, vanity the text; Proclaim the remedy, ye learned, next, For truth self-evident with pomp impressed, Is vanity surpassing all the rest. -
1960Helmocr.Pdf (1.829Mb)
A CRIT I CAL ANALYSIS OF WILLI AM COW PER'S POEM S A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH IN THE GR AD UATE SCHOOL OF THE TEXAS WOMAN'S UN IVERSITY COLLEGE OF ARTS AN D SCIEN CE S BY JUANITA MOHON HELM , B. A. DENTON, TEXAS AUGUST, 1960 •;. , ' i ' Texas Woman's University University Hill Denton, Texas ______________ _______________ _A_u.g_u_s_t_._____ 19 6..0____ _ We hereby recommend that the thesis prepared under om supervision by --=J_,,u,,_,a"-'n~1~· t=-=a~M,~o"""'h,.__,o~n~H=e-=l=m~-------- entitled A Cr i t i ca 1 An a 1 y: s i s of Wi l li am Cow p_e r v s__ _ Poems be accepted as fulfilling this part of the requirements for the Degree of Mas ter o f Arts . Committee: Chairman · Clb\;:t:a #ll\C?J..L ;f., . ~~ dk~d2/c-.~ G e 9 PREFA CE When I began my s tudy of William Cowper , I wa s a ma z ed and a lmost overwhelmed by him; the gentleness of h is nature I mist oo k f or effeminacy ; h is re l igi ou s turmo ils , f or fanaticism; his desire f or s eclusi on , f or e cc entri c ity. The more I read, h owever, t he more fa sc inated I becam e. It wa s only after I had read hi s wo r ks t hat I began t o un d erstand him as a person.